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jerryking : creative_types   17

Where Does Major American Art Come From? Mapping the Whitney Biennial.
July 5, 2019 | The New York Times | SCOTT REINHARD, DEREK WATKINS, ALICIA DeSANTIS, RUMSEY TAYLOR, and SIDDHARTHA MITTER.

The first Whitney Annual in 1932 was transgressive.....In 1973, the exhibition became a Biennial, and its history is the history of American modern and contemporary art. Or, at least one version of that history: one centered in New York City, one heavily white and male. That is no longer the case. This year, a majority of the show’s artists are women, and they are racially and ethnically diverse. New York, however, remains home to nearly half of them.

Until 1975, the exhibition catalogs listed the addresses of the artists who were included each year. Mapping these locations tells a story of influence and power — but also one of friendships and creative communities, of housing prices and economic change, of landscape and light. Here are some of its facets.
art  artists  bohemians  Chicago  contemporary_art  creative_class  creative_types  diversity  gentrification  geographic_concentration  Greenwich_Village  location  Los_Angeles  Manhattan  mapping  museums  New_York_City  overlay_networks  prestige  proximity  SoHo  transgressiveness  white_men 
july 2019 by jerryking
Don’t mourn bohemia — it’s everywhere now
DECEMBER 28, 2018 | Financial Times | Janan Ganesh.

We think of offbeat enclaves as a thing of the past. But bohemia isn’t gone, it’s just permeated the whole of city life.
bohemians  creative_types  creative_class  enclaves  Janan_Ganesh  neighbourhoods  gentrification  New_York_City  offbeat 
december 2018 by jerryking
The ace of spaces: fashion show producer Alexandre de Betak
SEPTEMBER 22, 2017 Nick Remsen

The producer’s work is now the subject of a new book Betak: Fashion Show Revolution, which chronicles his 30-year career in show-making.....De Betak has sensed the world changing. As the enterprise of fashion has shifted, so has the industry of executing a fashion show.

“It’s not the way it was, we know this,” says de Betak. “It has gone from inner circle-genic to TV-genic to web-genic to social media-genic. The audience for a fashion show is now global, but they are more blasé than ever. We need to think about more angles when we design a set, and not just for the photographers in the pit, because the influencers are taking pictures that are just as important, maybe more so, than theirs. Then, it’s becoming more about video. Stills photos are slightly dying, actually. And, things are getting smaller. All of the information is given on the phone — soon it will be a contact lens.
producers  fashion  creative_class  creative_economy  creative_types 
november 2017 by jerryking
Why do entrepreneurs get such a bad rap?
26 Aug. 2017, p. 2. I Financial Times pg. 15 | by Janan Ganesh. "

Richard Branson's battle to establish Virgin Atlantic against British Airways in the 1980s was a better story than anything politic...
entrepreneur  creative_types  Janan_Ganesh  Richard_Branson 
november 2017 by jerryking
If the artists starve, we’ll all go hungry - The Globe and Mail
ELIZABETH RENZETTI
The Globe and Mail
Published Monday, Jan. 19 2015

After 20 years in the music business, she says she’s seeing songwriters “leaving in droves. If you can’t make a living, if you can’t afford go to the dentist, you’re going to leave.” This is a lament you’ll hear from artists everywhere these days: We can’t afford to do this any more. The well has dried up. Freelance rates are what they were when the first Trudeau was in power. Rents rose, and royalties fell. Novelists are becoming real-estate agents; musicians open coffee shops.

The evidence of this culture shock is in front of our eyes, in the shuttered book shops and video stores and music clubs, yet it’s remarkably unremarked upon. Artists don’t actually to like to complain publicly about their lot in life, knowing the inevitable backlash from those who still believe that creating is not “a real job.... American journalist Scott Timberg argues in his new book, Culture Crash: The Killing of the Creative Class.
artists  Elizabeth_Renzetti  Pandora  streaming  creative_types  songwriters  musicians  free  creative_class  entertainment  piracy  copyright  entertainment_industry  downloads  blockbusters  creative_economy  books  art 
january 2015 by jerryking
Corporate sponsors of the arts missing creative opportunities - The Globe and Mail
Jan. 16 2015 | The Globe and Mail | TODD HIRSCH.
...the necessary bridge between creativity and innovation is collaboration – the act of allowing someone else’s experience to change the way you see the world....
It’s time to entirely rethink corporate sponsorship of the arts. Forget the silly logo on the back of the program or the complimentary tickets to the play. What artists can offer is much more valuable: a chance to peer into the mind of a choreographer, a singer, a set designer, a writer. How do they solve complex problems? And what insights can this bring to corporate leaders who are trying to solve problems of their own?

In the end it comes down to something neurologists know very well. If you want to become a creative person, you have to force your brain to see new patterns, unfamiliar terrain and uncomfortable situations. Sitting in a boardroom full of people with the same university degree and the same clothes (think dull blue suits and boring shoes) will do nothing to foster creative, innovative visionaries.

Why don’t artists offer those corporate suits something really valuable? The pitch should be: “Give us $100,000 and we’ll show you how we solve problems and design solutions. You’ll think we’re crazy – and quite possibly we are – but if you allow yourselves the chance, you’ll start to change the way your brain operates. Creativity can’t be taught, but it can be developed.”

Companies can transform the way their leaders think.
Todd_Hirsch  arts  philanthropy  branding  creativity  artists  critical_thinking  skepticism  problem_solving  sponsorships  art  creative_renewal  ideality  collaboration  rethinking  missed_opportunities  heterogeneity  crazy_ideas  radical_ideas  creative_types  neurologists  complex_problems 
january 2015 by jerryking
Jonah Lehrer on How to Be Creative - WSJ.com
March 12, 2012 | WSJ | By JONAH LEHRER.

How To Be Creative
The image of the 'creative type' is a myth. Jonah Lehrer on why anyone can innovate—and why a hot shower, a cold beer or a trip to your colleague's desk might be the key to your next big idea.
howto  creativity  innovation  Jonah_Lehrer  creative_types 
june 2012 by jerryking
Andy Kessler: Is Your Job an Endangered Species? - WSJ.com
* FEBRUARY 17, 2011 | WSJ | Andrew Kessler. Forget blue-collar
and white- collar. There are two types of workers in our economy:
creators and servers. Creators are the ones driving productivity—writing
code, designing chips, creating drugs, running search engines. Servers,
on the other hand, service these creators (and other servers) by
building homes, providing food, offering legal advice, and working at
the Department of Motor Vehicles. Many servers will be replaced by
machines, by computers and by changes in how business operates. It's no
coincidence that Google announced it plans to hire 6,000 workers in
2011.
===============================
See also Daniel Pink's work on countries cultivating skills and knowledge that are not available at a cheaper price in other countries or that cannot be rendered useless by
machines. That is, embracing play and abundance.

============================================
See also Tom Friedman's piece ("We Need a Second Party" - NYTimes.com ) below:

The first is responding to the challenges and opportunities of an era in which globalization and the information technology revolution have dramatically intensified, creating a hyperconnected world. This is a world in which education, innovation and talent will be rewarded more than ever. This is a world in which there will be no more “developed” and “developing countries,” but only HIEs (high-imagination-enabling countries) and LIEs (low-imagination-enabling countries). Adding "imagination"
Andy_Kessler  job_creation  technology  imagination  job_security  creativity  blue-collar  white-collar  creative_types  automation  productivity  endangered  job_search 
february 2011 by jerryking
Why boardrooms are not all rock 'n' roll
Nov 1, 2010|FT|Philip Broughton.Managing creative people is
difficult,not just because creativity is rare and the people who possess
it chafe at being managed but because establishing a mkt for creative
work is one of the hardest things to do in business.VCs know this when
they install seasoned executives to guide young founders (e.g.Eric
Schmidt @ Google & Sheryl Sandberg @ Facebook).Similarly, Hollywood
often pairs a hard-headed business type with a creative genius.Steven
Spielberg's career took off under the guidance of Sid Sheinberg, a
fierce lawyer who ran MCA/ Universal.Book publishing's best-known agent,
Andrew Wylie, is nicknamed "the Jackal" for his tenacity on behalf of
clients...The Stones required 3 very different kinds of manager:(1) to
validate them within a highly competitive industry & establish them
in the public eye;(2)to usher them into the big time; and (3) to build a
protective fort around their steady-state operations & ensure their
L.T. survival & profitability.
ProQuest  Philip_Delves_Broughton  creative_types  rollingstones  autobiographies  Keith_Richards  music_industry  partnerships  talent_management  Andrew_Wylie  Hollywood  pairs 
november 2010 by jerryking
Starting Up, and Conquering the Numbers - WSJ.com
JUNE 28, 2010 | Wall Street Journal | By COLLEEN DEBAISE.
Many people start a business because they want to support themselves
doing what they love. Too often, though, they neglect to focus on the
numbers side of the business. Creative types, especially, often say
they're turned off by the "unappealing," "complicated" or "just plain
boring" aspect of financial management.

If you want to be successful, you'll need to ramp up your accounting
knowledge. While you can certainly rely on an accountant, bookkeeper, or
trusted employee to provide advice on your company's finances, it's
critical that you gain a comfortable understanding of the numbers.
start_ups  small_business  analytics  data  creative_class  data_driven  creative_types 
june 2010 by jerryking
Ad Agencies Hunt for Chief Creative Officers - WSJ.com
JUNE 3, 2010 WSJ by SUZANNE VRANICA . Help Wanted: Creative
Types. As the Recession Eases, Ad Agencies Scramble to Fill a Critical
Job at the Top
talent  advertising  advertising_agencies  creativity  executive_management  creative_types 
june 2010 by jerryking
Bits of Destruction Hit the Book Publishing Business: Part 4
August 17, 2009 | Read Write Web | Written by Bernard Lunn. In
Part 4 here, we focus on authors, without whom we would have nothing to
read.
publishing  creative_destruction  authors  creative_types  writers 
november 2009 by jerryking
Bridging exploration and exploitation
November 24, 2009 | Report on Business | SIMON HOUPT.
Interview and book review by Simon of Roger Martin's latest book, The
Design of Business. In his latest book, Roger Martin advocates the
importance of innovation for companies - or the risk of irrelevance.
Why do successful companies wither and die? Martin suggests that too
many companies are too comfortable with merely exploiting their
innovations rather than engaging in the necessary work of innovation and
exploration. There are two solitudes: exploration and exploitation.
Exploration being highly creative people in various kinds of creative
organizations that have a heck of a time turning their ideas into
something that allows them to continue their creative activities
sustainably. Exploitation being people in the business world who are
honing and refining, running their algorithms, wondering why they slowly
expire.
innovation  design  Roger_Martin  creativity  book_reviews  Simon_Houpt  experimentation  explorers  exploitation  obsolescence  complacency  bridging  creative_types  irrelevance  exploration 
november 2009 by jerryking
Practically Speaking - Creative People Say Inspiration Isn’t All Luck - NYTimes.com
Published: October 22, 2008 | New York Times | By MICKEY MEECE

Serendipity often plays a role in generating big ideas...inspiration,
but equally as important is having an open mind — especially in
tumultuous times like these. Big and small ideas are out there--if you
are looking for them.

2008 IdeaFestival was created by Kris Kimel whose own “Aha!” moment
occurred after attending the Sundance Film Festival and wondering about
hosting a diverse festival that celebrates ideas. In 2000, he helped
create the IdeaFestival, which brings together creative thinkers from
different disciplines to connect ideas in science, the arts, design,
business, film, technology and education. The goal is to promote
“out-of-the-box thinking and cross-fertilization as a means toward the
development of innovative ideas, products and creative endeavors.”
Aha!_moments  chance  conferences  contingency  creativity  creative_types  cross-pollination  entrepreneurship  ideas  idea_generation  ideacity  inspiration  luck  Mickey_Meece  open_mind  out-of-the-box  science_&_technology  serendipity  small_business  TED  thinking_big 
april 2009 by jerryking
Conference to explore creativity in urban centres
Posted on 11/02/09 by JEFF GRAY.

In a partnership with the Martin Prosperity Institute at the University of Toronto - headed by urban thinker Richard Florida - the city of Toronto will spend $10,000 on an international conference this June on "cultural mapping."

The conference, highlighted in yesterday's city budget, will be called Placing Creativity. It will include international cultural policy researchers and "explore the connection between place, creativity and the economy."

The event, billed in a budget document as a "major gathering of international thinkers," will focus on the geographic discipline of "cultural mapping," which looks at the way artists and art institutions cluster and the effect they have on neighbouring businesses.
creativity  Jeff_Gray  conferences  physical_place  spillover  ideacity  creative_types  urban  cultural_mapping  clusters  artists  cultural_institutions  Martin_Prosperity_Institute 
february 2009 by jerryking

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