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robertogreco : bohemia   5

Collected Essays: Autobiographical Notes [by James Baldwin]
"About my interests: I don't know if I have any, unless the morbid desire to own a sixteen-millimeter camera and make experimental movies can be so classified. Otherwise, I love to eat and drink---it's my melancholy conviction that I've scarcely ever had enough to eat (this is because it's impossible to eat enough if you're worried about the next meal)--and I love to argue with people who do not disagree with me too profoundly, and I love to laugh. I do not like bohemia, or bohemians, I do not like people whose principal aim is pleasure, and I do not like people who are earnest about anything. I don't like people who like me because I'm a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one's own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done."

[via: https://twitter.com/littleglissant/status/886378487535337472 ]
jamesbaldwin  autobiogaphy  food  drink  poverty  hunger  pleasure  laughing  arguing  bohemians  bohemia  us  hemingway 
july 2017 by robertogreco
William Gibson on where the Internet's Bohemias are - Boing Boing
"Bohemia used to be self-imposed backwaters of a sort. They were other countries within the landscape of Western industrial civilization. They were countries that most people would never see — mysterious places. You’d pay a price, potentially, for going there. That’s always cool and exciting. Now, where are they? Where can you do that? How are people transacting that today? I am pretty sure that they are, but I don’t have that much firsthand experience of it. But they have to do it in a different way."
interviews  web  internet  bohemians  bohemia  williamgibson  2012 
september 2012 by robertogreco
Episode 253: Nils Norman : Bad at Sports
"Norman founded an experimental space called Poster Studio on Charing Cross Road, London. This space was a collaborative effort with Merlin Carpenter and Dan Mitchell. In 1998 in New York he set up Parasite, together with the artist Andrea Fraser, a collaborative artist led initiative that developed an archive for site-specific projects.

Norman now lives and works in London Copenhagen. He exhibits internationally in commercial galleries, museum, and in public and alternative spaces. He writes articles, designs book covers and posters, collaborates with other artists, teaches and lectures in European and the US. Norman completed a major design project: an 80m pedestrian bridge and two islands for Roskilde Commune in Denmark in 2005 and is now working together with Nicholas Hare Architects on a school playground project for the new Golden Lane Campus, East London. He has recently finished an artist residency at the University of Chicago, Chicago, USA."
dogooderism  academia  careerism  culture  readerbrothers  lauraowens  making  authenticity  values  trust  productivity  production  productionvalue  local  deschooling  unschooling  communities  dinnerparties  supperclubs  formalization  access  creativepractice  contradiction  mfa  lowresidencymfa  purpose  posterstudio  soprah  situationist  culturalspace  privatespaces  publicspace  institutionalization  bohemia  bohemians  cityasclassroom  cities  gentrification  josefstrau  stephandillemuth  economics  neoliberalism  richardflorida  socialpractice  denmark  chicago  site-specificprojects  roskildecommune  collaboration  arteducation  education  2010  artproduction  nilsnorman  colinward  explodingschool  artists  interviews  art 
april 2012 by robertogreco
Bohemian Sprawl Hits the Limits in Los Angeles - NYTimes.com
"The deep recession, with its lost jobs and falling home values nationwide, poses another kind of threat: to the character of neighborhoods settled by the young creative class, from the Lower East Side in Manhattan to Beacon Hill in Seattle. The tide of gentrification that transformed economically depressed enclaves is receding, leaving some communities high and dry.

For long-time residents, the return to pre-boom rents may be a blessing. But it also poses a rattling question of identity: What happens to bourgeois bohemia when the bourgeois part drops out?"
eaglerock  losangeles  gentrification  crisis  us  recession  neighborhoods  janejacobs  joelkotkin  bohemia 
february 2009 by robertogreco
Last Call, Bohemia: Entertainment & Culture: vanityfair.com
"Every successful society needs its Bohemia, a haven for the artists, exiles, and misfits who regenerate the culture. With the heart of New York’s West Village threatened by developers, London, Paris, and San Francisco have a message for Manhattan: Don
architecture  art  cities  culture  via:kottke  neighborhoods  nyc  urban  media  life  creative  creativeclass  gentrification  society  bohemia  artists 
june 2008 by robertogreco

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