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robertogreco : iainsinclair   4

ORBITAL OPERATIONS: Weird Shit International - OO 14 May 17
"More recently, I learned of Black Mountain College, from one of Iain Sinclair's better latter-day books, AMERICAN SMOKE (UK) (US).  Black Mountain College interests me because it seems mostly metaphorical: it's the idea of a strange cross-contamination zone of a college. Even the name! More interesting to me than, say, the idea of a Hartlib Circle [https://en.wikipedia.org/wiki/Hartlib_Circle ]
or Invisible College -- even though I'm a member of one or two of those, and run a private newsletter speaking to, in the immortal words of Charlie Stross, "the people, corporates, collectives, and bots I currently favor."  I like the invisible-college networks - information gets moved around, work gets done, contacts are maintained. But they are, by definition, not open. And all things good should (eventually) flow into the boulevard.

That's what this newsletter is, for me."

My friend Kyoko Kitamura sent me this recent quote from musician/composer Anthony Braxton:
"Each of you need to write about your music. "What are you doing?" "What do you think you are doing?" If you don't write about it, whatever you think you are doing, you might forget it. Maybe you need to sit down and ask the question "What am I doing?" and write it out...Me, I'm always taking notes on my system...Each of you, in my opinion, would do a very good thing by sitting down and asking yourself "What the f- am I doing? I say I like music, I'm not even sure if I like music, but maybe I do like music. What am I doing? Where am I going with it? Is it just about a gig?"...Each of us has to take that responsibility. That's a RESPONSIBILITY. If you're going to be broke and crazy, at least do your best. And part of doing your best is defining things in a way where it's possible to EVOLVE. If there's no clarity, if everything is murky, then you might not be using all of your forces in the best possible way depending on what you are looking at and depending on what you want for yourself...I would say, "Hey, don't be such a nice a person." You need to get angry about something... You need to remember that we don't live in heaven. THIS IS NOT HEAVEN. THIS IS COMPOSITE REALITY. It's much better than the concept of heaven. With composite reality, everything is happening. This is why you have to navigate through form. Part of navigation is including yourself and your life..."

The Weird Shit International. Black Mountain College. Everything is happening. Navigating from the Thames Delta."
warrenellis  blackmountaincollege  2017  iainsinclair  networks  invisiblecollege  hartlibcircle  newsletters  bmc  charliestross  collectives  howwelearn  howwmake  anthonybraxton  kyokokitamura  compositereality  responsibility 
may 2017 by robertogreco
Afterall • Online • Two Slight Returns: Chauncey Hare and Marianne Wex
"For Chauncey Hare and Marianne Wex, the question of a career, of art as a profession, was unresolved in ways which have affected the legacy of their work, and even the legitimacy of categorising them as ‘artists’. While they were contemporaries, making their most important work in the 1970s, they had little else obviously in common: Hare was a documentary photographer based in California; Wex was an artist and art teacher living in Hamburg. They never met, or exhibited together, nor were they even aware of one another’s work. But in their choices, the vicissitudes of their reputations, and the political valencies of their work, there are parallels which suggest how vocations can unhinge careers, and how giving oneself over entirely to the work might mean abandoning it altogether."
judithwyatt  photography  renunciation  anti-career  janetmalcolm  artlabor  responsibility  jackvaneuw  bancroftlibrary  judywyatt  labor  leisurearts  self-sabotage  artworld  workplace  work  iainsinclair  aidanandrewdun  vocations  mikesperlinger  2011  1970s  art  mariannewex  chaunceyhare  artleisure 
august 2012 by robertogreco
Iain Sinclair » IMPROVING THE IMAGE OF DESTRUCTION
"Cities can be mapped by missing cobblestones: Paris in ’68, London at the burning of Newgate Prison, Budapest, Belfast. Streets are dug up in reverse archaeology. The stones redistribute themselves, flying through the air, like Magritte’s loaves, in the direction of Plexiglas shields and visored helmets."

[via: http://nomadicity.tumblr.com/post/10247187412/cities-can-be-mapped-by-missing-cobblestones ]
iainsinclair  history  atemporality  cities  london  paris  belfast  1968 
september 2011 by robertogreco
The London Perambulator (full length documentary) - YouTube
"Featuring: Russell Brand, Will Self, Iain Sinclair and Nick PapadimitriouDirected by John Rogers

John Rogers' film looks at the city we deny and the future city that awaits us. Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city's fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.

 The ideas of psychogeography and Nick's own deep topography are also explored."
london  cities  psychogeography  willself  russellbrand  iainsinclair  nickpapadimitriou  walking  topography  situationist  2011  via:preoccupations  place  urban  urbanism  history  thelondonperambulator  uk  johnrogers  maps  mapping  space  research  documentation  photography  video  discovery  noticing  classideas 
september 2011 by robertogreco

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