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robertogreco : sensoryethnography   21

Field Experience
"Field Experience is an organization dedicated to the cultivation of curiosity and creativity through inquiry and the art of exploration."

"Field Experience was founded by Minneapolis-based designer and researcher Julka Almquist. She has 15 years of experience as an ethnographer and design researcher. While working at IDEO she found that people were profoundly impacted by the inspiration phase of research, and that exploring the world was far more transformational than sitting in an office giving presentations. Since then, she has grown passionate about the art of exploration and how it can heighten curiosity and creativity. She holds a PhD at the intersection of design and anthropology from the University of California, Irvine, and has taught at Art Center College of Design and the School of the Art Institute of Chicago.

Julka collaborates with an extraordinary team of experts to craft learning experiences. Explore with us: hello@fieldexperience.co"

[See also:

https://www.instagram.com/field_experience/

"Reading List"
https://fieldexperience.co/readinglist

""Landscape: An Education Program"
https://fieldexperience.co/programs

"Throughout 2019, we are curating an experience-based learning program in Minneapolis/St. Paul called Landscape. We will be exploring creativity through a variety of events situated within our natural landscape. Project support provided by the Visual Arts Fund, administered by Midway Contemporary Art with generous funding from The Andy Warhol Foundation for the Visual Arts, New York.

We are partnering with local and international artists, designers, naturalists, and biologists to craft experiences for our community. The monthly programs will be free and open to the public. We have an events calendar with programming updates, and a reading list where we post articles, chapters and other forms of inspiration to accompany the programs.

Our programs are grounded in the following ideas:

Local Landscape
We have increasingly been asking questions about how our relationship to the natural world influences our creativity. We aim to expand creative practice through new ways of engaging with our local landscape, and in particular with plants. Our programming will be shaped in response to the changing seasons.

Place-Based Pedagogy
One of the fundamental goals of this program is to build community in the Minneapolis/St. Paul area and to foster a deeper connection to place through creative learning experiences. We acknowledge the history of place, and that we are working on Dakota and Ojibwe land.

Experiential and Sensorial Inquiry
The modes of inquiry for the program are embodied, experienced-based, and multi-sensory. We encourage everyone to get out of their offices, studios, and classrooms and into the world. In order to engage the senses, the workshops and events will primarily be outdoors, with the exception of the deep winter months when our extreme climate brings us indoors.

Creative Experimentation
Many of our programs will offer an opportunity for making. We want to encourage people to make things that may not be central to their practice and to push the boundaries of creative experimentation. We also hope that the experiences and discussions are transformational and inspire new possibilities for creative practice."]
lcproject  openstudioproject  local  place  experience  experientiallearning  learning  education  landscape  pedagogy  place-based  senses  via:jenksbyjenks  julkaalmquist  minnesota  minneapolis  ethnography  sensoryethnography  design  anthropology  place-basededucation  place-basedlearning  place-basedpedagogy 
may 2019 by robertogreco
Worlds of sense and sensing the world: a response to Sarah Pink and David Howes
"In a recent debate with Sarah Pink in the pages of Social Anthropology, concerning the prospects for an anthropology that would highlight the work of the senses in human experience, David Howes objects to what I have myself written on this topic, specifically in my book The Perception of the Environment (Ingold 2000). In doing so, he distorts my arguments on six counts. In this brief response, I set the record straight on each count, and argue for a regrounding of the virtual worlds of sense, to which Howes directs our attention, in the practicalities of sensing the world."

[See also: "The future of sensory anthropology/the anthropology of the senses"
https://monoskop.org/images/5/54/Pink_Sarah_2010_The_Future_of_Sensory_Anthropology_The_Anthropology_of_the_Senses.pdf ]
sarahpink  davidhowes  sensoryethnography  senses  ethnography  socialsciences  multisensory  anthropology  timingold  2011  perception  phenomenology  visualstudies  culture  sensoryanthropology 
may 2018 by robertogreco
François Laplantine: The Life of the Senses: Introduction to a Modal Anthropology (2005/2015) — Monoskop Log
"“Both a vital theoretical work and a fine illustration of the principles and practice of sensory ethnography, this much anticipated translation is destined to figure as a major catalyst in the expanding field of sensory studies.

Drawing on his own fieldwork in Brazil and Japan and a wide range of philosophical, literary and cinematic sources, the author outlines his vision for a ‘modal anthropology’. François Laplantine challenges the primacy accorded to ‘sign’ and ‘structure’ in conventional social science research, and redirects attention to the tonalities and rhythmic intensities of different ways of living. Arguing that meaning, sensation and sociality cannot be considered separately, he calls for a ‘politics of the sensible’ and a complete reorientation of our habitual ways of understanding reality.”

First published as Le social et le sensible: introduction à une anthropologie modale, Téraèdre, Paris, 2005.

Translated by Jamie Furniss
With an Introduction by David Howes
Publisher Bloomsbury, London, 2015
Sensory Studies series, 1
ISBN 1472534808, 9781472534804
xviii+152 pages"

[pdf is here: http://b3.ge.tt/gett/8Sl1pZd2/Laplantine%2C+Fran%C3%A7ois+-+The+Life+of+the+Senses.+Introduction+to+a+Modal+Anthropology.pdf?index=0&user=user-rH02fRWtWbQcXRxjIcC63NpWQttph9o1slEf1-&pdf= ]
senses  books  françoislaplantine  sensoryethnography  multisensory  2005  2015  anthropology  modalanthropology  ethnography 
may 2018 by robertogreco
Ernst Karel | EAR ROOM
"Ernst Karel is an artist and researcher active in the fields of electroacoustic improvisation and composition, location recording, sound for nonfiction vilm, and solo and collaborative sound installations. Karel is currently lab manager for the Sensory Ethnography Lab (SEL) at Harvard University, where as lecturer on Anthropology, he teaches a course in sonic ethnography. For comprehensive information please visit: http://ek.klingt.org "
sensoryethnographylab  anthropology  art  audio  ethnography  sound  sense  sensoryethnography  ernstkarel  interviews 
may 2018 by robertogreco
Véréna Paravel and Lucien Castaing-Taylor - documenta 14
"Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing the relationship between their two fields of inquiry, anthropology and cinema, they have established an experimental laboratory and school at Harvard University, the Sensory Ethnography Lab. The films coming out of the lab take a decentered, nonanthropocentric approach to the visual practice of the moving image. Their camera does not focus primarily on humans as privileged actors in the world but rather on the fabric of affective relations among the natural elements, animals, technology, and our physical lifeworlds.

Their “nonnarrative epics” are meditative, trance-like journeys into unseen and alien aspects of our environments; they unearth a different order for the principles of knowledge and cinematographic language, one that is nonsignifying and nonhierarchical. Paravel and Castaing-Taylor’s Leviathan (2012), for instance, is a vertigo-inducing study of the human relationship to the sea, filmed by equipping a fishing boat with numerous cameras and devices. The decentering achieved in the film evokes mythologies of the sea, while also addressing urgent contemporary concerns regarding the place of the human in the cosmos and within a future ecology.

Paravel and Castaing-Taylor, born in 1971 in Neuchâtel, Switzerland, and in 1966, in Liverpool, respectively, are premiering two new film installations at documenta 14. In Somniloquies (2017), their camera moves over sleeping, unguarded naked bodies while a soundtrack relays the sleep talk, nocturnal speculations, and orated dreams of Dion McGregor, a gay American songwriter whose hallucinatory, salacious, and sadistic dreams were recorded by his New York roommate over a seven-year period in the 1960s. Their second installation focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film by Paravel and Castaing-Taylor suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona. Theirs is a filmmaking that ultimately renders the elements of nature and culture …

—Hila Peleg"
vérénaparavel  luciencastaing-taylor  film  cinema  sensoryethnography  documenta14  hilapeleg  filmmaking  ethnography  anthropology  documentary  isseisagawa  sagawa  dionmcgregor  senses  visualethnography  somniloquies  narrative  nature  animals  multispecies  bodies  non-narrative  sensoryethnographylab  body 
may 2018 by robertogreco
Doing Visual Ethnography | SAGE Publications Inc
"Essential reading for anyone wishing to engage with images, technologies and society, Doing Visual Ethnography is a milestone in ethnographic and visual research. The Third Edition of this classic text includes new chapters on web-based practices for visual ethnography and the issues surrounding the representation, interpretation, and authoring of knowledge with the rise of digital media.  

The book provides a foundation for thinking about visual ethnography and introduces the practical and theoretical issues relating to the visual and digital technologies used in the field.  

Drawing upon her original research and the experiences of other ethnographers, author Sarah Pink once again challenges our understanding of the world and sets new agendas for visual ethnography by:

- Helpfully illustrating key concepts within real world contexts
- Introducing examples from both analogue and digital media
- Exploring material and electronic texts
- Setting out the shift towards applied, participatory and public visual scholarship.  

This book is a must-have for students and researchers across the social sciences who are interested in incorporating audiovisual media into their research practice.
sarahpink  books  visualethnography  visual  ethnography  anthropology  digital  web  internet  online  digitalmedia  audiovisual  senses  sensoryethnography 
may 2018 by robertogreco
Doing Sensory Ethnography | SAGE Publications Inc
"This bold agenda-setting title continues to spearhead interdisciplinary, multisensory research into experience, knowledge and practice.

Drawing on an explosion of new, cutting edge research Sarah Pink uses real world examples to bring this innovative area of study to life. She encourages us to challenge, revise and rethink core components of ethnography including interviews, participant observation and doing research in a digital world. The book provides an important framework for thinking about sensory ethnography stressing the numerous ways that smell, taste, touch and vision can be interconnected and interrelated within research. Bursting with practical advice on how to effectively conduct and share sensory ethnography this is an important, original book, relevant to all branches of social sciences and humanities."

[See also: http://caseyboyle.net/sense/pink01.pdf ]
sarahpink  books  sensoryethnography  senses  anthropology  ethnography  visualethnography  toread  multisensory  interdisciplinary  socialsicences  humanities 
may 2018 by robertogreco
Library Genesis: Anna Grimshaw - The Ethnographer's Eye: Ways of Seeing in Anthropology
"Grimshaw sets a new agenda for visual anthropology, attempting to transcend the old division between image and text-based ethnography. She argues for the use of vision as a critical tool with which anthropologists can address issues of knowledge and technique. The first part of the book critically examines anthropology's history, focusing on the work of key individuals--Rivers, Malinowski and Radcliffe-Brown--in the context of early modern art and cinema. In the book's second part, Grimshaw considers the anthropological films of Jean Rouch, David and Judith MacDougall and Melissa Llewelyn-Davies."
annagrimshaw  ethnography  visualanthropology  anthropology  jeanrouch  davidmacdougall  judithmacdougall  melissallewelyn-davies  cinema  film  filmmaking  seeing  waysofseeing  visualethnography  senses  sensoryethnography 
may 2018 by robertogreco
Sensory Maps
"My name is Kate McLean, an artist and designer, creator of smellmaps of cities around the world. I focus on human perception of the urban smellscape. While the visual dominates in data representation I believe we should tap into alternative sensory modes for individual and shared interpretation of place.

Smells form part of our knowing, but are elusive, often disappearing before they can be described pinned down. Smell perception is an invisible and currently under-presented dataset with strong connections to emotions and memory. I am part of a small but growing number of innovative practitioners committed to the study and capture of this highly nuanced sensory field.

The tools of my trade include: individual group smellwalks, individual smellwalks (the “smellfie”), smell sketching, collaborative smellwalks, graphic design, motion graphics, smell generation and smell diffusion, all united by mapmaking. Download a copy of my smellfie guide to smellwalking.

In 2014 I worked with Mapamundistas in Pamplona creating a bespoke piece of design in situ late in October 2014 and year of “Smellmap: Amsterdam” research collaboration with Bernardo (Brian) Fleming of International Flavors and Fragrances saw a summary exhibition at Mediamatic in April 2014 and at IEEE VIS 2014 Arts Programme in Paris in November 2014.

This year I am working on a unique sensory audit with Guy’s Hospital and St. Thomas’ / FutureCity to generate a London Bridge smellmap for the KHP Cancer Arts Programme and am busy analysing the data and information from smellwalking in Singapore.

I am a PhD candidate (part-time) in Information Experience Design (IED) a the Royal College of Art, a marathon runner and snowboarder."

[via: https://twitter.com/the_jennitaur/status/930267808599961600

"where has this been all my life http://sensorymaps.com/wp-content/uploads/2015/10/Smellwalk_Intro_Kit_%C2%A9KateMcLean_2015.pdf "]

[See also: https://twitter.com/katemclean ]
maps  mapping  datavisualization  visualization  dataviz  cartography  katemclean  sensory  senses  classideas  cities  sense  mapmaking  smell  sensoryethnography  ethnography 
november 2017 by robertogreco
Entrevista a Lucien Castaing-Taylor y Véréna Paravel (SEL) on Vimeo
[interview is in English]

"Entrevistamos a los cineastas Lucien Castaing-Taylor y Véréna Paravel del Sensory Ethnography Lab (SEL) de la Universidad de Harvard. Los directores de LEVIATHAN, FOREIGN PARTS O SWEET GRASS, entre otras, comparten con nosotros su particular visión del arte en este encuentro."

[Other interviews:

Leviathan. Coloquio con Lucien Castaing-Taylor y Véréna Paravel.
https://vimeo.com/91540567

Lucien Castaing-Taylor "Sweetgrass" (Q&A)
https://vimeo.com/57703329

Leviathan Audience Q&A with Lucien Castaing-Taylor at EIFF 2013
https://www.youtube.com/watch?v=JYyDl1oWFzE

Véréna Paravel
https://www.youtube.com/watch?v=yfKBa9Vrh-w

Lucien Castaing-Taylor
https://www.youtube.com/watch?v=amxa-dEXl3Y ]
luciencastaing-taylor  vérénaparavel  sensoryethnography  sensoryethnographylab  2014  filmmaking  ethnography  anthropology  video  leviathan  foreignparts  sweetgrass  documentary 
january 2015 by robertogreco
SINGLE STREAM (trailer) on Vimeo
"2014, 4K CinemaScope, 5.1 surround sound, 23 minutes
Picture: Paweł Wojtasik, Toby Lee
Sound: Ernst Karel

SINGLE STREAM explores a recycling facility in the Boston area, where hundreds of tons of refuse are sorted daily. Blurring the line between observation and abstraction, SINGLE STREAM plunges the viewer into the steady flow of the plant and the waste it treats, examining the material consequences of our society's culture of excess."

[See also:
https://twitter.com/single_stream
http://ek.klingt.org/currenthappenings.html ]
sensoryethnography  sensoryethnographylab  ernstkarel  pawełwojtasik  tobylee  film  documentary  boston  video  2014  observation  abstraction 
january 2015 by robertogreco
Sensory Maps by Kate McLean
"Newport's scents are largely ocean-based; the ocean itself, the lobster bait, suntan oil from the bathing tourists, beach roses that brighten the low lying sand dunes. In contrast country smells of hay and juniper speak to the rural aspect of this diverse city. To be seen and sniffed at the Discover Newport Visitor Center from August 20, 2012.

Smells share an attribute with soundings in that they are constantly shifting. Combined with Newport's sailing legacy this was enough for me to base the visual lexicon on an NOAA chart.

Odor intensity is included for the first time one of my smell maps.

A detail of the downtown area as the smells congregate along Thames Street, Broadway and the Wharfs."
2012  sensorymaps  senses  mapping  maps  smells  smell  katemclean  sensoryethnography  ethnography 
september 2012 by robertogreco

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