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Opinion | Why Did U.N.C. Give Millions to a Neo-Confederate Group? - The New York Times
By William Sturkey
Dr. Sturkey is an assistant professor of history at the University of North Carolina at Chapel Hill.

Dec. 3, 2019,
Colleges_&_Universities  history  symbolism  the_South 
december 2019 by jerryking
RECIPE - Old Dixie Fried Chicken
Old Dixie Fried Chicken
EARLY SUMMER 2005
BY: MARILYN BENTZ-CROWLEY
chicken  recipes  the_South 
november 2019 by jerryking
Hootie & the Blowfish, Great American Rock Band (Yes, Really)
June 6, 2019 | The New York Times | By Jon Caramanica.

Even in the years before Hootie, an earnest and deceptively easygoing roots-rock band, became a global pop phenomenon, there were indignities. The South by Southwest festival turned them down, year after year. Record labels sent stiff rejection letters.....Hootie persevered, thriving in the face of indifference. .......Released with something of a whimper in July 1994, three months after Kurt Cobain’s death, “Cracked Rear View” went on to become one of the defining albums of the 1990s, spawning three indelible, sublime Top 10 hits: “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You.” It’s the 10th most successful album of all time in this country according to Recording Industry Association of America certification.......For about 18 months, there was no more prominent artist in music: ....post-1996, Hootie became, to some, a punch line — shorthand for the kind of middlebrow rock music that arrived in the wake of grunge’s demise......In the 25 years since the release of “Cracked Rear View,” the band has been generally reviled, or shrugged off, or forgotten. At minimum, it is excluded from conversations about the great rock music of the 1990s. When Hootie was functioning at an exceptionally high level, it was not perceived as functioning at an exceptionally high level. And once the band began to recede from the center of pop, it was effectively erased......At its peak, Hootie & the Blowfish was a genuinely excellent band. Earthen, soothing, a little ragged. And also deft, flexible and unflashily skilled. It splendidly blended the Southern college rock of the late 1980s (the dBs, R.E.M.) with shades of vintage soul, bluegrass, blues and more, rendering it all with omnivorous-bar-band acuity. In the gap between late grunge and the commercial rise of hip-hop and rap-rock, Hootie was a balm.....For the three years before the release of “Cracked Rear View,” grunge had dominated the American rock music conversation, an ostensible triumph of gritty, real-emotion guitar music over the blowhard arena rock of the 1980s, and gangster rap was experiencing its first mainstream success. The country was hovering at a steady boil — the first gulf war, the Los Angeles uprisings, an economic recession. Pop music was tense and serrate.

And then came Hootie, catapulted to success not by critics, or alternative-rock radio, but by an appearance on the “Late Show With David Letterman.”.....even though Hootie had some compatriots — Gin Blossoms, Dave Matthews Band, Toad the Wet Sprocket — in the retrospectives of the 1990s, it became a footnote, a casualty of a war it never asked to fight......During the “Letterman” performance of “Hold My Hand” that catapulted the band into the national spotlight, Rucker sang with a voice that verged on scarred; behind him, the rest of the band propped him up with hope.

That balance was the hallmark of the best Hootie songs. Rucker has — no exaggeration — one of the great voices in contemporary pop music, a dynamic and sophisticated baritone that’s full of gravity. It ensured that even the brightest Hootie songs weren’t frivolous, and has secured him a long-running second career as a country music star. .......Hootie was stupefyingly famous, until it wasn’t. The fall happened quick. After 1996, the year Hootie won two Grammys, it never again cracked the Billboard Hot 100, and after 1998, none of its albums placed in the Top 40 of the album chart.....In the last decade, Rucker has become one of country music’s biggest stars, not a complete shock, given that Hootie provided a template for the roots-rock that occupies such a prominent spot near the center of contemporary country music.....“‘Cracked Rear View’ would have to be a country record today,” Rucker said.

That might say less about country music than it says about the desiccated state of contemporary rock. The sort of centrist, agnostic, big-tent rock that Hootie specialized in, and that served as a bridge between eras of far more abrasive material, has all but vanished from the rock mainstream, inasmuch as there is even a rock mainstream anymore.
'90s  anniversaries  erasures  grunge  indignities  journeyman  music  pop_music  roots_rock  the_South  uncool  under_appreciated 
june 2019 by jerryking
‘Spying on the South’ Review: The Forever Cotton Kingdom - WSJ
By Randall Fuller
May 21, 2019

Tony Horwitz has followed in Olmsted’s footsteps, traversing “the nation’s enduring fault line—between free and slave states in his time, and red and blue states in mine.” Despite his steadfast efforts to remain both a neutral and charitable observer, his portrait of the South is even less flattering than Olmsted’s.
books  the_South 
may 2019 by jerryking
Another great migration is under way: Black Americans are leaving big cities for the suburbs - The Globe and Mail
MARCUS GEE
CHICAGO
PUBLISHED APRIL 29, 2018

The dwindling of black Chicago is all the more poignant when set against the dramatic story of its rise. Over the course of the Great Migration, Chicago’s black population grew from just 44,000 to more than a million. At one point, writes Isabel Wilkerson in her 2010 history The Warmth of Other Suns, 10,000 people were arriving in the city every month, pouring off northbound trains onto Chicago railway platforms.

Chicago became a capital of black America, enjoying a cultural renaissance that rivalled Harlem’s in New York. Famous figures such as gospel singer Mahalia Jackson, boxer Joe Louis and poet Gwendolyn Brooks were among Chicago’s residents.
Chicago  Marcus_Gee  internal_migration  suburban  crime  black_flight  gentrification  the_South  African-Americans  Great_Migration  Isabel_Wilkerson 
april 2018 by jerryking
Lynching memorial leaves some quietly seething: 'Let sleeping dogs lie' | US news | The Guardian
++++++++++++++++++++++++++++++++++++++++++++++++++++++
Vergangenheitsbewältigung = coming to terms with the past — and it carries connotations of a painful history that citizens would rather not confront but that must be confronted in order not to be repeated.
Alabama  historical_amnesia  memorials  lynchings  terror  the_South  Vergangenheitsbewältigung 
april 2018 by jerryking
Opinion | At This Memorial, the Monuments Bleed - The New York Times
By Jesse Wegman

Mr. Wegman is a member of the editorial board.

April 25, 2018
the_South  slavery  lynchings  memorials  racial_violence 
april 2018 by jerryking
Morehouse College Names Harvard Business Professor as Its President - WSJ
Oct. 16, 2017 | WSJ | By Douglas Belkin.

School faces same enrollment challenges as many historically black colleges.
HBCUs  Morehouse  the_South  Atlanta  appointments  deanships  HBS  enrollment 
october 2017 by jerryking
Racism Is Everywhere, So Why Not Move South? - The New York Times
By RENIQUA ALLENJULY 8, 2017
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African-Americans  millennials  the_South  racism  black_flight 
july 2017 by jerryking
Hot Links and Red Drinks: The Rich Food Tradition of Juneteenth - The New York Times
By NICOLE TAYLOR JUNE 13, 2017

For over 150 years, African-Americans have gathered on June 19 — the day known as Juneteenth — to celebrate freedom. The holiday is rooted in Texas, signifying the day in 1865 when, more than two years after Abraham Lincoln issued the Emancipation Proclamation, a Union general who had made his way to Galveston delivered the news that slavery had been abolished. Texans who had been chattel erupted in triumph.
Abraham_Lincoln  African-Americans  celebrations  Civil_War  Emancipation  freedom  Juneteenth  picnics  slavery  Texas  the_South  traditions 
june 2017 by jerryking
Black Lives, White Lies and Emmett Till - The New York Times
By THE EDITORIAL BOARDFEB. 6, 2017
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cold_cases  Jim_Crow  history  white_supremacy  killings  civil_rights  bigotry  Emmett_Till  the_South  FBI  lying  lynchings 
february 2017 by jerryking
The Horror of Lynchings Lives On - The New York Times
By THE EDITORIAL BOARDDEC. 3, 2016
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lynchings  the_South  cold_cases  Jim_Crow  history  killings  civil_rights  bigotry 
december 2016 by jerryking
Slowly, new attitudes taking root across America’s Old South - The Globe and Mail
MARCUS GEE
Slowly, new attitudes taking root across America’s Old South
SUBSCRIBERS ONLY
The Globe and Mail
Published Tuesday, Sep. 01, 2015
Marcus_Gee  the_South  race_relations  Civil_War  racism  slavery  South_Carolina  race  Confederacy  symbolism  flags  Charleston_shootings 
september 2015 by jerryking
Confederate Memorials as Instruments of Racial Terror - The New York Times
JULY 24, 2015 | NYT | By BRENT STAPLES.

In the wake of the Charleston massacre, for example, the parks and recreation board of Birmingham, Ala., voted to explore a proposal that would remove a 52-foot Confederate memorial from the entrance of a prominent park and place it with a Confederate heritage group.

Not all monuments warrant that kind of challenge. But those honoring the Confederate general Nathan Bedford Forrest deserve the backlash they have generated. Forrest presided over the 1864 massacre of Union soldiers, many of them black, at Fort Pillow in Tennessee. He was also a prominent slave trader and served as the first grand wizard of the Ku Klux Klan.

Apologists argue that his involvement with the Klan was unimportant because he later adopted more enlightened views. But as the Forrest biographer Jack Hurst writes, by lending his name to the K.K.K. even temporarily, the general accelerated its development. “As the Klan’s first national leader,” Mr. Hurst writes, “he became the Lost Cause’s avenging angel, galvanizing a loose collection of boyish secret social clubs into a reactionary instrument of terror still feared today.”....Critics predictably condemn these efforts as bad-faith attempts to rewrite history. But what’s happening is that communities that were once bound and gagged on this issue are now free to contest a version of history that was created to reinforce racial subjugation.

They are reflecting on how to honor history — including the neglected history of African-Americans — and rightly deciding that some figures who were enshrined as heroes in the past do not deserve to be valorized in public places.
the_South  KKK  Confederacy  terrorism  white_supremacy  history  symbolism  race  African-Americans  Charleston_shootings  Reconstruction  race_relations  racial_discrimination  racial_segregation  racism  violence  Jim_Crow  race-baiting 
july 2015 by jerryking
“It’s symbolic annihilation of history, and it’s done for a purpose. It really enforces white supremacy”: Edward Baptist on the lies we tell about slavery - Salon.com
NOV 9, 2014 01:30 PM EST
“It’s symbolic annihilation of history, and it’s done for a purpose. It really enforces white supremacy”: Edward Baptist on the lies we tell about slavery
Edward Baptist on horrifying truth that we memorialize Confederate soldiers and not Americans who died enslaved
MICHAEL SCHULSON
slavery  the_South  cotton  history  historical_amnesia  financial_history  economic_development  lying  white_supremacy 
july 2015 by jerryking
The Courthouse Ring - The New Yorker
AUGUST 10, 2009 ISSUE

The Courthouse Ring
Atticus Finch and the limits of Southern liberalism.

BY MALCOLM GLADWELL
the_South  race_relations  '50s  Malcolm_Gladwell 
july 2015 by jerryking
Lowering of Confederate flag marks both an end and a beginning - The Globe and Mail
Omar El Akkad
Lowering of Confederate flag marks both an end and a beginning
SUBSCRIBERS ONLY
The Globe and Mail
Published Friday, Jul. 10, 2015
flags  symbolism  Charleston_shootings  the_South  Confederacy  Omar_el_Akkad  slavery 
july 2015 by jerryking
The Right Way to Remember the Confederacy
In June of 1865, Confederate Gen. Joseph Shelby and about a thousand of his cavalrymen rode into Mexico and exile rather than remain in a conquered South. As they forded the Rio Grande, they stopped…
secession  slavery  the_South  Confederacy  Civil_War  flags  symbolism  white_supremacy  Charleston_shootings 
july 2015 by jerryking
Divisive questions: Remove Confederate monuments or use them to educate?
Just down the road from the church where a racist gunman killed nine people last month stands a tall column in a grassy square. Atop it stands an imperious figure with a cape over his shoulders, a…
racism  slavery  South_Carolina  race  Confederacy  symbolism  flags  Marcus_Gee  the_South 
july 2015 by jerryking
The Robert E. Lee Problem - The New York Times
JUNE 26, 2015
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David Brooks
the_South  David_Brooks  Confederacy  treason  flags  symbolism  racism 
june 2015 by jerryking
Confederate Flags and Institutional Racism - The New York Times
JUNE 24, 2015 | NYT | Charles Blow.

Aspen Institute’s definition: “Institutional racism refers to the policies and practices within and across institutions that, intentionally or not, produce outcomes that chronically favor, or put a racial group at a disadvantage.”
Nikki_Haley  racism  institutional_racism  Charles_Blow  the_South  Confederacy  flags  Charleston_shootings 
june 2015 by jerryking
Confederate flag supporters are suddenly in full retreat
Arthur Ravenel, Jr., was a significant enough figure in South Carolina politics to have a bridge named after him. The sweeping eight-lane structure links downtown Charleston with the suburb of Mount…
racism  flags  symbolism  Nikki_Haley  South_Carolina  Confederacy  the_South 
june 2015 by jerryking
Alabama governor compares Confederate battle flag to swastika
By MIKE ISAAC JULY 6 2015
The Confederate flag flew high Wednesday outside the South Carolina Statehouse, but a large drape kept mourners from seeing it as they filed past the open casket of a veteran black lawmaker and…
Columbia  South_Carolina  Nikki_Haley  flags  symbolism  Charleston_shootings  the_South  Confederacy 
june 2015 by jerryking
Isabel Wilkerson Reflects on the Black Lives Matter Movement
January 05, 2015 | Essence.com | Essay by Isabel Wilkerson.
Where Do We Go From Here?:

The outcomes in Staten Island and Ferguson and elsewhere signal, as in the time of Jim Crow, that the loss of Black life at the hands of authorities does not so much as merit further inquiry and that the caste system has only mutated with the times.From this, we have learned that the journey is far from over and that we must know our history to gain strength for the days ahead. We must love ourselves even if—and perhaps especially if—others do not. We must keep our faith even as we work to make our country live up to its creed. And we must know deep in our bones and in our hearts that if the ancestors could survive the Middle Passage, we can survive anything.
African-Americans  authors  Black_Lives_Matter  digital_advocacy  feedback_loops  Great_Migration  internal_migration  Isabel_Wilkerson  Jim_Crow  journalists  protests  protest_movements  Reconstruction  the_South  women 
may 2015 by jerryking
The sinister side of a Civil War surplus shop in Georgia - The Globe and Mail
OMAR EL AKKAD
The sinister side of a Civil War surplus shop in Georgia
SUBSCRIBERS ONLY
The Globe and Mail
Published Wednesday, Apr. 08 2015

just across the street from that museum is an even more iconic Kennesaw landmark – a run-down, Old West saloon-looking building whose ground-floor porch is draped with myriad flags of the Confederacy. This is Wildman’s place: part store, part “museum.”

Inside, the cramped, dusty enclosure looks like someone’s overstuffed attic. Massive, multivolume sets of Civil War history sit alongside bizarre, self-published diatribes detailing the grand plans of the Illuminati. There’s a flimsy, plastic clock designed to count down to President Barack Obama's last day in office; there’s a big sign above the cluttered hovel of a cash register that reads: “White Trash.”

But move further into the store – to the very back, into an area described as a museum – and you’ll find something far more sinister. The walls and shelves are lined with grotesquely racist depictions of black people, complete with all the usual tropes – big lips, watermelons, the works. There’s shrines to the Klan, to white power.
Omar_el_Akkad  Civil_War  the_South  retailers  history  white_supremacy  Georgia  Jim_Crow  racism  collectibles  Confederacy 
april 2015 by jerryking
Why Reconstruction Matters - NYTimes.com
By ERIC FONER MARCH 28, 2015

Reconstruction also made possible the consolidation of black families, so often divided by sale during slavery, and the establishment of the independent black church as the core institution of the emerging black community. But the failure to respond to the former slaves’ desire for land left most with no choice but to work for their former owners.

It was not economic dependency, however, but widespread violence, coupled with a Northern retreat from the ideal of equality, that doomed Reconstruction. The Ku Klux Klan and kindred groups began a campaign of murder, assault and arson that can only be described as homegrown American terrorism. Meanwhile, as the Northern Republican Party became more conservative, Reconstruction came to be seen as a misguided attempt to uplift the lower classes of society.
African-Americans  disenfranchisement  segregation  Jim_Crow  the_South  Reconstruction  slavery  emancipation  Civil_War  KKK  terrorism  violence 
march 2015 by jerryking
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