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robertogreco : lisaoppenheim   3

Nothing Stable under Heaven · SFMOMA
[This was great.]

[So was "Sublime Seas
John Akomfrah and J.M.W. Turner"
https://www.sfmoma.org/exhibition/john-akomfrah/

"Nothing Stable under Heaven reflects on the contested past, the turbulent present, and the unpredictable future, examining how individual and collective voices can be heard in an uncertain world. The title is taken from an essay by James Baldwin, in which he claims the role of the artist in society is to reveal its inherent instability. Featuring contemporary work from the museum’s collection by artists such as Andrea Bowers, Hans Haacke, Emily Jacir, Arthur Jafa, and Glenn Ligon, this exhibition explores the ways that these artists inform our understanding of urgent social, ecological, and civic issues—including security and surveillance, evolving modes of communication, and political resistance."
classideas  sfmoma  art  2018  jamesbaldwin  kevinbeasley  anteliu  dawoudbey  kerryjamesmarshall  andreabowers  mikemills  tiffanychung  richardmisrach  tonyfeher  simonnorfolk  amyfranceschini  lisaoppenheim  felixgonzalez-torres  jorgeotero-pailos  hanshaacke  trevorpaglen  lesliehewitt  maurorestiffe  jessicajacksonhutchins  judithjoyross  emilyjacir  michalrovner  arthurjafa  allansekula  rinkokawauchi  tarynsimon  an-mylê  penelopeumbrico  glennligon  tobiaswong  society  ecology  environment  security  surveillance  communication  politic  resistance  uncertainty  instability  exhibitions  exhibits  johnakomfrah  jmwturner 
april 2018 by robertogreco
How to be Free: Proustian Memory and The Palest Ink « Caterina.net
"I often wonder if we should build some kind of forgetting into our systems and archives, so ways of being expand rather than contract. Drop.io… allowed you to choose the length of time before your data would be deleted. This seems not only sensible, but desirable. As Heidegger said, in Being and Time, “Forgetting is not nothing, nor is it just a failure to remember; it is rather a ‘positive’ ecstatic mode of one’s having been, a mode with a character of its own.” Proustian memory, not the palest ink, should be the ideal we are building into our technology; not what memory recalls, but what it evokes. The palest ink tells us what we’ve done or where we’ve been, but not who we are.

If we are not given the chance to forget, we are also not given the chance to recover our memories, to alter them with time, perspective, and wisdom. Forgetting, we can be ourselves beyond what the past has told us we are, we can evolve. That is the possibility we want from the future."
proustianmemory  time  reallife  irl  superficiality  jerrycosinski  wikileaks  becomingtarden  jillmagid  disappearingink  disappearing  evanratliff  tylerclementi  meganmeier  martinhendrick  yahooanswers  joelholmberg  googlestreetview  streetview  google  9eyes  jonrafman  lisaoppenheim  documentation  myspace  youtube  facebook  twitter  privacy  socialmedia  ephemerality  ephemeral  paleink  newmuseum  surveillance  offline  online  eecummings  heidegger  proust  drop.io  data  forgetting  memory  2012  caterinafake  perspective  wisdom  marcelproust 
september 2012 by robertogreco
Caterina Fake: WikiLeaks and Free at the New Museum
"Pervading the show is this sense of how the 'data' tells us something, but fails to capture the human drama, the story, the suffering, the lived lives behind the info gathered & arranged. Images of people caught on Google Maps "streetview" appear in Jon Rafman's work, Martijn Hendrik shows texts of people responding to video of Saddam Hussein execution; Joel Holmberg asks earnest questions on Yahoo! Answers – all show the gap btwn the impassive data-gathering technology, human inputs & the strange hybrid that is result of those interactions. The final quote in Magid's Becoming Tarden is from Jerzy Kosinski's Cockpit:

"All that time & trouble, & still the record is a superficial one: I see only how I looked in the fraction of a second when the shutter was open. But there's no trace of the thoughts & emotions that surrounded that moment. When I die & my memories die with me, all that will remain will be 1000s of yellowing photographs & 35mm negatives in my filing cabinets."
art  media  free  news  wikileaks  information  data  emotion  meaning  internet  flickr  googlestreetview  photography  jonrafman  julianassange  2010  caterinafake  experience  perception  feeling  drama  human  suffering  detachment  humandrama  streetview  lostintherecord  colddata  interpretation  jerzykosinski  laurencornell  jillmagid  lisaoppenheim 
december 2010 by robertogreco

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