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robertogreco : rediscovery   3

On the Virtues of Preexisting Material | Contents Magazine
"What I want to do is try to explain why making work with preexisting materials is more interesting than making work with materials that seem newer. And at the same time, I want to look critically at some ways we think, and that I have thought, about appropriation. I’ll begin with my manifesto, which goes like this:

1. Why add to the population of orphaned works?
2. Don’t presume that new work improves on old
3. Honor our ancestors by recycling their wisdom
4. The ideology of originality is arrogant and wasteful
5. Dregs are the sweetest drink
6. And leftovers were spared for a reason
7. Actors don’t get a fair shake the first time around, let’s give them another
8. The pleasure of recognition warms us on cold nights and cools us in hot summers
9. We approach the future by typically roundabout means
10. We hope the future is listening, and the past hopes we are too
11. What’s gone is irretrievable, but might also predict the future
12. Access to what’s already happened is cheaper than access to what’s happening now
13. Archives are justified by use
14. Make a quilt not an advertisement"
rickprelinger  archives  preexistingmaterial  contentsmagazine  2013  manifestos  cv  future  history  wisdom  recognition  culture  buildingblocks  whyreinventthewheel?  quilting  poetry  creativity  remixing  creation  recycling  rediscovery  remixculture 
february 2013 by robertogreco
Getting the News — Evan Williams | News.me
One thing that I find missing is discovery of non-new content. The web is completely oriented around new-thing-on-top. Our brains are also wired to get a rush from novelty. But most “news” we read really doesn’t matter. And a much smaller percentage of the information I actually care about or would find useful was produced in the last few hours than my reading patterns reflect.
newspapers  reading  evanwilliams  discovery  serendipity  rediscovery  resurfacing  howweread  howwelearn  novelty  via:tealtan 
september 2012 by robertogreco

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