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What is to be done ? | Diagonal Thoughts
[via: http://stml.tumblr.com/post/155290210410 ]

"By Jean-Luc Godard

Written in January 1970 at the request of Simon Field and Peter Sainsbury for the magazine Afterimage, produced by Peter Whitehead. Published in Afterimage n°1, April 1970. Translated from French by Mo Teitelbaum.

1. We must make political films.

2. We must make films politically.

3. 1 and 2 are antagonist to each other and belong to two opposing conceptions of the world.

4. 1 belongs to the idealistic and metaphysical conception of the world.

5. 2 belongs to the Marxist and dialectical conception of the world.

6. Marxism struggles against idealism and the dialectical against the metaphysical.

7. This struggle is the struggle between the old and the new, between new ideas and old ones.

8. The social existence of men determines their thought.

9. The struggle between the old and the new is the struggle of classes.

10. To carry out 1 is to remain a being of the bourgeois class.

11. To carry out 2 is to take up a proletarian class position.

12. To carry out 1 is to make descriptions of situations.

13. To carry out 2 is to make concrete analysis of a concrete situation.

14. To carry out 1 is to make BRITISH SOUNDS.

15. To carry out 2 is to struggle for the showing of BRITISH SOUNDS on English television.

16. To carry out 1 is to understand the law of the objective world in order to explain the world.

17. To carry out 2 is to understand the law of the objective world in order to actively transform that world.

18. To carry out 1 is to describe the wretchedness of the world.

19. To carry out 2 is to show the people in struggle.

20. To carry out 2 is to destroy 1 with the weapons of criticism and self-criticism.

21. To carry out 1 is to give a complete view of events in the name of truth in itself.

22. To carry out 2 is not to fabricate over-complete images of the world in the name of relative truth.

23. To carry out 1 is to say how things are real. (Brecht)

24. To carry out 2 is to say how things really are. (Brecht)

25. To carry out 2 is to edit a film before shooting it, to make it during filming and to make it after the filming. (Dziga Vertov)

26. To carry out 1 is to distribute a film before producing it.

27. To carry out 2 is to produce a film before distributing it, to learn to produce it following the principle that:
it is production which commands distribution
it is politics which commands economy.

28. To carry out 1 is to film students who write: Unity – Students – Workers.

29. To carry out 2 is to know that unity is a struggle of opposites (Lenin) to know that two are in one.

30. To carry out 2 is to study the contradictions between the classes with images and sounds.

31. To carry out 2 is to study the contradictions between the relationships of production and the productive forces.

32. To carry out 2 is to dare to know where one is, and where one has come from, to know one’s place in the process of production in order then to change it.

33. To carry out 2 is to know the history of revolution struggles and be determined by them.

34. To carry out 2 is to produce scientific knowledge of revolution struggles and of their history.

35. To carry out 2 is to know that film making is a secondary activity, a small screw in the revolution.

36. To carry out 2 is to use images and sounds as teeth and lips to bite with.

37. To carry out 1 is only to open the eyes and the ears.

38. To carry out 2 is to read the reports of comrade Kiang Tsing.

39. To carry out 2 is to be militant.

——————————————————————————————————————————————————————-
Notes

14/15 British Sounds, Dziga Vertov Group’s third film, came out in 1969. The transcript of the film is available here.
23/24: “Realism doesn’t mean showing real things, but showing how things really are.” Godard also quoted this dictum by Brecht in the scenario of Les Carabiniers (1963).
25: A reference to Vertov’s text “Provisional Instructions to Kino-Eye Groups” (1926).
29: According to Lenin, “dialectics can be defined as the doctrine of the unity of opposites” (1961).
38: Kiang Tsing (or Jiang Qing) was Mao Zedong’s last wife, well known for her role in the Cultural Revolution (1966–76) and for forming the political alliance known as the “Gang of Four”. During the Cultural revolution, Joang Qing, who used to be a Shanghai movie star in the 1940s, created the “internal screenings” (or “internal reference material film”) system which allowed for some filmmakers and elite intellectuals to watch Western films in screenings that were closed to the general public. Godard pays homage to her in Vent d’Est (1970), refering to her text “Summary of the Forum on the Work in Literature And Art in the Armed Forces With Which Comrade Lm Piao Entrusted Comrade Chiang Ching”."
jean-lucgodard  manifestos  1970  politics  resistance  activism  simonfield  petersainsbury  filmmaking  idealism  marxism  metaphysical  bourgeoisie  proletariat  understanding  bertoltbrecht  production  kiangtsing  militantism  jiangqing  realism 
january 2017 by robertogreco
Everybody Hates Cornel West | Jacobin
"We live in an era in which Clinton — who proudly supported mass incarceration and the obliteration of welfare — declares that a social-democratic program of financial reform and single-payer health insurance “won’t end racism.” A recent WikiLeaks publication of internal Clinton campaign emails reveals another line they were testing out against Sanders: “Wall Street is not gunning down young African Americans or denying immigrants a path to citizenship.”

It’s a sentiment that would’ve bewildered civil rights veterans like A. Philip Randolph, Martin Luther King Jr, John P. Davis, Bayard Rustin, and Lester Granger, all of whom were committed to social-democratic politics as a crucial means of putting racism on a path towards ultimate extinction. The tragedy of West isn’t that he’s “full of bitterness,” as his liberal detractors claim. It’s that the politics of West’s “black prophetic tradition,” try as he might to wield them for socialist ends, will today find their strongest, clearest articulation in the same old quest of “interpreting the drums” for a mostly white ruling class.

Earlier in the primary season, during an interview on the Real News Network, West directly called out the black elite — whom he calls “the lumpenbourgeoisie” — for abandoning “the black prophetic tradition” for “individual upward mobility” and the “formation of the black professional class.” As he put it, “Black folk for the most part became just extensions of a milquetoast neoliberal Democratic Party. But Adolph Reed and a host of others told this story many years ago. It’s becoming much more crystallized. We have to be willing to tell the truth no matter how unpopular it is.”

West didn’t hesitate to proclaim that his biggest left-wing critic had been right all along. But the fact that he felt betrayed by this “lumpenbourgeoisie” in the first place only shows the limits of this political vision and the power of Reed’s original critique. After all, why would a “lumpenbourgeoisie” act different than any bourgeoisie? A vision of a harmonious insular black “community” without any internal class tensions might sound appealing to some in 2016 — particularly to the Democratic Party — but it’s a delusion no serious leftist can afford to entertain.

But as tragic as West’s crusade can appear, the sincerity of his commitment to a more just and egalitarian world — and the righteousness of his passion — cannot be called into question. Those who, like Michael Eric Dyson, claim that West’s political commitments now derive from nothing more than hurt feelings over unreturned phone calls to Barack are either not paying attention or shamelessly projecting their own guilty consciences onto West.

As soon as Sanders laid down his arms and endorsed Clinton, West was already on the trail for Green Party candidate Jill Stein, telling Bill Maher that “the Clinton train — Wall Street, security, surveillance, militarism — that’s not going in the same direction I’m going . . . she’s a neoliberal.” And while many criticisms of the Green Party’s electoral myopia are warranted, it’s impossible not to respect West’s drawing a line in the sand against the Democrats — a party he sees as irredeemable. If his break with Obama made him “sad and bitter,” one can only wonder what his elite critics think of him now.

The truth is that Cornel West is being punished for choosing a genuine commitment to a more egalitarian society over the faux radicalism (and career opportunities) of the DNC and MSNBC black intelligentsia. On an appearance on late-night television a couple years ago, David Letterman pitched him a softball question on the overall improvement in “race relations.” Instead, West chastised Obama and Attorney General Eric Holder for their inaction on police violence: “It’s a question of what kind of persons do you have, not just black faces.” After Letterman pointed out how at least things had improved for the LGBT population, West countered: “The system is still structured in such a way that one percent of the population owns 43 percent of the wealth, you end up with an embrace of gay and lesbian brothers and sisters, especially upper–middle class and above, but the gay poor, the lesbian poor, they’re still catching hell . . . It’s not just black. It’s white. It’s brown. It’s the structure of a system . . . it’s worse [than ever].”"



"Because for the first time in years, it seemed like something really was happening. And the man on stage was the perfect one to give voice to that excitement, to that first hint of a lifelong passion and commitment. I remember looking around the auditorium: the young, this new generation who would soon file out in Occupy and, a few years later, join the Sanders campaign, were hanging on his every word as they listened to West define what it meant to be radical, what it meant to be on the Left. “That means we cut radically against the grain of the last forty years, especially in the American empire, where we have been told lies. Unfettered markets generating self-sufficiency, prosperity, and justice is a lie!. . . Wall Street oligarchs and the corporate elites are sucking so much of the blood of American democracy in such a way that more and more people are just useless, superfluous. And they don’t care! They think that they can get away with it because there’s been no resistance of large scale! And they think in the end, the chickens don’t come home to roost, that you don’t reap what you sow . . . we simply say at Left Forum,” and here he backed away from the mic, lowered his voice and smiled, “We stand for the truth.” People were on their feet, exploding in applause.While West’s reputation has suffered greatly among liberals, it has never been better among socialists. And while still marginal, after the Sanders challenge to the entire liberal class, ours is a corner with some confidence now. West is a longtime member of the Democratic Socialists of America and his reputation for generosity among younger members is unparalleled. He seemingly has time for everyone. Especially those who offer him nothing in career opportunities or elite respectability."
cornelwest  politics  race  2016  hillaryclinton  berniesanders  connorkilpatrick  democrats  michaelericdyson  joanwalsh  jonathancapehart  jillstein  adolphreed  blacklivesmatter  us  socialjustice  inequality  socialdemocracy  economics  barackobama  bobavakian  elitism  elites  aphiliprandolph  martinlutherkingjr  johnpdavis  bayardrustin  lestergranger  socialism  lumpenbourgeoisie  democraticparty  bourgeoisie  egalitarianism  radicalism  racism  racerelations  radicalization  occupywallstreet  ows  capitalism  statusquo  mlk 
november 2016 by robertogreco
Empires Revolution of the Present - marclafia
"The film and online project brings together international philosophers, scientists and artists to give description and analysis to the contemporary moment as defined by computational tools and networks.

It states that networks are not new and have been forever with us in the evolution of our cities, trade, communications and sciences, in our relations as businesses and nation states, in the circulation of money, food, arms and our shared ecology.

Yet something has deeply changed in our experience of time, work, community, the global. Empires looks deeply to unravel how we speak to the realities of the individual and the notion of the public and public 'good' in this new world at the confluence of money, cities, computation, politics and science."

[Film website: http://www.revolutionofthepresent.org/ ]

[Trailer: https://vimeo.com/34852940 ]
[First cut (2:45:05): https://vimeo.com/32734201 ]

[YouTube (1:21:47): https://www.youtube.com/watch?v=HaTw5epW_QI ]

"Join the conversation at http://www.revolutionofthepresent.org

Summary: The hope was that network technology would bring us together, create a "global village," make our political desires more coherent. But what's happened is that our desires have become distributed, exploded into images and over screens our eyes relentlessly drop to view.

REVOLUTION OF THE PRESENT examines the strange effects — on cities, economies, people — of what we might call accelerated capitalism. Set against a visually striking array of sounds and images, 15 international thinkers speak to the complexity and oddity of this contemporary moment as they discuss what is and what can be.

Documentary Synopsis:
Humanity seems to be stuck in the perpetual now that is our networked world. More countries are witnessing people taking to the streets in search of answers. Revolution of the Present, the film, features interviews with thought leaders designed to give meaning to our present and precarious condition. This historic journey allows us to us re-think our presumptions and narratives about the individual and society, the local and global, our politics and technology. This documentary analyzes why the opportunity to augment the scope of human action has become so atomized and diminished. Revolution of the Present is an invitation to join the conversation and help contribute to our collective understanding.

As Saskia Sassen, the renowned sociologist, states at the outset of the film, 'we live in a time of unsettlement, so much so that we are even questioning the notion of the global, which is healthy.' One could say that our film raises more questions than it answers, but this is our goal. Asking the right questions and going back to beginnings may be the very thing we need to do to understand the present, and to move forward from it with a healthy skepticism.

Revolution of the Present is structured as an engaging dinner conversation, there is no narrator telling you what to think, it is not a film of fear of the end time or accusation, it is an invitation to sit at the table and join an in depth conversation about our diverse and plural world."

[See also: http://hilariousbookbinder.blogspot.com/2014/09/rethinking-internet-networks-capitalism.html ]

[Previously:
https://pinboard.in/u:robertogreco/b:ec1d3463d74b
https://pinboard.in/u:robertogreco/b:9f60604ec3b3 ]
marclafia  networks  philosophy  politics  science  money  cities  scale  economics  capitalism  2014  kazysvarnelis  communication  communications  business  work  labor  psychology  greglindsay  saskiasassen  urban  urbanism  freedom  freewill  howardbloom  juanenríquez  michaelhardt  anthonypagden  danielisenberg  johnhenryclippinger  joséfernández  johannaschiller  douglasrushkoff  manueldelanda  floriancrammer  issaclubb  nataliejeremijenko  wendychun  geertlovink  nishantshah  internet  online  web  danielcoffeen  michaelchichi  jamesdelbourgo  sashasakhar  pedromartínez  miguelfernándezpauldocherty  alexandergalloway  craigfeldman  irenarogovsky  matthewrogers  globalization  networkedculture  networkculture  history  change  nationstates  citystates  sovreignty  empire  power  control  antonionegri  geopolitics  systems  systemsthinking  changemaking  meaningmaking  revolution  paradigmshifts  johnlocke  bourgeoisie  consumption  middleclass  class  democracy  modernity  modernism  government  governence  karlmarx  centralization  socialism  planning  urbanplanning  grass 
october 2014 by robertogreco

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