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robertogreco : deepmaps   3

Michael Shanks: Archaeological manifesto
"Archaeologists don't discover the past;
they work on what remains
with a view to the present and the future.

Archaeology is THE discipline of things - the history of design, innovation, creativity, how people get on with the material world, materiality itself.

Archaeologists deal in the life of things.

Archaeology is also our only access to a long term perspective on history and what it is to be human Archaeological evidence frequently provides insights counter to the great narratives of history that we have grown so used to over the last couple of centuries.

I have researched megalithic monuments in an archaeology of the prehistoric body, ancient Greek perfume jars in the early city state, the design of contemporary beer cans, managed a project with DaimlerChrysler to develop a model of the car interior of 2015, in an archaeology of the contemporary past. My current fieldwork is revisiting an old genre of writing on the land - chorography - in a study of the Roman borders with Scotland - how to understand and represent a region, in the context of imperial incursion and local response.

Archaeology stretches from genetics to art history, includes laboratory study, fieldwork and survey, statistical analysis, and textual interpretation, combining media old and new, from graphics to virtual reality. I am committed to hybrid practice where art becomes scientific research, where the academy becomes an art sudio, where pedagogy mingles with outreach into the community and industry, where practice can be research, where old disciplinary divisions give way to a committed address to matters of common human concern.

All made possible by our newly fashioned freedoms of digital authorship, collegiality, collaboration and creativity.

New Humanities Post disciplinary practices ...
shifting a custodial model of stewardship - looking after the past
to one of production and creativity - working on what remains to help guide us now and for the future.

Archaeologists work on what remains of the past...
This means that
we are all archaeologists now ..."
archaeology  michaelshanks  past  present  time  humanities  interdisciplinary  creativity  future  genetics  arthistory  fieldwork  statistics  art  media  newmedia  chorography  writing  deepmaps  innovation  materiality  design  designthinking  manifestos  stewardship 
march 2013 by robertogreco
Chorography - Wikipedia
"Chorography (from χῶρος khōros; "place" + γράφειν graphein, "writing") is a term deriving from the writings of the ancient geographer Pomponius Mela and Ptolemy, meaning the geographical description of regions. However, its resonances have varied at different times. Richard Helgerson states that "chorography defines itself by opposition to chronicle. It is the genre devoted to place, and chronicle is the genre devoted to time".[1] Darrell Rohl prefers a broad definition of "the representation of space or place".[2]"

[See also: http://www.mshanks.com/2012/07/10/chorography-then-and-now/
http://documents.stanford.edu/michaelshanks/51
http://en.wikipedia.org/wiki/Deep_map ]
deepmaps  chorography  writing  documentation  geography  place  pomponiusmela  ptolemy  richardhelgerson  michaelshanks  williamleastheat-moon  space  chronicles 
march 2013 by robertogreco
Deep map - Wikipedia
"Deep map refers to an emerging practical method of intensive topographical exploration, popularised by author William Least Heat-Moon with his book PrairyErth: A Deep Map. (1991).

A deep map work most often takes the form of engaged documentary writing of literary quality; although it can equally well be done in long-form on radio. It does not preclude the combination of writing with photography and illustration. Its subject is a particular place, usually quite small and limited, and usually rural.

Some[who?] call the approach 'vertical travel writing', while archeologist Michael Shanks compares it to the eclectic approaches of 18th and early 19th century antiquarian topographers or to the psychogeographic excursions of the early Situationist International[1] http://www.mshanks.com/2012/07/10/chorography-then-and-now/ [2] http://documents.stanford.edu/michaelshanks/51.

A deep map goes beyond simple landscape/history-based topographical writing – to include and interweave autobiography, archeology, stories, memories, folklore, traces, reportage, weather, interviews, natural history, science, and intuition. In its best form, the resulting work arrives at a subtle, multi-layered and 'deep' map of a small area of the earth.

In North America it is a method claimed by those interested in bioregionalism. The best known U.S. examples are Wallace Stegner's Wolf Willow (1962) and Heat-Moon's PrairyErth (1991).

In Great Britain, the method is used by those who use the terms 'spirit of place' and 'local distinctiveness'. BBC Radio 4 has recently undertaken several series of radio documentaries that are deep maps. These are inspired by the 'sense of place' work of the Common Ground organisation."
via:selinjessa  writing  williamleastheat-moon  verticaltravelwriting  documentary  documentation  radio  photography  illustration  place  rural  michaelshanks  topography  psychogeography  situationist  autobiography  archaeology  stories  storytelling  memory  memories  weather  interviews  naturalhistory  bioregionalism  parairyerth  wolfwillow  wallacestegner  localdistinctiveness  bbcradio  bbs  radio4  deepmaps  maps  mapping  commonground  folklore  science  intuition 
march 2013 by robertogreco

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