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robertogreco : worlding   4

SF: Science Fiction, Speculative Fabulation, String Figures, So Far - Ada: A Journal of Gender, New Media, and Technology
"The British social anthropologist Marilyn Strathern, who wrote The Gender of the Gift based on her ethnographic work in highland Papua New Guinea (Mt. Hagen), taught me that “It matters what ideas we use to think other ideas (with)” (Reproducing the Future 10). Marilyn embodies for me the practice of feminist speculative fabulation in the scholarly mode. It matters what matters we use to think other matters with; it matters what stories we tell to tell other stories with; it matters what knots knot knots, what thoughts think thoughts, what ties tie ties. It matters what stories make worlds, what worlds make stories. Marilyn wrote about accepting the risk of relentless contingency; she thinks about anthropology as the knowledge practice that studies relations with relations, that puts relations at risk with other relations, from unexpected other worlds. In 1933 Alfred North Whitehead, the American mathematician and process philosopher who infuses my sense of worlding, wrote The Adventures of Ideas. SF is precisely full of such adventures. Isabelle Stengers, a chemist, scholar of Whitehead, and a seriously quirky Belgian feminist philosopher, gives me “speculative thinking” in spades. Isabelle insists we cannot denounce the world in the name of an ideal world. In the spirit of feminist communitarian anarchism and the idiom of Whitehead’s philosophy, she maintains that decisions must take place somehow in the presence of those who will bear their consequences.[2] In this same virtual sibling set, Marleen Barr morphed Heinlein’s speculative fiction into feminist fabulation for me. In relay and return, SF morphs in my writing and research into speculative fabulation and string figures. Relays, cat’s cradle, passing patterns back and forth, giving and receiving, patterning, holding the unasked-for pattern in one’s hands, response-ability, Octavia Butler’s Patternmaster series. My debts mount. Again and again, SF has given me the ideas, the stories, and the shapes with which I think ideas, shapes, and stories in feminist theory and science studies. There is no way I can name all of my debts to SF’s critters and worlds, human and not, and so I will record only a few and hope for a credit extension for years yet to come. I will enter these debts in a short ledger of my teaching and publishing. I start with Marge Piercy’s Woman on the Edge of Time, a typescript of my curriculum vitae that was part of a file for consideration for promotion in the History of Science Department at Johns Hopkins in 1979-80, and a bottle of chalky white out. I had written an essay review of Woman on the Edge of Time for the activist publication, Women, a Journal of Liberation and duly recorded this little publication on the CV. “The past is the contested zone”—the past that is our thick, not-yet-fixed, present, wherewhen what is yet-to-come is now at stake—is the meme that drew me into Piercy’s story, and I was proud of the review. A senior colleague in History of Science, a supporter of my promotion, came to me with a too-friendly smile and that betraying bottle of white-out, asking me to blot out this publication from the scholarly record, “for my own good.”[3] He also wanted me to expunge “Signs of Dominance,” a long, research-dense essay about the semiotics and sociograms developed in mid-20th-century primate field studies of monkeys and apes.[4] To my shame to this day, I obeyed; to my relief to this day, no one was fooled. Piercy’s temporalities and my growing sense of the SF-structure of primate field work made me write two essays for the brave, new, hyper-footnoted, University of Chicago feminist theory publication, Signs, and to title the essays in recognition of Piercy’s priority and patterned relay to me.[5] I could not forget—or disavow—Piercy’s research for Woman on the Edge of Time, which led her to psychiatrist José Delgado’s Rockland State Hospital experiments with remote-controlled telemetric implants, and my finding in my own archival research Delgado’s National Institutes of Mental Health-funded work applied to gibbon studies in the ape colony on Hall’s Island. The colonial and imperial roots & routes of SF are relentlessly real and inescapably fabulated. Later, living (non-optionally, in really real SF histories) with and as cyborgs, Piercy and I played cat’s cradle again, this time with my “Cyborg Manifesto” and then her He, She, and It. Cyborgs were never just about the interdigitations of humans and information machines; cyborgs were from the get-go the materialization of imploded (not hybridized) human beings-information machines-multispecies organisms. Cyborgs were always simultaneously relentlessly real and inescapably fabulated. Like all good SF, they redid what counts as—what is—real. The obligatory multispecies story-telling script was written in 1960 United States space research, when Manfred Clynes and Nathan Kline coined the word “cyborg” in an article about their implanted rats and the advantages of self-regulating human-machine systems in outer space."
speculativefiction  scifi  sciencefiction  donnaharaway  toread  speculativefabrication  isabellestrengers  alfrednorthwhitehead  knowledge  ideas  philosophy  anarchism  marilynstrathern  octaviabutler  manfredclynes  nathankline  cyborgs  joannaruss  samueldelany  evahayward  katieking  gregorybateson  historyofconsciousness  hiscon  herscam  jamestiptree  suzettehadenelgin  linguists  linguistics  johnvarley  fredjameson  suzymckeecharnass  ursulaleguin  worlding  cat'scradle  anthropology  ethnography  gwynethjones  heidegger  kant  multispecies  sheritepper  laurenoyaolamina  helenmerrick  margaretgrebowicz  dogs  animals  marleenbarr  marilynhacker  sarahlefanu  pamelasargent  viviansobchack  margaretatwood  vondamcintyre  ericrabkin  laurachernaik  sherrylvint  joshualebare  istvancsicsery-ronay  shulamithfirestone  judithmerril  franbartkowsky  2013 
october 2015 by robertogreco
VINCIANE DESPRET: Lecture (part 1 of 2) - YouTube
"WHERE ARE WE GOING, WALT WHITMAN?

An ecosophical roadmap for artists and other futurists

Conference -- festival that took place from 12--15 March, 2013 at the Gerrit Rietveld Academie in Amsterdam.

Gabriëlle Schleijpen, head of Studium Generale Rietveld Academie invited Anselm Franke, Binna Choi, Carolyn Christof - Bakargiev, Natasha Ginwala and Vivian Ziherl to each inaugurate a discursive and performative program of one day.

Friday March 15

POIESIS OF WORLDING

Bringing together research, art, and various approaches and concerns relating to ecology, artist Ayreen Anastas, author, researcher, organiser of events and exhibitions, Carolyn Christov-Bakargiev, writer, philosopher and ethologist Vinciane Despret, artist Rene Gabri, artist and rural sociologist Fernando García-Dory and interdisciplinary artist Marcos Lutyens explored collectively what a 'poiesis of worlding' could involve. What could be a process of re-apprehending and re-animating worlds which our current systems of knowledge and understanding exclude? And how do such foreclosures relate to some of the most pressing challenges of our time? Departing from a lecture program by playing with predefined lecture protocols and later opening a space for shared doing-thinking, the day's journey was split into two parts which were sewn together by a collective hypnosis.

http://wherearewegoingwaltwhitman.rietveldacademie.nl/
http://gerritrietveldacademie.nl/en/ "

[part 2: https://www.youtube.com/watch?v=vD77gU0XjMk]
vincianedespret  animals  storytelling  2013  via:anne  ethology  ecosophy  perspective  science  pov  multispecies  empathy  knowing  waysofknowing  waltwhitman  agency  poiesis  worlding  interdisciplinary  art  arts  ayreenanastas  meaning  meaningmaking  carolynchristov-bakargiev  perception  renegabri  fernandogarcía-dory  marcoslutyens  knowledge  future  futurism  human-animalrelations  human-animalrelationships  worldbuilding  being  feeling  seeing  constructivism  richarddawkins  theselfishgene 
march 2015 by robertogreco
Selin Jessa on Twitter: "Phrases, lately: (0. "bits of poetry stick to her like burrs" Jenny Offill's Dept. Speculation)"
"Phrases, lately: (0. "bits of poetry stick to her like burrs" Jenny Offill's Dept. Speculation)"
https://twitter.com/selinjessa/status/549813158462775296

"i. "between kind wildness & wild kindness" @mojgani, https://twitter.com/mojgani/status/548544254339846144 …"
https://twitter.com/selinjessa/status/549813370346405888

"ii. "a practice of worlding" http://thomvandooren.org/2014/07/19/care-some-musings-on-a-theme/ …"
https://twitter.com/selinjessa/status/549813522259906561

"iii. "craftmanship of knowing" Latour in Visualization and Cognition"
https://twitter.com/selinjessa/status/549813748819439617

"iv. "to bring the body back in" Towards Enabling Geographies, Chouinard (ed)"
https://twitter.com/selinjessa/status/549814454817280000

"v. "your bones as piccolos" http://poeticise.tumblr.com/post/73755575134/how-to-love-bats-by-judith-beveridge …"
https://twitter.com/selinjessa/status/549814682618302464

"vi. "the bone of the planet" a misreading of @alexismadrigal's 11/05 5IT"
https://twitter.com/selinjessa/status/549814925434966017

"vii. "each cell shimmying on its little mitochondrial hilt" Carson, Red doc >"
https://twitter.com/selinjessa/status/549815236123844608

"viii. "the tree unleafing" http://www.poetryinternationalweb.net/pi/site/poem/item/18623/auto/TO-SPARENESS-AN-ASSAY …"
https://twitter.com/selinjessa/status/549815847921786881

"ix. "visitations of light" Ledgard, Submergence"
https://twitter.com/selinjessa/status/549815954545180672

"x. "May your listening be good!" http://www.poets.org/poetsorg/poem/passerby-these-are-words …"
https://twitter.com/selinjessa/status/549816439117332480
selinjessa  language  phrases  jennyoffill  anismojgani  brunolatour  judithbeveridge  poetry  poems  alexismadrigal  redcarson  janehirshfield  jmledgard  submergence  yvesbonnefoy  verachouinard  thomvandooren  worlding  craftmanship  knowing  visualization  cognition  body  bodies  bones  biology  unleafing  plants  science  nature  light 
december 2014 by robertogreco
Metropolis M » Magazine » 2011 No5 » dOCUMENTA (13) Thinks Ahead
"A collection of notes is a curious archive of attempts. Attempts to understand the language we use, the logic we trace, and the images we generate to understand life today. Carolyn Christov-Bakargiev, the artistic director of dOCUMENTA (13), would say that these notebooks are “worlding” exercises, weaving and stringing together different potentials.’"

"we are really interested in exploring artistic research. Artists, like scientists, are pioneers when it comes to creating new forms of connectivity between worlds that seem to have nothing in common with each other. They embark on the endless study of everything that contributes to different formulations of what we call reality. Taking artistic research seriously means accepting disorganisation within the relationship between disciplines that deal with contemporary art. The rise of cultural studies, critical theory, and the many variations of post-Marxist understanding of the relationship between art and economics is the fruit of…"
sketchbooks  worldbuilding  worlding  sensemaking  meaningmaking  meaning  cv  howwethink  howwecreate  howwelearn  howwework  research  art  multidisciplinary  crossdisciplinary  crosspollination  interdisciplinary  interdisciplinarity  artisticresearch  connections  potentials  sketching  drawing  language  logic  deschooling  unschooling  glvo  notebooks  2012  carolynchristov-bakargiev  chusmartinez  documenta(13)  documenta  understanding  notetaking  notes  learning 
may 2012 by robertogreco

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