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Harmonia: An interactive utopian tale
"Harmonia is an interactive short story by Liza Daly. It placed third in the 2017 Interactive Fiction Competition and won two XYZZY awards."
fiction  game  creativewriting 
11 weeks ago by warnick
How Iowa Flattened Literature - The Chronicle of Higher Education
The discipline of creative writing was effectively born in the 1950s. Imperial prosperity gave rise to it, postwar anxieties shaped it. "Science," Ransom argued in The World’s Body, "gratifies a rational or practical impulse and exhibits the minimum of perception. Art gratifies a perceptual impulse and exhibits the minimum of reason."
publishing  culture  cia  cold-war  fiction  creativewriting 
august 2018 by jomc
Twitter
RT : Here they are! Two different posts, both FT for 1 year starting Jan 1st, both to work with me on w…
CreativeWriting  from twitter
august 2018 by brokenbottleboy
How Iowa Flattened Literature By Eric Bennett FEBRUARY 10, 2014
With CIA help, writers were enlisted to battle both Communism and eggheaded abstraction. The damage to writing lingers.
Did the CIA fund creative writing in America? The idea seems like the invention of a creative writer. Yet once upon a time (1967, to be exact), Paul Engle received money from the Farfield Foundation to support international writing at the University of Iowa. The Farfield Foundation was not really a foundation; it was a CIA front that supported cultural operations, mostly in Europe, through an organization called the Congress for Cultural Freedom.

Seven years earlier, Engle, then director of the Iowa Writers' Workshop, had approached the Rockefeller Foundation with big fears and grand plans. "I trust you have seen the recent announcement that the Soviet Union is founding a University at Moscow for students coming from outside the country," he wrote. This could mean only that "thousands of young people of intelligence, many of whom could never get University training in their own countries, will receive education … along with the expected ideological indoctrination." Engle denounced rounding up students in "one easily supervised place" as a "typical Soviet tactic." He believed that the United States must "compete with that, hard and by long time planning"—by, well, rounding up foreign students in an easily supervised place called Iowa City. Through the University of Iowa, Engle received $10,000 to travel in Asia and Europe to recruit young writers—left-leaning intellectuals—to send to the United States on fellowship.

The Iowa Writers’ Workshop emerged in the 1930s and powerfully influenced the creative-writing programs that followed. More than half of the second-wave programs, about 50 of which appeared by 1970, were founded by Iowa graduates. Third- and fourth- and fifth-wave programs, also Iowa scions, have kept coming ever since. So the conventional wisdom that Iowa kicked off the boom in M.F.A. programs is true enough.

But it’s also an accepted part of the story that creative-writing programs arose spontaneously: Creative writing was an idea whose time had come.
IowaWriters’Workshop  CreativeWriting  Fiction  IanMcEwan 
may 2018 by juandante

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