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robertogreco : cds   4

Our (Bare) Shelves, Our Selves - The New York Times
"When I was 13, in the early 1990s, I dug through my parents’ cache of vinyl records from the ’60s and ’70s. We still had a phonograph, so I played some of them, concentrating on the Beatles. Their bigger hits were inescapably familiar, but a number of their songs were new to me.

Were I a teenager in 2015, I may not have found “Lovely Rita” or acquired an early taste at all for the Liverpudlian lads. The albums stacked up next to the record player, in plain sight for years, would be invisible MP3s on a computer or phone that I didn’t own. Their proximal existence could have been altogether unknown to me"



"There are several big upsides to growing up with streaming audio, one of which is accessibility: assuming I was interested enough, I could have explored, for free, the Beatles’ catalog on the Internet far beyond the scope of my parents’ collection.

But in our digital conversion of media (perhaps buttressed by application of the popular KonMari method of decluttering), physical objects have been expunged at a cost. Aside from the disappearance of record crates and CD towers, the loss of print books and periodicals can have significant repercussions on children’s intellectual development.

Perhaps the strongest case for a household full of print books came from a 2014 study published in the sociology journal Social Forces. Researchers measured the impact of the size of home libraries on the reading level of 15-year-old students across 42 nations, controlling for wealth, parents’ education and occupations, gender and the country’s gross national product.

After G.N.P., the quantity of books in one’s home was the most important predictor of reading performance. The greatest effect was seen in libraries of about 100 books, which resulted in approximately 1.5 extra years of grade-level reading performance. (Diminishing returns kick in at about 500 books, which is the equivalent of about 2.2 extra years of education.)

Libraries matter even more than money; in the United States, with the size of libraries being equal, students coming from the top 10 percent of wealthiest families performed at just one extra grade level over students from the poorest 10 percent.

The implications are clear: Owning books in the home is one of the best things you can do for your children academically. It helps, of course, if parents are reading to their children and reading themselves, not simply buying books by the yard as décor.

“It is a big question of whether it’s the books themselves or the parental scholarly culture that matters — we’re guessing it’s somewhere in between,” said Mariah Evans, one of the study’s authors and an associate professor of sociology at the University of Nevada, Reno. “The books partly reflect intelligence.”

Although the study did not account for e-books, as they’re not yet available in enough countries, Dr. Evans said in theory they could be just as effective as print books in encouraging literacy.

“But what about the casual atmosphere of living in a bookish world, and being intrigued to pull something off the shelf to see what it’s like?” she asked. “I think that will depend partly on the seamless integration of our electronic devices in the future.”"



"Digital media trains us to be high-bandwidth consumers rather than meditative thinkers. We download or stream a song, article, book or movie instantly, get through it (if we’re not waylaid by the infinite inventory also offered) and advance to the next immaterial thing.

Poking through physical artifacts, as I did with those Beatles records, is archival and curatorial; it forces you to examine each object slowly, perhaps sample it and come across a serendipitous discovery.

Scrolling through file names on a device, on the other hand, is what we do all day long, often mindlessly, in our quest to find whatever it is we’re already looking for as rapidly as possible. To see “The Beatles” in a list of hundreds of artists in an iTunes database is not nearly as arresting as holding the album cover for “Sgt. Pepper’s Lonely Hearts Club Band.”

Consider the difference between listening to music digitally versus on a record player or CD. On the former, you’re more likely to download or stream only the singles you want to hear from an album. The latter requires enough of an investment — of acquiring it, but also of energy in playing it — that you stand a better chance of committing and listening to the entire album.

If I’d merely clicked on the first MP3 track of “Sgt. Pepper’s” rather than removed the record from its sleeve, placed it in the phonograph and carefully set the needle over it, I may have become distracted and clicked elsewhere long before the B-side “Lovely Rita” played.

And what of sentiment? Jeff Bezos himself would have a hard time defending the nostalgic capacity of a Kindle. azw file over that of a tattered paperback. Data files can’t replicate the lived-in feel of a piece of beloved art. To a child, a parent’s dog-eared book is a sign of a mind at work and of the personal significance of that volume.

A crisp JPEG of the cover design on a virtual shelf, however, looks the same whether it’s been reread 10 times or not at all. If, that is, it’s ever even seen."
books  digital  analog  music  browsing  2015  streaming  collections  visibility  sharing  children  learning  reading  literacy  cds  audio  patina  beausage  ebooks  data  teddywayne 
december 2015 by robertogreco
The Technium: Pain of the New
"I predict that on each step towards increased realism new media take, there will be those who find the step physically painful. It will hurt their eyes, ears, nose, touch,and peace of mind. It will seem unnecessarily raw, ruining the art behind the work. This disturbance is not entirely in our heads, because we train our bodies to react to media, and when it changes, it FEELS different. There may be moments of uncomfort.

But in the end we tend to crave the realism -- when it has been mastered -- and will make our home in it.

The scratchy sound of vinyl, the soft focus of a Kodak Brownie, and the flickers of a 24 frame per second movie will all be used to time-stamp a work of nostalgia."
kevinkelly  2013  change  technium  technology  film  reality  framerate  history  photography  audio  cds  thehobbit  hfr 
january 2013 by robertogreco
CD & DVD Templates [Thanks, Jesse]
"COPYCATS is proud to offer our easy to use templates as a tool for graphic designers. These custom cd packaging templates will help you find the perfect look and feel for your product. Choose a platform above to download templates for your specialty cd packaging today!"
dvd  templates  cds  printing 
june 2009 by robertogreco
hyperpeople » Blog Archive » Unevenly Distributed:Production Models for the 21st Century
"Sharing is an essential quality of all of the media this fifteen year-old has ever known. In his eyes, if it can’t be shared, a piece of media loses most of its value. If it can’t be forwarded along, it’s broken."
bittorrent  distribution  film  video  media  music  p2p  piratebay  napster  internet  web  online  history  sharing  piracy  future  television  tv  movies  youtube  gnutella  cds  dvds  copying  copyright  broadcast  abundance  newmedia  production  society  cinema  computers 
january 2008 by robertogreco

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