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The Pedagogy of Design in the Age of Computation: Panel Discussion - YouTube
“I wish y’all could teach designers without using any Adobe products.” —@tchoi8 (9:11)

“Michael Rock, would say that ideally the things that you are learning in a school setting should stick with you […] throughout your entire career. […] I think critical thinking, historical references, […] space, time, community — that’s much more valuable.” —@mind_seu (12:48)

In response to “Can you teach curiosity?” @mind_seu: “…this sinking feeling that the more that I learn, the less that I know. On the one hand, it’s exciting & it makes you more curious to go into this worm holes, but on the other side it brings you into this state of insecurity”

In response to the same @tchoi8: “… curiosities can be stolen away from an individual when there’s a discouragement or peer pressure in a toxic way. I think people, including myself, lose curiosity when I feel I can’t do it or I feel less equipped than a student next to me. In technical courses, it’s very easy to create a dynamic in which the start student, who probably has done the technical exercises before, end up getting most attention or most respect from the class. We [at @sfpc] try to revert that [discouragement] by creating homeworks that are equally challenging for advanced and beginner students and that opens up dialogues between students. For example, [goes on to explain an assignment that involves transfer of knowledge (at 22:22)]”

In response to “Can you teach autonomy?” @mind_seu: “Whether you can teach someone autonomy or not, again is maybe not the right question. Why do we want to solve problems by ourselves? I think it’s trying to work with people around you who know more than you do and vice versa, so you can work together to create whatever project you’re trying to implement. But going into a tutorial hole online to do something on your own? I don’t know if we actually need to do that. These tools… we’re trying to build collectives and communities, I think, and maybe that’s more meaningful than trying to do something on your own, even if it’s possible.” [YES]

[See also:

Mindy Seu
https://www.youtube.com/watch?v=ZM9mRYpnD7E

Taeyoon Choi
https://www.youtube.com/watch?v=AfThnEo5xgE

Atif Akin
https://www.youtube.com/watch?v=c-URUDBItB8

Rik Lomas
https://www.youtube.com/watch?v=2uk_XYIkyZM ]
towatch  mindseu  design  computation  2019  atifakin  riklomas  coding  publishing  digital  history  education  adobe  designeducation  howweteach  art  creativity  programming  decolonization  tools  longview  longgame  ellenullman  accessibility  access  inclusivity  inclusion  craft  curiosity  imagination  learning  howwelearn  insecurity  exposure  humility  competition  unschooling  deschooling  comparison  schools  schooliness  resistance  ethics  collaboration  cooperation  community  conversation  capitalism  studentdebt  transparency  institutions  lcproject  openstudioproject  emancipation  solidarity  humanrights  empowerment  activism  precarity  curriculum  instruction 
17 days ago by robertogreco
Masters of Modern Design: The Art of the Japanese American Experience | KCET
"From the iconic typeface of “The Godfather” book cover to Herman Miller’s Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. While this second generation of Japanese American artists have been celebrated in various publications and exhibitions with their iconic work, less-discussed is how the World War II incarceration — a period of intense discrimination and hardship — has also had a powerful effect on the lives of artists such as Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata."

[via: https://twitter.com/LangeAlexandra/status/1123656364839067648 ]

[See also: https://www.curbed.com/2017/1/31/14445484/japanese-designers-wwii-internment ]
towatch  ruthasawa  georgenakashima  isamunoguchi  sneilfujita  gyoobata  2019  alexandralange  design  history  japanese-americans  art  modernism  internment  incarceration  wii  ww2 
23 days ago by robertogreco
Social_Animals — Official Movie Website
[See also:
https://www.youtube.com/watch?v=s0X-XEcmmFc
https://www.instagram.com/social_animals/ ]

[via: https://twitter.com/mattthomas/status/1105495955988795392 ]

"A daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram account–a little love, acceptance and, of course, fame. And they’ll do just about anything to get it. With an observational eye Social Animals peeks into the digital and real worlds of today’s image-focused teenager, where followers, likes and comments mark success and self worth."

[See also:
https://variety.com/2018/film/news/instagram-star-documentary-social-animals-gravitas-ventures-1203078409/
https://www.theverge.com/2018/3/12/17105364/social-animals-documentary-teens-instagram-interview-sxsw-2018
https://www.hollywoodreporter.com/review/social-animals-1091000
https://theplaylist.net/social-animals-review-20180309/ ]
film  social  media  instagram  youth  teens  towatch  2018  2019  via:mattthomas  documentary  internet  srg  edg 
10 weeks ago by robertogreco
Announcing Better Worlds: a science fiction project about hope - The Verge
"Contemporary science fiction often feels fixated on a sort of pessimism that peers into the world of tomorrow and sees the apocalypse looming more often than not. At a time when simply reading the news is an exercise in exhaustion, anxiety, and fear, it’s no surprise that so many of our tales about the future are dark amplifications of the greatest terrors of the present. But now more than ever, we also need the reverse: stories that inspire hope.

That’s why, starting on January 14th, we’ll be publishing Better Worlds: 10 original fiction stories, five animated adaptations, and five audio adaptations by a diverse roster of science fiction authors who take a more optimistic view of what lies ahead in ways both large and small, fantastical and everyday.

Growing up, I was surrounded by optimistic science fiction — not only the idealism of television shows like Star Trek, but also the pulpy, thrilling adventures of golden age science fiction comics. They imagined worlds where the lot of humanity had been improved by our innovations, both technological and social. Stories like these are more than just fantasy and fabulism; they are articulations of hope. We need only look at how many tech leaders were inspired to pursue careers in technology because of Star Trek to see the tangible effect of inspirational fiction. (Conversely, Snow Crash author Neal Stephenson once linked the increasing scarcity of optimistic science fiction to “innovation starvation.”)

Better Worlds is partly inspired by Stephenson’s fiction anthology Hieroglyph: Stories and Visions for a Better Future as well as Octavia’s Brood: Science Fiction Stories from Social Justice Movements, a 2015 “visionary fiction” anthology that is written by a diverse array of social activists and edited by Walidah Imarisha and adrienne maree brown. Their premise was simple: whenever we imagine a more equitable, sustainable, or humane world, we are producing speculative fiction, and this creates a “vital space” that is essential to forward progress.

The stories of Better Worlds are not intended to be conflict-free utopias or Pollyanna-ish paeans about how tech will solve everything; many are set in societies where people face challenges, sometimes life-threatening ones. But all of them imagine worlds where technology has made life better and not worse, and characters find a throughline of hope. We hope these stories will offer you the same: inspiration, optimism, or, at the very least, a brief reprieve that makes you feel a little bit better about what awaits us in the future — if we find the will to make it so.

—Laura Hudson, Culture Editor, The Verge

BETTER WORLDS STORIES

“A Theory Of Flight”
By Justina Ireland | Animation by All In Pixel
A daring plan to build an open-source rocket could help more people escape Earth.

“Move The World”
By Carla Speed McNeil
Once in your life, you can choose to pull a lever that resets the world — but will it make things better?

“A Model Dog”
By John Scalzi | Animation by Joel Plosz
An overbearing CEO demands that his employees engineer a solution to his dad’s aging dog.

“Online Reunion”
By Leigh Alexander
A young journalist chronicling a vintage e-pet reunion gets more than she expected.

“St. Juju”
By Rivers Solomon | Animation by Allen Laseter
A young woman must choose between her secure enclave and the one she loves.

“Monsters In Their Season”
By Cadwell Turnbull
An island commonwealth integrates an AI to defend itself against a worsening hurricane season.

“Overlay”
By Elizabeth Bonesteel | Animation by Device
A family hopes that running the perfect simulation can wake the father from a coma.

“Skin City”
By Kelly Robson
A street performer gets into trouble after falling for a radical privacy devotee.

“A Sun Will Always Sing”
By Karin Lowachee | Animation by Yeah Haus
A spacecraft carrying precious cargo embarks on a lifetime journey to a better world.

“The Burn”
By Peter Tieryas
As people around the world fall victim to The Burn, AR researchers begin to suspect a pattern."

[See also: https://www.youtube.com/watch?v=CAyBWYlLGGo ]
theverge  towatch  sciencefiction  scifi  optimism  technooptimism  animation  stories  hope  nealstephenson  walidahimarisha  adriennemareebrown  inspiration  justinaireland  carlaspeedmcneil  johnscalzi  joelplosz  leighalexander  allenlaseter  riverssolomon  cadwellturnbull  elizabthbonesteel  kellyrobson  karinlowachee  petertiervas 
december 2018 by robertogreco
ROMA | Teaser Trailer [HD] | Netflix - YouTube
[https://www.netflix.com/title/80240715 ]

[See also:

"Alfonso Cuaron Had to Abandon His Safety Net to Make ‘Roma’ — IndieWire Honors
The filmmaker spoke to IndieWire about how his relationship to cinema has evolved over the years."
https://www.indiewire.com/2018/11/alfonso-cuaron-indiewire-honors-roma-1202017271/

"‘Roma’ Drives Netflix to Break Its Own Rules About Theatrical Release
It took a foreign-language Oscar entry from Alfonso Cuarón to push the giant streaming service to embrace a platform theatrical release strategy."
https://www.indiewire.com/2018/10/roma-netflix-rules-theatrical-release-oscars-1202016876/

"Alfonso Cuarón Movies Ranked from Worst to Best
From Harry Potter to "Roma," Alfonso Cuarón has forged one of the most unpredictable and uncompromising careers in all of modern cinema."
https://www.indiewire.com/2018/09/alfonso-cuaron-movies-ranked-worst-best-roma-children-of-men-y-tu-mama-tambien-1202004900/
https://www.indiewire.com/2018/09/alfonso-cuaron-movies-ranked-worst-best-roma-children-of-men-y-tu-mama-tambien-1202004900/2/ ]
alfonsocuarón  film  towatch  netflix 
november 2018 by robertogreco
Peter Senge: "Systems Thinking for a Better World" - Aalto Systems Forum 2014
[direct link to video: https://youtu.be/0QtQqZ6Q5-o ]

"Peter Senge's keynote speech "Systems Thinking for a Better World" at the 30th Anniversary Seminar of the Systems Analysis Laboratory "Being Better in the World of Systems" at Aalto University, 20 November 2014.

Peter Senge is a Senior Lecturer in Leadership and Sustainability at the MIT. He is the founding chair of the Society for Organizational Learning (SoL) and the author of the widely acclaimed book, The Fifth Discipline: The Art and Practice of The Learning Organization. The Journal of Business Strategy (September/October 1999) named Senge one of the 24 people who has had the greatest influence on business strategy over the last 100 years.

Peter Senge:
http://mitsloan.mit.edu/faculty/detail.php?in_spseqno=41415

Other videos from the seminar:
Raimo P. Hämäläinen: Milestones of Systems Analysis
https://www.youtube.com/watch?v=_a9j4s3ghN8
Harri Ehtamo: Games People Play
https://www.youtube.com/watch?v=dT_5rbXMUqQ
Ahti Salo: Understanding Systems of the Future
https://www.youtube.com/watch?v=jCbp18ev48g
Esa Saarinen: Systems Intelligence as Life Philosophy
https://www.youtube.com/watch?v=Jz061KJ2Xcs
Launch of the book "Being Better Better - Living with Systems Intelligence"
https://www.youtube.com/watch?v=c8UtlZwnIhk

More information about the seminar:
http://sal30.aalto.fi

Systems Analysis Laboratory is a major academic institution in Finland in the field of systems and operations research with a team of internationally acknowledged scholars.
http://sal.aalto.fi

Video by Peter Simontschuk & Janne Lummaa / Aalto University IT
Editing by Jussi Tarvainen"
towatch  systems  systemsthinking  petersenge  sustainability  2014 
september 2018 by robertogreco
Future Shock Documentary (1972) - YouTube
"'Future Shock' is a documentary film based on the book written
in 1970 by sociologist and futurist Alvin Toffler. Released in 1972,
with a cigar-chomping Orson Welles as on-screen narrator, this piece of futurism is darkly dystopian and oozing techno-paranoia."
alvintoffler  1972  film  towatch  futureshock  documentary  orsonwells  futurism  1970s 
september 2018 by robertogreco
The 23 best films of the 2000s
[actually points to four lists, all worth looking at]
film  towatch  kottke 
september 2018 by robertogreco
Skate Kitchen Official Trailer - Starring The Skate Kitchen and Jaden Smith - YouTube
"In the first narrative feature from The Wolfpack director Crystal Moselle, Camille, an introverted teenage skateboarder (newcomer Rachelle Vinberg) from Long Island, meets and befriends an all-girl, New York City-based skateboarding crew called Skate Kitchen. She falls in with the in-crowd, has a falling-out with her mother, and falls for a mysterious skateboarder guy (Jaden Smith), but a relationship with him proves to be trickier to navigate than a kickflip.

Writer/director Crystal Moselle immersed herself in the lives of the skater girls and worked closely with them, resulting in the film's authenticity, which combines poetic, atmospheric filmmaking and hypnotic skating sequences. SKATE KITCHEN precisely captures the experience of women in male-dominated spaces and tells a story of a girl who learns the importance of camaraderie and self-discovery.

In theaters August 10th.
http://www.skatekitchenfilm.com/ "
skateboarding  skating  women  girls  towatch  2018  thewolfpack  crystalmoselle  rachellevinberg  theskatekitchen  film  self-discovery  jadensmith 
august 2018 by robertogreco
In A Dream | A Film By Jeremiah Zagar
[via: http://www.firstshowing.net/2018/sundance-interview-minding-the-gap-director-bing-liu-on-doc-films/ ]

"The story of Julia Zagar and her husband Isaiah, a renowned mosaic artist, who for the past 30 years has covered more than 40,000 square feet of Philadelphia top to bottom with tile, mirror, paint, and concrete."

[See also: https://en.wikipedia.org/wiki/In_a_Dream_(film) <--- needs final ) for URL to work]
film  documentary  towatch  jeremiahzagar  mentalilliness  art  artists  philadelphia  juliazagar  isaiahzagar  2008 
august 2018 by robertogreco
Resurrect Dead - Trailer
[Here, for now: https://vimeo.com/139745603 ]

"Strangeness is afoot. Most people don't notice the hundreds of cryptic tiled messages about resurrecting the dead that have been appearing in city streets over the past three decades. But Justin Duerr does. For years, finding an answer to this long-standing urban mystery has been his obsession. He has been collecting clues that the tiler has embedded in the streets of major cities across the U.S. and South America. But as Justin starts piecing together key events of the past he finds a story that is more surreal than he imagined, and one that hits disturbingly close to home."
toynbeetiles  documentaries  documentary  film  justinduerr  streetart  towatch  arnoldtoynbee 
august 2018 by robertogreco
cinema politica | screening truth to power
" "Cinema Politica successfully delivers independent art to the eyes and ears of the public." -Mark Achbar, director of The Corporation

CINEMA POLITICA is a Montreal-based media arts, non-profit network of community and campus locals that screen independent political film and video by Canadian and international artists throughout Canada and abroad. We believe in the power of art to not only entertain but to engage, inform, inspire, and provoke social change. Cinema Politica is the largest volunteer-run, community and campus-based documentary-screening network in the world. All screenings are by donation.

Cinema Politica is committed to supporting alternative, independent, and radical political film and video, and the artists who dare to devote time, passion and resources to telling stories from the margins. We program works that feature under-represented characters and tell stories which confront and challenge conventional fiction and documentary narratives.

With continued support from the Canada Council for the Arts, Cinema Politica is able to focus on independent Canadian filmmakers whose work explore political issues and stories of oppression and resistance that are excluded from the mainstream media.

Cinema Politica also relies on the essential contributions of audiences and local members while building an international alternative distribution and exhibition network for independent political film and video.

To read more from various media who have covered Cinema Politica, visit our media page."

[via: https://www.lokidesign.net/projects/#/nations-migrations/
https://www.cinemapolitica.org/special-events/nations-and-migrations/ ]
film  montreal  canada  socialchange  documentary  activism  narrative  politics  art  towatch  cinemapolitica 
july 2018 by robertogreco
We interrupt this broadcast
"Between 1975 and 1982, The Open University broadcast a series of televised courses on the genealogy of the modern movement: A305, History of Architecture and Design 1890–1939. We have asked Charlotte Lydia Riley, Owen Hatherley, and Jonathan Bignell to watch the course television programmes with us. They interrupted them to add context for a contemporary audience, from the perspective of history, architecture, and media studies. Their live annotations invite a reflection on the timeliness of authoring new histories and what it means to disseminate these histories in an always-particular moment in time."
1970s  1980s  massmedia  television  tv  video  towatch  annotation  charlottelydiariley  owenhatherley  jonathanbignell  architecture  history  mediastudies  media  modernism  design 
april 2018 by robertogreco
9 Sitcoms Representing Today's America To Watch Instead Of 'Roseanne'
"black-ish**
One Day at a Time**
On My Block*
Fresh Off the Boat**
The Good Place*
Brooklyn Nine-Nine**
Speechless**
The Mayor*
The Carmichael Show*"

[*watched all of these
**watched a bunch of these]
television  tv  towatch  diversity  families  sitcoms  comedy 
april 2018 by robertogreco
Teacher Liberation | Joel Hammon | TEDxCarnegieLake - YouTube
"Are you a teacher who loves working with young people, but hates teaching in "the system?" Joel Hammon talks about his decision to quit his job as a high school teacher and how creating self-directed education centers can improve the lives of teachers and their students. Joel Hammon is the co-founder of The Learning Cooperatives, a group of self-directed learning centers in Pennsylvania and New Jersey. He is also the co-founder and president of Liberated Learners, an organization that supports educators around the world to create self-directed learning centers in their communities. Joel is the author of The Teacher Liberation Handbook that details how he left teaching in public and private schools after 11 years to create an educational alternative for young people."
towatch  deschooling  unschooling  lcproject  openstudioproject  education  2018  joelhammon  systems  publicschools  schools  schooling  self-directed  self-directedlearning  learning  liberation 
april 2018 by robertogreco
Self-Taught
"What happens to those kids who didn’t go to school or experienced non-traditional educations once they become adults? Are they “successful” in life? Can they get into college if they choose to follow that route? How do they make a living, get jobs or start their own businesses? And how do they define success for themselves?

Self-Taught will follow a number of adult self-directed learners as they go about their lives. We will immerse ourselves in their daily activities to see how they make a living, and how they feel about it. The questions guiding this film will explore how these individuals measure their success, and if they feel their non-traditional education helped or hindered them as adults.
Throughout the film, we’ll also hear from experts with extensive experience in child development, psychology, brain science and education and delve into what it means to be a self-directed learner, and we’ll examine the differences between extrinsic and intrinsic motivation and how that guides our choices through life."
self-directed  self-directedlearning  unschooling  learning  howwelearn  documentary  film  towatch  jeremystuart  motivation  life  living  deschooling  education  autodidacts 
february 2018 by robertogreco
I Want it All Now! Documentary on Marin County (1978) - YouTube
"From deep in NBC's archives, a funky '70s documentary which brought Marin County, California to national attention, from its fucked up deadbeat parents to its misguided fascination with mystical oriental ooga-booga horseshit. If you ever wondered why people associate peacock feathers and suicide with Marin, this is why. Strangely, Tupac Shakur does not make a cameo.

Each story in this film is an accurate depiction of everyone in Marin and does not deviate from any Marinite's experience, without exception."

[Via: ".@NBCNews did an extraordinary profile of Marin County 40 years ago:" https://twitter.com/nikosleverenz/status/950213237236117504

in response to: "In the 1960s, Marin County pioneered slow-growth environmentalism. Today the county's also home to some of the nation's highest housing costs, decades-old patterns of segregation and has the state's largest racial disparities http://www.latimes.com/politics/la-pol-ca-marin-county-affordable-housing-20170107-story.html "
https://twitter.com/dillonliam/status/950046576554029056 ]
marin  towatch  1978  bayarea  marincounty  1970s  1960s  history  narcissism  wealth  happiness  psychology  self  self-help  selfishness  race  racism  suburbs  sanfrancisco  capitalism  californianideology 
january 2018 by robertogreco
Michiko to Hatchin Opening 720p - YouTube
"Opening of an underrated anime called, Michiko to Hatchin. Brought to you by the same studio who brought you Samurai Champloo"

[via: "paper-mario-wiki: out of curiosity i googled “anime with black female lead” and found the dopest anime opening in the world

kenyatta: Please watch Michiko to Hatchin thx."
http://finalbossform.com/post/169276560085/paper-mario-wiki-out-of-curiosity-i ]
anime  towatch  michikotohatchin 
january 2018 by robertogreco
2097: We Made Ourselves Over
"It’s 2097 and the days of upheaval are over. A new resilience has taken hold.

Three young girls must make a decision which will affect their entire city, as well as members of their own families. The future of the city relies on their ability to embrace the unknown, face the future and act.

2097: We Made Ourselves Over takes you on a journey to the cusp of the next century. Come into a world where consciousness is transferred from the dead to the living. See molecular harvesters destroy cities and rebuild them.

In five short science fiction films – each accompanied by an interactive film for smartphones – and through live events across both Hull and Aarhus, 2097: We Made Ourselves Over explores the belief that everyone has the power to act and influence the future – uncovering the unnerving and exhilarating idea that anything is possible.

Step into the future here…"



[See also: "Film 1 Eternal Data | 2097: We Made Ourselves Over"
https://www.youtube.com/watch?v=XTT0s5hBj0k

" http://wemadeourselvesover.com

An elder has died and has left her consciousness to Hessa, one of the rulers of the city.

At Hessa's command, a tanker filled with molecular harvesters has arrived offshore.

The destruction of the entire city will start with a funeral...

Audio described version available to watch here: https://vimeo.com/236561513

---

2097: We Made Ourselves Over is the culmination of a year long project inviting residents and future experts from Aarhus, Hull and beyond to describe their hopes for the coming century.

Find out more about the ideas behind the future world and the making of the project here: http://wemadeourselvesover.com

Twitter: https://twitter.com/blasttheory
Facebook: https://www.facebook.com/blasttheory
Instagram: https://www.instagram.com/blasttheory/

2097 is an ambitious international collaboration bringing together Aarhus European Capital of Culture 2017 and Hull UK City of Culture 2017"]

["Film 2 Gellerholme First | 2097: We Made Ourselves Over"
"Hessa and the other two rulers choose the first area to be destroyed."
https://www.youtube.com/watch?v=tIqs6wKNoCc

"Film 3 The Handover | 2097: We Made Ourselves Over"
"Having begun to download the consciousness that she has inherited, Hessa prepares to step down"
https://www.youtube.com/watch?v=d4rze6bI8_M

"Film 4 Moving Out | 2097: We Made Ourselves Over"
"Hessa's mother packs her possessions as the molecular harvesters move in."
https://www.youtube.com/watch?v=kByJfJoS7xI

"Film 5 Hessa's Film | 2097: We Made Ourselves Over"
"Hessa records the long walk through the marshes towards the new city."
https://www.youtube.com/watch?v=1qSqux-3kv0

"Credits | 2097: We Made Ourselves Over"
https://www.youtube.com/watch?v=Hy5GMEUwOQc ]
film  towatch  blasttheory  2017  2097  aarhus  hull  consciousness  funerals  death  future  cities 
january 2018 by robertogreco
Donna Haraway Reads The National Geographic on Primates (1987) — Monoskop Log
"“How does the ‘cultured’ gorilla, i.e. Koko, come to represent universal man? Author and cultural critic Donna Haraway untangles the web of meanings, tracing what gets to count as nature, for whom and when, and how much it costs to produce nature at a particular moment in history for a particular group of people. A feminist journey through the anthropological junglescape.”

Originally broadcasted on Paper Tiger Television in 1987.

The video was posted on the website of Paper Tiger TV in May 2017 under Creative Commons BY-NC-ND License."
donnaharaway  towatch  1987  gorillas  human-animalrelationships  human-animalrelations  multispecies  animals  koko 
january 2018 by robertogreco
Zarina Bhimji: Yellow Patch
"A film installation entitled "Yellow Patch". This film was shot in India.

I am interested in the spaces, micro details and the light of these distant interiors. The location of light is an element of my composition and becomes just as intricate and important as having a figure in my work. The stillness has a suspension of everyday life and yet narrative is deferred by mood and mystery and incompleteness. So that atmosphere is tactile, moist light. But as I worked further I kept coming back to disconnection and belatedness."

[See also: "Zarina Bhimji's world without people"
http://www.phaidon.com/agenda/art/picture-galleries/2012/january/18/zarina-bhimjis-world-without-people/ ]

[via: "Hapticality in the Undercommons, or From Operations Management to Black Ops," by Stefano Harney https://www.academia.edu/6934195/Hapticality_in_the_Undercommons_or_From_Operations_Management_to_Black_Ops

"I want to take just two examples, very different. The first is the performance artist Athi-Patra Ruga. The second is photographer and filmmaker Zarina Bhimji. I don’t intend to read these artists nor to place them in a school or tradition. I want to say instead that they inspire me to think about the line today and its killing rhythm, and to think about the ways this line runs through us, and how it bypasses subject formation at work. But most of all I want to look at their work to think about what Fred calls Black Ops, and the undercommons their work invites us to feel around us.



Empty but not unoccupied, rooms, buildings, and fields, the access in Zarina Bhimji’s aesthetically gorgeous film Yellow Patch at first might seem to be about memory. But memory for the line is a matter of metrics, of not making the same mistake twice. It is useful for improvement. And Bhimji’s camera resists the application of memory to the present for purposes of improvement. Her sound rumbles with labour and logistics, above the empty buildings, echoing in the rooms. But with her we enter a militant preservation, not keeping up, not improving, not looking for productive variance. I would say that old administrative papers stacked on the aging wooden office bookcases, or the yellow shutters cut by blocks of light from outside are aestheticised not to make memory useful through nostalgia, where it can be preserved and sold, or judgement where it can be used for improvement. Instead her film displays a calmness, peace, rest, in history, in contemporary history. Not the de-historicised rest of the meditation industry nor the preservation of the history industry, but a militant rest for history, in history, in struggle, right now. Her rooms, ships, fields, and bays do not leave history to give us preservation or provide us with rest in the struggle. Other lines are right here, the film suggests to me, the undercommons is never elsewhere, its touch is also a reach. Its touch is a rest, a caress. Hapticality occupies these rooms with a tap, tap, stroke rhythm of love."]
zarinabhimji  film  towatch  belatedness  disconnection  2011  haptic  hapticality  tactile  everyday  undercommons  stefanoharney  art  artists  uganda  india 
december 2017 by robertogreco
Edwidge Danticat: Stories of Haiti | TED Talk | TED.com
In the midst of an earlier crisis, Haitian author Edwidge Danticat reminds us of the contributions of Haiti's vibrant culture and people. This reading offers a timely message for today -- as the nation struggles in the aftermath of a devastating earthquake.
haiti  edwidgedanticat  towatch  2004 
december 2017 by robertogreco
Close-Up on Alain Gomis's "Félicité" on Notebook | MUBI
"It has become something of a bitter joke to speak of “strong women” in film. Not because cinema has suddenly become flooded with portraits of a wide variety of women and we need not point out the lack of such roles anymore, but because the idea is so basic it’s almost dehumanizing to ask for. The underlying plea is: write a character that’s complex, contains multitudes, has or fights for their agency. Write a human, please. The idea also has become simplistically defined, where “strong” is reduced to physical strength or the ability to bear endless suffering. In this way, strong becomes defined by a status quo “masculine” norm: the formula enshrined since the likes of Odysseus, the epic hero getting it done on their own.

Where there’s room to grow a concept of strength, then, returns to the original call for complexity. What if strength wasn’t only measured in one’s individualistic capability—as everything from the American Dream to the base tenants of capitalism would lead us to believe—but rather in an ability to grow as humans outwards towards the world? Not to close ourselves off from it, but to have the bravery to interact with it? For me, this was the profound core of Alain Gomis’s latest film, Félicité.

Winner of the Berlinale Silver Bear Grand Jury Prize, Best Film at FESPACO, and setting a new record at the Africa Movie Academy Awards by taking home six statues, Félicité follows a nightclub singer of the same name (an unforgettable debut performance by Véronique Beya Mputu) in Kinshasa. Her life is one of a proud self-sufficiency, as she earns her living with the power of her incredible voice night after night in a small bar in the Congolese capital. When her son is in a horrific accident, however, Félicité’s way of being is sent into chaos: in short order, she has to raise the cash to pay for his operation. This leads to a tense societal procedural on the level of the Dardennes’, combined with elements of a city symphony dedicated to the vibrancy of Kinshasa, as Gomis shoots the street life with a doc-style realism.

While this plight could have been the crux of Gomis’s film, instead it becomes the bridge to Félicité’s growth. After her son returns home with an amputated leg, Félicité begins, slowly, to accept the company (and help) of her neighbor, Tabu (Papi Mpaka). Prone to the drink and a mediocre mechanic at best, Tabu offers a gentle kindness and acceptance of Félicité as she is. It’s this fact that he never demands her life be re-ordered around him that makes their relationship so unique.

Given so many narratives around single women are constructed on a search for a man, that Félicité’s narrative takes this turn might cause some to pause. Yet, Gomis’s story is not based societal expectations and pressures around marriage (indeed, Félicité and Tabu’s relationship is far from “conventional”), but rather a deep humanist impulse: to be with others. It’s not, then, that Félicité’s sole quest is to find a man, but instead that in living her life she crosses paths with someone who she chooses to be with.

It’s this element of choice that adds such depth to Félicité’s form of strength. Yes, her life in Kinshasa is in some ways a Sisyphean struggle to survive, but the film doesn’t wallow in her dire circumstances and instead celebrates the agency and beauty that exists all around her. (Gomis uses the stunning score by the Kasai All Stars and Orchestre Symphonique Kimbanguiste to emphasize this.) Time and again, Félicité has proven she has the strength to do it alone, but Tabu’s presence shows this isn’t the only way—and to accept this alternate way of being requires the strength to be vulnerable.
No scene better highlights this than when Tabu offers to fix her perpetually malfunctioning fridge. With great theatrics, Tabu reveals his handiwork to Félicité and her son, relishing in his glory—though it’s short lived. The motor soon sputters and dies, and Félicité can’t contain her laughter, which Tabu and her son soon join in, too. It’s here that Gomis poetically states that Félicité relationship with Tabu isn’t one based in gendered expectations of “having a man around.” Instead, their love lies in such moments of laughter that recognizes the other as a human who can offer far more than material aid; someone who can offer that immeasurable quality of joyful tenderness that comes when you open up to another. And there’s no weakness in accepting that."
towatch  film  congo  kinshasa  drc  alaingomis  2017  vulnerability  strength  relationships  openness  gender  masculinity  individualism  capitalism  human  humanism  kindness  acceptance  society  convention 
december 2017 by robertogreco
Worlds of Ursula K. Le Guin by Arwen Curry — Kickstarter
"Worlds of Ursula K. Le Guin, a feature documentary, explores the remarkable life and legacy of the groundbreaking 88-year-old author."
ursulaleguin  documentary  towatch  film 
december 2017 by robertogreco
IsumaTV
"About us

IsumaTV is a collaborative multimedia platform for indigenous filmmakers and media organizations. Each user can design their own space, or channel, to reflect their own identity, mandate and audience.

Indigenous media organizations can operate their own state-of-the-art media site, under their own design and URL, and at the same time share IsumaTV’s sophisticated back end infrastructure, without needing to re-invent the digital wheel.

The collective platform currently carries over 6000 videos, and thousands of other images and audio files, in more than 80 different languages, on 800+ user-controlled channels, representing cultures and media organizations from Canada, U.S.A., Greenland, Norway, Sweden, Russia, Australia, New Zealand and all over Latin America.

Users can register and open their own channels, upload videos as well as photos and audio files, share text posts and attach images or PDF files for download, upload multiple videos via FTP or email, embed on other websites, and distribute as downloadable podcasts.

Oral Languages Online

IsumaTV honours oral languages. We use less text for navigating our platform. We use icons and color-coded language to be user-friendly to oral cultures online.

IsumaTV’s main menu options are provided in Inuktitut Roman, Inuktitut Syllabic, English, French and Spanish. Content is in more than 80 languages. Our politics emphasize oral Inuktitut uploads rather than syllabic texts.

Contact us if you want IsumaTV main menu options to be in your language.

IsumaTV in Remote Indigenous Communities

By installing IsumaTV Mediaplayers in remote communities, IsumaTV has created an independent distribution network, allowing isolated communities in the world to interact at high-speed with other people worldwide, by contributing their own media content, and having access to the existing media on IsumaTV.

Indigenous communities worldwide face loss of language and traditional knowledge.

Foreign language media overload is only speeding-up this process.

New media democratization allows new groups of people to have access to media tools that were initially exclusive to them. People can use media to recover language and indigenous traditional strengths, and transform these into contemporary strengths.

IsumaTV is available to anyone with an Internet connection and a computer or mobile device. Unfortunately, most indigenous communities do not have sufficient internet bandwidth access, to view and upload multimedia, at full quality and speed.

The IsumaTV Mediaplayer is designed to allow remote communities to participate equally in a world driven by media, in their own language and in the immediacy of our times.

You can read more about the IsumaTV Mediaplayer technology here.

Our Story

IsumaTV is a project of Isuma Distribution International Inc., Canada's first media distribution company specializing in Inuit and Aboriginal films. IsumaTV was launched in January 2008 with programming from a coalition of independent producers and non-profit partners, including: Igloolik Isuma Productions, (producers of the award-winning Inuit-language Fast Runner Trilogy: Atanarjuat The Fast Runner, The Journals of Knud Rasmussen, and Before Tomorrow); Nunavut Independent TV Network (NITV); Arnait Video Productions; Artcirq; ImagineNATIVE Film+Media Arts Festival; Vtape; Native Communications Society of the NWT (producers of the historic TV series Our Dene Elders); and other non-profit agencies.

For information contact us at info@isuma.tv"
inuit  video  indigenous  media  oral  oralcultures  inuktitut  towatch  television  tv  multimedia 
december 2017 by robertogreco
Land of the Lustrous - Wikipedia
[via: "‘Land of the Lustrous’ is the Most Visually Interesting Show In Ages"
https://medium.com/@carolgrantr/land-of-the-lustrous-is-the-most-visually-interesting-show-in-ages-fbef949e9dca

"Few cinematic works really capture the horror and beauty of what it means to inhabit a body. Most recent to come to mind is Jonathan Glazer’s Under the Skin, a meditation on the ways bearing a human, female body fundamentally changes you and how you move through the world. And now there’s Takahiko Kyogoku’s Land of the Lustrous, adapted from Haruko Ichikawa’s manga of the same name, about the beauty and agony of inhabiting any body to begin with."



"Speaking of the body as ultimate totem to one’s self, the Gems are depicted as genderless and speak to each other with they/them pronouns. Many of their features are very femme, and they’re voiced by cisgender female actresses, yet they distinctly lack breasts and (presumably) reproductive organs. Their very design, like most elements of the show, is meant to exist in a state of inbetween, of non-binary. Despite being about the inseparability of the Ghost with the Shell, the presentation of bodies (and gender) is as fluid as it is weighty — like Cinnabar’s swirling mercury droplets — and it only adds to the unique physicality of their movements. Like everything else in Lustrous, these elements contradict each other, yet the show lives and breathes comfortably within the blur of those lines.

The shots that frame these bodies also contribute to their deeply physical presence in Lustrous’s environs. Unlike most of the American “Peak TV” shows that imitate Kubrick’s penchant for symmetrical compositions and negative space, Lustrous’s framing is always emotionally clear and concise. While these shots certainly assist with the uniquely cryptic mood and atmosphere, they’re first and foremost about the characters they’re framing, and their positions in the desolate world of the show."]
srg  manga  towatch  anime  cgi  television  tv  film  body  bodies  gender  inbetween  betweenness  non-binary 
november 2017 by robertogreco
Your Name - Wikipedia
"Your Name (Japanese: 君の名は。 Hepburn: Kimi no Na wa.) is a 2016 Japanese animated drama film written and directed by Makoto Shinkai and produced by CoMix Wave Films. The film was produced by Noritaka Kawaguchi and Genki Kawamura, with music composed by Radwimps. Your Name tells the story of a high school girl in rural Japan and a high school boy in Tokyo who swap bodies. The film stars the voices of Ryunosuke Kamiki, Mone Kamishiraishi, Masami Nagasawa, and Etsuko Ichihara. Shinkai's novel of the same name was published a month before the film's premiere.

Your Name was distributed by Toho, it premiered at the Anime Expo 2016 convention in Los Angeles, California on 3 July 2016, and in Japan on 26 August 2016. It received widespread acclaim from critics, who praised the film for its animation and emotional impact, and was also a major commercial success, becoming the fourth-highest-grossing film of all time in Japan, the 7th-highest-grossing traditionally animated film, the highest-grossing anime and Japanese alike film and the 5th-highest-grossing non-English film worldwide[note 1], with a total gross of more than $355 million. The film won the 49th Sitges Film Festival, 2016 Los Angeles Film Critics Association Awards, and 71st Mainichi Film Awards for Best Animated Feature Film, as well as receiving a nomination for the 40th Japan Academy Prize for the Best Animation of the Year. A live-action remake is currently in the works."
anime  towatch  japan  film  animation  via:robinsloan  makotoshinkai  srg 
november 2017 by robertogreco
2015 Arts Writing Award grantee Joanne McNeil debuts Just Browsing - Carl & Marilynn Thoma Art Foundation
"The recipient of our 2015 Arts Writing Award in Digital Art, Joanne McNeil has completed her grant-supported project Just Browsing, a five-part video series investigating what it means to be an internet user. Just Browsing will premiere at Fridman Gallery in New York City on Oct. 19. McNeil and her coproducer Nicole Antebi will be in attendance and will introduce each episode in the series. The screening is to be followed by a Q&A session with the filmmaker and her coproducer.

Each episode in McNeil’s series begins with a topic of inquiry and leads the audience through the narrator’s own investigation of overlapping subjects using books and a web browser. The episodes toggle between new and old forms of media along with animation and live-action sequences filmed at New York’s legendary speakeasy bookstore Brazenhead Books.

Written and directed by McNeil, with cinematography, editing, and motion graphics by Antebi and music by Vince Clarke, Just Browsing will go live on the artist’s website later this year.

Joanne McNeil is a writer interested in the ways that technology is shaping art, politics, and society. She was a recipient of the Carl & Marilynn Thoma Art Foundation 2015 Arts Writing Awards in Digital Art and a resident at Eyebeam. Her essays and reviews have appeared in the New York Times, Domus, Dissent, Frieze, The Baffler, and other publications. She is working on a book about internet users called Lurk.

Nicole Antebi works in non-fiction animation, motion graphics, installation. She was the 2015 animator-in-residence at Circuit Bridges, New York and was recently awarded a Jerome Foundation Grant in Film/Video for a forthcoming animated film about El Paso and Ciudad Juàrez in the early 1990’s. Her work has been shown at Anthology Film Archives, Torrance Art Museum, The Crocker Museum, Dallas Contemporary, and the Armory Center for the Arts, among other art institutions and alternative spaces."
justbrowsing  joannemcneil  film  towatch  nicoleantebi  internet  web  online  2017 
october 2017 by robertogreco
Lens of Time: Secrets of Schooling - bioGraphic
"Shimmering schools of fish have dazzled scientists for centuries with their synchronized maneuvers. Now, high-speed video is revealing how—and why—they do it."



"Collective behavior is embodied in swarms of insects, flocks of birds, herds of antelope, and schools of fish. In each of these cases, individuals move through their environment and respond to threats and opportunities almost simultaneously, forming an undulating enclave that seems to operate as a single entity. Such coordinated movement requires the rapid and efficient transfer of information among individuals, but understanding exactly how this information spreads through the group has long eluded scientists. Studying this behavior in schools of fish has been incredibly challenging, because the cues that drive it occur at lightening speed, come from multiple directions and sources, and of course because all of it takes place underwater. Now, Iain Couzin and his colleagues at the Max Planck Institute for Ornithology at the University of Konstanz, Germany are using new observation techniques and technologies—including high-speed video, motion-tracking software, and advanced statistical modeling—to reveal the mysterious mechanics of schooling fish. Their findings may shed light on the evolution and benefits of collective behavior across the animal kingdom."
nature  animals  multispecies  collectivebehavior  fish  birds  herds  antelopes  insects  science  iaincouzin  video  towatch  motion  movement 
august 2017 by robertogreco
Kim's Convenience S01E01 HD - YouTube
"This playlist includes 1 main video and more Kim's Convenience: 1.Kim's Convenience S01E01 Gay Discount 2.Kim's Convenience S01E02 Janet's Photos 3.

Kim's Convenience S01E01 Mr. Kim decides to offer a store discount to gay customers. Meanwhile, Umma tries to find a hip."
via:jackcheng  towatch  television  tv  comedy 
august 2017 by robertogreco
No Man's Land - YouTube
"No Man's Land follows Moroccan Jewish activist and former Israeli Black Panther leader Reuven Abergel as he leads a tour of Musrara neighborhood in Jerusalem. Using the historical landscape of the city, Reuven recounts the history of the Israeli Black Panthers, a protest group started by Mizrahi Jews from the Middle East and North Africa struggling against Israeli state violence against their communities. In the process he also illustrates why he believes anti-Mizrahi racism in Israel is deeply connected to the dispossession of Palestinians."
towatch  reuvenaberge  documentary  activism  jerusalem  blackpantherparty  blackpanthers  israel  palestinians  palestine  northafrica  middleeast 
august 2017 by robertogreco
CHECK IT
"At first glance, they seem unlikely gang-bangers. Some of the boys wear lipstick and mascara, some stilettos. They carry Louis Vuitton bags, but they also carry knives, brass knuckles and mace. As vulnerable gay and transgender youth, they’ve been shot, stabbed, and raped.

Once victims, they’ve now turned the tables, beating people into comas and stabbing enemies with ice picks. Started in 2009 by a group of bullied 9th graders, today these 14-22 year old gang members all have rap sheets riddled with assault, armed robbery and drug dealing charges.

Led by an ex-convict named Mo, Check It members are now creating their own clothing label, putting on fashion shows and working stints as runway models. But breaking the cycle of poverty and violence they’ve grown up in is a daunting task.

Life for the Check It can be brutal, but it’s also full of hope and an indomitable resilience. At its heart, CHECK IT explores the undying friendship that exists between these kids – an unbreakable bond that is tested every day as they fight to stand up for who they are in a community relentlessly trying to beat them down. "

[See also:
"Louis C.K. Releases LGBT Gang Documentary ‘Check It’"
https://variety.com/2017/film/news/louis-c-k-releases-check-it-documentary-black-gay-gang-1202485039/

[Louis CK Trailer:
https://www.youtube.com/watch?v=auaKQx0pVE0 ]
film  documentary  washingtondc  towatch  ganges  transgender  gay  lgbtq  2016 
july 2017 by robertogreco
TOMORROW WE DISAPPEAR
"When their land is sold to developers, the magicians, acrobats, and puppeteers of Kathputli Colony must find a way to unite --
or splinter apart forever.

Tomorrow We Disappear is a feature length documentary about the last days of Kathputli, a hand-built artist colony hidden away in the alleyways of New Delhi. Spanning three years, the film follows Puran the Puppeteer, Rahman the Magician, and Maya the Acrobat as they approach their looming eviction."
film  documentary  towatch  india  kathputli  puppetry  artists  newdelhi  magicians  acobats  evicition  development 
july 2017 by robertogreco
Iñárritu’s ‘Carne y Arena’ Virtual Reality Simulates a Harrowing Border Trek - The New York Times
[See also:
"Why Alejandro González Iñárritu is the Director Who Finally Got VR Right — Cannes 2017"
http://www.indiewire.com/2017/05/alejandro-gonzalez-inarritu-carne-y-arena-cannes-vr-1201819096/ ]

"After weeks in the desert, dehydrated and afraid, refugees and migrants who are apprehended crossing the United States-Mexico border are regularly locked in what are called las hieleras: the freezers. They are meant to be short-term holding cells — they have no beds — but they also exact a kind of extrajudicial punishment. As revealed by a Freedom of Information Act request in 2015, migrants are trapped there for nearly two days on average. Children are separated from their families; detainees are deprived of food. Sometimes their lips split. Sometimes their skin turns blue.

The cold of the hieleras is the first thing you feel in “Carne y Arena” (“Flesh and Sand”), a groundbreaking hybrid of art exhibition, virtual reality simulation and historical re-enactment by the Mexican film director Alejandro G. Iñárritu on view here ahead of its art-world debut in June at the Prada Foundation in Milan. You enter a cold-storage chamber, spare but for a few industrial benches, and are instructed to remove your shoes and socks. Dusty slippers and sneakers, recovered from the border zone, litter the floor. Barefoot, you exit the cold room and enter a larger one, its floor covered with sand. Attendants equip you with an Oculus Rift virtual-reality headset, headphones — and a backpack. The darkness gives way, and you find yourself on the border, and in danger.

In the gloaming you can make out an old woman who has broken her ankle, moaning in Spanish for help; a people-smuggler, or coyote, complains in English that they’re slowing down. You can walk through the sand to get close to them, since your headset is equipped with a motion detector. But soon a helicopter appears overhead, its spotlight bearing down on you, and border agents with guns and dogs are ordering you in two languages to put your hands up. With a rifle in your face, you instinctively throw your hands in the air.

Politically urgent and technically accomplished, “Carne y Arena” is the first virtual-reality installation to screen in the official selection of the Cannes Film Festival, which opened its 70th edition this week. Its debut here in an airplane hangar, far from the glamorous Croisette, is a foretaste of its display in arts institutions. Along with its showing at the Prada Foundation, which produced the work with Legendary Entertainment, it will also travel to two museums on either side of the border that President Trump has promised to divide with a wall. The Los Angeles County Museum of Art will host “Carne y Arena” starting in July; the Tlatelolco museum in Mexico City will also feature the VR work this summer.

Museums will most likely provide a better context for this powerful three-room installation than the world of cinema. Mr. Iñárritu’s virtual reality, or VR, project has a sternness and resolve similar to some of his previous movies, notably the survivalist epic “The Revenant” and the California-Mexico strand of “Babel,” which netted a best director prize here in 2006. But “Carne y Arena” is not a film, and it succeeds by acknowledging that virtual reality is a wholly different medium, posing different theoretical and narrative challenges. Editing, essentially, is gone. Framing is gone too. Characters must be positioned in three dimensions, not just two. The medium is almost a hybrid of video game and live theater, and to excel, you have to think like a philosopher as much as a techie. “Carne y Arena” took Mr. Iñárritu four years to figure out — he made the relatively low-tech “Revenant” in the process — but he got there.

In “Carne y Arena,” whose virtual-reality component runs about seven minutes, traditionally photographed landscapes provide the backdrop for digitally rendered performers. Advances in technology — along with the sand beneath your feet — make the experience truly transporting, and as the dust rises from the ground, you quickly forget that the Riviera is right outside. (The outdoor images, detailed and menacing, were shot near the border by Emmanuel Lubezki, known as Chivo, Mr. Iñárritu’s frequent collaborator.)

Some technical limitations of the medium remain in evidence when you get close to the performers: not professional actors, but undocumented immigrants from Mexico or Central America, whose 14 individual stories are evoked in portraits appearing in the show’s final room. So that you can perceive them from every angle, they performed on a sensor-equipped soundstage and have been rendered digitally in three dimensions. Though their clothing and movements are convincing, up close their flesh appears reptilian and their faces generic.

But then crouch down, push your head through one of their bodies. You’ll find yourself in a bloody, throbbing chamber: their beating heart. “Carne y Arena” may draw most of its power from the real lives of immigrants, but it’s a work of fiction, with flights into poetry that set it apart from many documentaries in virtual reality, which has too often been promoted as just an “empathy machine.”

Just as the border guards are screaming at the migrants to kneel in the sand, a puff of smoke appears. The officers vanish, and a strange dream sequence begins.

The coyote is sitting on a truck, reading a book of poetry; the woman with the broken ankle is humming a lullaby at a long table that has materialized in the desert. When you move to the table, its wooden surface starts to deform. A cavity appears, containing a capsizing boat — an evocation of another refugee crisis, this one taking place right off the Croisette in the Mediterranean. Like the surreal moment when you discover you can walk into these migrants’ hearts, this mournful reverie serves to humanize people we still think of mostly in aggregate.

One reason the experience of migration and helplessness feels so potent in “Carne y Arena” is because you experience it alone. In this way, VR is completely different from Imax projections, or from cinema watched through 3-D glasses. Directors and artists have to choreograph narratives in space rather than in frames, and they must also calculate for a constantly shifting point of view. When you wear a virtual-reality headset, you become the lead actor, but you’re also, in a way, the director of photography as well.

So for all the thematic echoes between “Carne y Arena” and earlier films like “Babel” or “The Revenant,” I concluded by my third go-round that one movie above all might have prepared Mr. Iñárritu for the challenge of virtual reality. That film is “Birdman,” which he and Mr. Lubezki presented as a single, two-hour tracking shot. The exacting choreography of “Birdman,” perceived by a camera wandering through a Broadway theater, may have helped Mr. Iñárritu model the spatial relations and you-are-there imagery that VR requires. Classical Hollywood editing no longer serves, and so narrative has to be conveyed in other ways: through setting, sound and physical encounters.

It may seem strange that “Birdman,” Mr. Iñárritu’s black comedy, may be the most relevant antecedent for a work as harrowing as this one. And yet virtual reality, in the long run, is not cinema or video art. It’s a medium that seeks to become a non-medium — a tissue of images and sounds that replicates or even supersedes true life.

These are old ambitions, of course. The technologies for 3-D viewing have been around for centuries, and convex-lensed optical viewers in the 18th century, or depth-simulating goggles in the 19th, have come and gone. Whether virtual reality will really reshape art institutions, or whether it will fade like those earlier zograscopes and stereoscopes, is unknown. What Mr. Iñárritu has proved, with this formidable new work, is that making VR more than a sideshow medium is the job of artists, and that some stories can compel us more deeply when we are dropped into their protagonists’ lives. One of those stories takes place every day along the American border — and in the Mediterranean as well — by people with no greater designs than the pursuit of happiness."
alejandroiñárritu  virtualreality  border  borders  us  mexico  2017  emmanuellubezki  towatch  vr 
may 2017 by robertogreco
Overview - Paper Tigers
"More than two decades ago, two respected researchers, clinical physician Dr. Vincent Felitti and CDC epidemiologist Robert Anda, published the game-changing Adverse Childhood Experiences Study. It revealed a troubling but irrefutable phenomenon: the more traumatic experiences the respondents had as children (such as physical and emotional abuse and neglect), the more likely they were to develop health problems later in life—problems such as cancer, heart disease, and high blood pressure. To complicate matters, there was also a troubling correlation between adverse childhood experiences and prevalence of drug and alcohol abuse, unprotected sex, and poor diet. Combined, the results of the study painted a staggering portrait of the price our children are paying for growing up in unsafe environments, all the while adding fuel to the fire of some of society’s greatest challenges.

However, this very same study contains the seed of hope: all of the above-mentioned risk factors—behavioral as well as physiological—can be offset by the presence of one dependable and caring adult. It doesn’t need to be the mother or the father. It doesn’t even need to be a close or distant relative.

More often than not, that stable, caring adult is a teacher.

It is here, at the crossroads of at-risk teens and trauma-informed care, that Paper Tigers takes root. Set within and around the campus of Lincoln Alternative High School in the rural community of Walla Walla, Washington, Paper Tigers asks the following questions: What does it mean to be a trauma-informed school? And how do you educate teens whose childhood experiences have left them with a brain and body ill-suited to learn?

In search of clear and honest answers, Paper Tigers hinges on a remarkable collaboration between subject and filmmaker. Armed with their own cameras and their own voices, the teens of Paper Tigers offer raw but valuable insight into the hearts and minds of teens pushing back against the specter of a hard childhood.

Against the harsh reality of truancy, poor grades, emotional pain, and physical violence, answers begin to emerge. The answers do not come easily. Nor can one simply deduce a one-size-fits-all solution to a trauma-informed education. But there is no denying something both subtle and powerful at work between teacher and student alike: the quiet persistence of love.

Resilience logo"
film  documentary  towatch  robertanda  vincentfelitti  adversechildhoodexperiences  children  childhood  sfsh  health  parenting  wallawalla  washingtonstate  trauma  teens  youth  love  education  schools  abuse  neglect  jamesredford 
may 2017 by robertogreco
The Big Picture: Rethinking Dyslexia
"A dyslexic high school student pursues admission to a leading college – a challenge for a boy who didn’t learn to read until 4th grade. Additional accounts of the dyslexic experience from children, experts, and iconic leaders at the top of their fields, help us to understand that dyslexia, a persistent problem with learning to read, can be as great a gift as it sometimes is an obstacle."
film  documentary  dyslexia  sfsh  towatch  charlesschwab  gavinnewsom  richardbranson  jamesredford  karenvlock  bennetshaywitz  sallyshaywitz  allisonschwartz  dylanredford  bonniepatten  geralynlucas  skyelucas  shereecarter-galvan  tylerlucas  sebastiangalvan  davidboies  learning  documentaries 
may 2017 by robertogreco
Overview - Resilience
"THE CHILD MAY NOT REMEMBER, BUT THE BODY REMEMBERS.

Researchers have recently discovered a dangerous biological syndrome caused by abuse and neglect during childhood. As the new documentary Resilience reveals, toxic stress can trigger hormones that wreak havoc on the brains and bodies of children, putting them at a greater risk for disease, homelessness, prison time, and early death. While the broader impacts of poverty worsen the risk, no segment of society is immune. Resilience, however, also chronicles the dawn of a movement that is determined to fight back. Trailblazers in pediatrics, education, and social welfare are using cutting-edge science and field-tested therapies to protect children from the insidious effects of toxic stress—and the dark legacy of a childhood that no child would choose."
film  documentary  childhood  children  trauma  abuse  neglect  health  towatch  robertanda  vincentfelitti  adversechildhoodexperiences  jamesredford  stress  anxiety  resilience  nadineburkeharris 
may 2017 by robertogreco
#ResistCapitalism on Twitter: "Thread of revolutionary films & documentaries. (Feel free to add)"
"Thread of revolutionary films & documentaries. (Feel free to add)

"The Struggle Continues - A Luta Continua" about FRELIMO and Mozambiques liberation struggle.
https://www.youtube.com/watch?v=BG4IN--oVd8

Patu! By Merata Mita https://www.nzonscreen.com/title/patu-1983 a doc on Maori resistance to the South African rugby tour

"People of the Shining Path" about Peru's protracted peoples' war.
https://www.youtube.com/watch?v=-HnH-MguElU

"The Unknown War" Episode 10 - The Partisans" about popular Soviet resistance to Nazi occupation.
https://www.youtube.com/watch?v=-lP70jPAqRs

"The Battle of Algiers" about the FLN in the Algerian war of Independence.
https://www.youtube.com/watch?v=m-lWF100yTM

"Army of Crime" about French Communist Partisans resisting Nazi occupation.
https://www.youtube.com/watch?v=NTccqNzu-xk

"Harlan County, U.S.A" about the Kentucky Coal Miner's Strike.
https://www.youtube.com/watch?v=QwFiPa20AuU

"The General George Jackson: Escape to Freedom" about US political prisoner/Field Marshall of the BPP George Jackson
https://www.youtube.com/watch?v=XuYba1ibpdU

"China: A Century of Revolutionary Pt. 2"
https://www.youtube.com/watch?list=PLO_sLtxST1N1nNNe2gPttoX1DrjsUbSAV

This 5 part series on the Cuban Revolution
https://www.youtube.com/watch?v=bWmeWZLTdMo

"India's Red Tide" about Maoist Naxalite Guerilla's in India
https://www.youtube.com/watch?v=OvUVzvt_jtg

"In the Year of the Pig - 1968"
https://www.youtube.com/watch?v=sz8H_oi1ck0

"Buhay Komunista" about the CPP-NPA and the peoples' war in the Philippines
https://www.youtube.com/watch?v=9zgs6y8JS98

[from other accounts]

"The Wind that shakes the Barley" about the Irish struggle for independence and socialism.
https://www.youtube.com/watch?v=QzqHEFHWYy4

"Days of Hope" covering the period from WWI to the British general strike of 1926.
https://www.youtube.com/watch?v=0u019DvYjY4

How Cuba helped force European imperialist out of Africa
https://www.youtube.com/watch?v=YmzIIzszch4

Winter Soldier (1972)
https://www.youtube.com/watch?v=CvNDkzi_HEE

Salt of the Earth (1954)
https://www.youtube.com/watch?v=i9oY4rmDaWw

Thomas Sankara - the Upright Man
https://vimeo.com/46137917

The Hour of the Furnaces (1968) Part 1: Neocolonialism and Violence
https://www.youtube.com/watch?v=jQOXKoMHOE0

The Hour of the Furnaces (1968) Part 2: Act for Liberation
https://www.youtube.com/watch?v=OqaHNU03aag

The Hour of the Furnaces (1968) Part 3: Violence & Liberation
https://www.youtube.com/watch?v=ePJpI3_sV_Y

“Che,” a two-part film of Che’s experiences during the Cuban Revolution & his last days in Bolivia:
https://www.youtube.com/watch?v=fqTw2dtVQzw

The Battle of Chile by Patricio Guzmán. Part 1 here:
https://www.youtube.com/watch?v=b5GeEzBKGsQ

Black Panthers Vanguard of the Revolution
https://www.youtube.com/watch?v=6bcubkt6BwY

October: 10 Days That Shook the World. A classic of Soviet cinema:
https://www.youtube.com/watch?v=k62eaN9-TLY

'Red Ant Dream' on India's Maoists, indigenous resistance and remembering Bhagat Singh
https://www.youtube.com/watch?v=cVvThDX4bbQ

@BlackAutonomist Land and Freedom (1995)

Spanish civil war film very sympathetic to the anarchists/Marxists
http://imdb.com/title/tt0114671/

Finally Got the News (1970) about black revolutionary auto workers in Detroit, esp. at 14:00
https://www.youtube.com/watch?v=RgJd_MvJVzg

"When the Mountains Tremble": Documentary on the Guatemalan Civil War+ Guerrilla Movement
https://www.youtube.com/watch?v=a4rG8nmgRw4

"The Act of Killing"
following some of the mass murderers who took power in Indonesia in the 60s
http://docur.co/documentary/the-act-of-killing

"concerning violence" is on netflix, narrated by ms. lauryn hill based around Fanon's "the wretched of the earth"

[continues] "
film  revolution  lists  towatch  documentary 
february 2017 by robertogreco
Islands | Planet Earth II | BBC America
"For some, remote islands offer sanctuary away from the mainland: the tiny pygmy three-toed sloth only survives because of the peace and safety offered by its Caribbean island home, while seabirds like albatross thrive in predator-free isolation."
islands  nature  sfsh  classideas  2017  planetearthii  bbc  video  towatch  wildlife 
february 2017 by robertogreco
The Seattle Review of Books - Here is a movie to remind you why you love reading and writing
"A lot of great movies adapted from written works have been released over the last month or so. Silence is a complex and challenging and ultimately rewarding adaptation of Shusaku Endo’s novel about the demands and responsibilities of faith. Fences is one of the most harrowing family dramas I’ve seen in years, with career-best performances from Denzel Washington and, especially, Viola Davis.

But one original movie in theaters right now, not adapted from a book or play, is a surprising tribute to the importance of the written word. I’m talking about Jim Jarmusch’s new film Paterson, and I’m telling you: if you love books and poetry and writing, you have to see this movie as soon as possible.

Paterson’s premise sounds like the setup for a limerick: Adam Driver stars as Paterson, a bus driver in Paterson, New Jersey. The film follows a week in his life, and not a whole lot, really, happens. Paterson is a man who likes his rituals: he walks the dog to the bar every night, and he writes a few lines of poetry into his notebook in the morning, and he likes to sit in the same spot and watch the water go over Paterson Falls. He and his girlfriend Laura (Golshifteh Farahani) live a quiet life that is mostly content. They could use a little more money, sure, but who couldn’t?

Paterson is a film of echoes. Certain themes repeat themselves over and over: fire, twins, rain. Paterson admires the poetry of William Carlos Williams, the city of Paterson’s most famous literary resident, and Williams’ work reverberates through the film as well. (Williams wrote an epic poem about the city also titled Paterson.) These little instances accrue into a fuller portrait, a pointillist masterpiece.

Paterson doesn’t write his poetry for the sake of immortality. He writes poetry because it’s how he processes the world. Driver reads the lines over and over in a halting voice as Paterson writes in his notebook and the handwritten words appear on screen. We see him sitting in his small office, lined with books by Williams and David Foster Wallace and Frank O’Hara, as he struggles to get the words just so. He seems to meet poets around every street corner: everyone is recording the universe in careful handwriting on lined paper in secret notebooks.

Paterson made me happier than any movie I’ve seen in recent memory. It’s a movie about art for the sake of art, a movie about writing and reading for no reason but for the pleasure of writing and reading. Paterson’s life inspires his art, which in turn inspires his life. There’s probably no big break around the corner for him. He’s probably not going to get a big thick hardcover anthology of his work. But he does it anyway, because he has to, and because it makes him better.

Trust me: you don’t want to half-watch Paterson on your couch while idly flicking through your phone. This is a movie to watch in the theater. Afterward, take public transit home. Bring a book of poetry to read on the bus or the train. Eavesdrop on some conversations. There’s art everywhere — you just have to be ready to receive it."
paterson  jimjarmusch  fil  towatch  poetry  everyday  notebooks  attention  mundane  paulconstant  2017  williamcarloswilliams  understanding  thinking  whywewrite  happiness  howwewrite  writing  words  notetaking  observation  listening  art  life  living  reading  artleisure  leisurearts 
january 2017 by robertogreco
NOVA - Official Website | School of the Future
"How can the science of learning help us rethink the future of education for all children?"



"Program Description
In a new age of information, rapid innovation, and globalization, how can we prepare our children to compete? Once the envy of the world, American schools are now in trouble. Test scores show our kids lag far behind their peers from other industrialized countries, and as the divide between rich and poor grows wider, the goal of getting all kids ready for college and the workforce gets harder by the day. How can the latest research help us fix education in America? Can the science of learning—including new insights from neuroscientists, psychologists, and educators—reveal how kids’ brains work and tell us which techniques are most likely to engage and inspire growing minds? What role should technology play in the classroom? Teachers, students, parents, and scientists take center stage as NOVA explores a new vision for the “School of the Future.”"
schools  education  future  documentary  towatch  2016  globalization  neuroscience  sfsh  learning  howwelearn 
january 2017 by robertogreco
The Seasons in Quincy
[trailer:
https://vimeo.com/150618861
https://vimeo.com/148352867 ]

"The Seasons in Quincy is the result of a five-year project by Tilda Swinton, Colin MacCabe and Christopher Roth to produce a portrait of the intellectual and storyteller John Berger. It was produced by the Derek Jarman Lab, an audio-visual hub for graduate filmmaking based at Birkbeck, University of London, in collaboration with the composer Simon Fisher Turner.

In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy."
johnberger  documentary  towatch  derekjarman  tildaswinton  colinmaccabe  christopherroth 
january 2017 by robertogreco
Jonah Who Will Be 25 in the Year 2000 - YouTube
"Clip from Jonas qui aura 25 ans en l'an 2000 (Alain Tanner, 1976); history teacher Marco explains time. These concepts are also set out in the historical note to Pig Earth by John Berger."

[via: https://twitter.com/zeynep/status/816021954255785986 ]
johnberger  alaintanner  1976  towatch  capitalism  progress  history  time  work  hierarchy  labor  society 
january 2017 by robertogreco
BBC Four - John Berger: The Art of Looking
[video currently available on YouTube: https://www.youtube.com/watch?v=e3VhbsXk9Ds ]

"Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.

Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing.

The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger.

The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing.

Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller."
2016  johnberger  documentary  towatch  simonmcburney  michaeldibb  johnchristie  selçukdemiral  jeanmohr  katyaberger  yvesberger  waysofseeing  seeing  looking  noticing  biography  storytelling  skepticism  photography  rebellion  writing  howwewrite  collaboration  canon  conspirators  rebels  friendship  community  migration  motorcycles  presence  being  living  life  interestedness  interested  painting  art  history  france  belonging  place  labor  home  identity  work  peasants  craft  craftsmanship  aesthetics  design  vision  cataracts  sight  teaching  howweteach  attention  focus  agriculture  memory  memories  shit  pigs  humans  animals  childhood  perception  freedom  independence  storytellers  travelers  nomads  trickster  dead  death  meaning  meaningmaking  companionship  listening  discovery  understanding  sfsh  srg  books  publishing  television  tv  communication  engagement  certainly  uncertainty 
january 2017 by robertogreco
John Berger with Michael Ondaatje, Conversation 4, Episode 7 – Video | Lannan Podcasts
"John Berger is a storyteller, essayist, novelist, screenwriter, dramatist and critic, whose body of work embodies his concern for, in Geoff Dyer’s words, “the enduring mystery of great art and the lived experience of the oppressed.”

He is one of the most internationally influential writers of the last fifty years, who has explored the relationships between the individual and society, culture and politics and experience and expression in a series of novels, book works, essays, plays, films, photographic collaborations and performances, unmatched in their diversity, ambition and reach. His television series and book Ways of Seeing revolutionized the way that Fine Art is read and understood, while his engagement with European peasantry and migration in the fiction trilogy Into Their Labours and A Seventh Man stand as models of empathy and insight.

John Berger in conversation with Michael Ondaatje at Berger's home, a working farm, in Quincy, Mieussy, France, October 2002."

[video: https://vimeo.com/11089692 ]
johnberger  michaelondaatje  video  2002  towatch 
january 2017 by robertogreco
THE 25 BEST FILMS OF 2014: A VIDEO COUNTDOWN on Vimeo
"25. Lucy -
24. We Are the Best! -
23. Timbuktu -
22. Selma *
21. Love is Strange -
20. Listen Up Philip
19. Godzilla -
18. Starred Up
17. Why Don’t You Play in Hell? -
16. Mommy
15. The Babadook
14. Palo Alto -
13. Ida -
12. Adieu au langage -
11. Boyhood -
10. The Tale of the Princess Kaguya
9. Force Majeure -
8. God Help the Girl
7. The Double
6. Only Lovers Left Alive
5. Gone Girl
4. Nymphomaniac
3. Under the Skin
2. Inherent Vice
1. The Grand Budapest Hotel *"

[*seen it]
2014  towatch  filmlists  davidehrlich  film  editing 
december 2016 by robertogreco
THE 25 BEST FILMS OF 2013: A VIDEO COUNTDOWN on Vimeo
"25. Frances Ha
24. The World’s End
23. The Broken Circle Breakdown
22. The Bling Ring *
21. Pain and Gain
20. The Great Beauty
19. Blue Jasmine
18. Nebraska
17. Beyond the Hills -
16. Gatsby *
15. Stoker
14. The Act of Killing
13. Laurence Anyways
12. The Wolf of Wall Street *
11. Upstream Color *
10. Post Tenebras Lux -
9. Leviathan *
8. A Touch of Sin
7. At Berkeley -
6. Spring Breakers
5. The Grandmaster
4. Twelve Years a Slave -
3. Inside Llewyn Davis
2. The Wind Rises *
1. Before Midnight"

[* see it]
2013  film  editing  towatch  filmlists  davidehrlich  srg 
december 2016 by robertogreco
THE 25 BEST FILMS OF 2016: A VIDEO COUNTDOWN - YouTube
"25. Weiner
24. High-Rise -
23. Lemonade *
22. Kate Plays Christine -
21. Things to Come
20. Always Shine
19. Manchester By the Sea
18. Swiss Army Man -
17. Silence -
16. Hail, Caesar!
15. The Witch -
14. American Honey
13. Indignation
12. Toni Erdmann -
11. The Handmaiden
10. The Love Witch
9. The Lobster -
8. La La Land -
7. The Fits -
6. Kubo and the Two Strings -
5. A Bigger Splash
4. OJ Made in America *
3. Jackie
2. Sunset Song
1. Moonlight -"

[*seen it]
2016  towatch  filmlists  davidehrlich  film  editing 
december 2016 by robertogreco
Illuminating Moonlight
"Handpicked by Moonlight director Barry Jenkins, these major works of queer, black, and international art cinema offer insight into the making of a modern masterpiece.

Moonlight
Barry Jenkins 2016 USA 110 minutes

Barry Jenkins’s this three-part narrative spans the childhood, adolescence, and adulthood of a gay African-American man who survives Miami’s drug-plagued inner city, finding love in unexpected places and the possibility of change within himself. An NYFF54 selection. An A24 release. Preceded by: My Josephine (Barry Jenkins, 8m).

Medicine for Melancholy
Barry Jenkins 2008 USA 88 minutes

Shot in luscious sepia tones, Jenkins’ feature debut considers what it means to be young, black, and bohemian in rapidly gentrifying San Francisco via the story of a one-night stand that stretches into a 24-hour odyssey. Preceded by: A Young Couple (Barry Jenkins, 13m).

Beau Travail
Claire Denis 1999 France 35mm 92 minutes

Claire Denis’s loose retelling of Billy Budd, set among a troop of Foreign Legionnaires stationed in the Gulf of Djibouti, is one of her finest films, an elemental story of misplaced longing and frustrated desire. Preceded by: The Meaning of Style (Phil Collins, 5m).

Gohatto
Nagisa Ôshima 1999 Japan 35mm 100 minutes

Nagisa Ôshima returned, fourteen years after his previous feature, Max mon amour, with a final film. Set in a 19th century samurai school, Gohatto concerns an impossibly handsome new recruit (Ryûhei Matsuda) who spreads trouble and desire through the ranks of enlisted men and officers alike.
Showtimes

Happy Together
Wong Kar-wai 1997 Hong Kong/Japan/South Korea 35mm 96 minutes

Winner of the Best Director award in Cannes, Wong’s sixth feature is a straightforward, intimate work—a rich and atmospheric meditation on relationships that whirls from tango bars to Taiwan, from black-and-white to color, from desperation to hope. An NYFF35 selection.

Killer of Sheep
Charles Burnett 1978 USA 35mm 83 minutes

A masterpiece of poetic realism, Charles Burnett’s landmark UCLA thesis film is a haunting, almost documentary-like chronicle of 1970s black life in Los Angeles’ Watts neighborhood laden with indelible, magic images. Preceded by: Until the Quiet Comes (Kahlil Joseph, 4m).

Silent Light
Carlos Reygadas 2007 Mexico/France/Netherlands/Germany 35mm 139 minutes

Filmed entirely in the German-derived Plautdietsch language, Silent Light weaves a poetic and affecting tale of marital and spiritual crisis, revolving around the affair of a married farmer as his wife suffers, knowingly, in silence. An NYFF45 selection.

Three Times
Hou Hsiao-hsien 2005 France/Taiwan 139 minutes

Hou Hsiao-hsien’s rapturously beautiful 2005 feature is a triumph about the melancholy play of time and memory. The action is broken into three different love stories in different eras—a 1966 pool hall, a prosperous 1911 brothel, and contemporary Taipei. An NYFF43 selection."
film  barryjenkins  moonlight  2016  clairedenis  nagisaôshima  wongkar-wai  charlesburnett  carlosreygadas  houhsiao-hsien  srg  towatch 
december 2016 by robertogreco
The creative process of a master artist | William Kentridge | TEDxJohannesburgSalon - YouTube
"Virtuoso artist William Kentridge treats the TEDxJohannesburg audience to a masterclass on his creative process.

William’s practice is born out of a cross-fertilisation between mediums and genres. His work responds to the legacies of colonialism and apartheid, within the context of South Africa's socio-political landscape. His aesthetics are drawn from film’s own history, from stop-motion animation to early special effects. The dynamism of an erased and redrawn mark in his drawing is an integral part of his expanded practice. In autumn 2016, William presents recent work at Whitechapel Gallery, London."
williamkentridge  towatch 
december 2016 by robertogreco
William Kentridge on 'Brilliant Ideas' - YouTube
"Nov.28 -- South African artist William Kentridge is best known for his animated charcoal drawings but he also works in sculpture, print making, tapestry and stage design. He directs operas and creates multi-screen video installations that tour the globe. Recently, he's combined his love of figurative art with dance, music and mime and he's created an extraordinary 500-meter freeze set within the heart of the ancient city of Rome. William Kentridge is frequently in the top rankings for international artists but, despite his global reputation, he's always remained anchored to his roots."
williamkentridge  towatch 
december 2016 by robertogreco
Kentridge William, A documentary - YouTube
"Certain doubts of William Kentridge (2000)

Duration: 52 minutes

Directed by Alex Gabassi
Created and produced by Associação Cultural Videobrasil.
Publisher:[Brazil] : Associação Cultural Videobrasil, 2000.

Films, drawings, installations, theatre, opera: William Kentridge, one of the most important names in South African contemporary art, easily glides between media, in a combination of references and techniques that render his work unique. In this documentary, which follows him through Johannesburg and Brazil, he speaks of the impact of the landscape and social contradictions on his work, and comments on the life of characters like Felix Teitlebaum, his alter ego."
williamkentridge  towatch 
december 2016 by robertogreco
William Kentridge: Peripheral Thinking - YouTube
"In this lecture, renowned South African artist William Kentridge, hon. 2013, examines possibilities for learning from the edges. He discusses the porousness of focus and describes the ways in which studio processes can be instructive for looking at universal questions. Kentridge talks specifically about his current project, Notes Towards a Model Opera, which looks at the Cultural Revolution in China and other utopian projects. Followed by a reception. Generously funded by the Andrew Carnduff Ritchie Fund."
williamkentridge  towatch 
december 2016 by robertogreco
William Kentridge Interview: Reduced to Being an Artist - YouTube
"”One can always write ones biography in the terms of the failures which have saved you.” Meet South African artist William Kentridge in this extensive and humorous reflection upon life and his relationship with art.

William Kentridge (b. 1955) is South Africa's most important contemporary artist, best known for his prints, drawings and animated films. He has been compared to Buster Keaton and Gerorge Méliès and mentions Hogarth, Francis Bacon, Manet, Philip Guston, Picasso, the Dadaists, Samuel Beckett and Mayakovski as his inspirations.

“It is about tracking down the multiple cells that we all have. And it is also understanding the sometimes antagonistic relationship to ourselves.” Kentridge continues: “One has to understand that you do not spent being an artist for 40 years without there being some physic insufficiency. Artists are always incomplete. If you are a complete person, there is no need to spend your life making objects for other people to look at. There is an uncertainty of existence, I am sure.”

Kentridge was born in Johannesburg to Sydney Kentridge and Felicia Geffen. Both were attorneys who represented people marginalized by the apartheid system. He was educated at King Edward VII School in Houghton, Johannesburg. He earned a Bachelor of Arts degree in Politics and African Studies at the Unversity of the Witwatersrand and then a diploma in FINE Arts from the Johannesburg Art Foundation. He originally hoped to become an actor, but reflects today: "I was fortunate to discover at a theatre school that I was so bad an actor that I was reduced to being an artist, and I made my peace with it.”

For his art work in such different fields as drawing, animated films, opera and sculpture, Kentridge has received numerous prestigious awards such as the the Carnegie Medal (1999), the Kyoto Prize (2010), the Dan David Prize (2012) and the Commandeur des Arts et des Lettres (2013).

The video also shows excerpts from the works: 'Memo' (1994) and 'Duck Soup' (2007).

William Kentridge was interviewed by Synne Rifbjerg on the occasion of the Art Alive Festival at the Louisiana Museum of Modern Art in May 2016.

Camera: Klaus Elmer and Mathias Nyholm
Edited by: Klaus Elmer
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016"
williamkentridge  towatch 
december 2016 by robertogreco
The Brainwashing Of My Dad
"The truth behind the right-wing media machine that changed a father--and divided the nation"



"A filmmaker examines the rise of right-wing media through the lens of her father, whose immersion in it radicalized him and rocked the foundation of their family. She discovers this political phenomenon recurring in living rooms everywhere, and reveals the consequences conservative media has had on families and a nation."



"WAS HILLARY CLINTON CRAZY WHEN SHE SPOKE OF THE “VAST RIGHT-WING CONSPIRACY,” RESPONSIBLE FOR THE RELENTLESS AND COSTLY ATTACKS AGAINST HER HUSBAND, PRESIDENT BILL CLINTON?

As filmmaker, Jen Senko, tries to understand the transformation of her father from a non political, life-long Democrat to an angry, Right-Wing fanatic, she uncovers the forces behind the media that changed him completely: a plan by Roger Ailes under Nixon for a media takeover by the GOP, The Powell Memo urging business leaders to influence institutions of public opinion, especially the universities, the media and the courts, and under Reagan, the dismantling of the Fairness Doctrine.

As her journey continues, we discover that her father is part of a much broader demographic, and that the story is one that affects us all.

Through interviews with media luminaries, cognitive linguists, grassroots activist groups such as: Noam Chomsky, Steve Rendall, Jeff Cohen, Eric Boehlert, George Lakoff, STOP RUSH, HearYourselfThink, Claire Conner and others, “Brainwashing” unravels the plan to shift the country to the Right over the last 30 years, largely through media manipulation. The result has lead to fewer voices, less diversity of opinion, massive intentional misinformation and greater division of our country.

This documentary will shine a light on how it happened (and is still happening) and lead to questions about who owns the airwaves, what rights we have as listeners/watchers and what responsibility does our government have to keep the airwaves truly fair, accurate and accountable to the truth."

[trailer: https://vimeo.com/109066326 ]
documentary  towatch  media  politics  talkradio  tv  television  news  jensenko  noamchomsky  steverendall  jeffcohen  ericboehlert  georgelakoff  stoprush  hearyourselfthink  claireconner  rogerailes  1980s  1990s  powellmemo  brainwashing 
november 2016 by robertogreco
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