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Interview: Earl Sweatshirt ["Earl Sweatshirt Fights Off Bad Vibes On Some Rap Songs he finds new ways to be himself."]
"As a poet’s son, Earl is serious about the stewardship of the oral tradition. Rappers are descendants of the African griots, Sweatshirt reasons. He worries about the ramifications of the generational disconnect that’s rending a schism between rap fans in their 30s and 40s and fans in their 20s over modern vagaries like triplet flows and trap drum sounds. In our first talk, which happened on a tense, uncertain Election Day afternoon, Earl was both miffed about a Twitter row where rap fans scoffed at Genius head of A&R Rob Markman’s suggestion that the Texas vet Scarface is a top-five hip-hop talent and excited to link the fun-house grunts and ad-libs of Playboi Carti’s Die Lit back to the climate of amateurish discovery at the dawn of hip-hop. Division is a two-way street; Earl wishes younger hip-hop fans had a greater interest in the classics, and he thinks older ones have a responsibility to behave more responsibly. (Asked about the year in Kanye West and Eminem media gaffes, Earl offered a withering line: “You can tell who really just started using the internet.”) When I caught up with him again a few weeks later, he opened up about the tough year in his family, the change in his creative process, and his dueling appreciations for Dilla and OVO production. You’d be hard-pressed to find another rap diehard with the same depth of knowledge and even-handed sense of intergenerational connectedness in 2018. “I only get better with time,” he promises in “Azucar.”"



"It takes the discourse up a notch. It’s not for the sake of exclusivity. It’s not to alienate anyone, but it does demand a kind of basic musical knowledge, whether it’s intuitive or learned over time. Yeah, it’s more human. Sometimes it takes people more time to get into that human bag. I always just revert back to when I was younger because that’s when you haven’t learned so much, and all this bullshit hasn’t become, like, calloused on your brain. I go off what would make me soar in my room by myself as a child. And it’s often more complex than what you’ll do sitting there taking yourself seriously as some smart adult. Just, like, some fucking technical wizard or scientist, you know what I mean?"



"Talk to me about feeling disconnected from your older raps. Is it difficult to perform stuff that you made when you were in an angrier place?
Yeah. Some of the stuff. I mean, I’m 24, bro. The shit that I’m performing spans from when I was 18 to now. So, there’s a difference in perspective and the information I had and the fuckin’ attitude, the way I wrote even. You say you noticed the difference, how I wrote more technically? I’ve had to relearn some of these tongue twisters that I left for myself. So I’m really excited to be performing new shit, because it provides a more honest and whole picture of the person that is standing in front of people, because I can actually be myself in real time. I don’t have hits to fall back on. I got to go into, like, a personal bag. So, I only rely on meaning what I say.

How do you feel like you’re different now? Are you in a better space? Earlier in the year, we got word that you canceled some tour dates, and you were saying there was depression. Is that something you’ve worked through?
I’m working on it, man. It’s a day-to-day thing. For a long time this year, I was still kind of in shock and still can be shocked by the fact that my dad died. That shit really threw me the fuck off.

It’s something you don’t plan for, and it’s something that can take months to understand. I lost mine at the top of the decade, and it’s not normal. It’s not a thought process that you get used to. And especially at your age.
Yeah, it really fucked me up. We make movies in our heads, you know? Where this happens. And then this happens as a result of that. It’s kind of like … having faith, I guess. It’s like, I know this is going to happen. So, then when that shit happened with my pops … I talked to my brother, who I saw was doing better. He’s about eight years older than me. He was at a different place with my pops, and I remember asking him like, “Yo, how do you — you know — we know the same nigga, like … how are you not as mad as me?” This nigga was like, “Because I had to come back as an adult and spend time with him as an adult.” I did work with the intention of being able to come back literally this year, at the top of this year. I’d finally pledged, like, “I’m going home. I can do it. I can see this.” And he died. Going through that existential thing, plus other existential elements of my pops, him being a public figure, the public figure that he is. And then being Earl Sweatshirt on top of it?"
earlsweatshirt  2018  oddfuture  music  ofwgkta  hiphop  rap  keorapetsekgositsile  thebenerudakgositsile  denmarkvessey  neoteny  polish  learning  unlearning  children 
january 2019 by robertogreco
Neven Mrgan at re:build 2011 on Vimeo
"Bit Depth, by Neven Mrgan: At my dayjob, I design Mac software UI/UX, websites, T-shirts, and office signage. In my spare time, I’ve designed 8-bit games. I think every creative professional would benefit from fully executing projects of different complexity, history, and purpose."

[All great stuff. Totally agree with him about the gamification bit.]

[See also: http://mrgan.tumblr.com/post/14868098046/focused-dabbling ]
sideprojects  videogames  specialists  generalists  interdisciplinary  interdisciplinarity  dabbling  software  applications  transmit  panic  8-bit  bitdepth  depth  gaming  games  purpose  focus  darwin  work  design  polish  re:build  2011  appification  gamification  nevenmrgan  specialization  charlesdarwin 
december 2011 by robertogreco
Learn 40 Languages for Free with Free Audio Lessons | Open Culture
"How to learn languages for free? This collection features lessons in 40 languages, including Spanish, French, English, Mandarin, Italian, Russian and more. Download audio lessons to your computer or mp3 player and you’re good to go."
languages  language  learning  arabic  spanish  bulgarian  catalan  chinese  mandarin  danish  dutch  english  esperanto  finnish  french  free  gaelic  german  greek  hebrew  hindi  hungarian  indonesian  irish  italian  japanese  korean  latin  lithuanian  luxembourgish  maori  norwegian  polish  portuguese  romanian  russian  swedish  tagalog  thai  ukranian  urdu  vietnamese  yiddish  lessons  māori  catalán 
november 2011 by robertogreco
Stanisław Lem - Wikipedia
"His works explore philosophical themes; speculation on technology, the nature of intelligence, the impossibility of mutual communication and understanding, despair about human limitations and humankind's place in the universe. They are sometimes presented as fiction, but others are in the form of essays or philosophical books. Translations of his works are difficult due to passages with elaborate word formation, alien or robotic poetry, and puns. Multiple translated versions of his works exist."
stanislawlem  scifi  sciencefiction  books  polish  poland 
december 2010 by robertogreco
Rogue Semiotics » Love’s lemmas [On the death of Stanislaw Lem]
"Lem…didn’t really see himself as doing science fiction.

Reading Lem in English was always a curious experience. Whole books are predicated on fecund streams of puns, portmanteau words & neologisms. He was fortunate in his translators, but the suspicion always lingered in the mind…that perhaps there was no Polish original, & that the translation was a free-flying construct boiling out from the mind of the biggest computer in the world.

But Lem was real, despite being denounced to the FBI by the increasingly paranoid Philip K. Dick as being a collective of communist writers aiming to subvert the USA.

Lem was also second only to Borges in his creation of imaginary books. I recall my surprise on finally reading Solaris & finding that much of it is a survey of various (invented) books. There ought to be a term for this tendency: bibliofantasism? What’s unarguable is that a list of books invented by Lem would be almost as interesting as his books themselves."
borges  stanislawlem  scifi  sciencefiction  writing  toread  portmanteau  neologisms  polish  poland  translation  obituaries  communism  bibliofantasism  imaginarybooks  books 
december 2010 by robertogreco
Marco.org - Great since day one
"I never make technology-buying decisions based on future promises, rumors, or potential. I let other people be the bleeding-edge extremely early adopters, and I stick with what I know will work and stay out of my way. I don’t buy things that are “getting better”, because they usually don’t. Whatever caused them to be lacking in their current release will usually prevent them from being great in future releases.
android  apple  iphone  linux  marcoarment  business  refinement  polish  gettingbetter  greatsinedayone  bleedingedge 
july 2010 by robertogreco
BLDGBLOG: Incision Skin - Wojciech Kakowski, Natalia Paszkowska, and Marcin Mostafa's Polish Pavilion for Shanghai's World Expo in 2010
"As the below diagram makes clear, this "paper cut-out" theme has been taken quite literally: the outer envelope of the building is actually a kind of incised wrapper, capable of unfolding to form a flat surface again"
architecture  polish  papercuts 
january 2008 by robertogreco
lingro: multilingual dictionary and language learning site
"Enter website to make all words on page clickable for definiions/translations. Each word you translate is saved in personal word history...create lists of vocabulary you'd like to learn from your word history...play games to review your vocabulary"
dictionary  language  learning  tools  reading  onlinetoolkit  foreign  vocabulary  translation  snsih  english  español  german  italian  polish  french  reference  pronunciation  collaborative  community  creativecommons  languages  foreignlanguage  flashcards  dictionaries 
november 2007 by robertogreco

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