recentpopularlog in

robertogreco : soundcloud   12

The 18-year-old rapper bold enough to just be MIKE - YouTube
"MIKE and the sLUms crew are changing the model for internet-bred rappers.

Listen to MIKE’s music here: https://mikelikesrap.bandcamp.com/ "

[See also:
"The 18-Year-Old Rapper Bold Enough to Just Be MIKE: MIKE and the sLUms crew are changing the model for internet-bred rappers."
https://theoutline.com/post/2420/the-18-year-old-rapper-bold-enough-to-just-be-mike

"The rapper MIKE [https://twitter.com/t6mikee ] is carving a different kind of path for himself as an internet rapper [https://mikelikesrap.bandcamp.com/music ]. While many Soundcloud [https://soundcloud.com/t6mikee ]and Youtube musicians are focused on chasing fast fame, MIKE, whose given name is Michael Jordan Bonema, says he’s more interested in creating a lasting community where he, his collective of friends (which goes by sLUms [https://soundcloud.com/wastedareas ]), and his fans can communicate and feel comfortable. After his well-received full length album from earlier this year, May God Bless Your Hustle [https://mikelikesrap.bandcamp.com/album/may-god-bless-your-hustle ], MIKE is poised to blow up and he plans to bring everyone along for the ride." ]

[More:

MIKE's YouTube channel
https://www.youtube.com/channel/UCiXfXIX2s6MKt4N2KkBdg2Q

sLUms YouTube channel
https://www.youtube.com/channel/UCVPti_6jZhRsDIi7Fhz-6wA/videos

"MIKE - 40 STOPS (PROD SIXPRESS)" (from the Outline video)
https://www.youtube.com/watch?v=mEE6VHXQy-Q

"MIKE Should Be Your New Favourite Teen Rapper"
https://noisey.vice.com/en_uk/article/j5gwjg/mike-wait-for-me-video-premiere-by-water

MIKE on Instagram
https://www.instagram.com/mikelikesrap/

MIKE's music:
https://lnk.to/MIKE-ByTheWaterEP
https://open.spotify.com/artist/1wlzPS1hSNrkriIIwLFTmU
https://itunes.apple.com/us/album/by-the-water-ep/id1275512315?app=music&ign-mpt=uo%3D4
https://soundcloud.com/t6mikee ]
music  oddfuture  mike  edg  soundcloud  bandcamp  thirdculturekids  earlsweatshirt  identity  communication  nyc  michaeljordanbonema  internet  web  rap  ofwgkta  2017  hiphop  thebenerudakgositsile 
october 2017 by robertogreco
The Tamborzão Goes to Thailand — Chrysaora Weekly — Medium
"It started with a WeChat Sight I received from my mom at 7 a.m. one morning. I squinted sleepily at the silent preview, amused by the elderly Asian woman’s adorable dance moves. Then the music kicked in, and I woke up fast. The woman was dancing on a sidewalk somewhere in Thailand, but the Portuguese rapping and the beatbox beat were unmistakably Brazilian.

This is the kind of world-spanning electronic music thing I live and skip meals for. I spent all my free time over the next two weeks investigating.

*********

The music I care about the most hasn’t settled on an umbrella label, but I know it when I hear it. To generalize wildly: it’s the kind produced by and for young people using pirated software all over the world. It’s loud enough to be its own drug, with a heavy foundation of bass to give people something to gyrate to at dance parties. It’s released online with file names that end in “FINAL DRAFT 05–12.mp3,” and is also sometimes sold in homemade mix CDs by street vendors. Often, it’s raunchy and violent enough to incite moral panic.

Well-made dance music, like design, is a highly functional form of art created in conversation with those who enjoy it. New songs are tested live at parties, often well before they’re finished, and co-evolve alongside the dance forms and fashions they accompany. Many of the genres are so tied to spaces that they’re named after their venues: dancehall, ballroom, or just (Baltimore/Jersey) “club.” The lyrics and instrumentals of the music are prone to sampling, soaking up references to mainstream music, pop culture, current events, and tech with in record turnaround time. The tracks are raw glimpses into their birthplaces, each one reflecting the place not as it was or as it would like itself to be, but as it is in the instant it’s made.

Though the sounds and contexts of these musical genres differ from place to place, they share a lot in common these days: production tools (Ableton Live, Fruity Loops, Roland drum machines), distribution platforms (SoundCloud, YouTube), and demographics (kids who want to party). These commonalities have allowed these regional club scenes to find, borrow from, and even work with each other. The dynamics of this interplay mostly reflect the globalization that connected the world in the first place, with European and American labels acting as brokers and gatekeepers. But occasionally an unexpected cross-pollination appears— like a Thai grandmother dancing to Brazilian music on the sidewalk."



"IRL, dances take place in hard-earned public spaces ruled — and sometimes run — by young people. These dance floors are important liminal spaces where identities and communities can be explored, normalized, and established, and where young people can simply have unsupervised, escapist fun with their peers.

Online, dance floors are asynchronous and global. People share videos of themselves dancing — sometimes in groups, often in their bedrooms or living rooms — and watch each other’s videos in turn to learn new moves or just to take a hit of contagious joy straight to the amygdala.

“Kawo Kawo” itself is not the pinnacle of music production, but it’s remarkable both as the result of an unlikely global discourse and as the rallying call for some incredible dance videos. It’d be overly naïve to claim that dance music alone can breed some kind of universal empathy, but in the success of “Kawo Kawo” I see a glimmer of hope for new global connections born in the rapture of music rather than in the trauma of colonialism.

When the sun is hot and the music is blasting, whether it’s during Songkran or Carnaval, anything seems possible."
christinaxu  2015  music  global  thailand  brasil  brazil  dance  internetonline  youtube  soundcloud  wechat  facebook  international  kawokawo  djchois  mcjairdarocha  crosspollination  remixing 
june 2015 by robertogreco
It's Now Incredibly Easy to Host your Podcast on SoundCloud
"SoundCloud has been home to plenty of podcasts for a while, but it’s now making it easy for creators to run their RSS feeds straight from the service.

From today, SoundCloud Podcasts is coming out of beta – over 15,000 podcasts took part – and opening up to anyone with an account. To start a podcast, all you need to do is hit the ‘Permissions’ tab and select ‘Include in RSS feed.’

All of your tracks will be included in your RSS feed if they’re made public. SoundCloud also has embeddable players to make promoting your podcast easy.

Its “timed comments” feature, which allows visitors to add their thoughts to specific moments of a track will also appeal to a lot of podcasters.

We’re developing ideas for a TNW podcast. Let us know in the comments whether you’d listen and what you’d like it to feature."
soundcloud  podcasting  podcasts  tools  onlinetoolkit  2015 
april 2015 by robertogreco
Rev Dan Catt: Still Blogging
"It's fun to see people (by which I mean people I track) talking about blogging. Andy here and Gina here, and others in Andy's comments.

I thought I'd jot down my angle.

• I'm tired of putting content on other people's platforms such as Medium, Flickr & Tumblr because I'm now never quite sure when it'll all go bottom up with me scrabble to get my content back out. Instead I'm scrabbling now, slowly going back through my archive and converting posts to markdown and importing images from Flickr. You can see just how far I haven't got by the cube placeholder images at /root.

• No analytics, no tracking, no cookies. I don't want to help Google track people around the web just so I can see how few hundreds of people viewed the site today. Removing the tracking is part of owning content. My audio is still on SoundCloud which drags GA cookies in with it when I post it here, same with Vimeo/YouTube videos. It's getting easier to self-host that kind of stuff, I just haven't had the time yet. So, no javascript on the page, no css/images/js from external sites is the goal. As I'm still interested in where people come from I sometimes pop onto the server to run goaccess to view referrers.

• Blogging has changed, twitter and Medium have altered the need to blog how we used to. I've re-jigged my blog to be the historic record my future self will want. Hence why you get presented with the current month, rather than traditional reverse chronological posts. I'm designing it for a future when at the end of the year I can push a button and it'll toss all my content into a book, divided up into months.

It's my own shoebox"
revdancatt  blogging  blogs  webdev  tracking  googleanalytics  medium  flickr  tumblr  content  adomainofone'sown  soundcloud  ownership  control  vimeo  youtube  css  images  javascript  2014  webdesign 
october 2014 by robertogreco
Sound and Memory — The Message — Medium
"We need an Instagram for field recordings"



"Soundcloud is designed for community feedback rather than quick sharing and simple faving/liking activity. The ideal app would be lightweight and keep files neatly organized. Twitter was recently reported to be in talks with the company, but the deal fell through. Licensing would be a challenge, but not if the community is encouraged to share the sounds of a place rather than someone else’s music.

Recently, I lost the metadata for my files saved in Voice Memos. The recordings defaulted to “12/31/11” as the file names and dates. Writing this post, I listened to a few tracks at random. Among these files was my recording of a gamelan performance on a hot night in Bali. Another track was captured the time I stumbled upon a band playing weepy rock music in a small club in Taipei. Some rain on my windows, a lot of it is just me talking to myself. Another track I recorded from the backseat of a car in Moscow. It is the music playing on the radio (that’s artist Constant Dullaart you hear, saying it’s Christmas time). Often a gust of wind blocks out whatever it was I hoped to capture or my sleeve rubs against the device and interrupts things, but for the most part the sound quality is pretty good."
sound  audio  joannemcneil  maps  mapping  instagram  soundcloud  2014  soundscapes  sounds  fieldrecording 
may 2014 by robertogreco
Networked Society 'On the Brink' - YouTube
"In On The Brink we discuss the past, present and future of connectivity with a mix of people including David Rowan, chief editor of Wired UK; Caterina Fake, founder of Flickr; and Eric Wahlforss, the co-founder of Soundcloud. Each of the interviewees discusses the emerging opportunities being enabled by technology as we enter the Networked Society. Concepts such as borderless opportunities and creativity, new open business models, and today's 'dumb society' are brought up and discussed."
future  trends  social  soundcloud  caterinafake  davidweinberger  ericwahlforss  davidrowan  mobile  web  internet  socialmedia  business  startups  networkedsociety  society  change  mindshift  2011  entrepreneurship  ccpgames  eveonline  robinteigland  elisabetgretarsdottir  work  virtualcurrencies  connectivity  mobility  internetofthings  robfaludi  botanicalls  touch  interaction  jeffbezos  networkedcities  education  healthcare  robinteiglend  spimes  iot 
november 2011 by robertogreco
Berlin: Europe's hottest startup hub - Aug. 9, 2011
"Berlin, known for its creative vibe & underground music & art scenes, has been an ideal backdrop for a venture looking to make sound a shared experience.

Ljung describes the city itself as startup: ever-changing & innovative, creative with a bit of an anti-establishment attitude.

"It has a tradition of the counterculture & wanting to do things a different way," he says. "You go back to why people start startups — they want to do things differently."

Berlin's current air of artistic & entrepreneurial freedom is linked to its tumultuous history. Walk though the city & you'll pass structures and monuments that have been destroyed & rebuilt, only to be destroyed & rebuilt again during World War II. Buildings punctured with bullet holes are a constant reminder of Nazi Germany & the city's post-war struggle.

But since the Berlin Wall fell in 1989, the city has let its hair down — pivoting yet again to become a center for all things creative: technology, design, fashion, music."
via:cervus  berlin  cities  startups  soundcloud  history  entrepreneurship  creativity  reinvention 
august 2011 by robertogreco

Copy this bookmark:





to read