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tsuomela : materiality   8

The Architecture of Error | The MIT Press
"When architects draw even brick walls to six decimal places with software designed to cut lenses, it is clear that the logic that once organized relations between precision and material error in construction has unraveled. Precision, already a promiscuous term, seems now to have been uncoupled from its contract with truthfulness. Meanwhile error, and the always-political space of its dissent, has reconfigured itself. In The Architecture of Error Francesca Hughes argues that behind the architect’s acute fetishization of redundant precision lies a special fear of physical error. What if we were to consider the pivotal cultural and technological transformations of modernism to have been driven not so much by the causes its narratives declare, she asks, as by an unspoken horror of loss of control over error, material life, and everything that matter stands for? Hughes traces the rising intolerance of material vagaries—from the removal of ornament to digitalized fabrication—that produced the blind rejection of organic materials, the proliferation of material testing, and the rhetorical obstacles that blighted cybernetics. Why is it, she asks, that the more we cornered physical error, the more we feared it? Hughes’s analysis of redundant precision exposes an architecture of fear whose politics must be called into question. Proposing error as a new category for architectural thought, Hughes draws on other disciplines and practices that have interrogated precision and failure, citing the work of scientists Nancy Cartwright and Evelyn Fox Keller and visual artists Gordon Matta-Clark, Barbara Hepworth, Rachel Whiteread, and others. These non-architect practitioners, she argues, show that error need not be excluded and precision can be made accountable."
book  publisher  architecture  materiality  risk  error  measurement  engineering 
march 2015 by tsuomela
Spinuzzi: Symmetry as a methodological move, part IV
"When Latour uses symmetry, it's as a methodological move: a move that focuses us on the associations among various humans and nonhumans. And since the associations themselves are the focus, the things they associate fade into the background."
sociology  social-science  rhetoric  genre  artifact  materiality  method  symmetry  about(BrunoLatour) 
october 2012 by tsuomela
embodied organizations «
"Organizations are, in addition to being actors in their own right, physical places. People interact, live, and experience life in organizational settings, whether it be their workplaces, churches, or voluntary associations. Much of our bodily experiences is structured by organizations. Surprisingly, the physical/bodily experience of organizations doesn’t get much attention in organizational theory. Feminist perspectives are a big exception, of course. Philip Selznick also emphasized how ideals were “embodied in action” through organizations in his distinct brand of pragmatism. But most organizational theory fails to take into account the physical experience of organizations."
materiality  organizations  sociology  behavior  embodied 
april 2011 by tsuomela
Museum Materialities: Objects, Engagements, Interpretations (Paperback) - Routledge
"This is an innovative interdisciplinary book about objects and people within museums and galleries. It addresses fundamental issues of human sensory, emotional and aesthetic experience of objects. The chapters explore ways and contexts in which things and people mutually interact, and raise questions about how objects carry meaning and feeling, the distinctions between objects and persons, particular qualities of the museum as context for person-object engagements, and the active and embodied role of the museum visitor. "
book  publisher  museology  museum  objects  materiality  education  informal  learning 
april 2011 by tsuomela

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