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A new U.S.-Mexico border? At the Venice Biennale, imagining a binational region called MEXUS
"As part of their research into watersheds, Cruz and Forman have created an inventory of public lands in Los Laureles that can serve multiple purposes — as green space, environmental education center and natural buffers to mitigate flows of waste. And they are working to see how they can create a mechanism to invest in those spaces so that they might be preserved.

“Instead of the investing in the wall,” says Cruz, “can we invest to get the poor settlement to regulate the flow of waste? Can we get the poor residents to take care of the rich estuary?’

The subjects are tricky, but in these types of projects, Zeiger says she sees plenty of optimism.

“In architecture, if we don’t allow ourselves to visualize a condition that is different than the current condition, then we really cut off how we will impact the future,” she says.

For Forman, that consists of fomenting a new type of border culture.

“Citizenship,” she says, “is not an identity card. It’s about coexisting and building a city together.”"
teddycruz  fonnaforman  carolinamiranda  border  borders  us  california  mexico  sandiego  tijuana  texas  arizona  newmexico  2018  venicebiennale  architecture  citizenship  politicalequator  geography  geopolitics  mimizeiger  annlui  afrofuturism  architects  mexus  walls  nature  watersheds  land  maps  mapping  territory  ybca 
may 2018 by robertogreco
YBCA: Visualizing Citizenship: Seeking a New Public Imagination
“Teddy Cruz and Fonna Forman

Visualizing Citizenship: Seeking a New Public Imagination

Mar 10 2017 — Jun 18 2017

The Mexico-US border is a geography of conflict from which a more inclusive political vision can be shaped, based on integration and cooperation, not division and xenophobia.” - Teddy Cruz and Fonna Forman

In the face of a new, more divisive, political landscape, the public narrative around borders surfaces fears on all sides of the political spectrum. Yet for architect and theorist Teddy Cruz and political scientist Fonna Forman, border communities are opportunities for civic and political creativity, rather than criminalization. These sites, to which they refer as “geographies of conflict,” are the basis of three projects that present case studies for more expansive and inclusive ways of thinking of the relationships between the United States and its neighbors, and more broadly propose that citizenship is organized around shared values and common interests, and not on the action of an isolationist nation with a homogeneous identity.

Composed of videos, diagrams, maps, and visual narratives designed in collaboration with Studio Matthias Görlich, the exhibition presents The Political Equator (2011), a video and wall diagram that captures a collective border-crossing performance through a drainage pipe joining two marginalized neighborhoods along the border wall that divides an informal settlement in Mexico from a natural estuary in California. Produced for this exhibition, a series of posters synthesize their work on the Cross-Border Citizenship Culture Survey (2011-ongoing), the result of a collaboration with Antanas Mockus, the former mayor of Bogotá, Colombia; his think tank, Corpovisionarios; and city officials in San Diego and Tijuana. Also featured is The Medellín Diagram (2012-ongoing), which presents a new political and civic model for creating public spaces that facilitate cultural, political, and knowledge exchange based on the example of the city of Medellín and its extraordinary social and urban transformation."

[See also:
https://www.instagram.com/p/BUKugmPB1ev/
https://www.instagram.com/p/BUKuesOhEW3/
https://www.instagram.com/p/BUKucvjBnb4/
https://www.instagram.com/p/BT91baWBDUT/
https://www.instagram.com/p/BT91XhMB1B5/
https://www.instagram.com/p/BT91TldB9-0/ ]
ybca  teddycruz  fonnaforman  border  borders  sandiego  tijuana  medellín  antanasmockus  bogotá  matthiasgörlich  studiomatthiasgörlich  corpovisionarios2011  2012  cities  urban  urbanism  transformation  us  mexico  politcalequator  conflict  integration  cooperation  politic  geopolitics  art  design  california  medellin 
may 2017 by robertogreco
n o o n . c a s e s
"Analysis of the research garnered some key brand attributes that expressed the organization’s ambitions; the primary ones being ‘visceral’, and ‘engaged’. Our positioning strategy focused on differentiating the Center and one’s encounter with it as being ‘juicy’, or more colorfully, as ‘dripping with humanity’. The positioning statement, “Life Amplified”, formed the foundation of the branding program that would guide all marketing communications and was ultimately used as the organization’s tagline and monthly Newsletter title.
ybca  logos  identity  branding  tcsnmy  design 
january 2010 by robertogreco

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