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Podcast w/ "The Godfather of Dutch Graphic Design" is now live!
designwisdom  KarelMartens  from twitter_favs
july 2016 by hithro
Beyond This Point
Podcast w/ "The Godfather of Dutch Graphic Design" is now live!
designwisdom  KarelMartens  from twitter_favs
july 2016 by hithro
Dutch Profiles: Karel Martens on Vimeo
"Evoking meaning, rather than boldly presenting truth: this is the essence of typographer Karel Martens' work. To achieve this he likes to experiment with numbers, abstract figures and vivid colors.

During the seventies Karel Martens worked for SUN, a socialist publisher led by a group of highly motivated individuals. He succeeded in giving all their publications a very distinctive appearance.

Martens has been teaching throughout most of his career. Like for instance here at Werkplaats Typografie in Arnhem."
karelmartens  video  design  typography  graphic  graphicdesign  color  colors  numbers  howwelearn  howweteach  teaching  learning 
july 2015 by robertogreco
P! - Karel Martens: Selected Letterpress Works - Karel Martens: Selected Letterpress Works
"When Karel Martens began studying art in Holland in the late 1950s, “graphic design” did not even exist as its own course of study. Today he is widely recognized as one of the most important practitioners of that very discipline, with an esteemed client list that includes major publishers, architects, and institutions."
letterpress  printmaking  graphicdesign  netherlands  karelmartens 
november 2014 by gohai
P! - Karel Martens: Selected Letterpress Works - Karel Martens: Selected Letterpress Works
When Karel Martens began studying art in Holland in the late 1950s, “graphic design” did not even exist as its own course of study. Today he is widely recognized as one of the most important practitioners of that very discipline, with an esteemed client list that includes major publishers, architects, and institutions. His accolades include the H.N. Werkman Prize (1993) for the design of the architectural journal Oase, the Dr A.H. Heineken Prize for Art (1996), the Gold Medal at the Leipzig Book Fair (1998), and numerous other distinctions. Martens has taught at the Yale School of Art, Jan van Eyck Academie, and co-founded Werkplaats Typografie in 1997. The below selection of Martens’ monoprints includes rare works from the 1950s and 60s. They engage with the technology of letterpress, deliberately misusing the media to create unique prints. Neither commissioned design objects nor autonomous artworks, Martens’ letterpress experiments exist as unique fragments of an ongoing visual process.
letterpress  design  graphics  karelmartens 
december 2012 by markogara
School Days — Lined & Unlined
[Now here: https://linedandunlined.com/archive/unbuilding ]

Quotes highlighted by Allen on Reading.am:

"It is not simply the unexamined life here that is not worth living, but the unnarrated life — and far from a nostalgic examination, that narration is increasingly essential and increasingly likely to occur in real time."

"Instead of the dismantling and overtly critical strategy employed by postmodernism, the reflexively modern society seeks to examine and correct itself in order to keep placing itself continually back on track. The result is a heightened sense of self-awareness and self-preservation leading all the way back to the individual. "

"Whether overtly biographical or simply self-referential, design remains even today in the peculiar position of having its history and criticism written largely by and for its own practitioners."

[This is a link-rich article that points to many other articles worth reading.]

[Manifesta 6's Notes for an Art School is available in PDF here: http://a.nnotate.com/docs/2011-11-11/iVdeoOj9/NFAAS%20fire%20inside%20copy.pdf ]
designcriticism  altgdp  manifesta  via:litherland  via:tealtan  whitneyispprogram  mountainschoolofart  josephbeuys  freeinternationaluniversity  skowhegan  blackmountaincollege  bauhaus  manifesta6  self-involved  art  criticalautonomy  andrewblauvelt  lorrainewild  wiggerbierma  karelmartens  graphicdesign  gunnarswanson  criticaldesign  speculativedesign  fionaraby  anthonydunne  helenwalters  brucenussbaum  dextersinister  raymondwilliams  antonvidokle  waltergropius  paulelliman  nowinproduction  designeducation  writing  education  criticism  2012  self-preservation  self-reference  unnarratedlife  examinedlife  unexaminedlife  self-awareness  design  robgiampietro  bmc  designfiction  dunne&raby  from delicious
november 2012 by robertogreco
Karel Martens on Vimeo
"Evoking meaning, rather than boldly presenting truth: this is the essence of typographer Karel Martens' work. To achieve this he likes to experiment with numbers, abstract figures and vivid colors.

During the seventies Karel Martens worked for SUN, a socialist publisher led by a group of highly motivated individuals. He succeeded in giving all their publications a very distinctive appearance.

Martens has been teaching throughout most of his career. Like for instance here at Werkplaats Typografie in Arnhem."

One quote:

"The nicest way to deal with students is to take them seriously, to listen to them well, and to trust them."

[Posted here: http://robertogreco.tumblr.com/post/30376075304/evoking-meaning-rather-than-boldly-presenting AND here: http://robertogreco.tumblr.com/post/30377108566/the-nicest-way-to-deal-with-students-is-to-take ]
via:litherland  reality  fabric  numbers  color  listening  trust  graphics  cv  teaching  typography  design  graphicdesign  karelmartens  from delicious
august 2012 by robertogreco
P! - Process 01: Joy - Process 01: Joy
“We have also been experiencing some uneasy times lately, but aware of the irrelevance of all these things, we attempt to lose ourselves in our work and in the joy of life.” —H.N. Werkman

“Museums are no place for artists who are questioning social roles.”
—Chauncey Hare

"The inaugural exhibition at P!, Process 01: Joy, opens in September 2012. Featuring works by Chauncey Hare, Christine Hill, and Karel Martens, the exhibition focuses on topics that periodically appear, disappear, and reappear in and out of contemporary discourse: labor, alienation, and the love of work. Rather than attempting to tackle these themes head on, the exhibition presents three wildly disparate positions that together suggest a loose and unstable thesis. The materials on view span a range of documentary, anthropological, and performative approaches to questions of labor and, at the same time, enact self-reflexive, parallel spaces of production and “off-time.”"

[Tumblr: http://p-exclamation.org/ ]
via:litherland  vocations  artlabor  design  art  labor  karelmartens  alienation  work  christinehill  chaunceyhare  p!  leisurearts  artleisure  from delicious
august 2012 by robertogreco

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