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robertogreco : olympics   42

Why Norway Is So Good at the 2018 Winter Olympics | Time
"But a distinctly Norweigan rule for their youth sports may strike a particular chord with many Americans. (This one included: I’m a youth sports parent, and wrote a TIME cover story on the booming kid sports industry last summer).

Ovrebo says that in Norway, organized youth sports teams cannot keep score until they are 13. “We want to leave the kids alone,” says Ovrebo. “We want them to play. We want them to develop, and be focused on social skills. They learn a lot from sports. They learn a lot from playing. They learn a lot from not being anxious. They learn a lot from not being counted. They learn a lot from not being judged. And they feel better. And they tend to stay on for longer.”"
norway  sports  play  games  winterolympics  olympics  2018  children  youth  judgement  competition  confidence  anxiety 
february 2018 by robertogreco
Mexico 68 - 99% Invisible
"The clear iconography of the Metro system is a reminder of a complicated and sometimes terrible period in Mexico City’s history. It’s a simple design that invites you to explore the massive and complex metropolis. It is a graphic design system that assures that, if you get lost, no matter where you’re from, or what language you speak, you can find your way around, and see the city for yourself."

[See also: http://www.hermanmiller.com/why/talking-pictures.html ]
design  graphicdesign  1968  olympics  mexico  graphics  mexicocity  df  mexicodf  lancewyman  petermurdoch  opart  art  history  typography  luiscastañeda  color  mexico68  government  civics  metro  transportation  subways  worldcup  1970  tolisten 
june 2017 by robertogreco
How Racism Kept The World's Fastest Swim Stroke Out Of The Pool | Atlas Obscura
"We've known since 1844 that freestyle is a superior stroke."

"On April 20, 1844, two men from North America jumped into the Bath in High Holborn, a 130-foot pool in London. They were there to show how fast they could go.

The British Swimming Society had invited the two men, Wenishkaweabee and Sahma, Ojibwe people from Canada, to compete against each other for a silver medal. Both times that the two swimmers raced the length of the pool, Wenishkaweabee won; in the first race, he was seven feet ahead. But the contest between the two men was less significant than the speed with which they both crossed the pool, in under 30 seconds.

Far from being wowed by this very impressive time, though, the British press found the two swimmers’ movements “grotesque.” The Ojibwe men hit the water “violently,” one paper reported, with their arms thrashing, “like the sails of a windmill,” as they “beat downward with their feet.”

The real contest that day was not between the two swimmers, but between their style of swimming—what we now call front crawl, or freestyle—and the breaststroke favored by the British.

There’s no clear beginning to the history of swimming: art going back millennia shows people moving through the water. But from the earliest representations of swimming, there has been a clear contest between two major swimming strokes. Either people are doing a dog-style paddle or the front crawl.

Today, there are just four competitive swim strokes—breaststroke, front crawl, back stroke, and butterfly. In the past, swimmers sometimes used sidestroke to race, too. Although the breaststroke and front crawl have probably been around since prehistoric times, they are changing as elite athletes and their coaches study how bodies move through the water.

"The breaststroke and the freestyle that you see today are different than 100 years ago," says George Edelman, a physical therapist, who's worked with the USA Swimming Sports Medicine and Science Network for 16 years.

Breaststroke, in particular, keeps being refined. The butterfly stroke was originally an innovation in breaststroke, and earlier in the 20th century, breaststroke swimmers tried to spend as much time as possible under the surface of the water, before competitive rules were changed to require the swimmer's head to poke out of the water periodically. More recently, says Edelman, breaststroke swimmers figured out how to swim higher in the water, reducing drag.

But in essence these strokes have stayed the same. The task of a swimmer is twofold—maximize propulsion forward, minimize drag against the body—and while tweaks in design can improve efficiency on the margins, there are a limited number of ways to send the human body quickly through water.

Just as cars retain more or less the same, most efficient aerodynamic shape, so do swim strokes. Humans' breaststroke is essentially just a refinement of the basic survival paddle that we learned from animals—it keeps your body moving and your head above water. Front crawl, though, is designed to move fast.

When using a front crawl stroke, a swimmer constantly has one arm pulling against the water, propelling the body forward. Most of the forward motion comes from that work in the arms, but a freestyle swimmer can kick constantly, too. The swimmer is buoyant on the surface of the water and their body streamlined—limbs and torso stay in one straight line.

Breaststroke, by contrast, is wide. The swimmer’s hips are dropped lower into the water, and the arms move not just forward but out, on a horizontal plane. The kick, too, brings the swimmer’s thighs forwards, increasing the surface area of the body that’s moving against the water. All that adds up to increased drag—and slower movement.

Plus, in an efficient breaststroke, the swimmer is neither constantly pulling nor constantly kicking. "It’s pull, kick, pull, kick," says Edelman. The nature and mechanics of the stroke make it slower.

One of the earliest depictions of Europeans swimming, found in Greece, shows the breaststroke. But by 500 B.C. or so, artistic images of swimming indicate that Greek people had learned to front crawl. By the 19th century, though, Europeans had lost that skill.

The British were just starting to swim for sport, using the breaststroke, backstroke, and sidestroke, and they were amazed at reports coming from around the world of people in the Americas and the South Pacific moving quickly through the water using an entirely different technique.

In 1844, the British were not ready to admit that an “un-European” style of swimming could beat theirs. After the second race between Wenishkaweabee and Sahma, a British competitor, Harold Kenworthy, challenged them to another race, the third in 10 minutes. He won—but probably only because his competitors were tired out."
swimming  history  srg  edg  2016  1844  racism  ojibwe  race  olympics 
august 2016 by robertogreco
Kenya Hara Unveils Rejected 2020 Tokyo Olympics Logo Proposal | Spoon & Tamago
"In September the Tokyo 2020 Olympics Committee announced that they would scrap Kenjiro Sano’s logo amid plagiarism claims and redo the entire process. But when they did that they also effectively scrapped the other 103 proposals, each created by professionals who spent a decent amount of time and resources perfecting their concept.

Now, renowned designer and one of the foremost faces of Japanese design, Kenya Hara, is speaking out. And in doing so, he has released his proposal from the Hara Design Institute.

“Removing the curtain from the design competition will help graphic design become more widely understood,” says Kenya Hara, explaining why he decided to publish his team’s propals. “It will serve as a valuable resource in contemplating our future Olympics logo.” He notes that the Olympics symbol and “Tokyo 2020” have been obscured so as to avoid any copyright claims.

Hara’s proposal is one that symbolizes “our planet making great strides,” “a beating heart” and the “summit.” The two planetary logos reference the sun, the moon and an arena where humans can transcend any bickering and come together for the great games.

In today’s world of design planning it’s no longer sufficient to simply come up with a beautiful logo. Various applications and forms of communication must also be considered. And in that sense, Hara’s design team has created a remarkable proposal that adaptable to various needs.

But in a surprising and rather confounding decision, the Olympics committee has opened up the new round of proposals to the public, allowing anyone over 18 to submit their idea. They’re accepting entries through December 7, 2015. The competition will undoubtedly bulge into a marathon with thousands of runners. We stand with designer Kenya Hara in hopes that this next race, whatever it turns out to be, is more transparent."
kenyahara  design  graphicdesign  logos  olympics  via:tealtan  graphics  japan  tokyo  2020 
november 2015 by robertogreco
Deborah Sussman loves Los Angeles | A Walker in LA
"Sussman/Prejza along with the Jerde Partnership designed one of the most important things to ever happen to Los Angeles. Olympic games are legendary for going over budget and out of control, sometimes leaving cities in worse economic and infrastructural shape than they were before. The brilliance of the 1984 Olympics was that organizers vowed to stay fiscally responsible, electing not to build monumental new stadiums, for example, and use almost all existing structures as venues. The branding elements were made from inexpensive materials—inflatables, scaffolding, cardboard—which carried a huge visual impact with a light touch. A foundation was established with the profits that continues to support local athletic programs. It remains the only financially successful Olympics in history.

And the colors. OH THE COLORS. With shades drawn from Pacific Rim cultures in the Americas and Asia, the palette was amazingly prescient for its time. Just looking at that hot coral color reminds me of a certain new iPhone…

The Olympics are of course not the only project that Deborah and her team worked on—she started her career working under Charles and Ray Eames and has completed projects all over the world—but her legacy is best seen through the work she did right here in LA, in the shops, parks, museums, and many public spaces that built this colorful, contemporary city.

And that’s why I’m so excited that Woodbury University is mounting an exhibition to bring Deborah’s work to life for the next generation of Angelenos."

[See also:
http://observatory.designobserver.com/alexandralange/feature/la-loves-deborah-sussman/38169/
http://www.kcet.org/arts/artbound/counties/los-angeles/making-la-deborah-sussman-loves-los-angeles.html ]
losangeles  2013  graphicdesign  deborahsussman  1984  olympics  alissawalker  graphics  design  typography  color  eames 
november 2013 by robertogreco
London Olympics 2012 | These Knock-Down, Shrinkable Games | By Hugh Pearman - WSJ.com
"Some hankered after a flashier stadium to rival Beijing's, but a firm policy was established once the bid was won in 2005: Mindful of the legacy of neglect common among many earlier Olympic-host cities, no white-elephant buildings were allowed for London. This was to be the knock-down Games: Venues with no obvious long-term future—such as the Olympic Stadium—were designed to be dismantled entirely, while others were to be shrinkable once the huge audiences for the Games dispersed. Beyond that, one objective is the permanent regeneration of the largely postindustrial Olympic Park in Stratford, East London. A lot of money has been plowed into this."
via:caseygollan  design  temporaryspaces  temporary  disappearing  shrinking  pop-uparchitecture  pop-ups  ephemeral  2012  olympics  london  ephemerality 
november 2012 by robertogreco
GRAPHIC AMBIENT » Blog Archive » 1968 Mexico Olympics, Mexico
"The starting point was the mandatory five-ring logo that identifies the modern Olympic Games. It was the realisation that the geometry of the five rings could be expanded to generate the number ’68′, the year of the games and with the addition of the word ‘Mexico’ the logotype was created.
 
Mexico 68 clearly identifies the country, the year and the event. The distinct geometric forms suggest early Mexican cultures and Mexican folk-art, and the final design references 1960′s Op Art."
mexico68  branding  graphicdesign  1968  olympics  mexico  design 
november 2012 by robertogreco
Anatomy of an interactive: a look at the code behind our Second Screen | Info | guardian.co.uk
"The Guardian's Second Screen project is an attempt at rethinking how live news can be consumed during events which produce large amounts of news updates. And with the Olympics and Paralympics coming to town, this presented the perfect opportunity to try it on.

Being mainly responsible for the client-side code, I'll try my best to explain how the application is built."
news  bookmarking  paralympics  london  2012  olympics  secondscreen  guardian  timelines  davidvella  interactive 
september 2012 by robertogreco
potlatch: the sociology of 'Team GB'
"We are not good at business, and we may not actually be very good at sport. But we have some extraordinary gift for applying management philosophy, to new fields, so long as those fields a) treat inequality as a good thing (i.e. they are competitive) and b) do not reduce that inequality purely to money."
olympics  london  2012  sport  publicsector  uk  management  money  inequality  competition  via:rodcorp 
august 2012 by robertogreco
What do the Olympics tell us about ourselves? | Snowblog
"This does not look like a dying gasp, but like a call for the liberation of minds caught in a belief that life is fueled by derivative trading, and that fortunes flow from super software alone rather than from the vital accompaniment of the hard graft of practical application, manufacture, and construction. This is what this Olympic Games tells us. As the political classes obsess about keeping power without risking too much change, and the banking classes wriggle between, risk, ridicule, and riches, could we not pull in a new direction? Could we not gather in the slipstream of athletic prowess and call up the best in each of us, for all? How can we allow such poverty and waste, when we have proved we can do so much?"
Jon_Snow  2012  Olympics  politics  Britain  UK  future  via:Preoccupations 
august 2012 by robertogreco
The Single Most Awesome Photographer at the Olympics
"Saturday night, at the end of the last event at track and field, we put all of our equipment down in one of those carved-out paths on the side of the track, and some photographers run a lap" - this seems like a bookend to Dan Thompson's [former] stadium record http://dansgoldchallenge.wordpress.com/2012/07/06/once-in-a-life-time-running-at-the-olympic-stadium/
olympics  via:rodcorp 
august 2012 by robertogreco
russell davies: coming top at culture
"watching the telly and following twitter I thought I recognised something else happening - I thought I saw a generation realising that it was now Top at Culture. 30/40 somethings were suddenly seeing the stuff they liked, that they grew up with, was now the dominant cultural stuff. Their favourite things are now 'officially' mainstream, dominant culture. It's not alternative. It's it.

It made me think of Things Can Only Get Bitter and its hypothesis that a generation turned away from politics and decided, instead, to get good at culture.

It made me think of the global success of house music. It's so good and so overwhelming because it can absorb anything, any musical culture, in a way that rock never could.

It made me realise that the boomers have been gently elbowed aside. The sixties stuff was given a roughly equivalent prominence to Tiger Feet and Macca seemed a grudging concession to the grandparents; like playing some Mrs Mills at the end of a party…"
housemusic  music  politics  attention  taste  uk  generationx  genx  babyboomers  boomers  geektriumphalism  geek  geeks  dannyboyle  frankcotrell-boyce  timberners-lee  london  olympics  2012  culture  dominance  power  generationalpower  generations  adulthood 
august 2012 by robertogreco
Why Olympic Records Are Broken (or Not) - NYTimes.com
"the more open to competition a sport is, the harder it may be to break records or to post extraordinary statistics. The .400 hitter disappeared in baseball once the color barrier was broken, and black Americans and players from Latin America were allowed to compete in the major leagues. This raised the average level of performance — but also made it harder for any one athlete to stand out quite as much relative to his peers"
sport  olympics  london  2012  records  londonolympics  competition  performance  sports  via:rodcorp 
august 2012 by robertogreco
An Olympic Fencer Refuses To Leave The Floor After Getting Screwed
"The format of this little #Olympics drama portends the future of browser-based storytelling: Subliterate & sublime." —@robinsloan
olympics  2012  fencing  sports  via:craigmod 
august 2012 by robertogreco
Olympic opening ceremony: Ai Weiwei's review | Sport | guardian.co.uk
"In Zhang Yimou's opening ceremony there was almost none of that. You could not push into a person's face and see the human experience. What I liked most with this was that it always came back to very personal details. And that's what makes it a nation you can trust; you see the values there. Anyone who watched it would have a clear understanding of what England is."
Ai_Weiwei  China  London  Olympics  Guardian  2012  via:Preoccupations 
july 2012 by robertogreco
YouTube - DEBTOCRACY (FULL - ENG Subs)
"For the first time in Greece a documentary produced by the audience. "Debtocracy" seeks the causes of the debt crisis and proposes solutions, hidden by the government and the dominant media."
2011  greece  debt  finance  banking  imf  worldbank  odiousdebt  politics  economics  argentina  ecuador  eu  ecb  sovereignty  freedom  europe  olympics  arms  class  classwarfare  social  democracy  government  policy  corruption  goldmansachs  crisis  financialcrisis  healthcare  poverty  education  documentary  globalization  neoliberalism  theft  via:steelemaley 
june 2011 by robertogreco
The Tyee – Did the Olympics Make Vancouver a Better City?
"[Editor's note: This is the first round of a three-part conversation between Lance Berelowitz and Matt Hern about the future of Vancouver after the 2010 Olympics. Berelowitz is an urban planner, critic and author of Dream City: Vancouver and the Global Imagination. Hern is a rabble-rouser and author of Common Ground in a Liquid City: Essays in Defense of an Urban Future. While they live on opposite sides of town, they share a deep affection for their city and regularly meet half way to compare notes and drink.]"
urbanplanning  vancouver  olympics  matthern  2011  2010  urban  urbanism  britishcolumbia  lanceberelowitz  bc 
april 2011 by robertogreco
NBC Learn
"NBC Learn is the education arm of NBC News. We are making the global resources of NBC News and the historic film and video archive available to teachers, students, schools and universities.
nbclearn  nbc  education  video  videos  reference  socialstudies  science  history  news  body  brain  multimedia  tcsnmy  physics  olympics  technology  sports  bodies 
july 2010 by robertogreco
Photo Essay: Underdogs at the 2010 Winter Olympics | Foreign Policy
"Forget the Jamaican bobsled team. This year, there’s a pack of Olympic underdogs from countries that aren't well known for cold-weather sports."
olympics  winterolympics  outliers  geography  sports  2010 
february 2010 by robertogreco
GreenPIX
"GreenPix is a groundbreaking project applying sustainable and digital media technology to the curtain wall of Xicui entertainment complex in Beijing, near the site of the 2008 Olympic Games. Featuring the largest color LED display worldwide and the first photovoltaic system integrated into a glass curtain wall in China, the building performs as a self-sufficient organic system, harvesting solar energy by day and using it to illuminate the screen after dark, mirroring a day’s climatic cycle"

[download the simulator at: http://www.greenpix.org/play.php ]
sustainability  visualization  green  olympics  digital  design  technology  art  architecture  video  china  led  beijing  display  installation 
august 2008 by robertogreco
DFL
"Celebrating last-place finishes at the Olympics. Because they're there, and you're not."
olympics  sports 
august 2008 by robertogreco
Athletes’ Body Types Are Often Similar, but Atypical Can Thrive - NYTimes.com
"Usain Bolt is too tall to be a world-class sprinter. Mike Friedman is too heavy to be an elite cyclist. Stefan Holm is too short to be champion high jumper, and Erin Donohue is too short and stocky be a star middle-distance runner. Yet all of them are Olympians, and athletic anomalies, bucking conventional wisdom and somehow rising to the same arenas as Michael Phelps, He Kexin and Dara Torres."
athletics  athletes  humans  anatomy  bodies  sports  competition  olympics  anomolies  body 
august 2008 by robertogreco
(the teeming void): Array Aesthetics (Olympic Edition)
"The Water Cube and the Birds Nest don't simply display China's modernity, they claim a jump into a digital, sustainable, mega-scaled future. The computational aesthetics of multiplicity that mark these structures are, again like the opening ceremony, a powerful cultural narrative: coherence, strength and beauty made of countless tiny pieces. Like the flickering grid of the drummers, the ordered diversity of these structures is important too, in that it's not total uniformity, a simple (modernist) grid. In fact these buildings contain a kind of post-industrial grid, where the uniformity or regularity is not literal or material, but procedural or computational - the computer's ability to resolve complex distributions of force is what enables the "organic" multiplicity here."
design  technology  society  culture  architecture  cities  china  olympics  beijing  2008  led  patterns  multiplicity  narrative  grids  postindustrial  leapfrogging 
august 2008 by robertogreco
The destruction of old Beijing | Going, gone | Economist.com
"The city of street markets, temple fairs and the "little games" that so delighted Beijingers: for instance, their passion for keeping fighting crickets, fed with honey, and for inserting tiny carved flutes of bamboo into the tail-feathers of pigeons; whole flocks created aerial music over this reviewer’s courtyard house just a decade ago."
urban  urbanism  development  china  olympics  beijing  heritage  via:cityofsound  2008 
august 2008 by robertogreco
cityofsound: Aerial music over Beijing
"I'm interested in how those aesthetics of 'organic multiplicity' apply to the ancient practices of the Terracotta army, scripting, documentation and art, the patterns of China's ancient cities, and then evolve into these contemporary practices of digital design. Codes, arrays, patterns, complexity."
design  complexity  olympics  china  patterns  cities  beijing  art  cityofsound  2008 
august 2008 by robertogreco
World's First Computer Displayed Olympic Calendar | Wired Science from Wired.com
"The world's first known scientific instrument plotted the positions of celestial bodies nineteen years into the future -- and as an added bonus, it kept track of upcoming Olympics."
ancientgreece  computing  olympics  time  greeks  astronomy  calculation  history  science  antikytheramechanism 
july 2008 by robertogreco
Discovering How Greeks Computed In 100 B.C. - NYTimes.com
"After a closer examination of...the Antikythera Mechanism, scientists have found that the device not only predicted solar eclipses but also organized the calendar in the four-year cycles of the Olympiad, forerunner of the modern Olympic Games."
ancientgreece  computing  olympics  time  greeks  astronomy  calculation  history  science  antikytheramechanism 
july 2008 by robertogreco
At SXSWi, Jane McGonigal talks about 'The Lost Ring' | Geek Gestalt - by Daniel Terdiman - CNET News.com
"interview about The Lost Ring, in which she talked about how she hopes the game will change the perspective of people around the world and how she expects this game to be by far the largest game of its kind in history."
janemcgonigal  lostring  arg  games  olympics  gamedesign  gaming  play  international 
june 2008 by robertogreco
Beginners Guide - Find the Lost Ring (2008 Olympics) Wiki
"project being run by a group of teams well-experienced in the ARG genre, including Jane McGonigal, AKQA (of Iris), sponsored by none other than McDonald's, and combined with the backing of the International Olympic Committee itself"
arg  olympics  mcdonalds  play  games  gaming  janemcgonigal  lostring 
march 2008 by robertogreco
Britain kow tows to China as athletes are forced to sign no criticism contracts | the Daily Mail
"British Olympic chiefs are to force athletes to sign a contract promising not to speak out about China's appalling human rights record – or face being banned from travelling to Beijing."
beijing  censorship  2008  freedom  games  olympics  politics  uk  police  sports  china  humanrights 
february 2008 by robertogreco
Gabion: Rebuilding Beijing: pure geometry versus the awkward squad.
"As with the Foster airport - another city-scale grand axial plan - the closer you get, the more extraordinary it becomes. Can this thing possibly exist, right in front of your nose? In China, it can."
airports  architecture  cities  china  beijing  power  geopolitics  urbanism  olympics  urban  planning  design  via:cityofsound 
november 2007 by robertogreco
Eurozine - Fish 'n' freedom fries - Mark Saunders On regeneration and other London Olympic myths
"Made palatable by catchphrases such as "mixed tenure" and "social diversity", regeneration is effectively a policy of interference with existing social structures...structures being replaced are precisely those that do not coincide with the private inter
development  environment  government  london  olympics  planning  politics  society  urban  cities 
june 2007 by robertogreco

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