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robertogreco : culturewars   4

An American Utopia: Fredric Jameson in Conversation with Stanley Aronowitz - YouTube
"Eminent literary and political theorist Fredric Jameson, of Duke University, gives a new address, followed by a conversation with noted cultural critic Stanely Aronowitz, of the Graduate Center. Jameson, author of Postmodernism: The Cultural Logic of Late Capitalism and The Political Unconscious, will consider the practicality of the Utopian tradition and its broader implications for cultural production and political institutions. Co-sponsored by the Writers' Institute and the Ph.D. Program in Comparative Literature."

[via: "@timmaughan saw a semi-serious proposal talk from Frederic Jameson a few years ago about just that; the army as social utopia."

"@timmaughan this looks to be a version of it here, in fact: …" ]
fredricjameson  utopia  change  constitution  2014  us  military  education  capitalism  history  culture  society  politics  policy  ecology  williamjames  war  collectivism  crisis  dictators  dictatorship  publicworks  manufacturing  labor  work  unions  postmodernism  revolution  occupywallstreet  ows  systemschange  modernity  cynicism  will  antoniogramsci  revolutionaries  radicals  socialism  imagination  desire  stanelyaronowitz  army  armycorpsofengineers  deleuze&guattari  theory  politicaltheory  gillesdeleuze  anti-intellectualism  radicalism  utopianism  félixguattari  collectivereality  individuals  latecapitalism  collectivity  rousseau  otherness  thestate  population  plurality  multiplicity  anarchism  anarchy  tribes  clans  culturewars  class  inequality  solidarity  economics  karlmarx  marxism  deleuze 
january 2016 by robertogreco
No, there aren’t “two cultures” | Oscillator, Scientific American Blog Network
"To say that science is objectively focused on external reality and not, to quote the best subtitle of all time “produced by people with bodies, situated in time, space, culture, and society, and struggling for credibility and authority,” is to ignore the external reality of how science and culture shape one another through the life and work of scientists. The problem with the “two cultures” concept then is neither that non-scientists don’t know enough about thermodynamics, nor that science can’t fully capture the ineffable power of art, but that separating science off from culture leads to bad science.

The belief that science and scientists are somehow above the influence of cultural forces has made it easier to pass off harmful stereotypes and cultural biases as scientific facts. Nowhere is this more apparent than in the “science” of human difference and the generations of scientists who studied the “natural” inferiority of women and basically any minority group ever. These “scientific” beliefs about human nature change over time not because of the progressive power of science to correct previous errors with new evidence, but because of the changes that happen in culture when disenfranchised people fight hard to be heard — in politics, in art, and in science.

The idea that “true science” is strictly rational, with a clear path leading from questions to answers, organized around the infallible scientific method, is especially damaging for young scientists. When experiments fail or produce inconsistent, confusing data, students get lost in what systems biologist Uri Alon calls “the cloud” — where imagination and intellectual curiosity are necessary to break free. This process only looks plainly rational through 20/20 hindsight, when, following the rubric of the two cultures, scientists painstakingly remove the evidence of their intuitions, leaving a picture of science that is impossible to reproduce.

This is why as a teacher and biologist, I work with artists and social scientists: not to better communicate science through creative packaging, but to understand how cultures, science, and technology intersect. Too often, scientists think of artistic, humanistic, and social scientific methods as ways to make the rational medicine of science go down easier. If science were truly concerned with open inquiry and experimentation, we might look harder for ways to disprove the two cultures hypothesis."

[References William Deresiewicz's book review: "No, Jane Austen Was Not a Game Theorist: Using science to explain art is a good way to butcher both" ]
twocultures  thirdculture  christinaagapakis  science  humanities  2014  via:anne  culture  dualism  art  transdisciplinary  crossdisciplinary  interdisciplinary  multidisciplinary  williamderesiewicz  culturewars  michaelsuk-youngchwe  inquiry  experimentation  openinquiry  criticalthinking  scientism  stereotypes 
january 2014 by robertogreco
Published: The Old Revolution
"…perhaps most importantly, [this revolution] is driven by what one might call a “rethinking the basics” movement, in which educators everywhere cannot help but see a disconnect between their traditional modes of teaching and the world in which we all now live.

As Dewey noted, the goal is not to counter traditional education and its strict organization with its perceived opposite (disorganization)—but instead to create what Web designers today might call an “architecture for participation.” The learning environments we need may be more fluid, adaptable, collaborative, and participatory, but they are not unstructured and unorganized. As Maurice Friedman noted while explaining Martin Buber’s educational philosophy, “The opposite of compulsion is not freedom but communion…” (1955). [Martin Buber: The Life of Dialogue, by Maurice S. Friedman, 1955]"
culturewars  learning  history  teachingasaconservingactivity  backtobasics  traditionalism  pedagogy  teaching  teachingasasubversiveactivity  charlesweingartner  jonathankozol  jeromebruner  paulofreire  neilpostman  gamechanging  jaymathews  johndewey  progressive  education  change  michaelwesch  2011 
february 2012 by robertogreco
Witnessing tools and resentment | slacktivist
"Mainly, though, car-fish aren’t really intended for witnessing. They’re not witnessing tools, they are tribal symbols. The Jesus-fish on a car is not an invitation, but a declaration of tribal allegiance. It’s a signal that the driver of this car is an “Us” rather than a “Them.” And that Us-Them symbolism has far more to do with conflict than with any attempt at conversion.<br />
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This is true as well of many of the other things we tell ourselves are “witnessing tools.” One one level, they may be intended as conversation-starters, but on another level they’re also intended as conversation-stoppers — as attempts to win some implied argument. They’re not really designed for evangelism. They’re just the graffiti and propaganda of the culture wars."
religion  via:lukeneff  symbols  symbolism  witnessingtools  christianity  cars  tribalism  conflict  conversion  evangelism  propaganda  culturewars  conversation  allegiances 
august 2011 by robertogreco

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