recentpopularlog in

newhive

The Device is the Message
["THE-DEVICE-IS-THE-MESSAGE_PART_I"
http://blog.newhive.com/the-device-is-the-message_part_i/v

"The Device is the Message by Liliana Farber

Storage Un.it is a small project space located in a storage unit @ arebyte Gallery in London. The space features a series of projects, which take place online and investigate the relationship between the URL & IRL. The space was initiated in Nov 2015 as part of ‘The Wrong’ online Biennale.

The second residency in storage-un.it is artist Liliana Farber and her work titled the-device-is-the-message_Part_I.

The work focuses on the idea of the smartphone as an active agent in the way we interact with the real world, the art world and the online world, but also with each other. Confrontations become digitized and repercussions between the machine and its user are staged virtually.

In relation to the way in which the smartphone has become integral to the modern world, Farber will interrogate how this reliance affects real interactions — but also how the specific language of the virtual is shaping our perceptions of time, space and place in the real. The symbiotic relationship between the user, the machine and the notion of privacy is of interest for the artist and will be explored further via recordings and research with relation to her personal data usage.

A precise intimacy is at play between the user and the screen; private experiences are created but can also become part of the public domain. This idea of the boundaries between public and private can be seen by the way in which Farber is conducting her research and documenting the project’s progress. All aspects are continually updated via NewHive, and viewers can watch the project update in real time through September 10th, 2016.

Once the online residency is completed, the research undertaken will be presented in an exhibition displayed through the smartphone screen – both reflecting on the temporal nature of imagery and our constant exposure to content, a comment on the sub-sequential reliance on the screen to divulge information."]
thedeviceisthemessage  lilianafarber  newhive  smartphones  mobile  art  2016  privacy  online  internet  phones  time  space  place  public  private  imagery  netart 
july 2016 by robertogreco
NewHive
[See also: “Beautiful disasters: NewHive is making the web weird again”
http://www.theverge.com/2014/2/18/5420246/can-newhive-make-the-web-weird-again-zach-verdin ]

"NewHive is a multimedia publishing platform. We provide a blank space and custom tools to simplify the process of creating rich multimedia experiences on the web.

Get started with our User Guide [http://newhive.com/newhive/user-guide ] and Frequently Asked Questions [http://newhive.com/newhive/faq ].

Say hello. Ask about job opportunities. Get in touch with our press and media team. Inquire about partnership and business development opportunities.

We are committed to supporting creators on the NewHive platform.
We do this in a variety of ways, including:

Commissioned Projects

NewHive regularly commissions multimedia mixtapes, singles, zines, ebooks, curated exhibitions, and solo projects by emerging and established artists engaged with the Internet. Creators receive a stipend and technical support. Proposals are reviewed on a rolling basis. Get in touch: m@newhive.com.

Interview Series

NewHive publishes interviews on a weekly basis. These conversations focus on the creative process, and aim to promote a better understanding and appreciation of the arts. Search #interviews to read about the community on NewHive.

Events / Exhibitions

NewHive partners with institutions to increase the profile of our creators. Most recently we collaborated with the Goethe-Institut San Francisco on Image as Location, an exhibition that showcased artists who are remixing their favorite works of art. Previously we teamed up with Gray Area to co-organize UPLOAD.gif, a weekend-long festival celebrating the animated GIF file format.

ZACH VERDIN
Cofounder / CEO

CARA BUCCIFERRO
Cofounder / Designer

ABRAM CLARK
Cofounder / Engineer

MELISSA BRODER
Director of Media

info@newhive.com "

["What is NewHive?

NewHive is a multimedia publishing platform for the easy creation of webpages called newhives. These pages are artist-controlled, embeddable, and may be simply compiled into collections. We provide an intuitive and easy-to-use, graphical user interface. To put it simply, NewHive allows users to create webpages without having to write code or use a rigid interface.

Do I have to pay to use NewHive?

NewHive is totally and completely free!
How do I create a newhive?

To create a newhive page, click on the create icon in the bottom right-hand corner. For help creating a newhive click on the ? while in the editor."]
newhive  multimedia  webrococo  remixing  web  webpublishing  online  internet  remixculture  gifs  gif  animatedgifs  zachverdin  abramclark  carabucciferro  melissabroder  upload.gif  webdev  ebooks  zines  mixtapes  art  community  onlinetoolkit  classideas  multiliteracies  webdesign 
january 2016 by robertogreco
DIGITAL-MATERIALITY-OF-GIFS
HI, my name is Sha.

I love gifs.

Some of my best friends are gifs. One of my sideprojects is GifPop, a site where people upload gifs to print animated cards.

But that's a longer story.

What I do want to talk about is animated gifs as a design material.

But first off, a quick reminder: no one owns language.

People argue about gif or jif, but it doesn't matter. No one owns language, and even if anyone did no one is a jraphic designer or jraffiti artist.

What i love about gifs are their history and their materiality.

First specified in 1987, the creators later stated in their 1989 revision that "the graphics interchange format is not intended as a platform for animation, even though it can be done in a limited way."

And what a gloriously, gloriously limited way it is.

Animated gifs, whether you are hypnotized by them or nauseated by them, have become a visual language unto themselves, an emotive vocabulary made out of culture.

Gifs are now a medium, and their portability and accessibility to anyone allows for endless remixing and reinterpretation.

Gifs weren't always this way.

We all remember the various under construction or dancing baby gifs from the 90s, and all the bedazzled backgrounds on myspace pages.

The gif spec limits color palettes to 256 colors, and must store the pixels that have changed for every frame of animation.

This makes them very inefficient for rendering or storing entire movies, but has made them nicely equipped to capture the most delicate of moments.

Because gifs can specify an infinite loop, they both break time and increase legibility, creating the beauty we call a reaction gif.

But gifs aren't just about cutting up bits of media.

The inefficiency of the file format and the upload limits of the social networks themselves have created a whole ecosystem of experimentation and juggling around constraints.

In Jamie Beck and Kevin Burg's work, they realized that by isolating movement they could make gifs at a much higher quality than most, and still fit Tumblr's strict upload requirements, creating the style they call cinemagraphs.

Sports editors like @dshep25 have taken this technique even further, taking advantage of controlled camera angels to collapse and collage many similar shots into a single gif, like this one of Lebron James.

Artists of course are leading this exploration.

The work of dvdp and 89-a both explore extremely limited color palettes while using tight loops and large swaths of black to reduce file size.

The work of Nicolas Fong explores this dense looping to a ridiculous extreme, creating hyperintricate animations that evoke the phenakistoscopes of the 1800s.

And we even see the seams of the network in the content that's posted.

On Tumblr, where upload limits are small but multiple side-by-side gifs are permitted, people collage snippets of dialogue together.

On Imgur, the preferred uploader for redditors, upload limits are much higher, enough for entire scenes to be remixed.

Here on Newhive, artists like molly soda take advantage of the support for transparency and collaging to make pieces like this, displaying messages from her Okcupid inbox.

Content like this just explodes, and with attention comes money.

Newer networks like Vine have popped up, creating their own medium of looping video.

These days for every Vine THERE are a dozen competing looping apps trying to capitalize on this meme economy.

But while these advances are exciting, the mainstreaming of gifs is not without its losses.

Tumblr now has a minimum resolution size.

Imgur is now promoting its own videogif format.

Facebook and Twitter have started converting gifs to video by default.

While individually these decisions to decrease file sizes or stop gifs from autoplaying make sense, this desire to optimize as well as commercialize gifs ends up siloing these animations from each other, removing the portability and ease of remixing that makes gifs exciting at all.

Gifs are a dumb, limited file format, and in the end this is why they are important:

They do not belong to anyone.

Because of their constraints they become a design material, to be played with, challenged, and explored. to try and domesticate them would be missing the point.

This was written BY SHA HWANG For a Pecha Kucha talk in Brooklyn and made into a remixable newhive. The ideas are from the internet.

Thank you to animatedtext for creating the amazing title gif. more detailed sources are INLINE ON THE PAGE to the right >>>>>>>>>

[Also at this URL: http://newhive.com/shashashasha/digital-materiality-of-gifs ]
shahwang  gifs  animatedgifs  internet  web  facebook  vine  twitter  fileformats  constraints  art  webart  tumblr  memes  remixing  portability  video  animation  emotions  imgur  okcupid  redit  newhive  phenakistoscopes  dvdp  89-a  @dshep25  cinemagraphs  jamiebeck  kevinburg  history  media  legibility  resolution  reactiongifs  accessibility  1987  1989  gifpop  culture  remixculture  multiliteracies 
january 2016 by robertogreco
#ALLMYMOVIES: a Conversation With LaBeouf, Rönkkö & Turner | NewHive Blog
"LaBeouf: No, we don’t, but when you sit with an interviewer and they want to do the art waffle to justify their existence, then you gotta play the game…But when you’re sitting in the theater and a person leaves and the crowd cheers, or when I get up to go take a piss and they’re cheering, and you know that the cheer is about the person who’s next in line, they’re not cheering for themselves 40-people back, they’re cheering for the guy they know they’ve been sitting with in line for seven hours and they’re watching his face as he smiles down the stairs. That’s the art. That’s the reason we did the project."

"If I watched those movies by myself in a room I’d still be in here, there’d be no putting forth on my end, there’d be no vulnerability. But when I do it with the room, it’s handball, and I’m throwing it all over the place. I never really looked around the room until the last couple of movies. And when I started looking around the room, no one was looking at me. The last couple of movies it became more than what it started as. When it first came in, Man Down is a movie that hasn’t been released yet, we just showed it at two film festivals, and no one was watching the movie. Everyone who came into the theater sat down and stared at me. And I felt it. And then they left with-in ten minutes, because they expected me to do some high wire act. That’s not what we were there to do. Towards the middle you caught a bit of both, people would laugh when I laughed, so they were still hyper-aware, I would laugh at things that weren’t necessarily jokes and then the room would start laughing. But by the third day, nobody in the room was focused on me. Not one person was looking at me and I thought, “Wow this has nothing to do with me and nothing to do with the movies.” Because we’re watching a movie that’s dubbed in Russian, none of us understand what the fuck this is about, it has to do with the fact that we all got through this and it became something else. You can’t really articulate it and say “Oh, it was for this it was for that.” It was for the event that was created. And when we all got through it, it wasn’t just an applaud for me…it was like this cool little pause in life where all of the hubbub and all of the Bzzzz of running around and the busy-ness and the phones shut down and everything got really intimate and quiet. For what reason? No one knows. We still don’t fully know. But it created something that is bigger than all of us, all of the movies and all of the crowd. It’s connection. We were all connected for that moment. More-so for this show, then any other show we’ve done."

"It’s like you’ve made the whole world a fucking art school."
friends  newhive  artists  performance  durationalperformance  zachverdin  ALLMYMOVIES 
november 2015 by sha
Binder
"About
Binder is a simple web template.
It allows users to connect a series of already-existing web pages into one home-base with a customizable navigation. Binder is built using Javascript and JQuery, and uses iFrames.

Get Binder:
Binder is on github here. [https://github.com/clementvalla/binder/ ]
Binder can be downloaded as a .zip here.

Binder can be used with:
• Google Docs
• Tumblr
• NewHive
• PDF’s
• Wikipedia
• Youtube (using embed link)
• Vimeo (using embed link)
• and more

Binder can’t be used with:
• Twitter
• Facebook
• Sites that don’t allow iframes

Questions
Please direct any questions about Binder to: info@thisisourwork.net

Credits
This is our work with Clement Valla"

[Used for: http://printedweb.org/ ]
binder  clementvalla  webdev  googledocs  via:soulellis  pdfs  tumblr  wikipedia  youtube  vimeo  newhive  github  webdesign  pdf 
september 2015 by robertogreco
NewHive
person made animated gif valentine cards of messages from okcupid
internetinternetting  newhive  gifs  love  behavior  via:zachverdin 
february 2014 by sha
Zeega FAQ |
Zeega is an intentional misspelling of Dziga Vertov, a filmmaker best known for Man With A Movie Camera (1929) and one of our favorite media artists. Born Denis Kaufman, Vertov chose to rename himself “dziga” because the word means spinning top in Russian and also makes the sound of a turning camera.
gifs  omg  culture  internetculture  filmmaking  sparkfile  newhive 
june 2013 by sha
Featured Expressions - The New Hive
The New Hive is a new service that allows you to create online collages of your favorite media and text. It's a bit like Glogster without templates and bubbly artwork predefined for you and it's free unlike Glogster which used to be free. The New Hive provides a blank canvas that you can design with images, videos, audio files, and text. You can quickly re-size and re-position the elements on your pages by draggin and dropping them. The pages that you create on The New Hive can be made public or private.
newhive  glogster  thunderblog  from delicious
may 2012 by lynnmtthws

Copy this bookmark:





to read