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copenhagenfreeuniversity

All power to the free universities of the future! [The Copenhagen Free University]
"The Copenhagen Free University was an attempt to reinvigorate the emancipatory aspect of research and learning, in the midst of an ongoing economisation of all knowledge production in society. Seeing how education and research were being subsumed into an industry structured by a corporate way of thinking, we intended to bring the idea of the university back to life. By life, we mean the messy life people live within the contradictions of capitalism. We wanted to reconnect knowledge production, learning and skill sharing to the everyday within a self-organised institutional framework of a free university. Our intention was multi-layered and was of course partly utopian, but also practical and experimental. We turned our flat in Copenhagen into a university by the very simple act of declaring 'this is a university'. By this transformative speech act the domestic setting of our flat became a university. It didn't take any alterations to the architecture other than the small things needed in terms of having people in your home staying over, presenting thoughts, researching archival material, screening films, presenting documents and works of art. Our home became a public institution dedicated to the production process of communal knowledge and fluctuating desires."

"As the strategy of self-institution focused on taking power and not accepting the dualism between the mainstream and the alternative, this in itself carried some contradictions. The CFU had for us become a too fixed identifier of a certain discourse relating to emancipatory education within academia and the art scene. Thus we decided to shut down the CFU in the winter of 2007 as a way of withdrawing the CFU from the landscape. We did this with the statement 'We Have Won' and shut the door of the CFU just before the New Year. During the six years of the CFU's existence, the knowledge economy had rapidly, and aggressively, become the norm around us in Copenhagen and in northern Europe. The rise of social networking, lifestyle and intellectual property as engines of valorisation meant that the knowledge economy was expanding into the tiniest pores of our lives and social relations. The state had turned to a wholesale privatisation of former public educational institutions, converting them into mines of raw material for industry in the shape of ideas, desires and human beings. But this normalising process was somehow not powerful enough to silence all forms of critique and dissent; other measures were required."

"We call for everybody to establish their own free universities in their homes or in the workplace, in the square or in the wilderness. All power to the free universities of the future."
self-organizedlearningenvironment  self-organization  2837university  lcproject  altgdp  experimental  hierarchy  freedom  deschooling  unschooling  copenhagen  denmark  copenhagenfreeuniversity  freeschools  freeschool  activism  education 
july 2012 by robertogreco
MoMA.org | Millennium Magazines
Throughout the twentieth century, innovations in international avant-garde visual arts and design were often first expressed in the informal context of a magazine or journal. This exhibition, drawn from the holdings of The Museum of Modern Art Library, follows this practice into the twenty-first century, exploring the various ways in which contemporary artists and designers use the magazine as an experimental space.

The works on view, all published since 2000, represent a broad array of international titles—from community newspapers to image- only photography magazines to conceptual design projects. These publications illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are connections to the past lineage of artists’ magazines and the little architecture and design magazines of the twentieth century, as well as unique applications of new image-editing and printing methods. Assembled here, these contemporary magazines provide a firsthand view of the latest practices in art and design in print and represent MoMA Library’s sustained effort to document and collect this medium."
it'snicethat  insituteforsocialhypocrisy  infopool  exhibitions  hotandcold  hunterandcrook  hereandthere  thehappyhypocrite  graphic  gagarin  foerster  fillip  faund  faqnp  fashionfashion  fabrikzeitung  theexhibitionist  theexcuse  espous  elsie  elk  ledictateur  derdiedas  dearreader  daddy  correspondencia  copenhagenfreeuniversity  conveyormagazine  condiment  0_100  clubdonny  chimurenga  charley  capricious  cabinet  bidoun  apartamento  davidsenior  rachaelmorrison  moma  art  zines  magazines 
july 2012 by robertogreco

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