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robertogreco : cataloging   15

Wasting Time on the Internet? Not Really - The New York Times
"Two years ago, Kenneth Goldsmith, the University of Pennsylvania poet and conceptual artist, taught a creative writing course he called “Wasting Time on the Internet.” Students would do just that, probing the tedium of the internet. But thanks to in-class use of social media, the class also became a creative ferment of improvised dance, trust experiments and inquiries into the modern nature of the self and the crowd.

The constant experimentation changed Mr. Goldsmith into a self-described “radical optimist” about the internet, too. While many of his peers worry about the effects that endless tweets and bad videos have on our minds and souls, he sees a positive new culture being built. The first poet laureate of the Museum of Modern Art, appointed in 2013, he believes we are headed into a creative renaissance, one with unprecedented speed and inclusion.

Meanwhile, the class has evolved into a seminar on collective “time wasting” that Mr. Goldsmith has held in several countries, and it returns to Penn this fall. His new book, named after the course, will be available this month.

Why write this book?

I had cognitive dissonance. Theorists say the internet is making us dumber, but something magical happened when my students wasted time together. They became more creative with each other. They say we’re less social; I think people on the web are being social all the time. They say we’re not reading; I think we’re reading all the time, just online.

I’m an artist, and artists feel things, we distrust these studies. As a poet I wanted to observe, I wanted to feel things.

You compare online experiences with 20th-century philosophies and artistic movements.

The DNA of the web is embedded in 20th-century movements like Surrealism, where artists sought to live in a state like dreaming, or Pop Art, where they leveraged popular culture to make bigger points about society. Postmodernism is about sampling things and remixing them, and that is made real in this digital world.

When I teach my students about the historical preconditions for what they are doing when they waste time together — things like Surrealism or Cubism — the theoretical framework helps them know that the web isn’t a break, it’s a continuity with earlier great thinking.

But if we’re just remixing, are we creating?

When a D.J. brings a laptop full of music samples to a club he doesn’t play an instrument, but we don’t argue that he isn’t doing something creative in mixing those sounds to create his own effect. In the online world the only thing you’re the master of is your collection, your archive, and how you use it, how you remix it. We become digital archivists, collecting and cataloging things. I find it exciting.

What will an educated person be in the future?

We still read great books, and there is a place for great universities. But an educated person in the future will be a curious person who collects better artifacts. The ability to call up and use facts is the new education. How to tap them, how to use them.

If we change as a culture, do we change ourselves?

I’ve got a 10-year-old and 17-year-old. They’re thinking differently from me. They stay connected all the time, and they’re smart, they play baseball, they read, they spend time online. They’re not robots. Basic human qualities haven’t changed. I can find Plato in online life. When I read Samuel Pepys’s diary I see Facebook posts. We just find new ways to express things."
kennethgoldsmith  internet  archives  cv  online  remixing  culture  2016  social  sharing  djs  djing  creativity  creation  curiosity  artifacts  collections  recall  search  samuelpepys  plato  howweread  howwewrite  collecting  cataloging  surrealism  cubism  howwelearn  web 
august 2016 by robertogreco
“The world is full of objects, more or less... - robertogreco {tumblr}
“The world is full of objects, more or less interesting; I do not wish to add any more.

I prefer, simply, to state the existence of things in terms of time and/or place.

More specifically, the work concerns itself with things whose inter-relationship is beyond direct perceptual experience.

Because the work is beyond direct perceptual experience, awareness of the work depends on a system of documentation.

The documentation takes the form of photographs, maps, drawings and descriptive language.”

—Douglas Huebler
time  place  documentation  cv  douglashuebler  art  experience  perception  awareness  belatedness  things  objects  cataloging  description  observation  photography  maps  mapping  drawing  drawings  systems  archives  noticing  collections  collecting  capturing 
march 2015 by robertogreco
Failure in the Archives | A conference celebrating the failures & frustrations of archival research.
"‘Failure in the Archives’ will provide a forum to examine everything that doesn’t belong in traditional conferences and publications, from dead-end research trips to unanswered questions.

How do we respond to the resistance, or worse, the silences and gaps, that we find in the archives? Scholarship tends toward success stories, but this conference seeks presentations from a range of disasters that arise when navigating the depths of the archive: damaged, destroyed, mislabelled, misrepresented materials, forgeries, exaggerated significance, and gaps in the historical record. Overall, the experience of failure in the archive is truly interdisciplinary, skewing the warp and woof of close reading and big data alike, not to mention posing everyday problems for archivists and librarians working on the frontlines to make their collections accessible

We welcome proposals on any aspect of early modern archival work, manuscript or print, covering the period 1500-1750. Topics may include, but are not limited to:

• Materials which challenge cataloguing standards
• Uncatalogued material – how to find it, how to access it, how to use it
• Inaccurate cataloguing – tensions between past and present.
• Broken or dispersed collections
• Damaged, destroyed, or compromised collections
• The ethics of maintaining archives
• The ethics of archival research – especially when working with sensitive material
• Absences and silences in the archive
• Difficulties conserving and preserving materials
• Conflicts of information between archival sources
• Digitisation and its discontents
• Agents in the archives: collectors, archivists, researchers"
archives  failure  loss  2014  conferences  cataloging  ethics  damage  destruction  maintenenance 
may 2014 by robertogreco
Blessedly Unnecessary | Books and Culture
"Gregory Blackstock is autistic, and because of his extraordinary gifts he is called a "savant" (a problematic word, I feel). Like many autistic people, Blackstock has a passion for order and precision, which shows up in any number of ways. For instance, the autobiography he hand–wrote for his book, Blackstock's Collections, takes the form of a list—"1. MY DATE OF BIRTH … 2. MY PREVIOUS SCHOOLS OF 1950 TO 1964 … 3. MY USUAL CITY NEWSPAPER ROUTE PERIOD"—and in listing his employment history he notes that he began his job at the Washington Athletic Club on September 9, 1975 and retired on January 12, 2001. Though I said that Blackstock worked there for twenty–five years, he prefers to say that it was twenty–five–and–a–third years.

This precision is central to Blackstock's art as well—though I have no idea whether it affects his accordion playing. The book is called Blackstock's Collections because each drawing is just that, a collection of things belonging to a particular category. I find especially intriguing Blackstock's tendency to give his drawings titles that begin with the definite article: "The Knives", "The Dentist's Tools, "The Memorable Vermont Scenes"—as though he aspires to utter completeness, gathering every member of a given set on a single page."

"Most of the "collections" are perfectly comprehensible, even if we suspect that it's not really possible to get all of "The Knives" on one page (Blackstock manages fifty–one of them, a considerable achievement). But Blackstock's passion for taxonomy gets him into some curious corners. Smack in the middle of "The Bells," among cowbells and bicycle bells and doorbells and the Liberty Bell and the bell of Big Ben, there's a diving bell. Not the same kind of thing, you say? But it's a bell, isn't it? I wonder how Blackstock would respond if someone were to point out to him that in his drawing of "The Drums" he omits the eardrum.

One of the few really heterogeneous collections is "The Noisemakers," a highly colorful and (for Blackstock) rather large drawing, forty–four inches tall, which includes not only whistling skyrockets and M–80 firecrackers and chainsaws, but also "thunder–&–rainstorms" and a scowling face accompanied by a speech balloon containing an unusually symmetrical set of signs indicating unprintable words: "##**@@**##!!!" This noisemaker is labeled as "LOUD FILTHY–MOUTH OFFENDER, THE OVEREMOTIONAL DIRTBAG!""

"As Auden also notes, art has now lost that habit of usefulness and does not seem likely to get it back: when we try to unite the useful and the beautiful, he says, we "fail utterly." Though there are some recent developments in industrial design that give one hope, I think Auden is basically correct. It's difficult to imagine a new Piranesi, or an Audubon for the 21st century. We have turned over the task of documenting the world to the various cameras, and for good reason: they perform the task well. But I hope we may occasionally find more Gregory Blackstocks, artists who—unaware that their labors of documentary love are unnecessary—plunge ahead and do their work, thereby reminding us what it means to look, really to look, at the Creation."

[See also: ]
gregoryblackstock  alanjacobs  art  whauden  2007  katebingamanburt  cataloging  taxonomy  sorting  classification  drawing  drawings  inventory  inventories 
march 2014 by robertogreco
What Google Can Learn from the Long History of Information Management | New Republic
"What is missing in this story is an examination of the inherently Promethean quality of mastering and organizing massive amounts of data. No matter how sophisticated, information management does not always work. In spite of super cross-referencing computers and epic algorithms, the most basic financial data or political intelligence can fail to get to the desk of the right analyst. Experts, scholars, and administrators practice the remarkable human activity of ignoring the data in front of them, or the very systems that they have designed to manage it. Leibniz makes a good case in point. Three hundred years before Einstein, he, too, kept a messy desk. A father of mathematics, a famous historian and philosopher, the builder of calculation machines and scrinia literaria, and the librarian of the massive ducal collection in Wolfenbüttel, Leibniz was nonetheless very bad at organizing his papers. Indeed, while he was a librarian, he attempted to catalogue the more than 200,000 books in Wolfenbüttel. Each title was written on a scrap of paper. He placed the almost 120,000 reference scraps (still only half the library) not into an organized scrinia, but into a bag. Many were misplaced or spilled, and at Leibniz’s death, in 1716, the failed project had succeeded only in closing down the library for nine years. The catalogue was not finished until years after his death.

Why did a figure such as Leibniz fail to use his own tools? Perhaps messiness was the source of his creativity. This is a fact of intellectual originality with which Google must still grapple—libraries, after all, allow for the type of manageable disorder which is often the spark of creativity. Or maybe Leibniz resisted the very order of things, over which his calculus gave him a unique mastery. If anything, the rejection of systematized information handling methods could be as common as their adoption. Humanists had the tools and even the concepts to invent the cross-referenced thematic library catalogue, but they did not do so. We do not know why it took several hundred years and the Italian director of the British Museum, Antonio Panizzi, to create a truly modern reference catalogue through his “Ninety-One Cataloguing Rules” in 1841."
messiness  organization  2011  google  cataloging  expertise  creativity  catalogs  systems  systemsthinking  libraries  manageabledisorder  disorder  cross-referencing  antoniopanizzi  leibniz  alberteinstein  scrinialiteraria  collections  memory  references  data  via:ayjay 
september 2013 by robertogreco
The Metropolitan Museum of Art's surprising baseball card collection - ESPN
"Anyway, as Burdick was moving into middle age, he began thinking about where he wanted his collection to end up. Baseball cards weren't yet hot collectibles, so the idea that his cards might have commercial value never occurred to him. Instead, he proposed giving his collection to the Metropolitan Museum, which basically told him, "Sure, we'll take it -- as long as you catalog it and organize it first." So Burdick spent years making daily trips to the Met, where he painstakingly put all his cards into albums. He gave each series of cards its own alpha-numeric code -- sort of his own Dewey Decimal System -- that's still used by baseball card collectors today. That includes the code that has become the most famous shorthand in the card-collecting world: T206."
via:robinsonmeyer  cataloging  baseball  baseballcards  collection  folksonomy  themet  jeffersonburdick  organization  archives  cardcollecting  cards 
may 2013 by robertogreco
The Interstitial Library
"The Interstitial Library's Circulating Collection is located at no fixed site. Its vast holdings are dispersed throughout private collections, used bookstores, other libraries, thrift stores, garbage dumps, attics, garages, hollow trees, sunken ships, the bottom desk-drawers of writers, the imaginations of non-writers, the pages of other books, the possible future, and the inaccessible past.

In a sense, this library has always existed. However, until now it has had no librarians, no catalog, and no name.

The Interstitial Library does not aspire to completeness. Indeed, we champion the incomplete, temporary, provisional, circulating and, of course, interstitial. Above all, we aim to acquire and catalogue those books that are themselves interstitial: that fall between obvious subject categories; that are notable for qualities seldom recognized by traditional institutions; that no longer exist, do not yet exist, or are entirely imaginary."
temporaryservices  temporary  provisional  unfinished  incomplete  taxonomy  ephemeral  shelleyjackson  christinehill  humor  art  collaboration  library  philosophy  borges  classification  cataloging  2004  libraries  books  interstitiallibrary  ephemerality 
august 2012 by robertogreco
What Wikipedia Is Best at Explaining -
"Wikipedia has become the world’s master catalogue raisonnée for new clumps of data. Its legion nameless authors are the Audubons, the Magellans, the Berensons of our time. This was made clear to me recently when I unknowingly quoted the work of Randy Dewberry, an anonymous contributor to Wikipedia, in a column on the video game Angry Birds. Dewberry’s prose hit a note rare in exposition anywhere: both efficient and impassioned. (“Players take control of a flock of birds that are attempting to retrieve their eggs from a group of evil pigs that have stolen them.”)"
virginiaheffernan  wikipedia  internet  online  taxonomy  videogames  cataloging  writing 
november 2010 by robertogreco
A Vehicular Appendix To "Zero History"
"In "Zero History," Gibson fully explores his product fetishism and grasp of the automotive zeitgeist by featuring a many of the same vehicles we can't stop talking about on the pages of Jalopnik. Click through the images for a chronological appendix to the most important vehicles used in "Zero History." There are no real spoilers, but don't read if you're especially impressionable."
williamgibson  zerohistory  fiction  vehicles  cataloging  jalopnik 
october 2010 by robertogreco
WorldCat Mobile -- Search libraries from your phone []
"# Search for library materials—Enter search terms such as keywords, author or title
mobile  worldcat  iphone  libraries  cataloging  catalogs  geolocation  library  search  books 
november 2009 by robertogreco
LibraryThing | Catalog your books online
"Enter what you're reading or your whole library—it's an easy, library-quality catalog. LibraryThing also connects you with people who read the same things."
books  onlinetoolkit  learning  discussion  cataloging  librarything  socialsoftware  collaboration  socialnetworking  libraries  catalog  folksonomy  organization  tagging  tags  database  reading  community  social  online  literature  web 
july 2008 by robertogreco
[] Search for books, music, videos, articles and more in libraries near you
"the world's largest network of library content and lets you search the collections of libraries in your community and thousands more around the world...Search many libraries at once for an item and then locate it in a library near
aggregator  books  libraries  database  journals  catalogs  research  search  onlinetoolkit  collections  online  resources  databases  searchengine  cataloging  worldcat  bibliography  literature  reference  library  music  catalog  free 
october 2007 by robertogreco

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