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robertogreco : jeanluc-goddard   1

‘Goodbye to Language’ is Jean-Luc Godard in 3-D. ’Nuff said. - Movies - The Boston Globe
"Yes, there are people here. A few black-suited German security forces dash through the early scenes (the director is of the opinion that we lost World War II — we were fighting fascism, remember?) and we get shards of an adulterous romance between a quintessential Godardian couple, a woman who’s anchored in reality and a man who keeps disappearing up the hindquarters of his own intellect. (See 1965’s “Pierrot Le Fou” — a movie that’s in this writer’s personal Top Five — for the purest treatment of the theme.) Godard films them often nude, often cropped from the neck down, upstaged by vases and other foreground bric-a-brac. You almost can’t hear the characters for all the visual noise, which is at least partly the point.

The main character of “Goodbye to Language,” though, is a dog: a soulful black-and-tan mixed breed named Roxy Miéville that belongs to the director and his longtime partner, filmmaker Anne-Marie Miéville. Godard films the animal with rough iPhone-level camerawork, trailing Roxy through lakefronts and rivers, urban wastelands, forests of lush, Rousseau-ian greenery. For a film obsessed with language, these scenes are an island of respite, honoring the simple dogness of being. “What is outside can be known only via an animal’s gaze,” says Godard, quoting Rainer Maria Rilke.

“Goodbye to Language” is a film of dualities, then — the yin/yang of male and female, of nature (all that is real) and metaphor (everything we use to refer to reality: words, images, the cinema), of dog and human, of idealism and earthiness, of the left and right eyes we use to order perception into graspable shape."

[trailer: https://www.youtube.com/watch?v=ibffxoK5gs0 ]
jeanluc-goddard  2015  dogs  film  towatch  animals  pov  perspective  3d  goness  rainermariarilke  pets  human-animalrelations  multispecies  language  communcation  human-animalrelationships 
march 2015 by robertogreco

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