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robertogreco : median   2

minimum force, corporeal anticipation |
“For it is Sennett’s contention that “nearly anyone can become a good craftsman” and that “learning to work well enables people to govern themselves and so become good citizens.” This line of thought depends, among other things, upon the Enlightenment assumption that craft abilities are innate and widely distributed, and that, when rightly stimulated and trained, they allow craftsmen to become knowledgeable public persons.

And what is it that such persons know? They know how to negotiate between autonomy and authority (as one must in any workshop); how to work not against resistant forces but with them (as did the engineers who first drilled tunnels beneath the Thames); how to complete their tasks using “minimum force” (as do all chefs who must chop vegetables); how to meet people and things with sympathetic imagination (as does the glassblower whose “corporeal anticipation” lets her stay one step ahead of the molten glass); and above all they know how to play, for it is in play that we find “the origin of the dialogue the craftsman conducts with materials like clay and glass.”

The assumption that craft abilities are widely diffused leads Sennett into a meditation on our love of those intelligence tests by which we supposedly single out the very smart and the very stupid so that some will go to college and others go to bagging groceries. Sennett points out that such sorting ignores the “densely populated middle ground” where most of the population is actually found. Rather than celebrating a “common ground of talents,” we tend to inflate “small differences in degree into large differences in kind” and so legitimate existing systems of privilege. Thinking of the median as the mediocre creates an excuse for neglect. This is one reason, Sennett argues, that “it proves so hard to find charitable contributions to vocational schools” while currently the wealth of the Ivy League schools is compounding at an astounding rate.”

[from http://www.nytimes.com/2008/04/06/books/review/Hyde-t.html?pagewanted=all ]
crafy  autonomy  craftsmanship  richardsennett  authority  resistance  force  forces  minimumforce  imagination  sympathy  play  materials  making  middleground  talent  talents  privilege  mediocrity  median  vocationalschools  wealth  knowing  knowledge  understanding  enlightenment  sarahendren  citizenship  openstudioproject  glvo  lcproject  cv  corporealanticipation  learning  work  tcsnmy  progressiveeducation  elitism  2008  lewishyde 
march 2013 by robertogreco
POGO - Royal Philips
"POGO investigates this possibility, intertwining physical and virtual media in the process of inventing stories. There are 4 major components to the POGO environment: real-world story elements, virtual elements, triggering tools, creation tools"
children  storytelling  stories  digital  creative  imagination  technology  invention  toys  drawings  median  lcproject  collections  photography 
october 2007 by robertogreco

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