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robertogreco : worldview   6

Impakt Festival 2017 - Performance: ANAB JAIN. HQ - YouTube
[Embedded here: http://impakt.nl/festival/reports/impakt-festival-2017/impakt-festival-2017-anab-jain/ ]

"'Everything is Beautiful and Nothing Hurts': @anab_jain's expansive keynote @impaktfestival weaves threads through death, transcience, uncertainty, growthism, technological determinism, precarity, imagination and truths. Thanks to @jonardern for masterful advise on 'modelling reality', and @tobias_revell and @ndkane for the invitation."
https://www.instagram.com/p/BbctTcRFlFI/ ]
anabjain  2017  superflux  death  aging  transience  time  temporary  abundance  scarcity  future  futurism  prototyping  speculativedesign  predictions  life  living  uncertainty  film  filmmaking  design  speculativefiction  experimentation  counternarratives  designfiction  futuremaking  climatechange  food  homegrowing  smarthomes  iot  internetofthings  capitalism  hope  futures  hopefulness  data  dataviz  datavisualization  visualization  williamplayfair  society  economics  wonder  williamstanleyjevons  explanation  statistics  wiiliambernstein  prosperity  growth  latecapitalism  propertyrights  jamescscott  objectivity  technocrats  democracy  probability  scale  measurement  observation  policy  ai  artificialintelligence  deeplearning  algorithms  technology  control  agency  bias  biases  neoliberalism  communism  present  past  worldview  change  ideas  reality  lucagatti  alextaylor  unknown  possibility  stability  annalowenhaupttsing  imagination  ursulaleguin  truth  storytelling  paradigmshifts  optimism  annegalloway  miyamotomusashi  annatsing 
november 2017 by robertogreco
The revolt of the back row kids – Medium
"1. I earlier predicted Hillary would win in a landslide and I was wrong.

2. I predicted this despite spending the last year talking to voters all over the country and hearing from them nothing but anger.

3. Along with hearing anger, I have heard very little good said about Hillary Clinton. From anyone. Black or white.

4. I hear awful things about her, outright lies and nastiness, from many Trump voters. She is hated beyond anything.

5. I hear less awful things, but still bad, from Reagan Democrats who voted for Obama. They “just don’t like her.”

6. I hear from working class whites who love Bernie. Who will not vote for Hillary. “She is in Wall Streets hands.”

7. I spend an equal time in working class black neighborhoods, & they will vote for her. With little enthusiasm.

8. Many older blacks love Bill Clinton. And that is why they are voting for Hillary.

9. Is all of this anger and tepid support for Hillary just about sexism? Partly. But it is far more than that. She is viewed as aloof & calculating. As the establishment. As the elite. She represents the front row kids.

10. She is everything everyone dislikes about the front row kids. And this election is about everyone else throwing them out.

11. Bill Clinton was a back row kid at heart. That is what he came from. (Go visit his hometown. Really.)

12. Trump is what the back row (and middle rows) often love best. Someone from the front row who joins them.

13. Not only is Trump joining them, he is shooting spitballs at the kids in the front. Making them all mad!

14. And what does team Hillary do? Goes full front row on everyone, throwing scorn. “How dare you behave so awfully! Grow up! Bad kids!”

15. That is why “basket of deplorable” was so damaging. It is exactly how everyone who isn’t in the front row thinks the front row thinks about everyone else.

16. And the thing is, as someone who was in the front row for much of my life (Wall Street banker). It is exactly how many in the front row think!

17. Hillary and the front row kids can still easily win. But only if they become a little self aware and a little humble. Offer up real ideas and admit fault, rather than just dish out condescending scorn.

18. Judging from the dismissive yells of “Racist!” of, “They are stupid”, I hear daily from smart front row kids. Hillary, and her front row supporters, are in trouble.

PS: Here is a more mathematical description of the same thing: Why Trump voters are not “Completely idiots” [https://medium.com/@Chris_arnade/trump-politics-and-option-pricing-or-why-trump-voters-are-not-idiots-1e364a4ed940 ]

PSS: Feel free to yell at me on Twitter."

[See also (from 2 Feb 2017): https://twitter.com/chris_arnade/status/827161942452101122

1. The US right now is massively divided. The biggest division is race. Even after Obama. The next biggest division is education.

2. There are the Front Row Kids (Below is my summary of how I define that) [image]

3. There are the Back Row Kids (Again. My definition) [image]

4. These are two entirely different world views. They are two different realities. Neither understands each other! Both want power.

5. How we frame & see everything, especially politics, is function of what group we are in [https://medium.com/@Chris_arnade/divided-by-meaning-1ab510759ee7 ]

6. Politics is about each group wanting to run stuff. For last X yrs, until this election, Front Row kids & their world view has run stuff

7. Frustrated, with their world view devalued, back row kids figured their only option was to knock over the game. Break the system. Trump

8. Now the Front row kids are flippin out. Because their world view is being questioned, broken, and devalued.

9. Just like the Back Row kids spent last X years flippin out.

How each flips out is also a function of their world view.

10. Back row kids flip out by anger/exclusion. Embracing populist. Strength is key
Front row kids flip out by condescending. Casting scorn.

11. In both cases it is to deny validity as they define it. Back row says Front row is "Weak/unAmerican." Front row says Back row is "Dumb"

12. These competing world views & realities are only growing bigger, driven by those wanting to intentionally exploit them (Trump!)

But....

13. They are also getting bigger by folks just not understanding they have a worldview that is limiting & often selfish. On both sides!

14. Most people are just good people (on both sides!), and overwhelmed with the daily realities of THEIR world to focus beyond that.

15. They are immersed in their reality, and when another reality comes slamming in -- the natural reaction is to retreat further. Not talk

16. And this social media thing ain't helping at all.

I myself don't see things getting better. I only see further division & more storms

17. Last 6 yrs talking to voters has been uplifting/depressing. Uplifting because individually we are great. But collectively we are divided

18. I can only hope, and stay focused, on the basic decency of everyone I have met all over the US. And hope that wins out."]
via:lukeneff  chrisarnade  us  elections  2016  politics  donaldtrump  hillaryclinton  elitism  inequality  meritocracy  value  worth  communication  worldview  meaning  opposition  2017  division  frontrowkids  backrowkids  government  power  reality 
march 2017 by robertogreco
Metamodernism | Adbusters
"To be more precise, metamodernism is not a new art movement replacing the old but rather a new “structure of feeling” that “reveals” itself in different everyday and artistic practices. With the term “structure of feeling,” the authors refer to British philosopher Raymond Williams, who invented this concept in his 1977 text Marxism and Literature as an alternative to very general terms such as “worldview” or “Zeitgeist.” To Williams, a “structure of feeling,” very broadly speaking, refers to a shared set of values, notions and meanings of a culture, subculture or generation, which mainly reveals itself in the artistic practices of that culture, subculture or generation.

"Taking this into account, “metamodernism” could be considered the dominant structure of feeling of a generation born in the peak of “postmodernism,” roughly between 1960 and 1990. A generation that grew up in economic prosperity, but which, because of the financial crisis, witnessed the collapse of the neo–capitalist dream and, as a result, the evaporation of the political essence of the 1990s."
metamodernism  generations  modernism  raymondwilliams  2014  capitalism  postmodernism  collapse  worldview  zeitgeist  subcultures  nielsvanpoecke 
january 2015 by robertogreco
The Pastry Box Project: Mandy Brown [Tuesday, 25 February 2014]
"In The Comedy of Survival, Joseph Meeker argues that much of Western civilization is modeled after the “tragic mode.” You’ll recognize that mode from the Greek and Renaissance tragedies you read in primary school. In the tragic mode, a larger-than-life character attempts to bend the world to his (and it’s always his) image. He succeeds, in part, by mutilating and murdering and generally dragging a swath of blood behind him. But his success is also his undoing, and at the end of the play, his head is carried off the stage. A eulogy praises his bravery while also issuing a caution against those who would follow in his path.

But Meeker proposes an alternative: the comic mode. As you might suspect, the comic mode takes its cues not from the great tragedies but from comedies. Whereas tragedies follow men who are determined to remake the world to suit them, comic characters remake themselves to fit the world. They are flexible and adaptable; they use their wits to take advantage of opportunities as they arise, rather than using their sword to make such opportunities appear.

Where tragedies end in funerals, comedies end in weddings — less blood, more drink.

The tragic mode is the one we slip into when we talk about men who’ve had an outsized impact on the world. We speak of the many things they’ve accomplished, the obstacles they overcame, their ambition, their disruption. We scoff at the companies or people left in their wake. If they fail, we praise their effort and courage. If they succeed, we eventually conspire to get at their throat, and the cycle begins anew.

But what of the comic mode? The comic mode eschews heroic acts. The comic mode pokes fun at ambition and celebrates leisure. The comic mode trades late nights for weekends off, empty savings accounts for day jobs, bravado for brains.

The comic mode lives beyond the curtain fall.

Less blood. More drink."
mandybrown  trickster  worldview  leisure  artleisure  leisurearts  comedy  tragedy  2014  heroism  humor  ambition  disruption 
february 2014 by robertogreco
Shoji Kawamori's Spring & Chaos - trailer - YouTube
"TOKYOPOP Presents the anime art film Spring & Chaos by esteemed anime director Shoji Kawamori (Macross, Escaflowne). This beautiful piece was created exclusively for Japanese television in Iwate Prefecture and is based on the life-story of Japan's most famous modern poet Kenji Miyazawa.

This is NOT a robot-battle, teen-schoolgirl, ninja or samurai anime (not that those aren't awesome) - so if you're looking for that type of anime, keep moving. Instead, this is a moving, dramatic look into early 20th century Japan and how Kenji Miyazawa, a teacher and poet, touched the lives of many students, challenging their view of the world."

[Film available on Hulu (for now): http://www.hulu.com/watch/162653 ]
cats  biography  mindchanges  mindchanging  howweteach  worldview  teaching  poets  kenjimiyazawa  shojikawamori  japan  animation  anime  via:robinsloan 
august 2012 by robertogreco
Mitt Romney’s insults and mistakes while at the London Olympics aren’t gaffes as much as a fair representation of his worldview. - Slate Magazine
"The thing that Krauthammer doesn’t get is that Romney is not the sort of businessman—that his brand of capitalism is not the sort of enterprise—that requires even the most elementary understanding of diplomacy, courtesy, or sensitivity to other people’s values, lives, or perceptions."
via:tom.hoffman  mittromney  2012  worldview 
july 2012 by robertogreco

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