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robertogreco : aliens   6

Jeet Heer on Twitter: "1. So, a few thoughts about Ursula K. Le Guin, Boasian anthropology & trajectory of 20th century science fiction."
"1. So, a few thoughts about Ursula K. Le Guin, Boasian anthropology & trajectory of 20th century science fiction.

2. Le Guin was the daughter of Alfred Louis Kroeber & Theodora Kracaw, two extremely distinguished anthropologists, in the tradition of Franz Boas.

3. Boas, of course, was a major figure in moving anthropology away from hierarchical judgements & trying to understand cultures on their own terms.

4. If we ask, what was the science of Le Guin's science fiction, the clear answer is anthropology: the ability to imagine & populate societies with rules very different than our own.

5. Le Guin's anthropological imagination of course went hand in hand with her feminism, since part of what she imagined was societies without contemporary gender binary.

6. On the whole, with a few noble exceptions, early 20th century American science fiction & fantasy was profoundly xenophobic, in ways both subtle & profound.

7. It wasn't just the bug-eyed monsters, but also that many SF writers had a hard time imagining future or alien societies that didn't just replicate norms of 20th century America.

8. Of E.E. "Doc" Smith, one of the great pioneers of space opera, @john_clute wrote that his work had "a lunatic insensitivity to lifeforms (i.e. Jews)...not found in small America circa 1930."

9. John W. Campbell, a foundational editor of sf who shaped field for decades, had a rule that no alien species could be smarter than humans (by which he meant white people, since he rejected stories with black heroes).

10. Even someone like Heinlein, more cosmopolitan than most pulp writers, struggled with diversity. He often had people of color in books but they thought, acted & sounded like middle class white Americans.

11. Le Guin was part of a great shift in science fiction, often called New Wave, which had many dimensions (literary, countercultural, feminist) but was also a move from xenophobia to xenophilia.

12. It's interesting that the move from xenophobia to xenophilia all involved writers who, at an early age, had encounters with non-western cultures.

13. Aside from Le Guin there was Paul Linebarger (a.k.a. Cordwainer Smith) who grew up in China & Alice Sheldon (a.k.a. Alice Tiptree) whose mom was a travel writer & who spent youth traveling in Africa & elsewhere.

14. Cordwainer Smith claimed he dream in Chinese (Mandarin, I think). Mind you, he used his cultural sensitivity to dubious ends (he was a CIA expert on psychological warfare). Still, it informed his fiction

15. And Sheldon/Tiptree (also CIA!) had ties to Africa that were redolent of colonialism, as in this photo when she was a child. But her adult work was a critique of colonial hauteur.

16. Slightly tangential but Le Guin's anthropological science fiction was bastardized by Hollywood: both Return of the Jedi & Avatar are riffs on Le Guin's The Word For World Is Forest.

18. To conclude, if we want to situate Le Guin historically, she's part of the great shift in s.f. where there is a move to genuinely imagine alien cultures and to imaginatively live inside them."
ursulaleguin  2018  jeetheer  anthropology  sciencefiction  scifi  alfredlouiskroeber  theodorakracaw  franzboas  eesmith  alicesheldon  alicetiptree  colonialism  cordwainersmith  newwave  femism  johncampbell  fantasy  xenophobia  aliens  robertheinlein 
january 2018 by robertogreco
Aotearoa Futurism Part One | Radio New Zealand
"If Afrofuturism is where science fiction and technology meets popular culture of the African diaspora, could it be happening in Aotearoa too?

In part one of Aotearoa Futurism, Sophie Wilson and Dan Taipua put this question to hip hop artist Che Fu, psychedelic rock guitarist and peace ambassador, Billy TK Sr, and his son, vocalist and guitarist Mara TK of Electric Wire Hustle, to find out whether they identify as Space Māori."
aotearoa  maori  futurism  aotearoafuturism  space  newzealand  via:anne  aliens  2015  sophiawilson  dantaipua  chefu  billytksr  maratk  electricwirehustle  spacemāori  māori 
december 2015 by robertogreco
ruby amanze
"ruby onyinyechi amanze is a Brooklyn based artist of Nigerian birth 
and British upbringing. her drawings and works on paper have been influenced greatly by this cultural hybridity, as well as textile design, photography, print-making and architecture.
 amanze graduated Summa Cum Laude from Tyler School of Art, Temple University in Philadelphia. she then went on to pursue a M.F.A at Cranbrook Academy of Art, Bloomfield Hills, Michigan.



amanze has exhibited her work in numerous exhibitions in New York,
 London, Ghana, Lagos, Philadelphia and Amsterdam. most recently, amanze was
 awarded a 2012-13 Fulbright Scholars Award, to join the 
Department of Fine and Applied Arts at the University of Nigeria, 
Nsukka. she currently resides in Brooklyn where she maintains a full time studio practice."



"In a once conflicted space of neither here not there, ada the Alien and her cohort of kindred creatures [including audre the Leopard, Pidgin, Twin, Oyibo the Merman, ofunne & the Ghosts…] now find solace and empowerment in their self constructed, chimeric universe of hybridity and freedom. Exhibiting human, alien and animal characteristics, they navigate effortlessly through an intergalactic space and time. Ranging in size from hand held to immersive, these drawings reflect the layered experiences of a growing population of “in-betweeners” and global citizens, whose fluid identity is not grounded in a monolithic geography or permanence based, notion of home. Aliens, hybrids and ghosts is a non-linear narrative that celebrates the labyrinth of national, ethnic and sexual identities that exist somewhere between constructed reality, fantasy, memory and imagination. In this world, creatures find authenticity and wholeness in their ability to simultaneously belong nowhere and everywhere."

[See also:
http://www.okayafrica.com/news/no-such-place-edward-tyler-nahem-fine-art-new-york-city/
https://www.youtube.com/watch?v=xvhZLbdjRvQ
https://www.youtube.com/watch?v=RexNXjrzrKI
https://vimeo.com/70056081 ]
rubyonyinyechiamanze  art  artists  africa  nigeria  nyc  brooklyn  space  aliens  in-betweeners  permanence  geography  home  hybrids  authenticity  wholeness  belonging  identity  memory  fantasy  globalcitizens  ghosts  rubyamanze 
march 2015 by robertogreco
Visitors « Flickr Blog
"They are among us! Need more "proof"? Check out the tag search results for alien architecture."
architecture  sciencefiction  scifi  photography  flickr  aliens  spaceships  buildings 
september 2010 by robertogreco
Search - En Busquedad - we make money not art
"For Search, Iñigo Manglano-Ovalle transformed a monumental bullfight ring in Tijuana into a radio telescope complete with an antenna and a large reflector dish that would search for signs of aliens from outer space. The signals picked up by the telescope created a "white noise" that the artist broadcast to the Tijuana region on pirate FM radio. Realized some 100 feet away from the U.S. border, Search comments also on the constant search along the border for 'aliens' of a more terrestrial kind."
wmmna  mexico  tijuana  telescopes  borders  art  aliens 
may 2009 by robertogreco
Aliens: Teaching Asian Schoolchildren How to Talk to Aliens
"A traveling alien exhibit makes its way to the Miraikan, a science museum in Tokyo, in March...The best part? The exhibition teaches kids that aliens exist and suggests ways of communicating with them. Hooray for cross-cultural understanding."
children  museums  aliens  exhibits  tokyo  japan  asia  communication 
january 2008 by robertogreco

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