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juliusbeezer : design   19

Le système vélo | Forum Vies Mobiles - Préparer la transition mobilitaire
Le système vélo est l’ensemble des aménagements, des matériels, des services, des règlements, des informations et des formations permettant d’assurer sur un territoire une pratique du vélo efficace, confortable et sûre.
cycling  urban  design  education 
june 2018 by juliusbeezer
The 100 Most Influential Urbanists - Features | Planetizen
The results are in, and Planetizen readers have chosen the "Most Influential Urbanists" of all time.

And, yes, we mean all time. Names on the list date back as far as 498 BCE, but there's also no shortage of contemporary thinkers, activists, planners, and designers in the final list of 100.
urban  architecture  design 
october 2017 by juliusbeezer
Facebook and Google make lies as pretty as truth - The Verge
The difference between the two is the result of AMP, an HTML framework that Google created to make mobile pages that load faster. (It also likely caused the 70news piece to be aggregated into a "top news" carousel.) AMP has the side effect of making mobile websites look a little more homogenous, narrowing down the details that publishers can customize, at least without aggressive tweaks. In a small way, the system normalizes and standardizes designs like that of 70news that otherwise would look obviously askew, tacitly accelerating traffic to questionable sites and further confusing readers who haven’t learned to discriminate.

""It’s hard to make a site look like yours in an AMP format.""

Websites that operate on these homogenizing platforms, whether they offer real news or fake, exist under the same digital gloss no matter their production budget, which presents a problem for upscale publishers wanting to stand out. "It’s hard to make a site look like yours in an AMP format," CEO Neil Vogel, told Digiday in October. "You can change the header, you can change the fonts, but it’s not yours."

Over centuries, print media developed a visual language of credibility that became second nature to most readers: crisp type and clean, uninterrupted columns communicate integrity, while exaggerated images, messy layouts, and goofy text inspire doubt. On a physical newsstand, it’s still easy to tell the National Enquirer from, say, The Atlantic. Online, it’s becoming increasingly difficult to differentiate between the two.
design  google  attention  internet  blogs  news 
december 2016 by juliusbeezer
Crash: how computers are setting us up for disaster | Tim Harford | Technology | The Guardian
Monderman wove his messy magic and created the “squareabout”. He threw away all the explicit efforts at control. In their place, he built a square with fountains, a small grassy roundabout in one corner, pinch points where cyclists and pedestrians might try to cross the flow of traffic, and very little signposting of any kind. It looks much like a pedestrianisation scheme – except that the square has as many cars crossing it as ever, approaching from all four directions. Pedestrians and cyclists must cross the traffic as before, but now they have no traffic lights to protect them. It sounds dangerous – and surveys show that locals think it is dangerous. It is certainly unnerving to watch the squareabout in operation – drivers, cyclists and pedestrians weave in and out of one another in an apparently chaotic fashion.

Yet the squareabout works. Traffic glides through slowly but rarely stops moving for long. The number of cars passing through the junction has risen, yet congestion has fallen. And the squareabout is safer than the traffic-light crossroads that preceded it, with half as many accidents as before. It is precisely because the squareabout feels so hazardous that it is safer. Drivers never quite know what is going on or where the next cyclist is coming from, and as a result they drive slowly and with the constant expectation of trouble. And while the squareabout feels risky, it does not feel threatening; at the gentle speeds that have become the custom, drivers, cyclists and pedestrians have time to make eye contact and to read one another as human beings, rather than as threats or obstacles. When showing visiting journalists the squareabout, Monderman’s party trick was to close his eyes and walk backwards into the traffic. The cars would just flow around him without so much as a honk on the horn.
road_safety  design  environment  urban 
october 2016 by juliusbeezer
The pathway to Cycling Utopia starts here. | Wheeled Pedestrian Cycling
Say what? I mean, the intuitive response would be to say that the separated cycle paths caused the increase in numbers of people cycling. But according to Modacity, the separated cycle paths came about as a result of more people cycling. They were built as a way to manage the numbers. They were built as a consequence of lots of people already cycling. A mandate to protect people on bikes existed already. A process of traffic calming was already well established. Cycling was already a normal daily activity. That fight had already been fought and won. A fight that has barely started in most other cities.

That’s not to say that building a separated cycle path will not act as an inducement to get people out of cars and onto bikes but…that’s only a part of the story. Of course it would be really great if that approach was the shortcut to a cycling nirvana. It would be great. But in the meanwhile I want to suggest that we reframe the conversation. Let’s move beyond just talking about infrastructure and instead, start talking about building demand for cycling.
cycling  netherlands  urban  design 
september 2016 by juliusbeezer
Which environmental factors most strongly influence a street’s appeal for bicycle transport among adults? A conjoint study using manipulated photographs | International Journal of Health Geographics | Full Text
In total, 1950 middle-aged Finnish adults completed a web-based questionnaire consisting of a set of 12 randomly assigned choice tasks with manipulated photographs. Seven micro-environmental factors (type of cycle path, speed limit, speed bump, vegetation, evenness of the cycle path surface, general upkeep and traffic density) were manipulated in each photograph. Conjoint analysis was used to analyze the data.

Providing streets with a cycle path separated from motorized traffic seems to be the best strategy to increase the street’s appeal for adults’ bicycle transport. If this adjustment is not practically feasible, micro-environmental factors related to safety (i.e. speed limit, traffic density) may be more effective in promoting bicycle transport than micro-environmental factors related to comfort (i.e. evenness of the cycle path surface) or aesthetic (i.e. vegetation, general upkeep). On the other hand, when a more separated cycle path is already provided, micro-environmental factors related to comfort or aesthetic appeared to become more prominent.
cycling  design  environment 
september 2016 by juliusbeezer
(458) The Old Reader
When I was readying my first novel for publication, it struck me that writers have far more control over what’s in their books than what’s on them—the cover art, blurbs, jacket copy, but especially the title, where the author’s concerns overlap with marketing ones. Deciding on a name for your life’s work is hard enough; the prospect of changing it at the eleventh hour is like naming your newborn, then hearing the obstetrician say, But wouldn’t Sandra look amazing on the certificate? It took a nine-month war of attrition to secure the original title of my book, Private Citizens.

The history of writers fighting for their book titles is extensive and bloody; so powerful is the publisher’s veto that not even Toni Morrison, fresh off her Nobel win, got to keep her preferred title for Paradise, which was War....
Abroad, books sometimes take on new names to suit national tastes; hence Merritt Tierce’s Love Me Back in Italy became Carne viva (“raw meat,” an idiom for “painfully exposed”), while the Canadian novelist Lawrence Hill’s The Book of Negroes was released stateside as Someone Knows My Name. Surely no one had to tell Karl Ove Knausgaard that My Struggle wouldn’t fly in Germany, though it’s amusing to note that even Hitler himself lost out with his original title: Four and a Half Years of Struggle Against Lies, Stupidity, and Cowardice.
editing  publishing  translation  design 
july 2016 by juliusbeezer
yEd - Graph Editor
yEd is a powerful desktop application that can be used to quickly and effectively generate high-quality diagrams.
Create diagrams manually, or import your external data for analysis. Our automatic layout algorithms arrange even large data sets with just the press of a button.

yEd is freely available and runs on all major platforms: Windows, Unix/Linux, and Mac OS X.
design  tools 
april 2016 by juliusbeezer
Rolling resistance, vertical load and optimal number of wheels in human-powered vehicle design
Even if it makes a smaller contribution than aerodynamic drag, rolling resistance plays a non-negligible role in the efficiency of human-powered vehicles, whether they are designed for daily commuting or to set speed records. The literature, experimental evidence and models show that the rolling resistance coefficient of cycling wheels strongly depends on the supported load, suggesting that the number of wheels and the load distribution could play a role in vehicle design and in road-test data analysis. Starting with an in-depth look at the relationship between a single wheel and overall vehicle rolling resistance coefficients, an analysis is proposed and discussed with the aim of minimizing the rolling resistance of a vehicle. Finally, a parametric surface response model for rolling resistance is obtained as a function of wheel size and the number of wheels. The overall analysis overturns the popular assumption according to which ‘the more wheels, the more rolling resistance’, at least according to a strict definition of the phenomenon.
cycling  design 
april 2016 by juliusbeezer
The Simplest Thing that Could Possibly Work
forget all that and ask yourself, "What's the simplest thing that could possibly work?"

I think the advice got turned into a command: "Do the simplest thing that could possibly work." That's a little more confusing, because there isn't this notion that as soon as you've done it, we'll evaluate it. People ask, "Well, how do you know it's the simplest?" In my case, we didn't know. We were just going to get it on the screen and look at it. But as soon as it becomes a command, then we have to analyze it and ask, "Is that the simplest?" And all of a sudden it becomes complicated. What is or isn't simple?

There's been an awful lot of discussion about what is or isn't simple, and people have gotten a pretty sophisticated notion of simplicity, but I'm not sure it has helped. It might just confuse. Sometimes you think, "Gosh, you know, I'm such a wimp, I can't even understand the discussion of simplicity." It scares people.

Coding up the simplest thing that could possibly work is really about this: If you can't keep five things in your head at one time and make a decision, try keeping three things in your head. Try keeping just one thing in your head, and see if you can make a decision. Then you can think of the next thing. And amazingly, when you write some of this dumb, straight-ahead code, it often turns out that it was all that was required.
coding  design  programming  heuristics 
september 2015 by juliusbeezer
Injustice at the Intersection | Dissent Magazine
The rules for pedestrian crossings nationwide are set out in the Manual of Uniform Traffic Control Devices, known to specialists as the MUTCD. Chapter 4C specifies when red lights can be installed. One rule concerns vehicle traffic that approaches busy highways from a side street. It takes 240 cars in four hours to justify a traffic signal.

Under the same conditions, at least 300 people must walk across the main road before a red light can be installed. A pedestrian, in other words, counts for four-fifths of a driver.*

Even then, no signal is allowed if there is another light within 300 feet. This distance is considered a short enough detour to impose on pedestrians, even though, at a steady pace, a 600-foot round trip on foot takes two-and-a-half minutes. Drivers’ time is valued quite differently: engineers classify an intersection as “failing” if an average car is delayed in rush hour by a minute twenty seconds.
road_safety  design  attention  walking 
january 2015 by juliusbeezer
Textproof Chronicle: Readability: Justified vs. Ragged
The key point, then, is that ragged right is consistent with using the same width space between words, whilst justified text must allow the interword space to vary.

In an influential article, Williams (2000, p394) recommends the use of [s]et type intended for extended reading flush left, and ragged right because (p390) [n]on-uniform spacing between words decreases reading speed by as much as 11 percent (Trollip and Sales 1986).
design  text  typography 
december 2014 by juliusbeezer
FS Me, A Type Family Designed For People With Learning Disabilities | The FontFeed
Over a three-month period, Mencap looked at various styles of sans-serif and handwritten fonts. Throughout the development the learning disability group tested the type designs, deciding which iterations were the easiest to read and the clearest to see. They considered how letter spacing, width, shape and style affected readability. They developed a unique typeface of 260 characters,
typography  design  education 
june 2014 by juliusbeezer
Point Size and the Em Square: Not What People Think | Phinney on Fonts
Back in the days of metal type, the answer was simple, even if it didn’t relate to anything one saw in the printed output. The point size of the type was simply the height of the metal body the type was cast on. Additional line spacing was added by means of thin strips of lead between the lines, hence the term “leading” (pronounced “ledding”) for line spacing.
design  typography 
june 2014 by juliusbeezer
Introduction to XHTML
html vs xhtml? Well, what a fuss!
xml  code  internet  web  design 
july 2013 by juliusbeezer
Off the Shelf | 'The Queen Elizabeth Coronation Book' -
She’s the art director of Faber & Faber and at Farrar, Straus and Giroux as well as the art editor of The Paris Review. She’s also an award-winning book designer in her own right.
publishing  art  design  ebooks 
june 2012 by juliusbeezer

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