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tsuomela : audience   22

On Public Intellectuals: From the Talmud to Judith Butler — Crooked Timber
"When we talk about public intellectuals, not only are we talking about the audience as a recipient or reader of the text, but we are also, necessarily, talking about the audience as an independent, autonomous, and equally original and creative, co-creator of the text."
public  intellectual  public-intellectual  audience  critical-theory  philosophy  reading  co-creation 
july 2016 by tsuomela
Reuters Institute Digital News Report
"This year's report reveals new insights about digital news consumption based on a YouGov survey of over 50,000 online news consumers in 26 countries including the US and UK. The report suggests that publishers across the world are facing unprecedented levels of disruption to business models and formats from a combination of the rise of social platforms, the move to mobile and growing consumer rejection of online advertising."
digital  news  online  media  journalism  audience 
june 2016 by tsuomela
When It Comes to Security, We're Back to Feudalism | Wired Opinion |
"In this new world of computing, we give up a certain amount of control, and in exchange we trust that our lords will both treat us well and protect us from harm. Not only will our software be continually updated with the newest and coolest functionality, but we trust it will happen without our being overtaxed by fees and required upgrades. We trust that our data and devices won’t be exposed to hackers, criminals, and malware. We trust that governments won’t be allowed to illegally spy on us."
computers  security  markets  audience  trust  business  feudalism 
december 2012 by tsuomela
An Academic Study Of Connecting With Fans & Giving Them A Reason To Buy | Techdirt
"Either way, I found it interesting to hear that Steven Brown, a student at Glasgow Caledonian University, has taken that presentation and published an academic article about it in the Empirical Musicology Review, entitled Artist autonomy in a digital era: The case of Nine Inch Nails. The paper goes through my presentation and looks at related academic research to see if there's support for the theories I discussed"
research  music  art  audience  business-model  fandom  business 
october 2012 by tsuomela
Does Google Have Any Social Skills at All?
"The keynote sounded one futuristic clarion call after another: Glass, the wearable computer
google  technology  social  attitude  audience  engineering 
july 2012 by tsuomela
The death of genre - Charlie's Diary
"The infinite bookshelf is already a problem for us. To add to the fun, once we enter the world of ebooks, nothing ever goes out of print. So works going back many years or decades are presented with equal priority to the latest new titles.

Upshot: we badly need better curation. Amazon and their competitors could present the results of author searches pre-sorted by time since publication and by language and by series. But that's barely a start.

Genre, in the ebook space, is a ball and chain. It stops you reaching new audiences who might like your work."
publishing  e-books  sf  genre  audience  marketing 
may 2012 by tsuomela
U.S. Intellectual History: How -- And For Whom -- We Write
"But while I certainly want academic history to continue valuing clear, non-technical prose, I also think we should try to have a more realistic sense of who we reach and how we reach them. The myth of accessible academic history has its costs as well as its benefits.

To begin with, the myth of accessibility can devalue some of what academic historians do uniquely well. We produce knowledge about the past regardless of whether there is a mass market for the knowledge we produce. And since I don't believe that the mass market does a good job of determining what's worth knowing, I think we ought to moderate our polemics against specialization. Many good ideas--even ideas that eventually have a profound impact on broad, public conversations--start in abstruse corners of academic work. Think, for example, of Kuhn and the idea of a "paradigm shift.""
history  profession  outreach  audience  public-understanding  writing  academic  specialization  access  tone 
april 2012 by tsuomela
AHA Today: Debating "Professional Boredom" in History
"In his article “Professional Boredom” in the March 2012 issue of Perspectives on History, AHA President William Cronon discussed what it means to be a “professional historian” and advocated for history writing that’s engaging and accessible to a broad audience. His article generated numerous insightful responses and discussions online, and today we highlight a few."
history  profession  outreach  audience  public-understanding 
april 2012 by tsuomela
Constructing Audiences in Scientific Controversy - Social Epistemology: A Journal of Knowledge, Culture and Policy
"Scientists, their allies, and opponents engage in struggles not just over what is true, but who may validate, access, and engage contentious knowledge. Viewed through the metaphor of theater, science is always performed for an audience, and that audience is constructed strategically and with consequence. Insights from theater studies, the public understanding of science, and literature on boundary work and framing contribute to a proposal for a framework to explore the construction of audiences during scientific controversy, consisting of three parameters: history, composition, and role. Applying this framework to the controversy over the presence of genetically modified maize in Mexico demonstrates how multiple and contested audiences form during a scientific controversy. Different scientific “productions” construct distinct or overlapping audiences
science  communication  controversy  theater  performance  audience  public-understanding 
may 2011 by tsuomela
I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience
"Social media technologies collapse multiple audiences into single contexts, making it difficult for people to use the same techniques online that they do to handle multiplicity in face-to-face conversation. This article investigates how content producers navigate ‘imagined audiences’ on Twitter. We talked with participants who have different types of followings to understand their techniques, including targeting different audiences, concealing subjects, and maintaining authenticity. Some techniques of audience management resemble the practices of ‘micro-celebrity’ and personal branding, both strategic self-commodification. Our model of the networked audience assumes a many-to-many communication through which individuals conceptualize an imagined audience evoked through their tweets. "
social-media  twitter  facebook  research  audience  perception  behavior  online 
february 2011 by tsuomela
Understanding the Participatory News Consumer | Pew Research Center's Internet & American Life Project
The internet is now the third most-popular news platform, behind local and national television news and ahead of national print newspapers, local print newspapers and radio. Getting news online fits into a broad pattern of news consumption by Americans; six in ten (59%) get news from a combination of online and offline sources on a typical day.
survey  news  journalism  trends  internet  media  research  participation  audience 
march 2010 by tsuomela

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