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robertogreco : mikedibb   2

'Such freedom is unthinkable today' – my life making television with John Berger | Television & radio | The Guardian
"I still have all the versions of the four scripts for Ways of Seeing. Looking at them now, after 45 years, I’m struck and moved by two things. The first is how much John wrote and rewrote – either at home in Geneva or in a back room of his parents’ flat in London – right up to the moment of filming, and then further modified during the edit, when something wasn’t quite right or we thought of a better idea. The second is John’s beautifully fluid and legible handwriting, which is very revealing about the way he thought – tentative and exploratory, never dogmatic, just trying to get something clear in his mind. He always used a fountain pen, with black ink, and the pages are full of crossings out, with single words added or sentences rephrased and stuck on with Sellotape.

On one script he wrote: “Dear Mike, here’s script No 2. Please remember all I said about it on the phone. Criticise, improvise, change, improve, cancel out, as much as you want or see how to. Or even we can begin again. All I would stand by is the essential idea …”

This exemplary approach to collaboration perfectly characterised our relationship on Ways of Seeing and on subsequent films together. That does not mean the process was always easy and free of tension – with John it was never like that – but the arguments when they arose were always open and equal (he never pulled rank), and ultimately resolved, not by theory, but by trying out an idea to see if it worked. And I often remember us laughing. John, I will miss you."
johnberger  2017  mikedibb  collaboration  writing  howwewrite  revision  criticism  relationships  handwriting  editing  clarity  howwethink  thinking 
january 2017 by robertogreco

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