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robertogreco : defamiliarization   4

Peripetatic Humanities - YouTube
"A lecture about Mark Sample's "Notes Toward a Deformed Humanities," featuring ideas by Lisa Rhody, Matt Kirchenbaum, Steve Ramsay, Barthes, Foucault, Bahktin, Brian Croxall, Dene Grigar, Roger Whitson, Adeline Koh, Natalia Cecire, and Ian Bogost & the Oulipo, a band opening for The Carpenters."
kathiinmanberens  performance  humanities  deformity  marksample  lisarhody  mattkirchenbaum  steveramsay  foucault  briancroxall  denegrigar  rogerwhitson  adelinekoh  ianbogost  oulipo  deformance  humptydumpty  repair  mikhailbakhtin  linearity  alinear  procedure  books  defamiliarization  reading  howweread  machines  machinereading  technology  michelfoucault  rolandbarthes  nataliacecire  disruption  digitalhumanities  socialmedia  mobile  phones  making  computation  computing  hacking  nonlinear 
february 2018 by robertogreco
Peter Buwert Research » Georges Perec – Questioning the habitual
“The daily papers talk of everything except the daily. The papers annoy me, they teach me nothing. What they recount doesn’t concern me, doesn’t ask me questions and doesn’t answer the questions I ask or would like to ask.

What’s really going on, what we’re experiencing, the rest, all the rest, where is it? How should we take account of, question, describe what happens every day and recurs every day: the banal, the quotidian, the obvious, the common, the ordinary, the infra-ordinary, the background noise, the habitual?

To question the habitual. But that’s just it, we’re habituated by it. We don’t question it, it doesn’t question us, it doesn’t seem to pose a problem, we live it without thinking, is if it carried with it neither questions nor answers, as if it  weren’t the bearer of any information. This is no longer even conditioning, its anaesthesia. We sleep through our lives in a dreamless sleep, but where is our life? Where is our body? Where is our space?

How are we to speak of these ‘common things’, how to track them down rather, flush them out, wrest them from the dross in which they remain mired, how to give them a meaning, a tongue, to let them, finally, speak of what is, of what are.

What’s needed perhaps is finally to found our own anthropology, one that will speak about us, will look in ourselves for what for so long we’ve been pillaging from others. Not the exotic any more, but the endotic.

To question what seems so much a matter of course that we’ve forgotten its origins. To rediscover something of the astonishment that Jules Verne or his readers may have felt faced with an apparatus capable of reproducing and transporting sounds. For that astonishment existed, along with thousands of others, and its they which have moulded us.

What we need to question is bricks, concrete, glass, our table manners, our utensils, our tools, the way we spend our time, our rhythms. To question that which seems to have ceased forever to astonish us. We live, true, we breathe, true; we walk, we open doors, we go down staircases, we sit at a table in order to eat, we lie down on a bed in order to sleep. How? Where? When? Why?

Describe your street. Describe another street. Compare.

Make an inventory of your pockets, of your bag. Ask yourself about the provenance, the use, what will become of each of the objects you take out.

Question your teaspoons.

What is there under your wallpaper?

How many movements does it take to dial a phone number? Why?”

Georeges Perec in Everyday Life Reader. p.177-178

[See also:
http://www.goodreads.com/quotes/8520-what-we-need-to-question-is-bricks-concrete-glass-our
via http://o.izziezahorian.com/post/3130120776/what-we-need-to-question-is-bricks-concrete ]
anthropology  banality  defamiliarization  everyday  familiar  georgesperec  habitual  research  tools  comparison  thewhy  criticaldesign  observation  noticing  reevaluation  unschooling  deschooling  why 
november 2013 by robertogreco
The Consortium for Slower Internet
"Slower Internet is about more than speed. The Consortium for Slower Internet pursues projects that promote the following principles.

DURATION

There is no inherent concern with information that is transmitted and distributed with great speed, but Slower Internet suggests that information be consumed at a more contemplative pace. If information is to be a central part of our lives, Slower Internet is interested in finding ways to live with it on more human time scales; news, facts, updates, etc should be absorbed slowly and given time for consideration. Systems that emphasize duration are central to a Slower Internet.

DEFAMILIARIZATION

The information delivered by Fast Internet is the white bread of data: predictable, lifeless, sanitized for mass appeal. Slow Internet delivers content in unexpected formats and spaces. The practice of defamiliarization encourages users to scrutinize their role and participation in a given system. Seamless experiences are suspect.

AUTONOMY

Fast Internet dazzles with maximum features at minimum price, but it often does so at the expense of user autonomy. Increasingly, users are encouraged to sacrifice their rights to own material they produce with a given system when services are rendered free of charge. Slower Internet respects user autonomy by giving creators control and ownership over their data. Charging reasonable fees for a service is always preferable to spying on customers and appropriating their data to serve advertisements.

DIVERGENCE

Computers have long been universal machines, able to perform any calculation regardless of content. A Slower Internet, however, requires that dissimilar tasks occur in a diversity of spaces on a multitude of devices. Living with information does not mean that we have to give any type of machine a monopoly over our attention. Slower Internet is a process of cultivating a garden of machines that fit localized, individual desires."
slow  internet  slowinternet  newmedia  networks  slowerinternet  duration  defamiliarization  autonomy  divergence  systemsthinking  human 
october 2013 by robertogreco
Defamiliarization - Wikipedia
"Defamiliarization or ostranenie (остранение) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way, in order to enhance perception of the familiar. A central concept in 20th century art and theory, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, it is also used as a tactic by recent movements such as Culture jamming."

[See also the (work)book Making It Strange.]
art  ethnography  theory  defamiliarization  dada  culturejamming  scifi  sciencefiction  postmodernism  strangeness  unfamiliar  ncmideas  openstudioproject 
june 2013 by robertogreco

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