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howwecreate

Re: Iterating - Emesis - Quora
"I attempted to draw a diagram that accurately represented what I'm describing here, only to realize that's antithetical to my whole point: there shouldn't be a discrete, systematic flow of steps. Plotted on a chart, each project would be a unique sequence of twists and turns through the many domains that shape a piece of software. And that's okay."
davidcole  design  process  coding  flow  2012  systems  software  iteration  howwework  howwecreate 
february 2013 by robertogreco
Photo by caseyneistat • Instagram ["How To Be A Filmmaker. an abridged essay from 2007."]
"12.14.2007
Mexico City
Casey's Space (Righty)
Mexico City, Mexico

If you want to be a filmmaker. really want to be filmmaker, give it everything you've got. Your excuses are your own, everybody's got them. Too busy with your job? Quit. Don;t have a camera? Steal you mom's. Can't afford a computer? get 2 VCR's.

Doing what you want in life is hard but you're definitely going to die at some point in time so you should at least try."
2007  wantingit  motivation  howwecreate  constraints  excuses  life  filmmaking  caseyneistat  from delicious
august 2012 by robertogreco
Agnes Martin Interview (20:00 version, 1997) on Vimeo
"An interview done by Chuck Smith & Sono Kuwayama with painter Agnes Martin at her studio in Taos in Nov. 1997."

[Shorter version here: https://www.youtube.com/watch?v=_-JfYjmo5OA ]

[Via: https://twitter.com/CaseyG/status/223499478819287041 ]

Some highlights:

“I paint with my back to the world.”

"I think education is wrong. Education wants us to think that we are capable and we can do anything, teaches us to be ambitious, but that's the way to failure. To think to win and be ambitious instead of thinking what you're doing. The people that think they're ambitious and capable, they don't know they're only capable of repeating something that's already been done."

"The worst thing you can think about when you're working at anything is yourself."

"You can't think about beating the rest of them when you are painting. You have to keep a picture in your mind."
glvo  brucenauman  self  clarity  agnesmartin  inspiration  howwecreate  howwework  vacanmind  ideas  sonokuwayama  chucksmith  via:caseygollan  interviews  1997  loneliness  alone  life  painting  art  evolution  education  ambition  failure  from delicious
july 2012 by robertogreco
Workplace experiments: A month to yourself - (37signals)
"Some companies are famous for their 20% time where employees get 1/5th of their time to work on their own projects. In spirit I like this idea, but usually it’s executed by carving out a day here or a day there – or every Friday, for example – to work on your own projects.

But all time isn’t equal. I’d take 5 days in a row over 5 days spread out over 5 weeks. So our theory is that we’ll see better results when people have a long stretch of uninterrupted time. A month includes time to think, not just time to squeeze in some personal work around the edges."
uninterruptedtime  timeoff  creativity  attention  howwework  howwecreate  glvo  startups  rework  sabbatical  makerstime  interruption  interruptions  2012  yearoff2  yearoff  distraction  time  google20%  makertime  makersschedule  from delicious
june 2012 by robertogreco
Workplace experiments: A month to yourself - (37signals)
"Some companies are famous for their 20% time where employees get 1/5th of their time to work on their own projects. In spirit I like this idea, but usually it’s executed by carving out a day here or a day there – or every Friday, for example – to work on your own projects.

But all time isn’t equal. I’d take 5 days in a row over 5 days spread out over 5 weeks. So our theory is that we’ll see better results when people have a long stretch of uninterrupted time. A month includes time to think, not just time to squeeze in some personal work around the edges."
uninterruptedtime  timeoff  creativity  attention  howwework  howwecreate  glvo  startups  rework  sabbatical  makerstime  interruption  interruptions  2012  yearoff2  yearoff  distraction  time  google20%  from google
june 2012 by roomthily
Max Tabackman Fenton
[The delightful copy from May 15, 2012.]

"Hello, I'm Max Fenton.

Knowingly or not, I've enlisted friends, peers, and strangers to unpack a puzzle that involves reading and writing on networks and screens.

You can follow along or participate by reading, clipping, grokking, assembling, questioning
stockandflow  flow  commonplacebooks  friends  peers  talktostrangers  strangers  networkedlearning  benpieratt  transparency  comments  peoplelikeme  howwethink  howwecreate  socialmedia  participation  pinboard  readmill  flavors.me  reading.am  tumblr  twitter  2012  sensemaking  meaningmaking  clipping  assembling  sharing  questioning  crumbtrails  conversation  howwelearn  howwework  cv  online  web  trails  wayfinding  pathfinding  maxfenton  via:robertogreco 
may 2012 by justincharles
Max Tabackman Fenton
[The delightful copy from May 15, 2012.]

"Hello, I'm Max Fenton.

Knowingly or not, I've enlisted friends, peers, and strangers to unpack a puzzle that involves reading and writing on networks and screens.

You can follow along or participate by reading, clipping, grokking, assembling, questioning, and sharing—while making a path. You'll need electrons, a wish to explore, and an eye for how these pieces might fit together in novel shapes and forms.

My trails are charted through twitter, tumblr, pinboard, readmill, reading, and 2nd hand [flavors.me]."

[As shared on Twitter:

"Made my site a little more accurate [http://maxfenton.com] then read @pieratt's "Transparency" http://pieratt.tumblr.com/post/23108094947/transparency-in-the-evolution-of-technology — Yes."

http://twitter.com/maxfenton/status/202477843534454784 ]

[See also: http://twitter.com/rogre/status/202481485633159168 ]
stockandflow  flow  commonplacebooks  friends  peers  talktostrangers  strangers  networkedlearning  benpieratt  transparency  comments  peoplelikeme  howwethink  howwecreate  socialmedia  participation  pinboard  readmill  flavors.me  reading.am  tumblr  twitter  2012  sensemaking  meaningmaking  clipping  assembling  sharing  questioning  crumbtrails  conversation  howwelearn  howwework  cv  online  web  trails  wayfinding  pathfinding  maxfenton  from delicious
may 2012 by robertogreco
Metropolis M » Magazine » 2011 No5 » dOCUMENTA (13) Thinks Ahead
"A collection of notes is a curious archive of attempts. Attempts to understand the language we use, the logic we trace, and the images we generate to understand life today. Carolyn Christov-Bakargiev, the artistic director of dOCUMENTA (13), would say that these notebooks are “worlding” exercises, weaving and stringing together different potentials.’"

"we are really interested in exploring artistic research. Artists, like scientists, are pioneers when it comes to creating new forms of connectivity between worlds that seem to have nothing in common with each other. They embark on the endless study of everything that contributes to different formulations of what we call reality. Taking artistic research seriously means accepting disorganisation within the relationship between disciplines that deal with contemporary art. The rise of cultural studies, critical theory, and the many variations of post-Marxist understanding of the relationship between art and economics is the fruit of…"
sketchbooks  worldbuilding  worlding  sensemaking  meaningmaking  meaning  cv  howwethink  howwecreate  howwelearn  howwework  research  art  multidisciplinary  crossdisciplinary  crosspollination  interdisciplinary  interdisciplinarity  artisticresearch  connections  potentials  sketching  drawing  language  logic  deschooling  unschooling  glvo  notebooks  2012  carolynchristov-bakargiev  chusmartinez  documenta(13)  documenta  understanding  notetaking  notes  learning  from delicious
may 2012 by robertogreco
The Fierce Imagination of Haruki Murakami - NYTimes.com
"“I live in Tokyo,” he told me, “a kind of civilized world — like New York or Los Angeles or London or Paris. If you want to find a magical situation, magical things, you have to go deep inside yourself. So that is what I do. People say it’s magic realism — but in the depths of my soul, it’s just realism. Not magical. While I’m writing, it’s very natural, very logical, very realistic and reasonable.”

Murakami insists that, when he’s not writing, he is an absolutely ordinary man — his creativity, he says, is a “black box” to which he has no conscious access. He tends to shy away from the media and is always surprised when a reader wants to shake his hand on the street. He says he much prefers to listen to other people talk — and indeed, he is known as a kind of Studs Terkel in Japan…"
harukimurakami  writing  2011  howwecreate  howwework  1Q84  books  interviews  running  japan  tokyo  travel  culture  literature  from delicious
october 2011 by robertogreco
Musicians and cooks talk shop on "Treme" - Treme - Salon.com
"David Simon's New Orleans drama "Treme" is very good at many different things, but it has a special knack for showing how artists make art, and what it actually means to make a living from creative work. It's not easy; in fact it's often infuriating, because society at large tends to see creative work as somehow "easier" than other kinds, and because artists themselves tend to be somewhat more eccentric or even volatile than other kinds of people, and more likely to be disconnected from mundane reality.

To say that "Treme" gets all this would be an understatement. In fact, the creative process is often the glue holding the show's other disparate elements together."
treme  creativity  thecreativeprocess  howwework  howwecreate  davidsimon  2011  jazz  music  craft  food  cooking  sewing  glvo  artists  art  from delicious
july 2011 by robertogreco

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