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robertogreco : perpective   2

On International Women’s Day, photographers share their favorite pictures honoring womanhood
"How women photographers access worlds hidden from men: We asked National Geographic photographers to reflect on how gender influences their work."



HANNAH REYES MORALES
"If I could give advice to women, particularly women in places with less resources, I’d say value your perspective. I wish I cherished my background, being a Filipino woman, earlier. When I was younger I spent too much time trying to form myself in shapes that I was not, because I thought that that’s what it took to be a photographer. I didn’t value the things that made me, me."



"There are benefits to being a photographer who happens to be a woman: you’re welcomed into secret worlds, invited into homes, and trusted with the most delicate subjects. Then there are the downsides: fighting to be taken seriously by a male-dominated industry, entering dangerous and unpredictable situations, and tackling stereotypes about where women should go and the topics they should cover. We asked National Geographic's women photographers from across the world for memories and reflections on how gender is intertwined with their work, the opportunities for young women coming after them, and the future of their field. They showed us their favorite photographs of women—a young falconer in Mongolia (above), a Saudi motorcyclist, a Japanese geisha taking a smoking break—and told us the behind-the-scenes stories. They also told us they were optimistic that the status quo is changing, thanks to those who fought for decades to be taken seriously. "For a very long time, we've been predominantly looking at the world through the experience and vision of male photographers," says photographer Daniella Zalcman. "That's changing more and more rapidly now—and it's about time." Here are their words and photographs."
photography  women  gender  2019  nationalgeographic  access  daniellazalcman  hannahreyesmorales  acaciajohnson  lujánagusti  perpective  tasneemalsultan  anastasiataylor-lind  yanapaskova  sarahylton  alexpotter  erikalarsen  karlagachet  maggiesteber  machaelaskovranova  dinalitovsky  saumyakhandelwal  andreabruce  stephaniesinclair  amivitale  reneeffendi  cristinamittermeier  jodicobb  tamaramerino  ninastrochlic 
march 2019 by robertogreco
David Smith's Statements | Writings & Lectures by The Estate of David Smith
[From the "Questions to Students"]

11. Have you examined the echoes of childhood and first learning, which may have once given you the solutions? Are any of these expectancies still operating on your choices?...

18. Do you think that your own time and now is the greatest in the history of art, or do you excuse your own lack of full devotion with the half belief that some other time would have been better for you to make art?...

20. In the secret dreams of attainment have you faced each dream for its value on your own basis, or do you harbor inherited inspirations of the bourgeoisie or those of false history or those of critics?...

36. Or do you think that you are unworthy or that your life has not been dramatic enough or your understanding not classic enough, or do you think that art comes from Mount Parnassus or France or from an elite level beyond you?"

[via: http://www.kickerstudio.com/blog/2009/04/six-questions-from-kicker-crispin-jones/]
classideas  toprint  longhere  bignow  davidsmith  design  art  process  creativity  pedagogy  socraticmethod  perpective  dedication  glvo 
july 2010 by robertogreco

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