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aries1988 : 1960s   10

The Seductive Enthusiasm of Kenneth Clark’s “Civilisation”
it raised an important question in his mind: how to fuse his erudite tastes in art and culture with the reach and power of broadcast television? In some respects, that remains a quixotic project. And yet Clark managed to pull it off, in ways that still seem surprising and even a little mysterious.

Clark is outrageously committed to the “great man” approach to history and to the concept of genius. “Above all, I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible,” he says.

lets the camera have a leisurely look at whatever he’s been talking about. This is the use of television as a contemplative tool, something rarely attempted and, when done well, still remarkable.

He broke down with emotion on many other occasions during the filming of the series. This predilection for weeping comes through in the final product, in a good way: Clark’s just-under-the-surface emotion, his obvious feeling that the great art we’re being shown matters, gives the series a rare and subtle power.
bio  history  tv  art  civ  west  1960s  classic 
december 2018 by aries1988
“First Man,” Reviewed: Damien Chazelle’s Neil Armstrong Bio-Pic Is an Accidental Right-Wing Fetish Object | The New Yorker

First Man is worthy of enduring as a right-wing fetish object. It is a film of deluded, cultish longing for an earlier era of American life, one defined not by conservative politics but, rather, by a narrow and regressive emotional perspective that shapes and distorts the substance of the film.

the movie doesn’t stint on the distinctive Americanism of the action onscreen (including, in a scene of Armstrong ascending from the ground to the capsule of Apollo 11 in an elevator, a point-of-view shot that reveals, majestically, the words United States painted, vertically, on the side of the very tall rocket).

In its explicit content, and by artful omission, First Man subscribes to the misbegotten political premise that America used to be greater—and that the liberating and equalizing activism of the sixties ignored, dismissed, and even undermined that greatness.
critic  movie  rightwing  astronaut  nasa  society  usa  american  hollywood  hero  family  personality  children  death  moon  opinion  1960s 
october 2018 by aries1988
Bill Callahan
Bill Callahan teaches identity politics and politics of culture at the London School of Economics and Political Science (LSE). His recent work explores the hopes…
documentary  china  gaijin  1960s 
may 2018 by aries1988
The Interpreter Wednesday, August 2, 2017
The story tracks a British spy, posing as a defector in East Germany, whose sense of purpose and self unravel as he comes to see his side as little better than that of his adversaries. Both, he realizes, profess sweeping ideologies that are merely covers for ruthless power politics. Both claim moral high ground but do terrible things, and promote the very evils they claim to combat, in a struggle that destroys innocent lives, dehumanizes its participants and corrupts what it was meant to save.
list  movie  coldwar  1960s  classic 
august 2017 by aries1988
为什么会有《十万个为什么》|大象公会
真正有《十万个为什么》色彩的“问答体”书面作品,是 16 世纪宗教改革运动以来的基督教要理(Catechism),即用来教导学生学习基本教义和圣礼的纲要性文件。1529 年,马丁·路德发表《大要理》和《小要理》,前者是针对牧师、教师和成人信众的教学手册,后者则面向被他们教导的群众,用问答形式宣传教义。

▍受国内学界时况影响,“工农兵版”《十万》收录了问题“为什么说‘宇宙膨胀’论是错误的”,正文首句即下结论称宇宙膨胀论是“唯心论和形而上学宇宙观的一个代表”,并批评了六十年代以来在国际学界颇具影响力的“大爆炸理论”
history  china  book  children  encyclopedia  kid  1960s  mao  chinese  science  education  moi 
october 2016 by aries1988
The Battle of Algiers: a film for our time

Far from glorifying the independence struggle, his film is a refreshingly non-partisan study in how people become radicalised, how violence breeds violence and how easily civil society can slide into chaos.
terrorism  algerie  history  war  france  movie  colonialism  1960s 
october 2016 by aries1988
The Cultural Revolution: A People’s History 1962-1976 by Frank Dikötter – review
Mao Zedong’s Cultural Revolution also had a darker side. It was necessary to destroy the bourgeois past, and this involved the wholesale looting of shrines, the destruction of books and parchment, the smashing of ornaments and the pillaging of homes belonging to the wealthy.
mao  1960s  china  disaster  culture  book 
may 2016 by aries1988

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