recentpopularlog in

robertogreco : criticalmass   6

Going public: suburbanites become situationists in St Petersburg art project Critical Mass | The Calvert Journal
"Participatory art projects are increasingly popular around the world, not least because their social agenda can attract considerable sponsorship. However, these projects are also often criticised for failing to achieve results. Bitkina and Veits, who had to look abroad for funding, even though their work is almost unprecedented in Russia, do not make unrealistic claims about grandiose changes. Their aim is to make small, lasting changes for the people who interact with the work. “We don’t want to shock and intersect with public space in an aggressive way,” says Bitkina. “We want to engage as many people as possible.” They deliberately involve the police and city administration, striving gradually to “enlighten them and change their ways, to show them that things can be done in a certain way”.

The process begins with Veits consulting with other sociologists, anthropologists, historians and residents to locate stories and problems in the area; then Bitkina commissions and curates artists (eight this year) to respond to these problems in public spaces. “The last wooden house in Kupchino” is typical of Critical Mass in its attempt to engage with communities that are normally cut off from both the art world and from discussions about development, and in its focus on neighbourhood and belonging."



"Kennedy’s work stands out from this lineage because of its emphasis on myth and tradition. His folk-fictions seek to create new traditions that will represent the community and provide them with common touchstones of identity. He is guided by Claude Levi-Strauss’s belief that the myth must be enacted to find new relevance in the contemporary, and by the notion of “shared anthropology” pioneered by filmmaker Jean Rouch, whose documentary films made North African communities act out their daily lives with “critical awareness”. “Myth,” says Kennedy, “becomes something that is embodied and manifested, in this case in public and civic space through the aesthetic form of the procession.” In the Kupchino action the artist takes an intimate, personal tradition — the story of one family — and turns it into a shared myth for the whole community by re-enacting it in a public space with 60 participants, and then by showing them his Super-8 recording of the event. "



"But the greatest sense of public gratification came from one of the unscripted moments that occur naturally when the artist-viewer hierarchy is broken in public art. Just as Kennedy and Vasiliyeva shook hands and posed for photos by the handmade wooden house, a brightly coloured rocket exploded in the sky above them. It was the flare her mother had given her back in 1976. Vasiliyeva’s brother had decided to fire it today — clear confirmation of the significance and resonance of this social project for the family and for all of Kupchino."
stpetersburg  russia  art  community  situationist  suburbia  2013  garethkennedy  folk-fiction  criticalmass  jeanrouch  claudelevi-strauss  myth  social  kupchino  annabitkin  mariavets  iraidavasiliyeva  alexandranyskova  guydebord  societyofthespectacle  everyday  everydaylife  communes  privacy  self  kommunalki  communism  society  engagement  glvo  participatoryart  socialpracticeart  development  sociology  anthropology  publicspace  workshops  openstudioproject  ncmideas 
june 2013 by robertogreco
RADical Design for LEARNING -- Survey Seminar and Practical Action Laboratory
"Wtf is going on? Why are people limping out of 20 years of schooling without directed motivation, a solid internal compass, or a commitment to passionately pursuing their interests? Let's examine why in a cozy, edgy, authentic seminar where we balance theory with real-world action (praxis). We'll study the radical learning greats such as Illich, Papert, and Llewelyn, with focused readings and videos followed by discussion. Whenever possible we'll try to have the authors or their direct students available for Q&A&Q. And through hands-on labs and projects we'll design and enact experience-based transformations, like improvised music, consciousness altering strategies, electronics workshops etc. We can't wait to see you realize your wonderful ideas!"
unschooling  deschooling  education  syllabus  jaysilver  ericrosenbaum  mit  learning  mitmedialab  medialab  lifelongkindergarten  amosblanton  lego  seymourpapert  ivanillich  gracellewelyn  bilalghalib  jefflieberman  making  hackerspaces  lcproject  makerspaces  openstudioproject  grading  rubrics  assessment  diy  notbacktoschoolcamp  johnholt  piaget  mitchresnick  leahbuechley  eleanorduckworth  nuvu  nuvustudio  holeinthewall  sugatamitra  sprout  elsistema  theblueschool  computerclubhouse  drishya  bakhtiarmikhak  sudburyschools  sudburyvalleyschool  samcassat  seanstevens  frostburn  quaker  criticalmass  burningman  paulofreire  quakers  sprout&co  jeanpiaget  syllabi 
june 2013 by robertogreco
Harvard Education Letter: Opt-Out Movement Gains Steam
"The forces opposed to high-stakes assessment tests have their Montgomery, and it’s Snohomish.

When more than 550 sets of parents—about one out of 10—in this small town west of Seattle refused to let their children take the Washington State Measurements of Student Progress exam in April, they moved the anti-testing movement to a new phase of civil disobedience.

From two at an elementary school in Portland, Maine, to 550 in Snohomish, to 1,427 in Colorado, frustrated families that oppose the high-stakes tests required by the 11-year-old No Child Left Behind law are deploying a new weapon: keeping their kids from taking them."

"The proportion of Americans who say there’s too much emphasis on testing has nearly doubled, from 20 percent in 1997 to 37 percent today, according to a Gallup Poll conducted for Phi Delta Kappa International."
criticalmass  maine  colorado  washingtonstate  snohomish  2012  parenting  optingout  standardizedtesting  nclb  testing 
september 2012 by robertogreco
The Human Motor - YouTube
"The Human Motor: A Documentary on the San Francisco Critical Mass Bike Ride, created by Ellie Vanderlip, 2011"
via:javierarbona  carculture  cars  activism  transportation  biking  bikes  toshare  studentfilms  documentary  2011  history  sanfrancisco  criticalmass  ellievanderlip 
january 2012 by robertogreco
Proposed: A Critical Mass for bicyclists who follow the law - SignOnSanDiego.com
"This is a bicycle protest to show San Diego that bikes can share the roads and have the same right to be on the road. This is NOT Critical Mass, this is NOT a race, we will ride in a group and stay together by communicating with each other. Be ready to signal when you turn, stop at red lights to regroup and be polite. If we do stop traffic please wave in gratitude that they are being patient, if close enough say “Thank You” Let’s show SD that there are bikes out there that want respect and can dish it out. SD prove me right and let’s see if we can out number Critical Mass by killing cars with kindness."
criticalmass  courteousmass  criticalmanners  manners  etiquette  2011  sandiego  bikes  biking  activism 
july 2011 by robertogreco
Bicycles Reach Critical Mass in San Diego
"If you’d like to join Critical Mass in San Diego, there’s a group that meets near the Plaza de Balboa fountain in Balboa Park, near the Ruben H. Fleet Center at 6:30pm on the last Friday of each month."
criticalmass  sandiego  bikes 
july 2008 by robertogreco

Copy this bookmark:





to read