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dirtystylus : gameofthrones   9

What's Next: Avengers, MCU, Game of Thrones, and the Content Endgame | MZS | Roger Ebert
Whether what's truly being aped here is television, the theatrical cliffhangers of the 1940s and '50s, the serialized fiction of Charles Dickens and other 19th century magazine writers, or comic books and comic strips is ultimately a distinction without a difference. They're all manifestations of the same commercial/artistic impulse, to keep audiences on the hook, constantly craving dopamine rush that comes with narrative closure, even when it proves to be temporary, just a setup for the next cliffhanger. The takeaway here should be that television and cinema have merged into the endless, insatiable content stream, and the biggest, baddest examples of image-driven entertainment—the works that have the power to unite large sections of an otherwise fragmented society—are the ones that are more reminiscent of television as we've always known it.
film  cinema  tv  marvel  culture  gameofthrones 
november 2019 by dirtystylus

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