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robertogreco : googlestreetview   27

The Windshield and the Screen | u n t h i n k i n g . p h o t o g r a p h y
"A Google Street View car in Los Angeles once captured a picture of Leonard Cohen. It happened a couple of years before he died. He was sitting with an acquaintance on lawn chairs outside his modest home in the Mid-Wilshire neighbourhood. The driver was an accidental paparazzi. Cohen didn’t even notice him.

The picture of Leonard Cohen on Google Street View is part of the database lore circulated on internet forums. Hobbyists and virtual world trawlers trade Street View links—oddities and pranks and wonders, like a man on the street in a horse mask, someone escaping a house with a makeshift rope of bed sheets tied together, and the 'Hallelujah' songwriter in his front yard enjoying a lovely day. A project as ambitious and omnivorous as Street View could only have these wonders, although not on purpose or by design. Street View isn’t photography as aesthetic representation, but the production of leftovers that happen to be images. These images are the husk — the dead skin of a surveillance charade. This archive can be fascinating and even useful to spectators—the users of it. But this data created and cleaned at scale is a source of Google’s power."



"Users have been tapped as distributed teachers to driverless cars. Granted, this is no guarantee of success: the Waymo project keeps missing its deadlines, and even the most ambitious timelines seem to fall beyond the near future. And just as the Street View online archive exists almost as a refuse of data mining, the security function of reCAPTCHA has just about outgrown its usefulness. Bots and spammers crack it all the time. Humans —those “not a robot” — and human labor serves another purpose: a link in the chain, rather than an end in itself."

[See also:
"Jean-Luc Godard sur Street View? Les internautes en sont persuadés"
https://www.huffingtonpost.fr/2016/07/29/jean-luc-godard-google-maps-buzz_n_11254606.html

via (and also by Joanne McNeil)
https://jomc.substack.com/p/animal-crackers ]
joannemcneil  photography  screens  googlestreetview  maps  mapping  2019  leonardcohen  recaptcha  jean-lucgodard  anne-mariemiéville  cameras 
12 weeks ago by robertogreco
Breaking and Entering - YouTube
"By Kelley Dong

http://kinet.media/films/program-08/breaking-and-entering-late-embryo-rained-last-night "

"Breaking and Entering + Late Embryo + Rained Last Night
Kelley Dong, US, Digital Video, 3 min, Sound, 2017

1. Breaking and Entering:
The impossible childhood home, it cannot be reached and it is not the same.

2. Late Embryo: [https://www.youtube.com/watch?v=hxeIURhgvc0 ]
300 frames of 56 photographs taken over 20 days compressed into the span of the time it takes for you to answer my call as I pull up into the driveway and wait by the phone.

3. Rained Last Night: [https://www.youtube.com/watch?v=B9gFUToL9Es ]
More waiting. Thinking about how much I hate rain."
film  video  kelleydong  2017  googlestreetview  internet  storytelling  streetview  googlemaps  via:fantasylla 
january 2018 by robertogreco
Google Maps Streetview Player
"The google maps streetview player will take in either a starting point and end point, or a provided file of a route and provide a playthrough of the google streetview images that are available."
googlemaps  streetview  maps  animation  playthrough  googlestreetview 
february 2016 by robertogreco
Tracing You (2015) -- by Benjamin Grosser
"computational surveillance system

Tracing You presents a website’s best attempt to see the world from its visitors’ viewpoints. By cross referencing visitor IP addresses with available online data sources, the system traces each visitor back through the network to its possible origin. The end of that trace is the closest available image that potentially shows the visitor’s physical environment. Sometimes what this image shows is eerily accurate; other times it is wildly dislocated. What can a computational system know of our environment based on the traces we leave behind? Why might it want to see where we are? How accurate are the system’s data sources and when might they improve? Finally, what does this site’s attempt to trace its visitors reveal about who (or what) is reading the web? By showing how far it sees in real-time, Tracing You provokes these questions and more.

How it Works
Every time you visit a website, the computer serving that site records data about the visit. One piece of that data is the visitor’s Internet Protocol (IP) address. A numerical string (e.g. 203.0.113.4), the IP address uniquely identifies the device used to view the site, whether it’s your phone, laptop, or tablet. Every IP address is registered with the Internet Assigned Numbers Authority, and thus has data associated with the registration. Tracing You starts with this IP address and follows the trail it leaves. First it looks up the IP address using ipinfo to obtain geolocation. This is represented as a latitude/longitude pair (e.g. 48.8631831,2.3629368) that identifies a precise location on the earth. The latitude/longitude is sent to Google, where it queries the Street View, Static Maps, and Javascript Maps data services. Using these services, Tracing You searches for the closest available match it can find, whether it’s a street image in front of the location, an interior image inside the location, or, if nothing else, a satellite image from above (e.g. many locations in China). Once found, this image is combined with text information from ipinfo and shown on the Tracing You interface.

These queries happen so quickly that when you look at the Tracing You interface you should see an image related to you. You will be the site’s most recent visitor at that moment. The image you see may be very close to your current location, or even photographed from within the building you are in at that moment. Alternatively, the image may be down the block, a few blocks over, or even further. How close it gets is very much dependent on how networks are built, configured, operated, and distributed where you are, which network you use, and the accuracy of the data associated with those networks. The more you look at the site, the more it looks back at you. Big data is continually refining its “picture” of the world. As that picture becomes more resolved, Tracing You will get more accurate. As new data sources become available, I will integrate them into the work."

[See also: http://bengrosser.com/projects/tracing-you/ ]
2015  benjamingrosser  google  internet  ip  maps  mapping  googlestreetview  streetview  data  ipaddresses  bigdata  networks  online 
january 2016 by robertogreco
Gopro Cinema | booktwo.org
"Because like everyone but the really good people I don’t blog enough anymore, here is an honest-to-god blog post about an idea that’s not really there yet, but I keep thinking about.

Three takes on non-human photography, on a spectrum"



"As wiser people have pointed out, human-animal relationships provide an interesting viewpoint on human-technological relationships. What happens when we free the camera from the eye, and thus from anthropocentrism?"
jamesbridle  gopro  cameras  animals  multispecies  aesthetics  pov  video  film  filmmaking  leviathan  newaesthetic  jacquestati  playtime  streetview  googlestreetview  photography  videography  cinematography  sweetgrass  sensoryethnographylab  human-animalrelations  human-animalrelationships  pets  farms  luciencastaing-taylor  vérénaparavel 
july 2015 by robertogreco
Google Street View Comes to California's State Parks | State Park | SoCal Wanderer | KCET
"Last week, California State Parks and Google Maps unveiled a project that allows folks to experience the images and sights of various hikes throughout California State Parks. Rather than fitting a 360-degree camera on top of a car, Google used Trekker, its camera that fits onto a wearable backpack and snaps photos as one walks."
california  stateparks  2015  googlemaps  google  streetview  googlestreetview  parks 
july 2015 by robertogreco
google sheep view
"We started this project in 2015 because it is the year of the sheep.

We started this project because we enjoy the “sheep view” when riding trains in the Netherlands.

We started this project to dedicate it to a particular sheep of the zwart bles breed.


Ding Ren (halfcrystalline) + Mike Karabinos (voidsinthearchive)"
via:anne  sheep  googlestreetview  livestock  animals 
june 2015 by robertogreco
Google Street View photography bookmarklets
"Google Street View photography bookmarklets

For Google Chrome. Drag them to your bookmark toolbar.

Lite mode

GSVliteSwitch: Switch Google Maps from Full mode to Lite mode
(To switch back to Full mode, click Google's lightning bolt icon at lower right.)
GSVlite: Hide Street View overlays
GSVliteCompass: Hide Street View overlays except compass and zoom
Full mode

GSVfull: Hide Street View overlays (still shows street names)
Toggle fullscreen: Cmd-shift-F on OSX, F11 on Windows

Corrections or suggestions: @erasing"

[via: http://erasing.tumblr.com/post/117779933235/buchr-yesterday-google-disabled-google-maps

"Yesterday, Google disabled Google Maps Classic mode. I was devastated. Amazingly, superhero erasing created these bookmarklets to strip out all the shit the “new” Google Maps overlays on the Street View images.

http://scottdavidherman.com/gsv/

Day = saved."]
googlestreetview  streetview  bookmarklets  imagery  google  maps  mapping  onlinetoolkit 
may 2015 by robertogreco
Journey to the Centre of Google Earth - Simon Sellars
"Google Earth is more than the God’s-eye view – more than just us mortals seeing through the eyes of God. In Google Earth, we are God. We see over, under, inside and out. We see into the beyond, with a second sight unavailable to our mortal selves. We see ghosts of dead friends and dead strangers. We see ourselves. If the colonial God’s-eye view in Mercator maps is an uneasy settling of the planet (hoping the savages will stay in their place and not upset the prescribed order), then Google Earth, with its forking paths Google Maps and Google Street View, is a parallel world bleeding into this one."



"Paul Virilio, urbanist and theorist of cyberculture, once told an interviewer about a science fiction story in which artificial snow was seeded with tiny cameras and dropped from planes. He explained, “when the snow falls, there are eyes everywhere. There is no blind spot left.” The interviewer asks: “But what shall we dream of when everything becomes visible?” Virilio replies: “We’ll dream of being blind.” Desperate, I will dream that same dream, but even gouging out my eyes – all eighteen of them – will not be enough, for the imprint will remain, the augmented overlay, glowing like tracer bullets in the radioactive darkness of the mind’s eye. Remember, I can never unsee.

Then I will dream of death, but even death won’t save me, for I will have left enough data, enough tweets, enough cookies and enough honey traps from my online browsing patterns to allow unscrupulous marketers to harvest the information and construct a digital version of me. It will be a magnificent feat of malware, social engineering composed of my online leavings. This digital construct will traverse the Google Earth just as I do now. It will spam my friends and family, and it will tweet the same observations about Street View as I do. Actually, not “the same observations about Street View as I do”, but “the same observations because it is me”. No one will tell the difference. In the future, we are all sentient spambots.

My digital doppelganger will see me in Google Earth, reflected in the hubcap of the Street View car. It will see me reflected in the illusory facade of the PricewaterhouseCoopers building, watching myself watching the Barcode Project. It will see me in the machine, which has taught me how to remember a past I never had and a future I will never see.

The machine will teach my doppelganger how to live, at the same time as it teaches me how to die. No one will tell the difference."
maps  mapping  simonsellers  2014  googlemaps  googlestreetview  streetview  googleearth  cartography  time  paulvirilio 
june 2014 by robertogreco
Technology and Photographic Art : The New Yorker
"The New Yorker’s Tech Issue hits newsstands this week, and it got me interested in photographic projects that are anchored in various technologies, from antiquated processes to Internet crowd-sourcing. Here’s a selection of technology-based works that I find myself returning to, accompanied by text from the artists."
technology  photography  jessiewender  penelopeumbrico  georgesteinmetz  jonrafman  trevorpaglen  richardmosse  michaelbenson  shimpeitakeda  mishkahenner  katebreakey  jamespomerantz  dougrickard  santiagomostyn  thomasruff  carlovanderoer  jasonsalavon  dornithdoherty  emmawilcox  googleearth  googlestreetview  cyanotypes 
november 2013 by robertogreco
Mirror with Memory and a Blind Spot — Medium
"Think of this in relation to Google Glass videos with first person point-of-view perspective — for example this video of Gangnam Style through Glass. There is no gesture to indicate the video has begun. It is seemless. On and off, beginning and end — this is mutable now. Consider the context of this heavily documented moment in time — of CCTV footage, machine vision, satellite aerials, dashcams, GoPro headsets, the devices in our pockets, the seemingly non-stop capture — the “constant moment,” as Clayton Cubitt has called it. Photography, Cubitt writes, is less about being physically present; we’ve expanded “the available window of temporal curation from ‘here and now’ to ‘anywhere and anytime.’”

We are hardly talking about images any more. We are talking about experience saved as visuals. Representations of the past in pixels. The digital media accumulates like a snake sheds its skin."
photography  joannemcneil  googlestreetview  pov  images  mirrors  reflections  cameras  rexsorgatz  oliverwendellholmes  2013  claytoncubitt  googleglass  hereandnow  anytimeanywhere 
july 2013 by robertogreco
The Ends of the Road - In Focus - The Atlantic
"Inspired in part by the great geography game GeoGuessr, I spent some time recently in Google Maps, finding the edges of their Street View image coverage. I've always been drawn to the end of the road, to the edges of where one might be allowed to travel, whether blocked by geographic features, international borders, or simply the lack of any further road. Gathered below is a virtual visit to a few of these road ends around the world -- borders, shorelines, dead ends and overlooks from New Zealand to Svalbard, from Alaska to South Africa. [26 photos]"
geoguessr  googlemaps  googlestreetview  streetview  geography  2013  photography  infocus 
june 2013 by robertogreco
Instant Google Street View
"Simply start typing an address, place name or location, to be instantly taken there via Google Street View.

If no Street View exists at the location, or if your search is too broad (e.g. "France"), a map will be shown instead."
images  autocomplete  googlestreetview  streetview 
november 2012 by robertogreco
The Sky on Trap Street
"The Trap Street is a street on a map that does not exist. They are deliberate imperfections that code unique authorship; a deliberate identifying falsehood; an imaginary place proving a person’s unique labor. Here’s what the sky looks like from a few of them."

[via: http://www.joannemcneil.com/index.php?/talks-and-such/stories-from-the-new-aesthetic/ ]
mapping  maps  photography  googlestreetview  trapstreets 
october 2012 by robertogreco
Stories from the New Aesthetic : Joanne Mcneil
"It's a blank box, you can enter in whatever you want. You can take it as representation or you can bend it."

"It is full of things that never happened — human abstractions, examples of us acting in make believe. The avatars, the sock puppets, false identities, mockups, renders, the fake. Reality is blended in it. And sometimes, it is the program or the network telling stories to us. Something not as intended, more accidental storytelling."

"The internet will never be a mirror. Nor is it a window. It's pictures."

"…some people —real people — might not be treated as such online. …Civil Rights Captcha…supposes that if you are lacking a base level of compassion, if you express bigotry, you are relegated to second class bot level status on the internet."

"Facebook is where you share your success, not your suffering…this behavior means the picture is incomplete."

"while the people are an afterthought on the street…when it comes it businesses, they are central to the point."

[Video here: https://vimeo.com/51595243 ]
mapping  maps  time  place  2012  humans  people  cartography  trapstreets  theskyontrapstreet  sharing  twitter  googlestreetview  facebook  compassion  civilrightscaptcha  captcha  vulnerability  tears  personalbanking  banking  liebooks  lies  cronocaos  code/space  remkoolhaas  anaisnin  storytelling  stories  reality  location  clementvalla  brunolatour  adamharvey  web  internet  art  melissagiragrant  doramoutot  willwiles  aaronstraupcope  jamesbridle  joannemcneil  newaesthetic  storiesfromthenewaesthetic 
october 2012 by robertogreco
How Google Builds Its Maps—and What It Means for the Future of Everything - Alexis C. Madrigal - The Atlantic
"As we slip and slide into a world where our augmented reality is increasingly visible to us off and online, Google's geographic data may become its most valuable asset. Not solely because of this data alone, but because location data makes everything else Google does and knows more valuable.

Or as my friend and sci-fi novelist Robin Sloan put it to me, "I maintain that this is Google's core asset. In 50 years, Google will be the self-driving car company (powered by this deep map of the world) and, oh, P.S. they still have a search engine somewhere."

Of course, they will always need one more piece of geographic information to make all this effort worthwhile: You. Where you are, that is. Your location is the current that makes Google's giant geodata machine run. They've built this whole playground as an elaborate lure for you. As good and smart and useful as it is, good luck resisting taking the bait."
cartography  alexismadrigal  google  geodata  googlestreetview  googlemaps  process  mapping  maps  2012 
september 2012 by robertogreco
How to be Free: Proustian Memory and The Palest Ink « Caterina.net
"I often wonder if we should build some kind of forgetting into our systems and archives, so ways of being expand rather than contract. Drop.io… allowed you to choose the length of time before your data would be deleted. This seems not only sensible, but desirable. As Heidegger said, in Being and Time, “Forgetting is not nothing, nor is it just a failure to remember; it is rather a ‘positive’ ecstatic mode of one’s having been, a mode with a character of its own.” Proustian memory, not the palest ink, should be the ideal we are building into our technology; not what memory recalls, but what it evokes. The palest ink tells us what we’ve done or where we’ve been, but not who we are.

If we are not given the chance to forget, we are also not given the chance to recover our memories, to alter them with time, perspective, and wisdom. Forgetting, we can be ourselves beyond what the past has told us we are, we can evolve. That is the possibility we want from the future."
proustianmemory  time  reallife  irl  superficiality  jerrycosinski  wikileaks  becomingtarden  jillmagid  disappearingink  disappearing  evanratliff  tylerclementi  meganmeier  martinhendrick  yahooanswers  joelholmberg  googlestreetview  streetview  google  9eyes  jonrafman  lisaoppenheim  documentation  myspace  youtube  facebook  twitter  privacy  socialmedia  ephemerality  ephemeral  paleink  newmuseum  surveillance  offline  online  eecummings  heidegger  proust  drop.io  data  forgetting  memory  2012  caterinafake  perspective  wisdom  marcelproust 
september 2012 by robertogreco
MoMA | New Photography 2011 | Doug Rickard
"Doug Rickard (American, born 1968) studied United States history and sociology at the University of California, San Diego, before moving to photography. He has drawn on this background in research for his series A New American Picture, which focuses on places in the United States where unemployment is high and educational opportunities are few. On a virtual road trip, Rickard located these sites remotely using the Street View feature of the website Google Maps, which has mapped and photographed every street in the country. Scrutinizing the Google Maps pictures, he composed images on his computer screen, which he then photographed using a digital camera. The resulting pictures—digitally manipulated to remove the Google watermark and cropped to a panoramic format—comment on poverty and racial equity in the United States, the bounty of images on the web, and issues of personal privacy."
steetscapes  landscape  poverty  race  us  2011  art  moma  dougrickard  photography  googlestreetview  googlemaps 
january 2012 by robertogreco
James Bridle – Waving at the Machines | Web Directions
"These are sculptures by Shawn Smith. There’s going to be an ongoing problem with this, that if you sit way at the back, you might not see quite how pixelated these things are. There’s a whole different art-​​historical dissertation about what that means, the distance of the viewer."

"James Bridle’s closing keynote from Web Directions South 2011 was a a terrific end to an amazing couple of days, but don’t despair if you weren’t there. You can watch a full length video, read a transcript with the bonus of all the links James refers to, or even listen to a podcast.

So sit back, relax and enjoy Waving at the Machines."

[Video also at: http://vimeo.com/32976928 ]
newaesthetic  stml  artisyourfriend  vantagepoints  via:straup  art  future  robotflaneur  hawk-eye  gta  gregkessler  jenhesse  renderghosts  imaginaryplaces  carinaow  shawnsmith  maloescouture  minecraft  andygilmore  coll-barreau  gerhardrichter  helmutsmits  douglascoupland  beforeandafter  architecture  2011  fashion  camouflage  pixelization  waysofseeing  humans  design  8-bit  satelliteimages  googleearth  googlestreetview  tomarmitage  tomtaylor  thenewaesthetic  jamesbridle  jenshesse  marloescouture  gehardrichter  grandtheftauto 
december 2011 by robertogreco
Rhizome | The Never Forgotten House
"I rarely hear anyone boast about photographic memory anymore. It's less impressive today as we can all supplement our own brains with an algorithmic search and the internet's seemingly infinite archival capacity. But this is still a period of transition…"

"We could accumulate hundreds of thousands of images throughout our lives but they will never taste like anything. An image represents and verifies a memory but the rest is left to imagination. Every essential moment of a child's life is documented if he was born in the West. With digital album after album for every birthday, every Christmas, he will never struggle to remember what his childhood home looked like. That reaching, that vague warm feeling for a place one remembers but cannot see; that is a sense now growing extinct.

A child today grows up in a never forgotten house."
memory  documentation  joannemcneil  via:frankchimero  2011  flickr  googlestreetview  childhood  search  images  photography  place  nostalgia  streetview  senses 
december 2011 by robertogreco
Caterina Fake: WikiLeaks and Free at the New Museum
"Pervading the show is this sense of how the 'data' tells us something, but fails to capture the human drama, the story, the suffering, the lived lives behind the info gathered & arranged. Images of people caught on Google Maps "streetview" appear in Jon Rafman's work, Martijn Hendrik shows texts of people responding to video of Saddam Hussein execution; Joel Holmberg asks earnest questions on Yahoo! Answers – all show the gap btwn the impassive data-gathering technology, human inputs & the strange hybrid that is result of those interactions. The final quote in Magid's Becoming Tarden is from Jerzy Kosinski's Cockpit:

"All that time & trouble, & still the record is a superficial one: I see only how I looked in the fraction of a second when the shutter was open. But there's no trace of the thoughts & emotions that surrounded that moment. When I die & my memories die with me, all that will remain will be 1000s of yellowing photographs & 35mm negatives in my filing cabinets."
art  media  free  news  wikileaks  information  data  emotion  meaning  internet  flickr  googlestreetview  photography  jonrafman  julianassange  2010  caterinafake  experience  perception  feeling  drama  human  suffering  detachment  humandrama  streetview  lostintherecord  colddata  interpretation  jerzykosinski  laurencornell  jillmagid  lisaoppenheim 
december 2010 by robertogreco
View From Your Window Game
"Try to find the location seen in the picture in the upper right within the fixed number of guesses."
googlemaps  streetview  googlestreetview  geography  games  fun 
november 2010 by robertogreco
The Wilderness Downtown
"An interactive film by Chris Milk…Featuring "We Used To Wait"…Built in HTML5" [For Chrome only, it didn't work so well on my Macbook, but I found the concept intriguing.]
chrome  google  googlemaps  googleearth  memory  film  html5  maps  mapping  location  googlestreetview  video 
september 2010 by robertogreco
Google Streetview Shopping | Flickr - Photo Sharing!
"The neighborhood where I live has lots of designer shops where a single lamp shade can run you hundreds of dollars. You can probably find the exact same piece downtown for one fifth the price, but it can be a nightmare to walk around. So I've been using Google Streetview to do my pre-shopping. I figure it's only a matter of time until someone links Google Streetview, Foursquare, Groupons, and store catalogs to make the ultimate virtual shopping experience."
google  googlestreetview  shopping  davidsasaki  maexicodf  foursquare  groupons 
july 2010 by robertogreco
STREET WITH A VIEW: a project by Robin Hewlett & Ben Kinsley
"Street With A View introduces fiction, both subtle and spectacular, into the doppelganger world of Google Street View. On May 3rd 2008, artists Robin Hewlett and Ben Kinsley invited the Google Inc. Street View team and residents of Pittsburgh’s Northside to collaborate on a series of tableaux along Sampsonia Way. Neighbors, and other participants from around the city, staged scenes ranging from a parade and a marathon, to a garage band practice, a seventeenth century sword fight, a heroic rescue and much more... Street View technicians captured 360-degree photographs of the street with the scenes in action and integrated the images into the Street View mapping platform. This first-ever artistic intervention in Google Street View made its debut on the web in November of 2008."
streetview  google  literature  performance  googlemaps  googlestreetview  newmedia  design  art  culture  cities  mapping  street  storytelling  maps  intervention  pittsburgh 
november 2008 by robertogreco

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