recentpopularlog in

robertogreco : experimental   41

26 | Black Mountain College — Do Not Touch
"We're going back to school and learning about an arts college in the mountains of Asheville, North Carolina. For 24 years the college attracted famous teachers and produced students who would go on to achieve their own fame. I have two guests speaking to me about Black Mountain - Kate Averett from the Black Mountain College Museum + Arts Center and Professor Eva Diaz from Pratt Institute."
bmc  2018  blackmountaincollege  bauhaus  annialbers  johndewey  art  arts  education  highered  highereducation  alternative  experimental  unschooling  deschooling  democracy  horizontality  evadiaz  kateaverett  history  arthistory  pedagogy  lcproject  openstudioproject  form  exploration  liberalarts  roberrauschenberg  willemdekooning  abstractexpressionism  howwework  discipline  self  identity  johncage  mercecunningham  self-directedlearning  self-directed  learning  howwelearn  howweteach  teaching  vision  cognition  expressionism  expression  music  dance  buckminsterfuller  technique  chance  happenings  anarchism  ego  spontaneity  unknown  improvisation  radicalism  transilience  northcarolina  transience  hippies  communes  integration  jacoblawrence  almastonewilliams  outsiders  refugees  inclusion  inclusivity  openness  gender  rayjohnson  elainedekooining  karenkarnes  dorothearockburn  hazellarsenarcher  blackmountaincollegemuseum  susanweil  maryparkswashington  josefalbers  charlesolson  poetry  johnandrewrice 
october 2018 by robertogreco
Dodie Bellany: Academonia
"In this lively, entertaining collection of essays, Dodie Bellamy has written not only a helpful pedagogical tool, but an epic narrative of survival against institutional deadening and the proscriptiveness that shoots the young writer like poison darts from all sides. By the 90s funding for the arts had dwindled and graduate writing programs—“cash cows”—had risen to fill the slack. Simultaneously, literary production moved from an unstable, at times frightening street culture where experiment was privileged beyond all else, to an institutionalized realm—Academonia!—that enforces, or tends to enforce, conservative aesthetic values.

Among the questions Bellamy raises: how does the writer figure out how to write? How will she claim her content among censorious voices? Can the avant-garde create forms that speak to political and spiritual crisis? Can desire exist in a world of networking structures? To the keepers of the status quo, what is so goddamned scary about experimental writing? Bellamy’s textual body morphs through sex, ravenous hunger, aging, displacement, cuddling with animals. Along the way she invokes Levi Strauss, Kurosawa, Marvin Gaye, Christiane (the faceless daughter in Georges Franju’s 1959 horror classic Eyes Without a Face), Alice Munro, Michael Moore, Quan Yin, Cinderella, and the beheaded heroine Lady Jane Grey. On Foucault’s grid of invisible assumptions, Academonia casts a blacklight vision, making it glow in giddy FX splendor.

*****

There are the institutions that are created without our input and the institutions that we create with others. Both sorts of institutions define us without our consent. Dodie Bellamy’s Academonia explores the prickly intersection among these spaces as it moves through institutions such as the academy, the experimental writing communities of the Bay Area, feminist and sexual identities, and group therapy. Continuing the work that she began in The Letters of Mina Harker pushing memoir and confession out of its safety zones and into its difficulties, this book provokes as it critiques and yet at the same time manages to delight with its hope.

--Juliana Spahr

Way back in the seventies, and before Bellamy, pastiche and bricolage as applied to literature made me yawn. Smug attacks on linear narrative through the use of tired language games aroused my contempt. As far as I was concerned, theory had ruined fiction by making critic and artist too intimate. Then Bellamy’s pioneering graftings of storytelling, theory and fractured metaphor changed all that, giving birth to a new avant-garde. Her writing sweeps from one mode of thought to another in absolute freedom, eviscerating hackneyed constructs about desire and language and stuffing them with a fascinating hodgepodge of sparkling sensory fragments. The result is true postmodernism, not the shallow dilettantism of the “postmodern palette.” She sustains it on page after page, weaving together sex and philosophy, fusing trash with high culture, injecting theory with the pathos of biography and accomplishing nothing less than a fresh and sustained lyricism. What is more, her transfiguration of the trivial details of life by the mechanisms of irony, fantasy, disjunction, nostalgia and perverse point of view prove that it’s not the life you live that matters, but how you tell it.

--Bruce Benderson"
writing  howwewrite  books  dodiebellany  institutions  proscriptiveness  academonia  academia  highered  highereducation  akirakurosawa  levistrauss  marvingaye  alicemonroe  michaelmoore  quanyin  cinderella  ladyjanegrey  foucault  institutionalization  julianaspahr  brucebenderson  bricolage  literature  linearity  form  feedom  structure  language  senses  sensory  postmodernism  dilettantism  culture  bayarea  experimental  experimentation  art  arts  funding  streetculture  2006 
october 2018 by robertogreco
Are.na / Blog – Breaking the Sequence
"When I created the channel on which this case study is based, I put the whole title in quotation marks—“experimental” “comics”—and initially made it private, wary that my descriptors were either too broad or too limiting. Categorizing these works as experimental, or even as comics, served as little more than to create a placeholder. This is where I would collect and organize works that didn’t quite look like any comics I’d seen before, but that I liked a whole lot, and wasn’t entirely sure why.

As the channel grew, patterns arose, and it became clear that the comics that read to me as experimental were ones that integrated aesthetic principles and practices from fine art, graphic design, experimental music, sculpture, architecture, poetry, video games, and text adventures. They often didn’t employ the typical narrative devices—dialogue, plot, climax, even characters—but they still told a story. Sometimes it was the form that I identified as experimental, other times it was the processes by which they were made.

That explained the experimental. But if these works were so genre-fluid, what kept them considered comics?

In a lecture, the writer and webcomics artist Daniel Merlin Goodbrey provides a helpful outline of characteristics that are distinct to comics as a visual medium. Defining the norm gave me a framework for understanding the works that deviate from it. Goodbrey’s characteristics were a useful jumping off point for articulating what the works I was collecting were doing, and why they struck me so powerfully. They are:

Juxtaposition of images
Spatial networks
Space as Time
Temporal Maps
Closure between Images
Word & Image Blending
Reader Control of Pacing

Experimental comics, then, are works that acknowledge the traditional framework of comics but, rather than adhere to it, tend to tilt, twist, and warp it into other things. This case study offers a survey of comics that abandon one or more of these characteristics, honoring innovations by artists, video game designers, poets, and educators alike. It should go without saying that these categories are by no means mutually exclusive. There are comics that exist outside of and in between these make-shift categories. As you may expect, there are very few rules.

1. Abstract Formalist Comics
2. Comics Poetry
3. Digital and Game Comics
4. Scores, Maps, and Designed Constraints"

[each of those four examples is expanded on in the following text with images and videos to explain]
sheafitzpatrick  comics  form  design  are.na  2017  graphicnovels  art  poetry  games  gaming  videogames  space  time  words  images  experimental 
june 2018 by robertogreco
FIELD | A Journal of Socially-Engaged Art Criticism
"FIELD: A Journal of Socially-Engaged Art Criticism

We are living through a singular cultural moment in which the conventional relationship between art and the social world, and between artist and viewer, is being questioned and renegotiated. FIELD responds to the remarkable proliferation of new artistic practices devoted to forms of political, social and cultural transformation. Frequently collaborative in nature, this work is being produced by artists and art collectives throughout North, South and Central America, Europe, Africa and Asia. While otherwise quite diverse, it is driven by a common desire to establish new relationships between artistic practice and other fields of knowledge production, from urbanism to environmentalism, from experimental education to participatory design. In many cases it has been inspired by, or affiliated with, new movements for social and economic justice around the globe. Throughout this field of practice we see a persistent engagement with sites of resistance and activism, and a desire to move beyond existing definitions of both art and the political. The title of this journal reflects two main concerns. First, it indicates our interest in a body of artistic production that engages the broadest possible range of social forces, actors, discursive systems and physical conditions operating at a given site. And second, it signals a concern with the questions that these projects raise about the “proper” field of art itself, as it engages with other disciplines and other modes of cultural production.

How do these practices redefine our understanding of aesthetic experience? And how do they challenge preconceived notions of the “work” of art? For many in the mainstream art world this opening out is evidence of a dangerous promiscuity, which threatens to subsume the unique identity of art. As a result this work has been largely ignored by the most visible journals and publications in the field. At the same time, an often-problematic concept of “social engagement” has become increasingly fashionable among many museums and foundations in Europe and the United States. There is clearly a need for a more intelligent and nuanced analysis of this new tendency. However, it has become increasingly clear that the normative theoretical conventions and research methodologies governing contemporary art criticism are ill-equipped to address the questions raised by this work. FIELD is based on the belief that informed analysis of this practice requires the cultivation of new forms of interdisciplinary knowledge, and a willingness to challenge the received wisdom of contemporary art criticism and theory. We seek to open a dialogue among and between artists, activists, historians, curators, and critics, as well as researchers in fields such as philosophy, performance studies, urbanism, ethnography, sociology, political science, and education. To that end the journal’s editorial board will include a diverse range of scholars, artists, historians, curators, activists and researchers. It is our belief that it is only at the intersections of these disciplines that can we develop a deeper understanding of the cultural transformations unfolding around us.

–Grant Kester, founder and editor, FIELD


FIELD Editorial Board

Tania Bruguera is an artist and the founder of Immigrant Movement International. Her most recent project is The Museum of Arte Útil.
Teddy Cruz is Professor of Public Culture and Urbanism in the Visual Arts department at the University of California San Diego, and Director of the UCSD Center for Urban Ecologies.
Tom Finkelpearl is the Commissioner of Cultural Affairs for New York City and the editor of What We Made: Conversations on Art and Social Cooperation (Duke University Press, 2013).
Fonna Forman is Associate Professor of Political Science, founding co-director of the UCSD Center on Global Justice and author of Adam Smith and the Circles of Sympathy: Cosmopolitanism and Moral Theory (Cambridge University Press, 2009).
Dee Hibbert-Jones is Associate Professor of Art and Founder and Co-Director of the Social Practice Research Center at UC Santa Cruz.
Shannon Jackson is the Richard and Rhoda Goldman Chair in the Arts and Humanities at UC Berkeley and author of Social Works: Performing Art, Supporting Publics (Routledge 2011).
Michael Kelly is professor of philosophy at the University of North Carolina, Charlotte, author of A Hunger for Aesthetics: Enacting the Demands of Art (Columbia University Press, 2012) and editor of the Oxford Encyclopedia of Aesthetics.
Grant Kester, Field editor and founder, is professor of art history at UCSD and author of The One and the Many: Contemporary Collaborative Art in a Global Context (Duke University Press, 2011).
Rick Lowe is an artist, founder of Project Row Houses in Houston, and member of the National Council on the Arts.
George Marcus is the Director of the Center for Ethnography and Chancellor’s Professor and chair of the department of anthropology at UC Irvine, and author of Ethnography Through Thick and Thin (Princeton University Press, 1998).
Paul O’Neill is the Director of the Graduate Program, Center for Curatorial Studies, Hessel Museum of Art, Bard College, New York.
Raúl Cárdenas Osuna is an artist, theorist, and the founder of Torolab collective and the Transborder Farmlab in Tijuana, Mexico.
Francesca Polletta is Professor of Sociology at UC Irvine and author of It Was Like a Fever: Storytelling in Protest and Politics (University of Chicago Press, 2006).
Greg Sholette is an activist, artist and professor in the Social Practice Queens program at Queens College and the author of Dark Matter: Art and Politics in the Age of Enterprise Culture (Pluto Press, 2011).
Nato Thompson is Chief Curator, Creative Time, New York City and editor of Living as Form: Socially Engaged Art from 1991-2011 (MIT Press, 2012).

FIELD Editorial Collective

Paloma Checa-Gismero
Alex Kershaw
Noni Brynjolson
Stephanie Sherman
Julia Fernandez
Michael Ano

Thanks

FIELD would like to acknowledge the generous support of the University of California Institute for Research in the Arts (UCIRA), the UCSD Division of Arts and Humanities, and the UCSD Visual Arts department."
ucsd  art  criticism  artcriticism  grantkester  taniabruguera  teddycruz  tomfinkelpearl  fonnaforman  deehibbert-jones  shannonjackson  michaelkelly  ricklowe  georgemarcus  paulo'neill  raúlcárdenasosuna  francescapolletta  gregsholette  natothompson  palomacheca-gismero  alexkershaw  nonibrynjolson  stephaniesherman  juliafernandez  michaelano  ucira  socialpracticeart  knowledgeproduction  urbanism  environmentalism  2015  education  alterative  experimental  participatorydesign  design  participatory  glvo  via:javierarbona  politics  arts  culturalproduction  aesthetics  socialengagement  museums  interdisciplinary  ethnography  sociology  philosophy 
march 2015 by robertogreco
Experimental Book | Purchase College VDE4600
"Experimental Book traces the development of the artist’s book through the twentieth-century and beyond. This interdisciplinary Art + Design studio course asks highly motivated students to consider the future of the book and expand the boundaries of the traditional codex through provocative studio exercises and projects.

The class will benefit from critical readings, site visits to important book collections, notable guest critics and a collaborative, hands-on studio atmosphere.

Students will help shape the book’s radical trajectory into the twenty-first century by producing their own book works. Of particular interest will be the physicality of the book as it evolves in the digital space, including print-on-demand, book scanning, book videos and book-in-browsers.

Working with noted artist and creative director Paul Soulellis, the studio will engage in thematic exercises to explore narrative structure, form, chance, word and image, digital vs. print technologies, photography, typography and production, as well as audience and performance.

Each student will develop a final book project and participate in a collaboratively-designed studio exhibition."

[Readings: http://experimentalbook.wordpress.com/readings/ ]

[See also: http://soulellis.com/2013/10/any-answer-is-as-good-as-any-other-answer/ ]
bookmaking  books  paulsoulellis  2013  classideas  projectideas  experimental  syllabus  booklists  syllabi 
october 2013 by robertogreco
Experimental travel - Wikipedia
"Experimental tourism is a novel approach to tourism in which visitors do not visit the ordinary tourist attractions (or, at least not with the ordinary approach), but allow whim to guide them. It is an alternative form of tourism in which destinations are chosen not on their standard touristic merit but on the basis of an idea or experiment. It often involves elements of humor, serendipity, and chance.

There are a number of approaches to experimental tourism:

• Aerotourism - in which a tourist visits the local airport and explores it without going anywhere.

• Alphatourism - in which a tourist finds the first street alphabetically on a map, and the last street alphabetically, draws a straight line (or any other figure they desire) between them, and walk the path between the two points.

• Alternating Travel - in which a tourist leaves their front door, turns right, turns left at the next intersection, turns right at the next, and so on, alternating each direction, until they are unable to continue because of an obstruction.

• Cecitourism - in which a tourist is blindfolded and allows a friend to escort them through the city.

• Contretourism - in which a tourist visits a famous tourist site, but turns their back on the site and takes photos of, or just examines, the view from that direction.

• Erotourism - in which a couple travels separately to the same city and then tries to find each other.

• Monopolytourism - in which a tourist takes the local version of a Monopoly board with them and visits places on the board as determined by a roll of the dice.

• Nyctalotourism - in which the tourist only visits tourist attractions between dusk and dawn.

Other ideas do not have particular names:

• "Touring" a home town. Stay at a youth hostel, backpack through town, meet new people, do not go home until the vacation is over.

• Taking a map of the town being visited, selecting a random map grid, and exploring every bit of the grid.

• Visiting a bar, asking the bartender where their favorite bar is and what they drink there. Visit that bar, do the same with the bartender there, and continue.

The concept of experimental travel was developed by writer Joel Henry, the French director of the Laboratory of Experimental Tourism (Latourex).

In 2005, Lonely Planet published The Lonely Planet Guide to Experimental Travel [http://www.amazon.com/Lonely-Planet-Guide-Experimental-Travel/dp/1741044502 ], which formalised and developed many of Henry's ideas."
travel  serendipity  experimental  experimentaltravel  tourism  psychogeography  situationist  chance  humor 
july 2013 by robertogreco
Creating Distinctiveness: Lessons from Uncommon Colleges and Universities [PDF]
"Distinctive colleges and universities, as opposed to the great majority which fit into a more or less standardized mold, possess a unifying theme or vision which is expressed in all their activities. They often respond to newly emerging societal or community needs unmet by existing colleges and universities; they challenge conventional ideas about higher education and inspire greater engagement by students and faculty in undergraduate education. However, distinctiveness can also limit the institution to a very small market niche as well as sometimes making it more difficult for it to adapt to the changes necessary for survival. Strategic management models, such as the interpretive and adaptive models, need to be employed to aid distinctive colleges and universities to survive and grow. Recommendations for higher education leaders contemplating whether to pursue distinctiveness include: (1) identifying institutional values, followed by clarification, communication, and acting on unifying the values and themes found; (2) conducting a situation analysis to determine if the school is a likely candidate for distinctiveness; (3) selecting the desired level of market exposure; and (4) performing market research to uncover markets to which the college or university can appeal. Contains over 150 references and an index."
education  history  antiochcollege  blackmountaincollege  colleges  universities  learning  collegeoftheatlantic  evergreenstatecollege  stjohn'scollege  universityofchicago  universityofwisconsin  experiments  experimental  progressive  progressiveeducation  alternative  via:mayonissen  bereacollege  reed  reedcollege  ephemerality  change  ephemeral  popupschools  unschooling  deschooling  deepspringscollege  1992  barbaratownsend  ljacksonnewell  michaelwiese  gamechanging  distinctivecolleges  highered  highereducation  progressivism  bmc 
may 2013 by robertogreco
Curiosity Atlas
"Curiosity Atlas is a project to cultivate a community focused on experiential living. We're a group of dabblers and dilettantes who believe life is best lived exploring, learning, moving, creating and connecting locally. We curate and produce unique, hands-on experiences in San Francisco.

Get curious. Roll up your sleeves and try something new."
curiosityatlas  experientialliving  experientiallearning  experiential  experimental  experience  hands-on  learning  exploration  community  social  sanfrancisco 
august 2012 by robertogreco
All power to the free universities of the future! [The Copenhagen Free University]
"The Copenhagen Free University was an attempt to reinvigorate the emancipatory aspect of research and learning, in the midst of an ongoing economisation of all knowledge production in society. Seeing how education and research were being subsumed into an industry structured by a corporate way of thinking, we intended to bring the idea of the university back to life. By life, we mean the messy life people live within the contradictions of capitalism. We wanted to reconnect knowledge production, learning and skill sharing to the everyday within a self-organised institutional framework of a free university. Our intention was multi-layered and was of course partly utopian, but also practical and experimental. We turned our flat in Copenhagen into a university by the very simple act of declaring 'this is a university'. By this transformative speech act the domestic setting of our flat became a university. It didn't take any alterations to the architecture other than the small things needed in terms of having people in your home staying over, presenting thoughts, researching archival material, screening films, presenting documents and works of art. Our home became a public institution dedicated to the production process of communal knowledge and fluctuating desires."

"As the strategy of self-institution focused on taking power and not accepting the dualism between the mainstream and the alternative, this in itself carried some contradictions. The CFU had for us become a too fixed identifier of a certain discourse relating to emancipatory education within academia and the art scene. Thus we decided to shut down the CFU in the winter of 2007 as a way of withdrawing the CFU from the landscape. We did this with the statement 'We Have Won' and shut the door of the CFU just before the New Year. During the six years of the CFU's existence, the knowledge economy had rapidly, and aggressively, become the norm around us in Copenhagen and in northern Europe. The rise of social networking, lifestyle and intellectual property as engines of valorisation meant that the knowledge economy was expanding into the tiniest pores of our lives and social relations. The state had turned to a wholesale privatisation of former public educational institutions, converting them into mines of raw material for industry in the shape of ideas, desires and human beings. But this normalising process was somehow not powerful enough to silence all forms of critique and dissent; other measures were required."

"We call for everybody to establish their own free universities in their homes or in the workplace, in the square or in the wilderness. All power to the free universities of the future."
self-organizedlearningenvironment  self-organization  2837university  lcproject  altgdp  experimental  hierarchy  freedom  deschooling  unschooling  copenhagen  denmark  copenhagenfreeuniversity  freeschools  freeschool  activism  education 
july 2012 by robertogreco
Colin Stetson
[More:
http://cstrecords.com/cst084/
http://cstrecords.com/judges/
http://www.myspace.com/colinstetsonmusic

As heard on Q: http://www.cbc.ca/q/weekly/2012/07/13/this-week-on-q---jul-16-1320/index.html ]

"Colin Stetson is in Studio Q to chat about the origin of his mighty bass sax and how he divides his time as a hired horn."
http://www.youtube.com/watch?v=DWMmJuTjkO8

"Saxophonist and Polaris Prize nominee Colin Stetson joins us in Studio Q to perform "Judges" from his album "New History Warfare - Judges, Vol. 2". "
http://www.youtube.com/watch?v=k9YJM2GCvk8

"Saxophone slinger Colin Stetson sets aside his elephantine bass sax to play "The Righteous Wrath of an Honorable Man""
http://www.youtube.com/watch?v=75dgLSvA9n4

"Canadian saxophonist Colin Stetson delivers another mesmerizing performance in Studio Q with "Fear of the Unknown and the Blazing Sun" "
http://www.youtube.com/watch?v=Qu29X7_MAb8
experimental  saxophone  bass  basssaxophone  jazz  music  colinstetson 
july 2012 by robertogreco
raumlabor berlin
"yes we do love the great ideas of the 60s 70s & the optimism which is inherent in changing the world at the stroke of a pen to the better. but we strongly believe that complexity is real & good & our society today does need a more substantial approach. therefore our spacial proposals are small scale & deeply rooted in the local condition…. BYE BYE UTOPIA!"

"There was once a society that believed the future would bring better living conditions to everyone. There were people, utopian thinkers, who thought about the big questions of the city. Today only a feeling remains, half desire, half melancholy, reminiscing of those architects who wanted to live in a better society and who had dreamed of better places. Such an era is now over. Here begins my work.

raumlaborberlin is a network, a collective of 8 trained architects who have come together in a collaborative work-structure. We work at the intersection of architecture, city planning, art and urban intervention…"
crossdisciplinary  multidisciplinary  interdisciplinary  interdisciplinarity  activism  history  transformation  experimentalarchitecture  experimental  adaptability  change  adaptation  dynamic  masterplanning  meaningmaking  place  research-baseddesign  urbaninterventions  complexity  urbanplanning  cityplanning  collaboration  cities  architects  art  design  urbanism  urban  architecture  berlin  raumlabor  local  small 
april 2012 by robertogreco
Kill Screen - Infinity Blade Review
[Not really sure how to describe this sort of writing. Don't miss the button at the end, which initiates an animation/alteration of the text, then reappears multiple times for additional iterations.]

"How to read a game that never ends.

Infinity Blade is a game about iteration, about retreading old ground, about the small changes that surface across endless repetitions."

[Referenced here: http://www.designculturelab.org/2012/02/26/hi-my-name-is-anne-i-make-stuff-with-words/ ]

[Update 23 July 2012: See these two also: http://killscreendaily.com/articles/essays/ico-feature/ AND http://www.robinsloan.com/summer-reading/and-programming/ (now here: http://www.robinsloan.com/archive/summer-reading/ ) for a new genre.]
glvo  edg  srg  fantasy  generations  swords  design  philosophy  art  via:meetar  infinityblade  animatedwriting  evolutionarywriting  iterative  iterativewriting  wcydwt  classideas  storytelling  jnicholasgeist  web  writing  games  moreofthisplease  evolvingtext  iteration  futureoftext  evolvingbook  killscreen  experimental  reviews  videogames  gaming  tickletext  digitalsertão  telescopictext 
february 2012 by robertogreco
Diary (2010) on Vimeo
"'Diary' is a highly personal and experimental film that expresses the subjective experience of my work, and was made as an attempt to locate myself after ten years of reporting. It's a kaleidoscope of images that link our western reality to the seemingly distant worlds we see in the media."
timhetherington  2010  video  history  war  africa  experimental  film  journalism  photography  photojournalism  experience  storytelling  classideas  westafrica  sierraleone  liberia  nigeria  restrepo  afghanistan  libya 
april 2011 by robertogreco
Instant Cinema [From the maker of Space Collective and Cargo]
"Instant Cinema is a comprehensive platform for experimental film, video and computer art, making the best audio-visual work of artists of all generations available to a worldwide audience.<br />
For many years, experimental films and art films were almost exclusively screened in museums and at film festivals. Instant Cinema aims to compensate for half a century of under-exposure of film/video and computer art by exhibiting some of the great classics of recent history, side by side with the work of today’s most talented media artists.<br />
To maintain the highest possible degree of quality, Instant Cinema membership is by invite only. Every participating filmmaker receives five invites that can be sent to other filmmakers or artists who, in turn, have the opportunity to invite five more new people."
archive  film  video  cargo  spacecollective  experimental  art  mediaart 
february 2011 by robertogreco
Strange Rain for iPhone, iPod touch, and iPad on the iTunes App Store
"What makes rain strange? When it's falling on your screen—from the inside.

Strange Rain turns your iPad, iPhone, or iPod touch into a skylight on a rainy day. Raindrops fall and splatter on your screen, shifting perspective as you tilt your device. Touch the screen and guide the path of the raindrops, stepping through the notes of an eerie melody as you go. It’s a relaxing, intriguing experience that feels as if you’re holding a living window in your hands.

The more you touch, however, the more strange the rain becomes: layered skies, visual anomalies and shifts in speed and color, even the occasional cataclysm if you’re not careful. Before your eyes and beneath your fingers, the familiar becomes strange, and the strange, familiar."
applications  iphone  ios  experimental  strangerain  rain  ipad 
december 2010 by robertogreco
Strange Rain for iPhone, iPod touch, and iPad on the iTunes App Store
"What makes rain strange? When it's falling on your screen—from the inside.

Strange Rain turns your iPad, iPhone, or iPod touch into a skylight on a rainy day. Raindrops fall and splatter on your screen, shifting perspective as you tilt your device. Touch the screen and guide the path of the raindrops, stepping through the notes of an eerie melody as you go. It’s a relaxing, intriguing experience that feels as if you’re holding a living window in your hands.

The more you touch, however, the more strange the rain becomes: layered skies, visual anomalies and shifts in speed and color, even the occasional cataclysm if you’re not careful. Before your eyes and beneath your fingers, the familiar becomes strange, and the strange, familiar."
applications  iphone  ios  experimental  strangerain  rain  ipad 
december 2010 by robertogreco
The Expanded Field
"life & architecture research & inspiration... --------------------------------------------------- architecture thesis sp 2009 : Black Mountain Redux. The Black Mountain College paradigm, with roots in the Bauhaus and branches in a utopian ideal, was neither infallible nor oblivious, and its primary commitment was to maintaining a vital and responsive atmosphere for personal and collective growth. The shared space, scalar intimacy and de-institutionalized conditions that supported BMC’s activity in the mid-century were catalysts for a dynamic and reciprocal spatial engagement, a physical dialogue with space. Could today’s embodiment of BMC cultivate this relationship further? Could the space of learning itself become a generative component, an operative medium?"
architecture  origami  thesis  blogs  blackmountaincollege  design  jennymyers  experimental  bmc 
september 2010 by robertogreco
Rolling shutter - Wikipedia
"Rolling shutter is a method of image acquisition in which each frame is recorded not from a snapshot of a single point in time, but rather by scanning across the frame either vertically or horizontally. In other words, not all parts of the image are recorded at exactly the same time, even though the whole frame is displayed at the same time during playback. This produces predictable distortions of fast moving objects or when the sensor captures rapid flashes of light. This method is implemented by rolling (moving) the shutter across the exposable image area instead of exposing the image area all at the same time (the shutter could be either mechanical or electronic)."

[Examples: http://blog.flickr.net/en/2010/08/24/rolling-rolling-rolling-shutter/ ]
dslr  shutter  rollingshutter  photography  effects  experimental  filmmaking  video 
august 2010 by robertogreco
Theater - ‘You Me Bum Bum Train’ in London Is a Wild Ride for One - NYTimes.com
"How elastic can a single ego be? Mine was stretched in all directions during the ~40 minutes I spent being pushed through halls &, it seemed, of an office building in East London this month. I was exalted & excoriated, hailed as a genius, reviled as a charlatan and mistaken for both a rock star & a bag of garbage.
theater  experimental  interaction  participatory  2010  audience 
august 2010 by robertogreco
Neography [iPhone, iPad] - "Words separate, pictures unite" /by Thibault Geffroy | CreativeApplications.Net
"“Words separate, pictures unite” (Otto Neurath) is the moto of Neography, a personal project by Thibault Geffroy. By reflection on the evolution of the transmission of news information, the ‘soon to be released’ apps for iPhone and iPad will atempt to enable readers to access the latest news quickly through a system of signs and images (RSS reader?). Neography, Thibault describes, builds on the growing interest in data visualization by allowing the coexistence of pictographic symbols of the alphabet, with photo montages to create a kind of a visual riddle. The project is an experimental response in the form and content, a screen … to regain the power of the image.

Newspapers, rarely read.
Covers, only glanced at.
Websites, always surfed through.
Takeover of the text, submission of the reader.
Passivity is the keyword in our time-urgent world.
Now is the moment to use new visual media to reawaken the basic thirst for information that has been lost.
Experiment in form and content on the front page and on screen where the world —without word—comes directly to the eyes."

[http://notgames.tumblr.com/post/773505943/newspapers-rarely-read-covers-only-glanced-at ]
iphone  ipad  applications  reading  interactivity  passive  books  print  newspapers  games  gaming  videogames  touch  screens  interface  engagement  newmedia  information  2010  experimental  visual  passivity  ios 
july 2010 by robertogreco
Art Wants to be Ninety-Nine Cents | Scott Sona Snibbe Blog
"Over the past few days my first three apps became available on the iTunes store: Gravilux, Bubble Harp, and Antograph. I’ve been dreaming of this day for twenty years: a day when, for the first time, we can enjoy interactive art as a media commodity no different from books, music, and movies. But is there a market for this new medium?...From 1988 to 1997 I refined my aesthetic for screen-based interaction, noting that the cursor is the only thing on the screen with true personality, since through the mouse it’s the connection from your body to the computer. For years I created gestural interactive programs inspired by the abstract masters like Lye and Oskar Fischinger, but I couldn’t find an audience...then Apple announced the iPad...the perfect medium for interactive art. The iPhone...is still mostly a tool for your working life...the iPad is an object of leisure: a portable screen for our precious free time. So what do you do with a recreational screen?"
ipad  iphone  experimental  interaction  installation  art  cinema  exhibition  interface  innovation  music  sound  scottsnibbe 
july 2010 by robertogreco
Archigram Archival Project
"The Archigram Archival Project makes the work of the seminal architectural group Archigram available free online for public viewing and academic study. The project was run by EXP, an architectural research group at the University of Westminster. It was funded by the Arts and Humanities Research Council and made possible by the members of Archigram and their heirs, who retain copyright of all images"
archigram  architecture  archive  buildings  creativity  portfolio  projects  uk  design  drawing  1960s  history  experimental  architects 
april 2010 by robertogreco
in Bb 2.0 - a collaborative music/spoken word project
"In Bb 2.0 is a collaborative music and spoken word project conceived by Darren Solomon from Science for Girls, and developed with contributions from users.

The videos can be played simultaneously -- the soundtracks will work together, and the mix can be adjusted with the individual volume sliders."
via:preoccupations  sound  music  experimental  audio  interactive 
august 2009 by robertogreco
Time Spent Alone
"Time spent alone is a series of projects conceptually linked through their being conceived in solitude and intended for display in the isolated social space of the internet. They are daydreams, worries and solitary trips.
art  books  maps  mapping  travel  world  google  data  googlemaps  experimental  emotion  coding  desire  via:foe 
may 2009 by robertogreco
A Daily Dose of Architecture: AE13: Inflatable Enclosures
"Inflatable environments are undergoing something of a renaissance today. Not since the 1960's embrace of bubbles in their numerous connotations (lightness, transparency, embrace, equality, difference) have so many projects used air as a medium for shaping enclosures, although they are still on the outskirts of architectural production. Technological and other advances have aided, if not outright negated the disadvantages of "bubbletecture," namely durability and wastefulness."
inflatable  architecture  experimental  inflatables 
may 2009 by robertogreco
Archinect : Features : ShowCase: Maison NW
"Maison NW, the home and work studio of architect Nathalie Wolberg, is treated as a laboratory to test out new devices and new environments on a daily basis.
architecture  design  homes  experimental  pathologies  senses  emotions  light  space  nathaliewolberg  studios 
february 2009 by robertogreco
Lullatone HQ (ララトーンち) - a set on Flickr
"Recently we designed and built a house. Let's take a tour of the new Lullatone HQ!"
japan  japanese  music  homes  design  interiors  architecture  art  glvo  lullatone  experimental 
july 2008 by robertogreco
lullatone.com
"Lullatone makes simple art and music and animations and books and movies and food and and and and.... " "Yoshimi didn’t know she was an artist at first. She also didn’t know she was a singer, or a lot of other things"
japan  japanese  music  homes  design  interiors  architecture  art  lullatone  experimental  unschooling  deschooling  autodidacts  glvo  artists  video  illustration 
july 2008 by robertogreco
Games by GAMBIT: AudiOdyssey
"experimental computer game designed to be accessible to both the visually impaired community & mainstream gamers...user stars as Vinyl Scorcher, an up-and-coming DJ, on his quest to get club patrons dancing. Swinging the Nintendo Wii controller to the be
games  accessibility  wiimote  mit  experimental  gamedesign  audio  music 
june 2008 by robertogreco
Instruction set
"Every month some instructions appear on instructionset.org. Instructions may be vague or specific. Your challenge is to write software to carry out the instruction. You may pick any programming or patching language you wish, and may stretch the definitio
programming  projects  monthly  classideas  processing  coding  experimental  conceptual  opensource  generative  art  glvo  via:reas 
april 2008 by robertogreco
Southern Exposure
"33 year old, non-profit, artist-run organization dedicated to presenting diverse, innovative, contemporary art, arts education, and related programs and events in an accessible environment. Southern Exposure reaches out to diverse audiences and serves as
activism  architecture  art  arts  community  design  education  lcproject  sanfrancisco  organization  experimental  via:javierarbona 
december 2007 by robertogreco
the vegetable orchestra
"The Vegetable Orchestra performs music solely on instruments made of vegetables. Using carrot flutes, pumpkin basses, leek violins, leek-zucchini-vibrators, cucumberophones and celery bongos, the orchestra creates its own extraordinary and vegetabile sou
instruments  food  experimental  diy  performance  music  orchestra  vegetables 
november 2007 by robertogreco
WORLD SHORT FILM LABEL - Future Shorts
"Future Shorts is one of the leading and most innovative short film labels. Since 2003, Future Shorts has created a rapidly expanding network that allows filmmakers the opportunity to have their work seen on the largest theatrical platform worldwide."
art  cinema  culture  film  future  shorts  video  glvo  experimental  filmmaking  films 
november 2007 by robertogreco
Kokoromi Collective - Experiment!
"a small group of game developers in Montreal, Quebec, with a mission to create and promote artistic and experimental gameplay. Our goal is threefold: to create small experimental games, to encourage creative games industry-wide, and to promote these game
gamedesign  gaming  games  play  experimental  design  creativity  videogames 
october 2007 by robertogreco

Copy this bookmark:





to read