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robertogreco : distribution   21

A continuum along which soil practice and social practice occur | Lebenskünstler
"the art system has become industrial agriculture
aesthetic ecology as gardening – learn from your grandmother and your neighbor, pick up some magazines or books, watch some YouTube videos and get growing, no gatekeepers, no degrees required

the art system says the only real gardening is done by experts

seed saving (AE) vs. industrial ag research (AS) – person to person innovation (AE) vs. institutionally controlled validation (AS)

museums, galleries, and universities act much like Monsanto taking up vernacular practices, formalizing them, squeezing the living core out, and controlling their distribution and viability

aesthetic ecology favors diversity – formal, institutional practices, but also backyard gardeners, community gardeners, homesteaders, etc"
art  gardening  linear  linearity  cycles  sustainability  2016  randallszott  amateurs  amateurism  ecology  professionalization  capitlalism  elitism  specialization  generalists  distributed  centralization  permaculture  agriculture  growth  economics  museums  control  distribution  diversity  institutions  institutionalization  aesthetics  socialpractice 
february 2016 by robertogreco
Press Play — Press Play: Making and distributing content in the present future we are living through. — Medium
"This thing of ours:

This course, Press Play, aspires to be a place where you make things. Good things. Smart things. Cool things. And then share those things with other people. The idea of Press Play is that after we make things we are happy with, that we push a button and unleash it on the world. Much of it will be text, but if you want to make magic with a camera, your phone, or with a digital recorder, knock yourself out. But it will all be displayed and edited on Medium because there will be a strong emphasis on working with others in this course, and Medium is collaborative.

While writing, shooting, and editing are often solitary activities, great work emerges in the spaces between people. We will be working in groups with peer and teacher edits. There will be a number of smaller assignments, but the goal is that you will leave here with a single piece of work that reflects your capabilities as a maker of media.But remember, evaluations will be based not just on your efforts, but on your ability to bring excellence out of the people around you. Medium has a remarkable “notes” function where the reader/editor can highlight a specific word, phrase or paragraph and comment, suggest a tweak or give an attaboy. This is counter-intuitive, but you will be judged as much by what you put in the margins of others work as you are for your own. (You should sign on to Medium as soon as you can. You can log in with Facebook or Twitter credentials. Pithy instructions on writing and collaborating on Medium: here, here, here, and, yes, here.)To begin with, we will look at the current media ecosystem: how content is conceived, made, made better, distributed, and paid for. We will discuss finding a story, research and reporting, content management systems, voice, multimedia packaging, along with distribution and marketing of work. If that sounds ambitious, keep in mind that in addition to picking this professor and grad assistant, we picked you. We already know you are smart, and we just want you to demonstrate that on the (web) page.

What we‘ll create:

Together, we will make a collection of stories on Medium around a specific organizing principle — it could be a genre, topic, reading time, or event — which we’ll decide on in collaboration as well. And once we get stories up and running, we will work on ways of getting them out there into the bloodstream of the web.

In order to have a chance of making great work, you have to consume remarkable work. Fair warning: There will be a lot of weekly reading assignments. I’m not sliming you with a bunch of textbooks, so please know I am dead serious about these readings. Skip or skim at your peril.

I will be bringing in a number of guest speakers. They will be talented, accomplished people giving their own time. Please respond with your fullest attention.

So, to summarize: We will make things — in class, in groups, by our lonely selves — we will work to make those things better, and, if we are lucky, we will figure out how to beckon the lightning of excellence along the way."
davidcarr  2014  web  online  internet  syllabus  education  journalism  writing  howwewrite  ta-nehisicoates  teaching  mooc  moocs  lesliejamison  clayshirky  alexismadrigal  jessicatesta  nrkleinfield  sarahkoenig  davidfosterwallace  elizabethroyte  zachseward  joshuadavis  shanesnow  brianlam  kevinkelly  luciamoses  storytelling  vincentmorisset  emilygibson  caityeaver  mischaberlinski  triciaromano  hamiltonnolan  camilledodero  erinleecarr  mariakonikkova  tonyhaile  ralphabellino  mashacharnay  santiagostelly  timstelloh  jayrosen  felixsalmon  multimedia  socialmedia  canon  engagement  media  distribution  voice  syllabi 
february 2015 by robertogreco
▶ Mutiny! What our love of pirates tells us about renewing the commons: Kester Brewin at TEDxExeter - YouTube
"Kester Brewin teaches mathematics in South East London and is also a freelance writer, poet and consultant for BBC education. He writes regularly on education and technology for the national educational press, and has published a number of highly acclaimed books on the philosophy of religion.

His latest book Mutiny! Why We Love Pirates and How They Can Save Us is a groundbreaking re-examination of the culture of piracy, which seeks to understand our continued fascination with these characters whose skull and crossed bones motif appears on everything from baby-bottles to skateboards, yet are still pursued and condemned worldwide for theft and exploitation. Drawing on pirates from history, film and literature, Kester's work explores how our relationship to 'the commons' is central to an improved environmental, political and cultural consciousness, and also tries to work out why his son has been invited to countless pirate parties, but none (yet) with an aggravated robbery theme. His poetry has appeared in magazines around the world and he is currently preparing his debut novel for publication."

[See also: http://www.kesterbrewin.com/pirates/

Free online version
https://medium.com/mutiny-by-kester-brewin

Amazon (Kindle version)
http://www.amazon.com/dp/B008A5FVMY/

"What is it with pirates?

From Somali fishermen to DVD hawkers to childrens parties, pirates surround us and their ‘Jolly Roger’ motif can be found on everything from skateboards to baby-grows. Yet the original pirates were mutineers, rebelling against the brutal and violent oppression of the princes and merchants who enslaved them.

How has their fight become ours?

In this highly original and ground-breaking book, Kester Brewin fuses history, philosophy and sociology to explore the place of piracy in history and culture, and, calling on Blackbeard, Luke Skywalker, Peter Pan and Odysseus, chases pirates through literature and film into the deepest realms of personal development, art, economics and belief."

https://vimeo.com/52473140

"Pirates and Prodigals
A conversation between Kester Brewin, Peter Rollins, and Barry Taylor on the tragedy of the pirate and prodigal son archetypes and what this means for the future church. The discussion drew from ideas presented in Kester Brewin’s latest book, Mutiny! Why We Love Pirates, and How They Can Save Us.

Wednesday, October 24, 2012
Fuller Theologcial Seminary"]

[More here, specific to education: https://medium.com/@kesterbrewin/a-pirates-life-for-me-education-as-common-good-7f8349267fe1 ]
kesterbrewin  pirates  history  2013  piracy  anarchism  economics  politics  capitalism  blackbeard  oppression  democracy  collectivism  philosphy  sociology  freedom  sharing  distribution  bbc  publishing  music  learning  copyright  privategain  commons  ip  knowlege  privatization  books 
october 2014 by robertogreco
From A to B
"What happens when you send something by mail? What happens in between you sending it off and someone else receiving it? What people and processes are involved and how many steps does it take?
 
Those all were questions I was dealing with and wanted to find out. So instead of sitting back I started a simple project to actually see it myself. I put a small camera in a box, build a timer circuit using Arduino and shipped it.
 
That's as simple as it is. The timer circuit was set to make a 3 sec video every minute and make longer videos while the box was moving: to not miss on the 'interesting' parts."
shipping  systems  systemsthinking  timelapse  arduino  2014  cameras  mail  packages  distribution  via:alexismadrigal  rubenvandervleuten 
july 2014 by robertogreco
Poetry, Fiction, Literary Non-Fiction : Small Press Distribution
"When you buy a book from Small Press Distribution, you don't just get something terrific to read: you help independent publishers and writers keep more money from their projects, which in turn helps nurture and sustain the literary arts as a whole.

Because we're a nonprofit, everything we do is aimed at helping essential but underrepresented literary communities participate fully in the marketplace and in the culture at large. We do this by offering book distribution, information services, and public advocacy programs to hundreds of small publishers.

Buy a book from SPD, enjoy a great read, and support the literary community!
At SPD, we connect readers with writers through independently published literature. Founded in 1969, SPD is currently the only distributor in the country dedicated exclusively to independently published literature."
books  literature  publishing  smallpressdistribution  publishers  independent  nonprofit  distribution  spd  poetry  fiction  nonprofits 
february 2013 by robertogreco
The Present Group
"The Present Group is an arts based think tank and creative studio whose projects focus on leveraging new technologies in support of the arts and finding new ways to fund and distribute artists projects."
art  technology  glvo  thinktank  funding  distribution  webhosting  hosting  thepresentgroup  ebooks  tumblr  printing  print  papernet 
february 2013 by robertogreco
[this is aaronland] aren't callback numbers just links? [Too much to quote. GOOD: See these. BETTER: see also those in the Tumblr link. BEST: read it all.]
"I did a paper about Galleries, in 2010, talking about the larger trend of people not only discovering but starting to flex what I called a curatorial muscle.

I talked about how there was a still nascent but very confusing smushing up of the roles and distinctions happening between traditional critics, experts (or curators) and docents. This felt like a similar blurring that had been going on for a while between art and craft and design."

"The economics around production and distribution that have, until now, buttressed the distinctions between art and craft and design have all but bottomed out today…

As a result one measure of confidence in our ability to judge things has gotten completely messed up and we are still trying to find new bearings.

"the distinction between museums and archives (and by extension libraries) is collapsing in most people's minds. Assuming it ever existed, in the first place."

[Tumbled here: http://robertogreco.tumblr.com/post/35249075133/ ]
galleries  flickr  change  digital  design  craft  art  curating  curation  access  distribution  production  texture  service  open  trust  smithsonian  cooper-hewitt  otaku  collections  libraries  archives  museums  2012  aaronstraupcope 
november 2012 by robertogreco
WorkBook Project :: an open creative network
"The WorkBook Project is for those who want to be creative in the digital age. An open creative network that provides insight into the process of funding, creating, distributing and sustaining from one's creative efforts.

At the heart of WBP is a story R&D; lab. Current R&D; projects include DIY DAYS, Robot <3 Stories and Wicked Solutions for a Wicked Problem.

WBP is always looking for collaborators to join our growing global community of storytellers. If you're interested let us know we'd love to hear from you."
theworkbookproject  film  filmmaking  community  diy  distribution  social  media  creativity  classideas 
october 2011 by robertogreco
(party) per bend sinister ["Dexter Sinister is the compound name of David Reinfurt and Stuart Bailey."]
"David graduated from the UNC in 1993, Yale in 1999, & went on to form O-R-G, a design studio in New York City. Stuart graduated from the University of Reading in 1994, the Werkplaats Typografie in 2000, and co-founded the arts journal Dot Dot Dot the same year. David currently teaches at Columbia University and Rhode Island School of Design. Stuart is currently involved in diverse projects at Parsons School of Design (NYC) and Pasadena Art Center (LA).

Dexter Sinister recently established a workshop in the basement at 38 Ludlow Street, on the Lower East Side in New York City. The workshop is intended to model a ‘Just-In-Time’ economy of print production, running counter to the contemporary assembly-line realities of large-scale publishing. This involves avoiding waste by working on-demand, utilizing local cheap machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production and distribution into one efficient activity."
dextersinister  davidreinfurt  stuartbailey  design  art  architecture  books  justintime  nyc  performance  production  booksellers  libraries  workshops  printing  publishing  bookstores  distribution  bookfuturism  efficiency  future 
july 2011 by robertogreco
17 Dexter Sinister: From the Toolbox of a Serving Library — Program Information — The Banff Centre
"In 2006 Dexter Sinister (David Reinfurt & Stuart Bailey) established a workshop & bookstore of same name in NY, & have since explored aspects of contemporary publishing in diverse contexts. As well as designing, editing, producing & distributing both printed & digital media, they have also worked w/ ambiguous roles & formats, usually in live contexts of galleries & museums. These projects generally play to some form of site-specificity, where a publication or series of events are worked out in public over a set period of time.

Dexter Sinister intend to slowly dissolve all such activities into one single institution, The Serving Library. This overarching project is founded on a consideration of how the role of the library has changed over time—from fixed archive, through circulating collection, to point of distribution. As much about The Library as social furniture as it is a specific model, the project ultimately returns to its point of departure: as a place for learning…"
dextersinister  davidreinfurt  stuartbailey  libraries  residency  bookstores  booksellers  nyc  publishing  art  galleries  museums  situatedart  situated  theservinglibrary  distribution  collections  circulation  archives  change  evolution  lcproject  learning  performance  exhibitions 
july 2011 by robertogreco
Week 315 – Blog – BERG
"Your sensitivity & tolerance improve only with practice. I wish I’d been given toy businesses to play w/ at school, just as playing w/ crayons taught my body how to let me draw.

I’ve written in these weeknotes before how I manage three budgets: cash, attention, risk. This is my attempt to explain how I feel about risk, and to trace the pathways between risk and cash. Attention, & how it connects, can wait until another day…

I said I wouldn’t speak about attention, but here’s a sneak peak of what I would say. Attention is the time of people in the studio, & how effectively it is applied. It is affected by the arts of project & studio management; it can be tracked by time-sheets & capacity plans; it can be leveraged with infrastructure, internal tools, and carefully grown tacit knowledge; and it magically grows when there’s time to play, when there is flow in the work, and when a team aligns into a “sophisticated work group.”
Attention is connected to cash through work."
design  business  management  berg  berglondon  mattwebb  attention  flow  groups  groupculture  sophisticatedworkgroups  money  risk  riskmanagement  riskassessment  confidence  happiness  anxiety  worry  leadership  tinkering  designthinking  thinking  physical  work  instinct  frustration  lcproject  studio  decisionmaking  systems  systemsthinking  manufacturing  making  doing  newspaperclub  svk  distribution  integratedsystems  infrastructure  supplychain  deleuze  guattari  cyoa  failure  learning  invention  ineptitude  ignorance  deleuze&guattari  gillesdeleuze  interactive  fiction  if  interactivefiction  félixguattari 
june 2011 by robertogreco
Boston Review — David Bollier and Jonathan Rowe: The 'Illth' of Nations
"Current beliefs about economic freedom emerged in West during 17&18th centuries…entrepreneurs were challenging the remnants of feudalism, & private property stood as a symbol of freedom against arrogant royal rule. …yesterday’s answer became today’s problem. Today it is private property, as embodied in corporation, that has become arrogant…solution is not all-encompassing state—authoritarian “we” that has been the reactive refuge of Left. Regulation there must be; but there must also be a different kind of property—common property—that exists alongside the market, providing a buffer against its excesses & producing what the corporate market can’t.

As market culture intrudes ever-deeper into daily life—from public spaces to the inner lives of kids— there is a yearning for space that is beyond the reach of buying & selling. People might not use the word “commons;” but they seek increasingly what it represents—community, freedom, & the integrity of natural & social processes."
economics  anarchism  marxism  via:javierarbona  davidbollier  freedom  jonathanrowe  illth  growth  property  perspective  commons  privateproperty  we  autoritarianism  left  politics  policy  commonproperty  excess  scarcity  abundance  future  wealth  culture  society  progress  community  intefrity  social  distribution  markets  marketfundamentalism  local  gdp  work  prosperity  well-being  affluence  income  incomegap  redistribution  taxes  taxation  wealthdistribution 
april 2011 by robertogreco
The Great Grocery Smackdown - Magazine - The Atlantic
"In an ideal world, people would buy their food directly from the people who grew or caught it, or grow and catch it themselves. But most people can’t do that. If there were a Walmart closer to where I live, I would probably shop there.
walmart  wholefoods  agribusiness  agriculture  business  cooking  distribution  groceries  food  farming  sustainability  organic  produce  local  locavore 
march 2010 by robertogreco
Why TV Lost
"[1] the Internet is an open platform... [2] Moore's Law, which has worked its usual magic on Internet bandwidth... [3] piracy. Users prefer it not just because it's free, but because it's more convenient." ... "After decades of running an IV drip right into their audience, people in the entertainment business had understandably come to think of them as rather passive. They thought they'd be able to dictate the way shows reached audiences. But they underestimated the force of their desire to connect with one another."
internet  web  online  paulgraham  broadcast  tv  television  technology  convergence  bittorrent  distribution  piracy  kindle  facebook  media  information  future 
march 2009 by robertogreco
Steven Poole: Free your mind: "If the breathless advocates of “the free distribution of ideas” are serious, they need either...
"...a) to come up with realistic proposal as to how I am to keep feeding myself while giving away fruits of my labours; or b) come out & say honestly that they don’t think any such thing as a “professional writer” ought to exist" see comments
copyright  internet  writing  drm  books  distribution  stevenpoole  music  opensource  economics  publishing 
april 2008 by robertogreco
Kevin Kelly -- The Technium - 1,000 True Fans
"A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author - in other words, anyone producing works of art - needs to acquire only 1,000 True Fans to make a living."
longtail  artists  art  glvo  work  money  distribution  freelance  fundraising  howto  entrepreneurship  economics  business  marketing  branding  creation  creative  creativity  celebrity  capitalism  design  socialsoftware  society  ecommerce  kevinkelly 
march 2008 by robertogreco
hyperpeople » Blog Archive » Unevenly Distributed:Production Models for the 21st Century
"Sharing is an essential quality of all of the media this fifteen year-old has ever known. In his eyes, if it can’t be shared, a piece of media loses most of its value. If it can’t be forwarded along, it’s broken."
bittorrent  distribution  film  video  media  music  p2p  piratebay  napster  internet  web  online  history  sharing  piracy  future  television  tv  movies  youtube  gnutella  cds  dvds  copying  copyright  broadcast  abundance  newmedia  production  society  cinema  computers 
january 2008 by robertogreco
$40K to fill an iPod? One third of PCs use LimeWire instead (Updated)
"Between LimeWire and Bittorrent, the ongoing and extremely widespread popularity of P2P as a media delivery vehicle suggest that music prices remain stuck at too high a level while the capacity of portable media players continues to balloon."
ipod  filesharing  music  media  economics  distribution  piracy  limewire  itunes  money  pricing  via:preoccupations  internet  p2p 
december 2007 by robertogreco
David Byrne's Survival Strategies for Emerging Artists — and Megastars
"What is called the music business today, however, is not the business of producing music. At some point it became the business of selling CDs in plastic cases, and that business will soon be over."
davidbyrne  culture  music  publishing  technology  future  media  business  drm  distribution 
december 2007 by robertogreco

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