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robertogreco : jeremydean   2

Genius and the Sharing Economy — Medium
"At this point, I became probably overly obsessed with the fact that Jeremy and Rap Genius were featured front and center in that Times article about the declining interested in the Humanities, and then with the use of that Times piece as a “hiring” strategy of sorts. Whatever their deal was, it seemed clear that The Times gave Genius the credibility to claim that [1] the humanities needing saving and [2] that increased traffic and content on their site was the way to do it. I’m not sure what Genius gave The Times in return, but I’ll just add here that the Genius guy giving the talk said the New York Times wasn’t going to be around in 5 years anyway.

In a room full of bright-eyed future businesspeople, I felt like a alien interloper and began to fashion my own tinfoil hat theories even though I suppose this sort of deal is how the marriage of journalism and commerce always works. More selfishly, I began to suspect that the job ad I had read was not actually a real job ad. (I know, kind of rich given my last post here [ ]).

I suppose anything I say from here on out could easily be dismissed as elitist or turf warring, or maybe just naive and overly-sensitive; it’s quite possibly true that my reaction to the Stern talk was rooted in my own vested interest in universities keeping Humanities programs funded. I generally have a very weak stomach for any kind of pro-capitalist language in academic and educational contexts, and in the winter of 2013, I was emotionally drained from trying to finish a book and find another job, and spiritually-speaking, I was running on fumes."

"The opportunity to go to Brooklyn is indeed a good thing; I live in Queens, but I know how good it is across the bridge where many of my friends live. Really, I shouldn’t be so glib: it’s cool to be part of something devoted to teaching and a bonus to have your travel expenses paid. I think it is also, as I was saying at the beginning of this long-ass post, a great example of the fucking sharing economy and what’s wrong with it. Be grateful to people who use a small fraction of their VC money to fly you somewhere — but also think about the value of what you give them in return.

I’m using swears there in the hopes that I sound like a Genius when I say things I’m not totally sure about; I’m a bit out of my comfort zone talking about how a start-up makes and uses money. I’m really good with my own financial affairs and budget, but my academic expertise is in 16th and 17th century drama and history so I worry I don’t really know what I’m talking about. But perhaps you are somebody who knows a lot more about these things and perhaps you know where to look to answer some of the questions I’ve tried to raise here.

I have no doubt that Genius has content and a viable business model without content from educators. But I still want to know more about the role and real worth of our labor in an economy that asks the precariously employed to share while its founders and investors make money. Humanities scholars can see all the tensions of our professional choices in this economy: the fact that we do our work for pleasure, that others find pleasure in our work, and that the work we love is only lucrative for some."
vimalapasupathi  annotation  labor  sharingeconomy  work  2016  technology  humanities  scholarship  gigeconomy  mahbodmoghadam  precarity  unemployment  rapgenius  business  adjuncts  hiring  2015  jeremydean  stanfordlitlab  evankindley  disclosure  tamarlewin  nytimes 
july 2016 by robertogreco
Introducing for Education | Hypothesis
"As a non-profit dedicated to open standards, I think we are poised at to bring annotation to scale in the education space. The school teacher in me remains most focused on classroom applications for this kind of technology, whether that be establishing collaborative digital annotation as a key tool for the implementation of the Common Core Standards in US public schools (see the standards here, annotated and aligned with, or integrating social reading into online and hybrid learning environments as both a close reading and a community building tool (in fact, thanks to Jesse Stommel, we already had a MOOC on Shakespeare experiment with But I also believe that annotation functionality is key to updating our textbooks for the 21st century, making them rich with multimedia elements and editorial notes, but also with the potential for teacher and peer commentary. And I’ll be working to ship annotation along with the Content and Learning Management Systems (C/LMSs) used by so many teachers today as well. With both textbooks and C/LMSs. my vision is to bring the intimacy and vibrancy of a good classroom environment to the digital technologies that supplement IRL teaching moments asynchronously.

If anyone here is interested in the educational uses of annotation technology, please reach out to me. Here are some tutorials that I’ve created for students and teachers on how to get started using the application. Right now, I’m talking to a lot of former colleagues and current contacts in education about what they think are the most important features of a social reading tool for the classroom. Currently my top three product priorities are: private groups, enhanced notifications, and profile pages. What are yours? I want to know what you and your students need! Reach out anytime for support or discussion: And follow me on Twitter for live updates and random thoughts about collaborative digital annotation!"
jeremydean  annotation  education  collaboration  marginalia  2015  via:lukeneff  rapgenius  onlinetoolkit 
june 2015 by robertogreco

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