recentpopularlog in

jerryking : leonardo_da_vinci   7

Da Vinci code: what the tech age can learn from Leonardo
April 26, 2019 | Financial Times | by Ian Goldin.

While Leonardo is recognised principally for his artistic genius, barely a dozen paintings can be unequivocally attributed to him. In life, he defined himself not as an artist but as an engineer and architect......History does not repeat itself, but it rhymes. The Renaissance catapulted Italy from the Medieval age to become the most advanced place on Earth. Then, as now, change brought immense riches to some and growing anxiety and disillusionment to others. We too live in an age of accelerating change, one that has provoked its own fierce backlash. What lessons can we draw from Leonardo and his time to ensure that we not only benefit from a new flourishing, but that progress will be sustained? When we think of the Renaissance, we think of Florence. Leonardo arrived in the city in the mid 1460s, and as a teenager was apprenticed to the painter Verrocchio. The city was already an incubator for ideas. At the centre of the European wool trade, by the late 14th century Florence had become the home of wealthy merchants including the Medicis, who were bankers to the Papal Court. The city’s rapid advances were associated with the information and ideas revolution that defines the Renaissance. Johann Gutenberg had used moveable type to publish his Bible in the early 1450s, and between the time of Leonardo’s birth in 1452 and his 20th birthday, some 15m books were printed, more than all the European scribes had produced over the previous 1,500 years. Leonardo knew, and the Silicon Valley techno-evangelists too often neglect, information revolutions don’t only allow good ideas to flourish. They also provide a platform for dangerous ideas. The Zuckerberg information revolution can pose a similar threat to that of Gutenberg.

In the battle of ideas, populists are able to mobilise the disaffected more effectively than cerebral scientists, decently disciplined innovators and the moderate and often silent majority. For progress to prevail, evidence-based, innovative and reasoned thinking must triumph.
.....Genius thrived in the Renaissance because of the supportive ecosystem that aided the creation and dissemination of knowledge — which then was crushed by the fearful inquisitions. Today, tolerance and evidence-based argument are again under threat.
accelerated_lifecycles  architecture  broad-based_scientific_enquiry  capitalization  cross-disciplinary  cross-pollination  curiosity  dangerous_ideas  digital_economy  diversity  engineering  evidence_based  Florence  genius  globalization  human_potential  ideas  immigrants  Italy  industry_expertise  Johan_Gutenberg  lessons_learned  Leonardo_da_Vinci  Medicis  medieval  physical_place  polymaths  observations  Renaissance  Renaissance_Man  Silicon_Valley  silo_mentality  tolerance  unevenly_distributed  visionaries 
april 2019 by jerryking
5 books worth reading this summer
May 21, 2018 | | LinkedIn| Bill Gates

Leonardo da Vinci, by Walter Isaacson. I think Leonardo was one of the most fascinating people ever. Although today he’s best known as a painter, Leonardo had an absurdly wide range of interests, from human anatomy to the theater...... A worthy follow-up to Isaacson’s great biographies of Albert Einstein and Steve Jobs.

Everything Happens for a Reason and Other Lies I’ve Loved, by Kate Bowler.

Lincoln in the Bardo, by George Saunders. I thought I knew everything I needed to know about Abraham Lincoln, but this novel made me rethink parts of his life. It blends historical facts from the Civil War with fantastical elements—it’s basically a long conversation among 166 ghosts, including Lincoln’s deceased son.

Origin Story: A Big History of Everything, by David Christian.

Factfulness, by Hans Rosling, with Ola Rosling and Anna Rosling Ronnlund.
billgates  books  booklists  Abraham_Lincoln  biographies  cancers  facts  Hans_Rosling  Leonardo_da_Vinci  origin_story  polymaths  summertime  Walter_Isaacson  Geoge_Saunders 
may 2018 by jerryking
Review: New biography Leonardo da Vinci examines the archetypal Renaissance Man - The Globe and Mail

Da Vinci was the archetypal Renaissance Man, ignoring the borders of science and art. His promiscuous curiosity was – well, the stuff of genius......Isaacson argues that da Vinci is history's greatest creative genius and, given the evidence amassed in this 600-page work, one would be hard-pressed to argue.....da Vinci's genius springs from his disregard for categories. Whereas a visual artist today would be encouraged by a hundred confounding factors to "stay in her lane" and pursue visual art for its own sake, da Vinci would have been disgusted by such constraints. Science was no distraction; in fact, science fed his paintings.....da Vinci had a reverence for the wholeness of nature and a feel for the harmony of its patterns, which he saw replicated in phenomena large and small."......Da Vinci's was a world where life held knowable patterns. Dig deep enough, expend enough honest curiosity, and the mysteries of the universe began to unfurl. .....The book – as approachable as it is enlightening – achieves something similar; it inspires the reader to become more curious about the patterns underlying its subject – just as da Vinci was curious about the patterns underlying everything else.
biographies  books  book_reviews  creativity  genius  Leonardo_da_Vinci  Medici  patterns  pattern_recognition  polymaths  Renaissance  Renaissance_Man  transgressiveness  Walter_Isaacson 
december 2017 by jerryking
Biographer Walter Isaacson explains what made Leonardo da Vinci a genius - The Globe and Mail

What we can learn from Leonardo constitutes the peculiar last chapter of this otherwise sober and cautious biography. At its end Isaacson moves from his role as historian into something closer to self-help guru. He lists a set of Leonardish attributes for us to emulate that sound a lot like advice to tech startups: "Retain a childlike sense of wonder… Think visually… Avoid silos… Collaborate…" Add this to repeated comparisons to Steve Jobs, a previous biographee of Isaacson's, and one is reminded that this is a very American biography (Isaacson was managing editor of Time magazine for years), one that sees "creativity" as primarily a corporate asset.
Russell_Smith  books  biographies  genius  Leonardo_da_Vinci  Walter_Isaacson  Steve_Jobs  polymaths  foxes  hedgehogs  renaissance  cross-disciplinary  cross-pollination  generalists  curiosity  creativity  collaboration  silo_mentality 
december 2017 by jerryking
Charlie Parker and the Meaning of Freedom
AUG. 29, 2017 | The New York Times | By ARTHUR C. BROOKS.

The jazz saxophonist Charlie Parker, also known as Bird, was born on Aug. 29, 1920.

Freedom in Parker’s music was the freedom to work within the melody and chords to make beautiful, life-affirming music. That meant the self-mastery to dominate his craft through years of careful practice, and the humble discipline to live within the rules of the music itself.

Many artists have known this truth. Leonardo da Vinci said, “You can have no dominion greater or less than that over yourself.” But the lesson goes far beyond art. Indeed, this is one of life’s great lessons for all of us......The lesson: To be truly free to enjoy the best things in life, set proper moral standards for yourself and live within them as undeviatingly as Charlie Parker did in his music.
art  Arthur_Brooks  boundaries  constraints  jazz  Leonardo_da_Vinci  musicians  practice  restraint  self-discipline  self-mastery  self-restraint  soul-enriching 
august 2017 by jerryking
Inspired, Naturally
13 Aug 2011 | Financial Times pg. 1. | by Paul Miles.

In a truly sustainable world, we would build our homes using only recyclable materials, renewable energy and without any waste. It seems impossible – and yet that is how the rest of nature operates.

Animals and plants build structures of incredible complexity without the energy-hungry high temperatures, pressures and toxic chemicals with which we process raw materials in this fossil fuel age, and without generating useless waste. Our buildings, on the other hand, are responsible for more than 40% of carbon emissions in the EU. Globally, the construction industry is responsible for 30-40 % of solid waste, says the Organisation for Economic Co-operation and Development.

It is no wonder that architects and designers are looking to the rest of nature for inspiration. They always have: Leonardo da Vinci sketched designs for a flying machine with bird-like wings; the Wright brothers studied a vulture’s drag and lift. In the 21st century, scientific advances such as molecular genetics and nanotechnology have made drawing inspiration from nature a more precise science. Biomimicry, as it’s known in the US (or biomimetics in the UK) is, “the conscious emulation of life’s genius: innovation inspired by nature”.......If we could mimic that on a larger scale, imagine the difference it would make to our building industry. We could produce our own organic “steel” at an ambient temperature, formed from nothing more than everyday atoms such as carbon, hydrogen and nitrogen. The need to mine, transport raw materials, burn coal and produce toxic wastes would all virtually disappear. What’s more, the whole process would be solar-powered....The $170bn cement industry, a big emitter of carbon dioxide, is having a biomimicry-related makeover. Calera, the American company, is using waste carbon dioxide from flue gas to produce a type of cement in a process similar to coral growth. In a move that shows that the US government recognises the potential of Calera to turn cement manufacture from a process that emits millions of tons of carbon dioxide into one that sequesters it from power stations, the company was awarded $19.5m by the US Department of Energy last year.

That is a Utopian scenario but there are other areas where progress is being made. These include digital fabrication technologies such as 3D printing that can “grow” structures that breathe and work like living systems...biomimicry is heralded as one of the growth areas for this century. It is a genuinely multi-disciplinary field where, for instance, a research team comprising entomologists, engineers and materials scientists is not uncommon.......Buildings with an appearance of biological forms are not new. Buckminster Fuller’s geodesic domes, similar to plankton in their geometry, are resource-efficient in their construction....Biomimetic architecture is certainly not as simple as creating buildings that reflect nature’s aesthetics.

A building cited as an example of biomimicry is a conventional-looking 1990s shopping centre and office block, the Eastgate Centre in Harare, Zimbabwe.....“Buildings that adapt to changing conditions is the way we have to develop if we are to mimic truly the low energy ways in which biology works,” says architect Michael Pawlyn, whose book on the subject, Biomimicry in Architecture,
3-D  agriculture  biomimicry  books  cement  construction  cross-disciplinary  Department_of_Energy  inspiration  Leonardo_da_Vinci  nature  sustainability 
august 2011 by jerryking

Copy this bookmark:

to read