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Henry Louis Gates Jr.: Restoring Black History
SEPT. 23, 2016 | - The New York Times | By HENRY LOUIS GATES Jr.

The opening of the National Museum of African American History and Culture in Washington helps to resolve the protracted debate about the contributions of black people to American history and, indeed, about whether they had a history worth preserving at all. Those questions were at the heart of the nation’s original debate about whether, and how, black lives matter.....“History,” James Baldwin wrote, “is not merely something to be read. And it does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all that we do.”.... the opening of the museum ...reinscribes race at a symbolically central place in American culture, on the National Mall, where we celebrate our collective public histories, ensuring that a mountain of evidence about black contributions to America will be on permanent display....More than a museum, the building on the National Mall is a refutation of two and a half centuries of the misuse of history to reinforce a social order in which black people were enslaved, then systematically repressed and denied their rights when freed. It also repudiates the long and dismal tradition of objectifying black people in museums.
slavery  Jim_Crow  history  historians  Henry_Louis_Gates  museums  Washington_D.C.  African-Americans  Thomas_Jefferson  Enlightenment  Hegel  John_Hope_Franklin  W.E.B._Du_Bois  Carter_Woodson  Arthur_Schomburg  Obama  James_Baldwin  Smithsonian  David_Adjaye 
september 2016 by jerryking
Architect David Adjaye's World View - WSJ.com
By Ian Volner
Nov. 6, 2013 | WSJ |

Profile of David Adjaye:
The promise of those first projects attracted major institutional commissions—including the Nobel Peace Center in Oslo in 2005, and Denver's Museum of Contemporary Art two years later—but it was the 2008 economic crisis that obliged Adjaye to look still further afield and set up satellite offices in Germany and the U.S. "The catalyst for us was the downturn," says Adjaye. "We had to undergo a total restructuring. Basically we had to go big or go home."
architecture  Africa  innovation  design  Ghanaian  Nobel_Prizes  museums  art  cosmopolitan  contemporary_art  David_Adjaye 
november 2013 by jerryking

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