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robertogreco : osaka   4

Notebook on Cities and Culture: S3E1: Buoyancy and Poignancy with Pico Iyer
"Japan's distinctive combination of buoyancy and poignancy, which leads to the pre-savoring of wistfulness to come; the culture's dissolution of mind, heart, and soul all in the same place, and his efforts to build an intellectual infrastructure around his Japan-related intuitions; his recent reading of John Cage, an unexpected master of the Japanese virtues of not knowing and not saying; the necessity, when you want to write about something, to write about something else, and of writing about a passion in order to write about yourself; the Californian question of "being yourself," and its inadmissability to the Japanese mindset; his relief at not having to be Japanese within Japanese society, and what being a Japanese in Japanese society has done to visit a female brain drain upon the country; what it takes to best remain an outsider in Japan, enjoying its peculiar kind of diplomatic immunity, and how Donald Richie mastered that exchange of belonging for freedom…"
passions  memoirs  notknowing  presence  time  fleetingmoments  poignancy  buoyancy  nuance  invisibility  reservedness  quiet  energy  friction  spontaneity  globalization  osaka  english  responsibility  interdependence  compassion  isolationism  isolation  canon  identity  collectivism  community  place  westpoint  books  listening  silence  understanding  vitality  comfort  nostalgia  pre-nostalgia  memory  women  familiarity  attention  donaldrichie  gender  knowing  writing  belonging  california  thoughfulness  japan  intimacy  society  culture  colinmarshall  johncage  2013  via:charlieloyd  picoiyer 
january 2013 by robertogreco
Hanauchi-ya renovation project by Tadashi Yoshimura Architects | Spoon & Tamago
"Late last year Tadashi Yoshimura Architects ended a year-long renovation project of Hanauchi-ya, a 200-year old wooden home located in Nara prefecture, about an hour out of central Osaka. Despite undergoing what was thought to be several thoughtless prior renovations and decades of water damage, the plan – all along – was to reuse existing materials as much as possible. As expected, this proved to be a technical nightmare with recurring surprises (“oh look, another wall behind the wall we just tore down”) making it virtually impossible for the architects to ever leave the site.

But look at those results! The seamlessness between old and new materials makes it feel like we’ve been transported back to the 1800s. There are some fascinating pictures of the process up on the architect’s blog. Of note, these pictures of taking reclaimed mud and using it to make walls."
osaka  tadashiyoshimura  renovation  preservation  history  wood  design  japan  architecture  homes 
february 2012 by robertogreco
Outside the mainstream | independent project spaces and artist-run initiatives in Japan | culture360.org
"Japan has major contemporary art museums, but also very interesting smaller independent art initiatives and exhibition spaces, which play an important role in the creation of discourse in the field of contemporary art. It is particularly difficult to start and run such initiatives in Japan, usually reliant on the commitment of dedicated individuals. This article aims to give an insight into some of those non-commercial art spaces. How is it to work in such a space? How are they financed? And why do these people put their energy and money into such projects?"
glvo  japan  art  tokyo  ongoing  youkobo  cas  osaka  itoshima  studios  studiokura  residencies  independent  2011  lcproject 
november 2011 by robertogreco
Frank Chimero: Kuidaore, literally meaning “to eat oneself...
"Kuidaore, literally meaning “to eat oneself bankrupt”, is an expression used to describe Osaka people’s obsession with food.
food  economics  wealth  policy  bankruptcy  japan  osaka  feudalsystem  disposableincome  extravagance  indulgence  class  society  kuidaore 
june 2010 by robertogreco

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