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jerryking : chadwick_boseman   4

How Chadwick Boseman Embodies Black Male Dignity - The New York Times
By Reggie Ugwu
Jan. 2, 2019

Most people would recognize any dimension of Boseman now. After years of surfing the biopic industrial complex as one national idol after another, his role as Black Panther in the “Avengers” films and this year’s eponymous blockbuster, the ninth-highest-grossing movie of all time, has established him as the rare breed of actor with both widely recognized chops and old-school star power — the kind any producer in post-Netflix Hollywood would trade a good kidney to clone in a lab. Next up are starring roles in the New York police action drama “17 Bridges” (of which he is also a producer), the international thriller “Expatriate” (he’s producing and co-writing that one) and, barring an alien-invasion-level catastrophe, a wildly anticipated “Black Panther” sequel. Boseman told me his method of humanizing superhumans begins with searching their pasts. He’s looking for gestational wounds, personal failures, private fears — fissures where the molten ore of experience might harden into steel.....After college, Boseman moved to the Bedford-Stuyvesant neighborhood of Brooklyn, where he ran out most of his 20s. He spent his days in coffee shops — playing chess and writing plays to direct, some of which were influenced by hip-hop and Pan-African theology.

At Howard, he’d taken an acting class with the Tony Award-winning actress and director Phylicia Rashad. (One summer, she helped him and some classmates get into an elite theater program at the University of Oxford, an adventure he later learned had been financed by a friend of hers: Denzel Washington.) To earn money, Boseman taught acting to students at the Schomburg Center for Research in Black Culture in Harlem.
actors  African-Americans  biopics  Black_Panther  celebrities  Denzel_Washington  dignity  inspiration  moral_authority  Chadwick_Boseman 
january 2019 by jerryking
The problem with biopics - The Globe and Mail
ALEXANDRA MOLOTKOW
The Globe and Mail
Published Friday, Aug. 08 2014
James_Brown  biopics  movies  films  soul  Chadwick_Boseman 
august 2014 by jerryking
James Brown and the Making of 'Get On Up' - WSJ
STEVE DOUGHERTY
Updated July 24, 2014

While Mr. Taylor was given the task of finally finding an actor to play James Brown, the two co-producers set about trimming the budget and cutting and shaping the script.

"We had 18 big dance production numbers at one time," says Mr. Grazer. "We always knew that was too many. When Mick and I brought Tate on, we were very practical about it. [The audience] will just burn out if you have 18. Too expensive and they will cease to have impact." The finished film has eight.

They cut scenes and eliminated characters. "There were too many different people, minor characters, record producers and recording engineers moving in and out," says Mr. Jagger. Some were folded into other characters like Ben Bart ( Dan Aykroyd ) the founder of Universal Attractions, the agency that launched Brown.
biopics  music  movies  films  rollingstones  James_Brown  soul  Brian_Grazer  Mick_Jagger  producers  Hollywood  Chadwick_Boseman 
august 2014 by jerryking

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