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robertogreco : microfiche   2

Small, Moving, Intelligent Parts – Words in Space
"Abstract: The great expositions and World’s Fairs of the 19th and 20th centuries were known for celebrating new technological developments. The world of index cards, fiches, and data management hardly seems germane to the avant-garde, one of the central concerns of this special issue – yet the fairs made clear that information management systems were themselves designed, and were critical components of more obviously revolutionary design practices and political movements. Cards and files became familiar attractions at expos throughout the long-20th century. But those standardized supplies came to embody different ideologies, different fantasies, as the cultural and political contexts surrounding them evolved – from the Unispheric “global village” modeled in 1964; to 1939’s scientifically managed World of Tomorrow; and, finally, to the age of internationalist aspirations that led up to World War I. We examine how the small, moving parts of information have indexed not only data, but also their own historical and cultural milieux."

[See also this thread,
https://twitter.com/shannonmattern/status/748180579426930688

that points to
https://twitter.com/npseaver/status/735140727806648320
http://savageminds.org/2014/05/21/structuralism-thinking-with-computers/
https://takingnotenow.blogspot.com/2007/12/luhmanns-zettelkasten.html ]
shannonmattern  2016  information  history  postits  hypercard  indexcards  cards  paperslips  1964  1939  data  archives  fiches  microfiche  datamanagement  officesupplies  ottoneurath  patrickgeddes  jamerhunt  evenote  writersduet  scrivener  notecards  obliquestrategycards  brianeno  peterschmidt  marshallmcluhan  julesverne  milydickinson  walterbenjamin  wittgenstein  claudelévi-strauss  rolandbarthes  niklasluhmann  georgesperec  raymondcarver  stanleybrouwn  marklombardi  corneliavismann  eames  fragments  flow  streams  johnwilkins  knoradgessner  williamcroswellcharlescoffinjewett  vannevarbush  timberners-lee  remingtonrand  melvildewey  deweydecimalsystem  srg  paulotlet  henrilafontaine  sperrycorporation  burroughscorporation  technology  kardexsystems  sperryrand  hermanhollerith  frederickwinslotaylor  worldoftomorrow  charleseames  ibm  orithlpern  johnharwood  thomasfarrell  wallaceharrison  gordonbunschaft  edwarddurrellstone  henrydreyfuss  emilpraeger  robertmoses  janejacobs  post-its 
june 2016 by robertogreco
New Tools for Men of Letters
"The new graphic arts devices are, I believe, capable of working the other way—as implements for a more [p.180] decentralized and less professionalized culture, a culture of local literature and amateur scholarship.

This possibility is especially important today, when electric power promises to develop the village at the expense of the metropolis, and when shorter working hours offer a prospect of leisure to a population of which an increasing proportion is being exposed to college education.



Today the Western scholar’s problem is not to get hold of the books that everyone else has read or is reading but rather to procure materials that hardly anyone else would think of looking at.



Western civilization now expects even poetry to fit the Procrustean bed of the publishing industry.



The art of conversation, with its counterpart the dialogue [p.186] as a literary form for presenting ideas, has also declined since the days of Galileo, while the art of advertising has advanced.

…"

[So much more, but another reaction: academics will always hope everyone is more like them.]
poetry  printing  duplication  microfiche  microfilm  near-print  micro-copying  books  photo-offset  learning  decentralization  professionalization  wpa  greatdepression  dialog  conversation  letterwriting  letters  ruricomp  rural  local  localstudies  academics  academia  research  writing  amateurresearch  amateurism  literature  graphicarts  liberalarts  leisurearts  leisure  education  community  publishing  microformats  mimeograph  media  technology  communication  scholarship  digitalhumanities  1935  robertbinkley  dialogue  artleisure 
june 2012 by robertogreco

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