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robertogreco : mutation   10

ANAB JAIN - LECTURE
"Anab Jain is a designer, filmmaker, founder and director of the London-and-India-based design studio Superflux, which runs in partnership with Jon Ardern. The studio consistently produces inventive and critical work exploring the limits of emerging technologies and their implications on society and culture. In her lecture at Fabrica, she explores the vision of their studio as a new kind of design practice — one that is responsive to the unique challenges and opportunities of the 21st century. Recent work includes the design of prosthetic vision for the visually impaired, alternate autonomous weather systems, ecological domestic robots, large-scale devices visualizing quantum computing, pirate networks for autonomous UAVs, speculative narratives investigating illegal markets for synthetic biology and community-enabling services for urban India."
anabjain  superflux  design  research  openstudioproject  2013  fabrica  consulting  thenewnormal  lcproject  projectorientedorganizations  howwework  speculativedesign  technology  complexity  narrative  storytelling  jonardern  future  designfiction  criticaldesign  internetofthings  data  mutability  mutation  uncertainty  implications  iot 
november 2013 by robertogreco
How So Many People Got Seamus Heaney's Last Words Wrong - Robinson Meyer - The Atlantic
"I was struck by that error, nolle and noli. Our organism of language mutates. It gets things wrong, by transcription or misunderstanding. Notice even this little clump of sentences that I’ve written: I’ve tried to respect Heaney, the ambiguity of his experience, the mourning ache of his family. (Is it an ache? Is such a word accurate? I don’t know.) But I’ve written about it all the same, and in doing so I have translated it. It is the same kind of translating, on a lesser, more vulgar scale, that Heaney did when he translated the Old English Beowulf into our present-day tongue.

It is a translation that his poetry will eventually require. We die and the language gets away from us, in little ways, like a dropped vowel sound, a change in prepositions, a mistaken transcription. Errors in transfer make a literature.

Like how an infant’s cells are replaced, throughout life, by other, identical versions of themselves, digital messages do not have an “original.” Did Heaney send noli timere? We can trust that his Latin was exemplary, but we have no original because there is no original. A copy of Heaney’s last words exists on his own phone. It exists on his wife’s phone. It likely exists on a server somewhere, an archive maintained by the cell provider, a stash no one will ever read. But the wires that carried it; the air through which it shimmered; the switches that transfigured it between kinds of invisible light: They have already forgotten it, for now they glow with the words of other children and children, parents and parents, and lovers and lovers."
robinsonmeyer  language  culture  mutation  time  evolution  2013  seamusheaney  poetry  literature  translation  confusion  theology  latin  subtlety  change  memory  forgetting  transcription 
september 2013 by robertogreco
Back to the Futurist: Anab Jain | URBNFUTR
"In our studio, we try to balance thinking about the future with making in the here-and-now, exploring the possibilities of new technologies while tinkering with laser cutters, 3D printers, and similar – getting stuck into the process of making prototypes for a wide range of projects."

"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"

"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
beamerbees  acresgreen  mutation  mutations  messyspace  drones  robotreadableworld  machinevision  biology  smart-objects  smartdevices  machineintelligence  risk  emergingtechnologies  criticaldesign  deviantglobalization  narrative  storytelling  3dprinting  futurescaping  suturism  futurists  heatherschlegel  wendyschultz  danahboyd  vandanashiva  paolaantonelli  nataliejeremijenko  fionaraby  superflux  scifi  sciencefiction  howwework  process  interviews  2012  prototyping  designfiction  futurism  design  anabjain  dunne&raby  anthonydunne 
april 2012 by robertogreco
Week 113 - Helsinki Design Lab
"If I had a time machine…could change one thing I would hop back to beginning of last week & remove all post-it notes from studio space…reason for this is simple: post-it notes trick people into being lazy.

…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…

Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.

One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
sitra  bryanboyer  helsinkidesignlab  post-its  whiteboards  process  recording  ideas  sharing  mobility  mutation  synthesis  howwework  classideas  2011  postits 
june 2011 by robertogreco
Center for PostNatural History
"The Center for PostNatural History is dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The PostNatural  refers to living organisms that have been altered through processes such as selective breeding or  genetic engineering. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.

The Center for PostNatural History addresses this goal through three primary initiatives:

The maintenance of a unique catalog of living, preserved and documented specimens of postnatural origin.

The production of traveling exhibitions that address the PostNatural through thematic and regional perspectives.

The establishment of a permanent exhibition and research facility for PostNatural studies."

[via: http://www.we-make-money-not-art.com/archives/2011/04/richard-pell-director-of-the-c.php ]
future  biology  genetics  museum  richardpell  centerforpostnaturalhistory  history  postnaturalhistory  pittsburgh  geneticengineering  selectivebreeding  life  interviews  cloning  modification  mutation  plants  animals  biotechnology  biotech  culture  nature  postnatural  anthropocene 
april 2011 by robertogreco
Interview with Richard Pell, Director of the Center for PostNatural History - we make money not art
"If you want to see a penguin, you go to the zoo. If you're curious about dinosaurs and dodos, any natural history museum will enlighten you. But where do you go if you want to learn about spider silk-producing goats, anti-malarial mosquitoes, fluorescent zebrafish or the terminator gene?

Right now, you can only rely on good old internet. But in June, the Center for PostNatural History will finally open its doors to anyone interested in genetically engineered life forms. This public outreach organization is dedicated to collecting, documenting and exhibiting life forms that have been intentionally altered by people through processes such as selective breeding and genetic engineering."
future  biology  genetics  museum  wmmna  richardpell  centerforpostnaturalhistory  history  postnaturalhistory  2011  pittsburgh  geneticengineering  selectivebreeding  life  interviews  cloning  modification  mutation  plants  animals  anthropocene 
april 2011 by robertogreco
Berliner Liste
"The anthropomorphic sculptures explore the possibilities of genetic deviation and ponder society's fears and reluctant fascinations with the unexplained while offering a look at the inconceivable yet probable devolution of man"
art  plush  glvo  evolution  mutation  genetics  animals  humans  sculpture  photography 
october 2007 by robertogreco
Mutating Pictures
"A population of 1,000 random pictures, created in October 2007. You allow the fittest pictures to survive. The higher your rating for a pic the more mutated offspring it produces."
abstract  ai  participation  participatory  psychology  evolution  faces  generator  human  algorithms  visualization  mutation  computing  design  graphics 
october 2007 by robertogreco
Biorama (Part 2)
"Brandon has spent the past decade studying amphibians which he defined as the "environmental canaries in the coalmine." They act as bio-sensors. Studies have demonstrated that amphibians are declining even in protected environments."
art  technology  biology  life  science  digital  amphibians  evolution  development  environment  parasites  mutation  biosensors  sensors 
july 2007 by robertogreco

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