recentpopularlog in

robertogreco : literaryfiction   2

Why is New York's literary crowd suddenly in thrall to Hungarian fiction? | Hari Kunzru | Books | The Guardian ["this summer, a copy of Sátántangó slung casually on the cafe table is the local masonic sign of literary ambition"]
"The thing about New York (and, a fortiori, the gentrified bits of Brooklyn, where writers go when their Manhattan apartments are expropriated by the One Percent) is that it doesn't have a "contemporary master of the apocalypse". It has post-Ivy relationship anatomists, adderall-enhanced pop culture essayists, dirty realist white-guy novelists and hipster poets who transcribe their sexts and cut them up with Wikipedia entries on HPV and Jersey Shore. It has, at the last count, 247 trillion recent MFA graduates, at least a dozen of which are to be found, on any given morning, abseiling down the glassy exterior of the Random House publishing building, in an attempt to get Sonny Mehta to read their collection of short stories modelled on Denis Johnson's Jesus's Son."

"Odd as it may seem, the utopian yearning for an authentic literary culture is part of a growing current of opposition to the status quo."
culture  ows  occupywallstreet  publishing  trends  books  chadharbach  jonathanfranzen  dondelillo  translation  literaryfiction  jameswood  sonnymehta  statusquo  literature  nyc  lászlókrasznahorkai  robertobolaño  2012 
july 2012 by robertogreco
john mullan, clapham & the no-fuck vampire novel | the m john harrison blog
"Literary fiction as described here is the fiction of a generation which discovered “good” novels via B-format in 1980. It is a fiction so very clearly generic that when I read John Mullan’s description of it (complete with successful business model, strict boundary conditions and committed fanbase which won’t read anything else) as not genre fiction, I weep with laughter at the sheer depth of his self-deception. Still, by the usual Freudian processes he has said what he really means, & that’s a step forward. The sooner literary fiction recognises & accepts its generic identity, the sooner it can get help. One of the more obvious results of generification is that–as with gentrification–blandness sets in, whether you’re knocking out no-fuck vampire romances or contributing to the high-performing post-Austen industry…"
literary  literature  literaryfiction  fiction  2011  genre  generification  mjohnharrison  blandness  self-deception  novels 
may 2011 by robertogreco

Copy this bookmark:





to read