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The Book's Undoing: Dieter Roth's Artist's Books - YouTube
[via:
https://www.instagram.com/p/BVvjLT2H3p8/
https://www.instagram.com/p/BVvjG29Hiu_/
https://www.instagram.com/p/BVvjAaJn-YX/
https://www.instagram.com/p/BVvjnzVHe5w/
https://www.instagram.com/p/BVvjSrInD9U/
https://www.instagram.com/p/BVvjdJzHxvT/
https://www.instagram.com/p/BVvl6tNHHor/
https://www.instagram.com/p/BVvlnfqH3XL/
https://www.instagram.com/p/BVwf9BEnyaE/
https://twitter.com/soulellis/status/878787775641911297 ]

[See also:

"Wait, Later This Will Be Nothing: Editions by Dieter Roth"
https://www.moma.org/interactives/exhibitions/2013/dieter_roth/index.html

"Dieter Roth - Wikipedia"
https://en.wikipedia.org/wiki/Dieter_Roth

"There would be no way to translate a Dieter Roth book into another medium-the idea of the works is inseparable from their form as books and they realise themselves as works through their exploration of the conceptual and structural features of a book. —Johanna Drucker"



"In 1960 he won the William and Norma Copley Award, which included Marcel Duchamp, Max Ernst and Herbert Read on the jury.[3] As well as a substantial monetary prize, the award included the chance to print a monograph; Roth declined, asking instead for funding to pay for a new work. The end result was his most ambitious book to date, the Copley Book, 1965, a semi-autobiographical deconstruction of the process of book making. In the same year he exhibited at Arthur Köpcke’s gallery in Copenhagen and at the Festival d’Art d’Avant-garde, Paris in 1960, and began an itinerant lifestyle, exhibiting and working throughout Europe, Iceland and America, a pattern he would continue for the rest of his life.

A key breakthrough in his attitude to art was witnessing the performance of Tinguely's Homage to Modern Art in Basel, 1961. The work profoundly impressed Roth, leading to a decisive break with constructivism into post-modern avant-garde practices associated with the Nouveaux Réalistes such as Tinguely and Arman, and the group of artists that were about to become known as Fluxus, including Joseph Beuys and Nam June Paik."
It [Tinguely's Homage to Modern Art] was simply a completely different world from my Constructivism, it was something like a paradise that I'd lost.[15]

Fluxus

Whilst Roth was close friends with many members of early Fluxus,[16] the avant-garde art movement centred around George Maciunas in New York City, he deliberately kept his distance from Maciunas;[17] when asked to add his memories of Maciunas to a biography being compiled by Emmett Williams, he contributed a less-than-complimentary summary;[18] He later told an interviewer;
It was the club of the untalented who made a verbal virtue of their lack of talent so that nobody could say they had no talent. The modesty that they ascribed to themselves was actually a good insight in that sense. Because they had to be modest because they were so incapable." [19]



"Roth would collaborate with his children-especially Björn-for the rest of his life.[27][28][29] In 2010 Hauser & Wirth showed one such collaboration, a selection of collage-assemblages, made from the cardboard mats Roth would place on the worktables in his studios to collect the "traces of domestic activities," such as coffee stains and Björn's childish doodles."



"In his later years Dieter Roth spoke of his typically innovative idea of an academy – an institution unbound to any one place or building or curriculum. As a passionate traveller, he realised that the best experience a young artist can have is travelling and encountering new people and situations. Consequently the Dieter Roth Academy lives there where its members live and work – on several continents. And is always on the move, having convened now in at least eight countries."

"Dieter Roth: Diaries at The Fruitmarket Gallery
2 August -- 14 October 2012"
https://www.youtube.com/watch?v=SjnDdvqR2VU

"Dieter Roth Museum"
https://www.youtube.com/watch?v=g19k0t8e7rc

"Dieter Roth: Staying Fresh"
https://www.youtube.com/watch?v=FpUtsUnuDIQ

"Dieter Roth: Selves (Retrospective)"
https://www.youtube.com/watch?v=FIfO5UYVq0k

"Dieter Roth Film - Trailer"
https://www.youtube.com/watch?v=JEJZMC21YSI

"Dieter Roth. Balle Balle Knalle (english)"
https://www.youtube.com/watch?v=sYuDtncXdpY

"Dieter Roth: Reykjavik Slides"
http://www.telegraph.co.uk/culture/photography/8386314/Dieter-Roth-Reykjavik-Slides.html

"Dieter Roth Foundation"
http://www.dieter-roth-foundation.com/en

"Dieter Roth, words by Birgitta Jónsdóttir"
https://grapevine.is/culture/art/2005/05/27/dieter-roth/

"Taking the Dieter Roth train is a trip through the essence of art. All is art, everything Dieter did was an expression of art and the train trip takes you on an unforgettable trip, giving the viewer a whole new perspective on art in our every day lives. The redundant gains new life and meaning as he tilts the angle of infinite possibilities of mundane experience becoming something amazing.

The thing that impressed me the most was how one could feel the creative joy in so many of this work. He obviously didn’t take himself to seriously, an undertone of playfulness can be found in all his work, as if he must have had terrible fun within the whirlwind of his creative process."

"Loosening Up: Dieter Roth's Tragedy, by Donald Kuspit"
http://www.artnet.com/Magazine/features/kuspit/kuspit3-22-04.asp

"Dieter Roth, A film by Hilmar Oddsson"
http://www.seventeengallery.com/exhibitions/dieter-roth/ ]
dieterroth  books  artistsbooks  art  artbooks  björnroth  lcproject  openstudioproject  sfsh  classideas  ephemerality  travel  materials  iceland  birgittajónsdóttir  reykjavík  hilmaroddsson  johannadrucker  fluxus  marcelduchamp  maxernst  herbertread  jeantinguely  josephbueys  namjunepaik  georgemaciunas  ephemeral 
june 2017 by robertogreco
San Francisco Center for the Book
"The San Francisco Center for the Book is a center of inspiration for the book arts world, featuring the art & craft of letterpress printing, bookbinding, and artists bookmaking. We are dedicated to the art of the book!

The San Francisco Center for the Book is a 501(c)(3) non-profit organization that fosters the joy of books and bookmaking, the history, artistry, and continuing presence of books in our culture and enduring importance as a medium of self-expression. We provide both a home for Bay Area book artists and a place where the wider community can discover book arts. Everyone is welcome here, experienced practitioners and newcomers alike.

San Francsico Center for the Book offers 400 workshops annually, which offer learning opportunities at all levels: from introductory classes, to focused advanced and master courses spanning the range of bookbinding and letterpress printing techniques, from traditional methods to cutting-edge printing techniques and experimental book forms.

Exhibitions at San Francisco Center for the Book are designed to inform and inspire visitors. Free public programs include opening receptions for exhibitions in the gallery, book release parties for our publications, gallery talks, tours, open houses, mixers and other community events includingthe annual Roadworks Steamroller Printing Festival and Holiday Fair."
sanfrancisco  books  bookmaking  art  artbooks  letterpress  srg  artistsbooks 
september 2016 by robertogreco
Colpa | Colpa
"COLPA is the collaborative art practice of Luca Antonucci and David Kasprzak. We work together as a publisher, designer, printer and curator.

COLPA PRESS publishes art books, limited edition prints and art objects, often working with artists on unique projects.

Founded by Carissa Potter and Luca Antonucci in 2010, with great assistance from Hailey Loman, COLPA has grown to include international events and exhibitions.

COLPA has exhibited with SFMOMA at the FOG Design + Art Fair, The NY Art Book Fair at PS1 MoMa, The LA Art Book Fair at the Geffen Contemporary MOCA, the Kadist Foundation and the Headlands Center for the Arts.

Our publications are in the permanent collection of The Getty Foundation, The Los Angeles County Museum of Modern Art, The Museum of Contemporary Art, The Museum of Modern Art, The Whitney Museum, Stanford University, Reed University and The Kadist Foundation.

We are lucky to have worked with amazing assistants such as Eva Struble, Cecile Legnaghi, Maëlle Brientini, Nino Galluzzo, Sarah Kim, Jenna Jorgenson, Jackson Brinkley, Madison Voekel, Nelly Ansruther, Lindsey Watson and Amy Burek.

For a quote or other inquiry, please contact us at hello@colpapress.com."
art  books  artbooks  sanfrancisco  lucaantonucci  davidkasprzak  publishing  design  printing  curation  carissapotter  colpa  artistsbooks 
june 2016 by robertogreco
Portlander on Vimeo
"Portlander is a site-specific publication produced from a one-month residency in a public library on the Isle of Portland, England in June 2014. The 64-page print-on-demand newspaper contains photography, oral histories, text fragments, found material and other ephemera collected during chance encounters and connections with various members of the Portland communities. 3,000 copies of Portlander were printed and distributed throughout Portland for the b-side arts festival in September 2014. Funded by Arts Council England."

[See also: http://soulellis.com/2014/08/the-last-day-of-august/
http://soulellis.com/2014/06/on-portland/ ]
paulsoulellis  artbooks  books  publication  newspapers  photography  place  2014  portlander  portland  england  print  projectideas  classideas  srg  artistsbooks 
september 2014 by robertogreco
ICA’s Excursus: Interview with Alex Klein and Mark Owens — The Gradient — Walker Art Center
"Emmet Byrne: What is Excursus and how did it come about?

Alex Klein and Mark Owens: Excursus was a two-year, four-part initiative at the Institute of Contemporary Art, University of Pennsylvania in Philadelphia positioned at the intersection of art and design, programs and exhibitions, and the archive and the museum. It took the form of a rotating installation on the ICA mezzanine, a curated series of intimate events, and an online residency on the Excursus website, which also acted as a form of real-time documentation. Each of the four invited participants— Reference Library, East of Borneo, Ooga Booga, and Primary Information—work in a space between artistic domains that don’t always have a comfortable place within a traditional gallery setting, such as publication, distribution, archival research, and programming.

Alex was hired in 2011 as ICA’s newly-created program curator, and Excursus was a way to explore and activate the “discursive space” of the museum as it approached it’s 50th anniversary and to challenge the notion of how a program could function and how we might gauge its success. ICA is a non-collecting institution with a long history of ground-breaking exhibitions—Andy Warhol, Paul Thek, and Martin Kippenberger each had their first U.S. solo museum shows at ICA, for example—and thus ICA’s extensive archive is in a very real sense its collection. Each of the participants was thus invited to delve into the ICA archive and to make connections both with their own concerns and the exhibitions currently on view in the main galleries.

An “excursus” is a literary term describing a digression or supplement to a primary text, and the project was conceived very much in that spirit, with every element, from the installation to the programming, emerging from these conceptual and material connections. The aim was to provide a platform that could be responsive and flexible–both in terms of form and authorship–and that could could bridge the gap between extra-institutional and institutional activities while still maintaining a strong framework and a grounding in the physical space of the ICA.

EB: The project has a very strong design sensibility, from the participants selected, to the design of the space, to the design of the ephemera, and of course the catalogue. Was there a philosophy at work behind the design of the whole program?

AK & MO: Certain binaries seemed to anchor each season of the project: East Coast vs. West Coast, black-and-white vs. color, social vs. contemplative, etc. Although each iteration of the project revolved around a kind of kit of parts–a flexible space for discussion, a display system for the event broadsides, a set of flat file drawers to display archival material, an auratic object of some kind, and a projection in the lobby–each of the invited participants contributed a strong visual aesthetic that was linked to the thematic of each of their installations. Thus, the form of each installation, from the materials used to the seating and furniture, reflected a distinct sensibility that changed radically from project to project and sat apart from the rest of the museum identity and the exhibitions in the main galleries. For example, Reference Library’s Andy Beach used custom-designed furniture in unpainted wood in combination with Martino Gamper’s bright plastic Arnold Circus stools in shades of blue and a Wharton Esherick Hammer Handle Chair on loan from the Hedgerow Theater in nearby Rose Valley. This then gave way to East of Borneo‘s exploration of California arts pedagogy circa 1970 with seminar tables, vintage David Rowland 40/4 chairs in period colors, and an actual Metamorphokit table, designed by Peter de Bretteville and Toby Cowan, shipped directly from the CalArts library. For her installation Ooga Booga’s Wendy Yao recreated the unmistakable look and feel of her two Los Angeles stores, complete with a hammock, bookshelves, and a custom table and benches designed by Manuel Raeder, which are now installed at her Mission Road space. Finally, Primary Information drew inspiration from ICA’s seminal 1975 Video Art exhibition with a more spare, conceptualist, black-and-white aesthetic, punctuated by Sarah Crowner’s dramatic Vidas Perfectas curtain (2011), originally produced for a Robert Ashley performance, which created a literal backdrop for the activities that ensued. In this way, the design of the projects themselves marked out a distinct physical space that was at once rich with material and metaphor, but also flexible and open."
alexklein  markowens  oogabooga  referencelibrary  andybeach  walkerartcenter  2014  excursus  ica  design  publishing  books  art  artbooks  artistsbooks  curation  interviews  primaryinformation  eastofborneo  commonpress  othermeans  museums  events  residencies  onlineresidencies  discursivespace  authorship 
august 2014 by robertogreco
Primary Information
"Primary Information is a non-profit organization devoted to printing artists books, artist writings, out of print publications and editions. Primary Information was formed in 2006 by Miriam Katzeff and James Hoff to foster intergenerational dialogue through the publication of artists’ books and writings by artists—emerging, mid-career, and established. Our period of focus is from the early Sixties to the present, with an emphasis on the conceptual practice begun in the mid Sixties and the strategy of using publications as an extension of this practice.

Our program involves three distinct components: (1) the publication of lost or unpublished material still vital to contemporary discussions, (2) the publication of books by contemporary artists, and (3) the publication of editions that function as publications, though may take the shape of say a record or poster (in this way, we are very much influenced by how Printed Matter has come to define the artist book and its varied forms since the 1960s). Our aim is to reach audiences throughout the world, those to whom publications can reach but galleries and museums cannot.

Primary Information is a 501(c)(3) non-profit organization that receives generous support through grants from The Andy Warhol Foundation for the Visual Arts, The National Endowment for the Arts, the Graham Foundation for Advanced Studies in the Fine Arts, the Foundation for Contemporary Arts, The Greenwich Collection Ltd, the New York State Council on the Arts, the Stichting Egress Foundation, and individuals worldwide."
art  books  publishing  artistsbooks  miriamkatzeff  jameshoff  nyc  primaryinformation  artbooks 
august 2014 by robertogreco
Batia Suter
"Swiss-born, Amsterdam-based artist Batia Suter (b. 1967) studied at the art academies of Zuerich and Arnhem (NL), and was also trained at the Werkplaats Typografie. Suter produces monumental prints of digitally manipulated images for specific locations, and works on photo-animations, image sequences and collages, often using found pictures. In 2007 she published the voluminous book Parallel Encyclopedia (Roma Publication 100) containing a composition of images taken from books she has collected along the years. Her second book Surface Series (Roma Publication 160), published in 2011, is an evocative montage of found images exploring the diverse resonances of geological landscape and visual surface. The underlying themes of Batia Suter's practice are the 'iconification' and 'immunogenicity' of images, and the circumstances by which they become charged with new associative values. Her work intuitively situates old images in new contexts to provoke surprising reactions and significative possibilities. By this method, and with an attuned sensitivity to hidden harmonies and expressive accidents, Suter thus generates hypnagogic spaces where pictures can communicate by their own logic, in a force field of imaginative metamorphosis."
batiasuter  art  artists  photography  books  artbooks  print  papernet  images  imagery  artistsbooks 
june 2014 by robertogreco
BOOKLET LIBRARY - By Cover
"These are titles available at Booklet Library.

Booklet Library is shaped by the authors, artists, and publishers who contribute their work. Our interest is in the support, provision, and promotion of a more fair cross-section of independent publications, and of (visual) difference in Tokyo.

Booklet Library is available to the public at

3-15-3 Yoyogi
Shibuya , Tokyo
〒151-0053"
art  artbooks  books  design  tokyo  japan  via:soulellis  booklets  srg  artistsbooks 
may 2014 by robertogreco
Eastside Projects | BOOK
[See also (careful with link: http://www.theshowroom.org/programme.html?id=589,595 ]

"BOOK (2010)
edited and designed by James Langdon
Published by Eastside Projects
165 x 240 mm, 216 pp., softcover
ISBN 978-1-906753-22-1

* Sold Out Enquire for price of archive copies info@eastsideprojects.org

Works by:
Åbäke, Vito Acconci, Tauba Auerbach, Bedford Press, Ulises Carrión, Melissa Dubbin + Aaron S. Davidson, Daniel Eatock, Will Holder, Jeremy Jansen, Kelly Large, Fraser Muggeridge Studio, OK/RM, Simon Starling, Werkplaats Typografie

‘Book’, functions as a mobile extension to the exhibition, 'Book Show' [http://eastsideprojects.org/past/book-show/ ]. Including a facsimile reprint of Ulises Carrión’s ‘The New Art of Making Books’ as it originally appeared in the journal Kontexts; an illustrated text by James Langdon and additional works, both existing and newly commissioned."
ulisescarrión  2010  books  artbooks  jameslangdon  taubaauerbach  srg  artistsbooks 
may 2014 by robertogreco
East of Borneo
"East of Borneo is an online magazine of contemporary art, and its history, as considered from Los Angeles.

It marks the convergence of two distinct lines of thought: What is the nature, and the future, of art magazines? And how might we give form to the many histories of art in Los Angeles, one that is generative and productive rather than merely descriptive?

We publish original essays, artist profiles and interviews alongside a growing "collaborative archive" of videos, images and historical texts added by our editors and readers, highlighting unexpected connections and encouraging new lines of thought. The introduction of East of Borneo Books and our debut title, Piecing Together Los Angeles: An Esther McCoy Reader, sees the extension of our mission into print. In the coming years, the imprint and magazine will continue to draw new attention to the best writing on the visual culture of Los Angeles."

[See also: http://curatingla.com/2014/02/26/unforgetting-la-3-build-a-better-online-history-of-art-in-southern-california/ ]

[See also: http://blogs.walkerart.org/design/2014/08/05/icas-excursus-interview-with-the-alex-klein-and-mark-owens/
and http://excursus.icaphila.org/ ]
art  culture  losangeles  via:jonhall  magazines  publishing  artbooks  artistsbooks 
february 2014 by robertogreco
Culture Machine Live podcast: Johanna Drucker | OPEN REFLECTIONS
"This interview with visual and cultural theorist and practitioner Johanna Drucker by Janneke Adema focuses on Drucker’s work as a scholar and practitioner, speculative computing, the difference between aesthesis and mathesis in Humanities knowledge production, and the concept of performative materiality. The interview was conducted on November 16th, 2013, at the Library of Birmingham in Birmingham, UK."

[Audio here: http://culturemachinepodcasts.podbean.com/2013/11/24/speculative-computing-and-the-aesthetics-of-the-humanities-johanna-drucker/ ]
johannadrucker  digitalhumanities  aesthesis  mathesis  humanities  knowledgeproduction  2013  jannekeadema  speculativecomputing  performativemateriality  materiality  poetry  piaget  constructivism  differntiation  charlespeirce  situatedness  authority  hierarchy  artistsbooks  jeanpiaget  artbooks 
november 2013 by robertogreco
Granary Books - Publisher of Artist's Books
"For nearly thirty years, Granary Books has brought together writers, artists, and bookmakers to investigate verbal/visual relations in the time-honored spirit of independent publishing. Granary's mission—to produce, promote, document, and theorize new works exploring the intersection of word, image, and page—has earned the Press a reputation as one of the most unique and significant small publishers operating today.


Our project has been strengthened by a growing involvement in the organization, preservation, and sale of archives, manuscripts, and rare books by important contemporary writers and artists. While publishing remains central to Granary's purpose, we are also deeply involved with a widespread and local community of writers, poets, and artists. For years Granary occupied a gallery space in Soho, hosting countless public events, lectures, and readings while curating exhibits related to books, book art, poetry, and writing. We believe that Granary's publishing, preservation, and community outreach has significant long-term implications for the fields of writing and book art. Since the mid-nineties Granary has sought to produce, promote, and contextualize scholarship investigating an emerging history of small press publishing, poetry, and artists' books. Many of the books we have produced in this vein, including Johanna Drucker's essential The Century of Artists' Books, Jerome Rothenberg and Steve Clay's A Book of the Book: Some Works & Projections About the Book & Writing, and Steve Clay and Rodney Phillips's A Secret Location on the Lower East Side are now being used as textbooks at the college level, further opening and legitimizing the field for a new generation of scholars and practitioners.

Granary Books remains committed to publishing innovative written and visual work, observing progressive scholarship, and supporting adventurous bookmaking while exploring the relationships between seeing and reading, reading and seeking."
books  publishers  publishing  nyc  bookmaking  art  visual  progressivescholarship  granary  granarybooks  poetry  poets  artists  events  curation  curating  johannadrucker  jeromerothenberg  steveclay  rodenyphillips  artistsbooks  artbooks 
february 2013 by robertogreco
BOOK STAND
"BOOK STAND is an online art book shop based in Los Angeles specializing in unique art books, films and vintage publications. Inspired by the quirky personal libraries of imaginative individuals, our carefully edited catalogue is organized by ever-changing offbeat categories.

We believe the best book shops have the exceptional ability to create community, so stop by regularly for an inspiring program that includes conversations with emerging artists, artists' favorite recipes, field trips to beautiful bookstores, limited edition handmade bookmarks and guides to help you develop your creative reference library.

One dollar from every purchase goes towards supporting The Library Foundation of Los Angeles. Helping to promote greater awareness of the library's valuable resources, The Library Foundation of Los Angeles supports and enriches the capabilities, resources, and services of the Los Angeles Public Library."
recipes  food  cooking  photography  color  beauty  webdesign  glvo  design  art  gifts  books  artbooks  losangelespubliclibrary  lapubliclibrary  losangeles  via:nicolefenton  artistsbooks  webdev 
january 2013 by robertogreco

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