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jerryking : ford_foundation   5

The Man With the $13 Billion Checkbook
July 12, 2019 | The New York Times | By John Leland [John Leland, a Metro reporter, joined The Times in 2000. His most recent book is “Happiness Is a Choice You Make: Lessons From a Year Among the Oldest Old,” based on a Times series. @johnleland]

In the neglected Harlem of the late 1990s, one dynamic player was the Abyssinian Development Corporation, a nonprofit offshoot of the powerful Abyssinian Baptist Church. Harlem then was littered with abandoned buildings that had been repossessed by the city. The development corporation, led by the Rev. Dr. Calvin O. Butts III, leveraged city and private money to restore these shells, then used the profits to acquire and rehab more buildings. Mr. Walker became the organization’s chief operating officer, working out of a basement office to help bring a Pathmark supermarket to 125th Street, the anchor for what would become a thriving commercial corridor in a neighborhood that had been given up for dead.

“Working for Calvin Butts, you saw the power of the black church, the shrewd political instincts of a power player, and the dynamic at the intersection of race, power, geography and culture,” Mr. Walker said. “It gave me tremendous insight into how power at that intersection plays out, and who benefits and who doesn’t benefit.”

Mr. Walker’s time at Abyssinian also taught him what it was like to rely on foundation grants, begging the mighty patron for favors. When he left to join the Rockefeller Foundation and then Ford — and as Abyssinian boomed and busted in a new Harlem — he vowed to change this relationship.
African-Americans  capitalism  Communicating_&_Connecting  contradictions  cultural_institutions  Darren_Walker  Ford_Foundation  Harlem  inequality  museums  patronage  power_brokers  New_York_City  personal_connections  political_power  relationships  tokenism 
july 2019 by jerryking
It’s a Diverse City, but Most Big Museum Boards Are Strikingly White
AUG. 22, 2017 | The New York Times | By ROBIN POGREBIN.

Whether arts groups will make real progress is an open question. Cultural organizations have often struggled to identify minority board members capable of meeting the high donations — often millions of dollars — demanded by the city’s leading arts organizations.

“The hardest nut to crack is going to be the boards,” Mr. Finkelpearl said, adding that executives need to think about ways besides money that trustees of color can add value, namely through their art collections, personal connections or professional expertise.
Bill_de_Blasio  Darren_Walker  New_York_City  Manhattan  museums  cultural_institutions  diversity  leadership  curation  Ford_Foundation  visible_minorities  MoMA  boards_&_directors_&_governance  theatre  African-Americans 
august 2017 by jerryking

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