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robertogreco : jawbone   2

Calm Technology
"The world around is made up of information that competes for our attention. What is necessary? What is not?

When we design products, we aim to choose the best position for user interface components, placing the most important ones in the most evident and accessible places within the screen. Equally important is the design of communication. How many are notifications are necessary? How and when should they be displayed? To solve this, we can be inspired by the principles of calm technology.1

Principles of Calm Technology

I. Technology should require the smallest amount of our attention.
Technology can communicate, but doesn’t need to speak.
Create ambient awareness through different senses.
Communicate information without taking the wearer out of their environment or task.

II. Technology should inform and encalm.
A person's primary task should not be computing, but being human.
Give people what they need to solve their problem, and nothing more.

III. Technology should make use of the periphery.
A calm technology will move easily from the periphery of our attention, to the center, and back.
The periphery is informing without overburdening.

IV. Amplify the best of technology and the best of humanity.
Design for people first.
Machines shouldn't act like humans.
Humans shouldn't act like machines.
Amplify the best part of each.


Tea Kettle
If a technology works well, we can ignore it most of the time. A teapot tells us when it is ready, and is off or quiet the rest of the time. A tea kettle can be set and forgotten, until it sings. It does not draw constant attention to itself until necessary. A tea kettle's whistle brings information from another room to one's attention.

Inner Office Window
An inner office window provides an understanding of whether someone is busy or not without the need to interrupt them.

Jawbone Up
The Jawbone Up has a single button and a colored status light. The device can be set to buzz after a short nap or at the optimium sleep cycle for a good night of sleep. It counts movement in the background without requiring additional action from the wearer. The device syncs to the user's phone through the audio jack and gives a summary of the wearer's individual day in sleep and physical activity.

Lavatory Sign
This simple sign tells you whether the lavatory is occupied or not. No need to translate it into multiple languges. The simple icon is either occupied or not.

Roomba Vacuum Cleaner
The humble Roomba Vacuum cleaner chirps happily when it is done and emits a sad tone when it is stuck. There is no uncanny valley present in this technology. Roomba doesn't have a spoken language, just simple tones. This makes it easy to understand what Roomba is saying, and elimates the need to translate the tone into many different languages.

Sleep Cycle
Sleep Cycle is a mobile application that monitors your sleep and allows you to track times of deep sleep and REM. You can set an alarm in the app and Sleep Cycle will wake you up before the time at the best place in your sleep cycle with a soft noise or buzz. Because the haptic alert occurs under your pillow, you can configure it so that you can wake up without anyone else being affected by the alarm.

Smart Badge
A smart badge is simple. Smart badges are small, wearable technologies that don't require a charger, user interface or operating system. Simply touch a provisioned smart badge to a door or elavator panel and you'll easily gain access.

Calm Communication

Haptic Alert
Use haptics or touch to inform someone of important information. Many people set their phones to buzz, but other products such as the LUMOBack Smart Posture Sensor buzzes you when you exhibit poor posture. Touch is a high resolution of human sensation. A lot of information can be conveyed with no visual or auditory requirement.

Trend Graph
A good trend graph is all about making the formerly invisible visible. The Sleep Cycle app graphs sleep over time, compressing that long term data into an easily accessible format. Be patient: good data may a long time to collect, but it is well worth the wait! Displaying data in a elegant way is one of the most important aspects of trend graphs. Elegance is about information and comprehension, not just visual appearance.

Status Light
Status lights are farily common on video cameras. A device is active when the red 'record' light is on. Status lights can be used for more than just recording. Our daily travels are mediated by the simple colors of traffic lights. A light that shows the weather is far more calm than a weather ssystem that constantly calls attention to itself. Think about how to use different colors of light to inform and encalm in your products.

Status Tone
A status tone is a quick way for a device to let a person know whether it needs attention or not. Products that have a positive tones upon completion, or negative tones when stuck are more likely to be helped by their human owners.

Status Shout
A Status Shout is similar to a Status Tone but can be much louder and more urgent. Smoke alarms, tea kettles and microwaves all use shouts to alert people to their status. Ambulances use Status Shouts to alert people to make way for an emergency. Tornado warnings utilize Status Shouts to help neighborhoods get to a safe place and out of the tornado's path. Status Shouts should be reserved for very important information.

Popup alerts are perhaps the most common form of alert, but they can quickly overwhelm people when not used correctly. Alerts should be used when deleting a piece of content, for an emergency, or when someone has specifically opted into a piece of content or stream. Otherwise, try to think of ways to alert a person using the other senses.

Timed Trigger
A simple status light on a timer can make for a calm and informative notifier. An orange light that turns on at sundown or reminds you to brush your teeth.

Use a delay or interrupt during a change of state. For example, when the headphones of an iPhone become disconnected, the music player automatically pauses the music."
technology  design  ux  ui  teakettles  calm  calmtechnology  via:alexismadrigal  slow  communication  calmcommunication  haptics  ambientintimacy  ambient  roomba  jawbone  windows  glanceable  attention  humanism  periphery  information  chrisdancy  ambercase 
november 2014 by robertogreco
Mass + Text
Text from the about page: ]

"Mass + Text wants to understand the relationship between language (analogue and digital signals), physical objects, and the communities they anchor. I’m curious about how we translate thought into form, and back again.

Mass + Text happened because I like words, and I like the idea that objects are a byproduct of their cultural context. I think there’s an interesting back and forth between said things and made things, and this is an attempt to think-through-writing till I make some sense of it.

I’m not quite sure what I’m doing, but I’m going to scratch this itch anyway. What I do know is that the emergence of ubiquitous computing is going to bring together language and objects in weird and interesting ways, with implications for architecture, media, journalism, consumer technology, and fashion. This is my attempt to begin to make some sense of it.


The ease with which we’re able to summon and dismiss texts on glowing rectangles makes us forget that language isn’t weightless. The ways in which we call out and respond to each other are deeply anchored within physical things. Heavy things. We make meaning by spilling oceans of ink, crushing mountains of herbs and minerals into pigments, and by sliding slabs of quivering muscle against each other.

And even when we summon an idea from the depths of cyberspace,and it leaps onto our screens, that idea is bound to this plane by physical objects. Language exists within at least three dimensions.

So if language can shape mass (indeed, if language is mass), what will new forms of communication mean for the things we build, and the way we build? Can we incorporate content into spaces and objects in ways that go beyond merely turning them into display screens? How does this communication influence our relationships with our tools?

With ourselves?


Areas of interest:

• the evolution of media and journalism: what does it mean that ESPN is interested in the data being harvested from wearable tech such as the Jawbone UP? If the medium is the message, how will media companies design for wearable computing devices that have very little room for display screens?

• internet-connected devices: the coming wave of “smart" devices offers an opportunity to rethink everything from how these objects look to what they do. How do you design analog/digital interfaces that take into account qualities of mass such as weight, texture and temperature?

• architecture: we can speak to our spaces, and our spaces can speak back (through location-based Foursquare tips, geo-triggered alerts, changing room temperature to suit our personal profile, etc.). The built form is how we interface with the city, and changes to that form have implications for everything from our ideas about privacy, community, and to discussions about who has the right to the city.

• fashion: we know clothing can be language, but the use cases of clothing-as-tool have been surprisingly few, i.e. clothing can keep us warm, and they offer some measure of protection from weapons, but that’s about it. How can we make clothing even more useful? And how will those utilitarian scripts be reflected in aesthetics?

• histories of communication: everywhere mass intersects with text, an idea finds its way into our world, be it when a finger strikes against a keyboard, or when someone’s vocal chords rub together. I want to understand that threshold, liminal space where a concept is impregnated within an object, and given form."
text  communication  objects  emmanuelquartey  language  digital  communities  community  blogs  ubicomp  internetofthings  networkedobjects  senses  media  journalism  wearable  technology  jawbone  architecture  design  fashion  history  interfaces  ux  mobile  smartdevices  analog  wearables  iot 
july 2013 by robertogreco

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